Mansi Sharma, 2nd Year Interior Design (Commercial Design Assignment Portfolio)
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Portfolio Of Student Of Dezyne E'cole College , Mansi Sharma, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
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Mansi Sharma, 2nd Year Interior Design (Commercial Design Assignment Portfolio)
- 1. Mansi Sharma PORTFOLIO COMMERCIAL DESIGN 2nd Year Commercial Design Diploma NSQF Level-6 Of NSDC Dezyne E’cole College, Www.Dezyneecole.Com
- 2. Dezyne E’cole College 106/10, Civil Lines, Ajmer Tel-01452624679 www.dezyneecole.com 2018-2019 Project Report On: Commercial Design At Dezyne E’cole College, Ajmer Submitted To Dezyne E’cole College Towards The Partial Fulfillment Of 2 Year Commercial Design Diploma By: Mansi sharma
- 3. SYNOPSIS During the tenure of 2nd year commercial design program, I studied about different commercial spaces like retail stores, restaurants design and offices etc. Commercial design involves in designing of spaces that serves the business purposes . Commercial design includes everything from small retail spaces to malls, small saloons to higher boutiques, healthcare clubs to gym, roadside dhabas to the higher end a la-carte restaurants. In this 2nd year program I learnt few subject in which I learnt how to commercial spaces, and design development with lighting , and planning by using anthropometrics, and design products for store by using product design , etc. and many things we learnt during this program. In retail design I learnt that in retail spaces are divided in three parts i.e. exterior presentation, window display , and interior presentation of store. COMMERCIAL Design
- 4. I Mansi Sharma , Student Of Dezyne E’cole College, Am Extremely Grateful To Each And Every Individual Who Has Contributed In Successful Completion Of My Project. I Would Like To Express My Special Thanks Of Gratitude Towards Dezyne E’cole College And Its Mentors For Their Guidance And Constant Supervision As Well As For Providing Me The Necessary Information And Support Regarding The Completion Of Project. I Also Want To Thank My Parents And My Friends Who Helped Me A Lot In Finalizing This Project Within A Limited Time Frame. Thank You. Regards , Mansi Sharma ACKNOWLEDGEMENT
- 5. The Project Report Of Ms. Mansi Sharma , A Student 2nd Year Commercial Design Diploma , NSQF Level 6 Of NSDC, Has Been Checked And Is Graded As Thank You Principle ( Seal &Sign)
- 6. Mansi Sharma Commercial Design Portfolio I am Mansi Sharma, 2nd year student of Interior Design diploma of NSQF level-6 of NSDC at Dezyne E’cole College. B.Sc. 2nd year Interior Design Diploma Of NSQF lavel-6 of NSDC. Dezyne E’Cole College www.dezynecole.com 2017 – 2018 Interior Designer 2nd Year Commercial Design diploma, NSQF level -6 of NSDC, Dezyne e’cole college , Ajmer Education : Bachelor Of Science – Interior Design Dezyne E’cole College (2017-2020) 1 year residential design diploma, NSQF level- 5 of NSDC, Dezyne e’cole college , Ajmer. 12th – CBSE Board (2017) Queen Mary’s Sr. Sec. School, Ajmer, https://www.linkedin.com/in/mansi-sharma- a3972715b dezyneecole@gmail.com www.dezyneecole.com 01452629679, 9829024839 Contact : Skills : • Space planning (residential and commercial ) • Design development • Basic computers Software :
- 7. CONTENT 4 PRODUCT DESIGN 3 LIGHTING DESIGN 1 ANTHROPOMETRIC 2 COMPUTER GRAPHICS
- 9. COMMERCIAL ANTHROPOMETRIC The science dealing specially with the measurement of the human body to determine differences in individuals, groups , etc. is termed anthropometry . The anthropometry is viewed mainly as exercise in simple measurement and nothing more, one might conclude that the dimensional data could be further from the truth. There are many complicating factors and difficulties involved. One such factor is that body size vary with age, sex, race , and even occupational group. Human body dimensions that impact on the design of interior spaces are of two basic types- structural and functional. Structural dimensions, some times referred to as ‘’static’’ ‘’dynamic’’ dimensions, as the term suggested, include measurements taken in working positions or during the movement associated with certain tasks. Appropriates It is essential , due to many variable involved , that the data selected be appropriate to the user of the space or furniture to be designed. It becomes necessary, therefore , for the intended user population to be properly defined in terms of such factors as age, sex, occupation , and ethnicity. Reach , clearances, and adjustability The selection of appropriate anthropometric data is based on the nature of the particular design problem under consideration . If the design requires the user to reach from a seated or standing position , the 5th percentile data should be utilized. INTERIOR Design
- 10. RETAIL DESIGN
- 11. Retail spaces In an interior environment such as a retail space, where customer convenience and comfort are a matter of corporate policy, the responsiveness of the design to human dimensions and body sizes is extremely critical. The interface between the user and the various types of sales counter and self display must be of high quality. Various counter types for use from both seated and standing positions indicating the anthropometric considerations involved and suggested dimension clearance for use in making preliminary design assumptions. Proper visibility of display both from within and from without is also crucial to the successful design of a retail space. The eye height of the small and large viewer and the geometric implications of human vision must be accommodated. The height of a wrapping counter, the size of a dressing cubicle the critical dimensions of a shoe department and circulation around and between merchandise display must all accommodate users of varying body size. Illustrations of these aspects of retail spaces are also among the drawings include in this section, together with suggested clearance INTERIOR Design
- 12. Project Report Drawing Title Date of Submission Submitted to Submitted by 2-11- 2018 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces SHOW WINDOW / OPTIMUM VEIWING PLANES Code inch A 68.6 B 56.3 C 27 D 14.7 E 28.0 F 28.3 G 41.5 H 28.6 I 47.8 J 39.3 K 54.8 L 42.5 M 83.1 N 69.3 O 55.4 P 41.6 Q 27.7 R 72 S 60 T 48 U 36 V 24 W 12 X 84 DISPLAY / VISUAL RELATIONSHIP T x u 5%femaleeyeht. 95%maleeyeht. Exterior Show window 5%femaleeyeht. 95%maleeyeht. The drawing at the top of the page shows the optimum height of viewing planes located at 12’’, or 30.5- cm intervals , with the viewer stationed 12intervals away from the show window . Two sets of data presented: one concern the viewing to viewer of body sizes. commercial Anthropometric assignments
- 13. Project Report Drawing Title Date of Submission Submitted to Submitted by 2-11- 2018 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces MAIN PUBLIC AISLE WIDTHS Code inch A 66min B 18 C 72 D 26-30 E 116-120 F 30-36 G 18-36 H 18min I 51min J 66-90 The top drawing illustration the clearances between counters on opposite sides if a main aisle. The total clearances suggested is between 117 and 20 inch, or 297.2 and 304.8 cm this is allow an activity zone for standing and larger activity zone for standing / or seated customers facing the upper counter , as well through circulation lane between the two. The drawing at the bottom of the page illustrated the clearances suggested for a secondary aisle . The clearances in front of the merchandise case at the left takes into consideration a kneeling figure removing merchandise from a low shelf, while the clearances in front of 18 inch which accommodates a person standing parallel to the case , either looking or handling merchandise displayed the to of surface. commercial Anthropometric assignments Ec D B Activity Zone Standing Customers A Clerk’s aisle Counter Counter I G F H J Merchandisecase Merchandise case Activity Zone/ Circulation Min. clearances between obstructions Line of obstruction Clear Circulation SECONDARY PUBLIC AISLE WIDTH Activity Zone/ Circulation
- 14. Project Report Drawing Title Date of Submission Submitted to Submitted by 2-11- 2018 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Seated Customer / Desirable Counter Height Code inch A 36 B 26-30 C 18-24 D 30min E 10 F 21-22 G 5 H 23-25 I 4-6 J 34-36 K 30 L 16-17 commercial Anthropometric assignments Counter Counter Seated Customer / Low Counter Height A B C D F H G J E B LK Stock Stock Display Counter Activity Zone/ Circulation Clerk’s aisle Clerk’s aisle Footrest Activity Zone/ Circulation Public Circulation Zone Public Circulation Zone Display Counter The drawing at the top page shows the clearances required for a medium height display counter. The suggested seat height of 21 to 22in, requires a footrest for the seated customer. The counter height shows will allow the display to view by both seated customer and standing the clerk. The drawing at the bottom of the page is low of 30IN, display counter also for use by seated customer . The anthropometric consider the same . Although the counter height is responsive to the anthropometric requirements of the seated customer , is less than ideal for standing clerk .
- 15. Project Report Drawing Title Date of Submission Submitted to Submitted by 2-11- 2018 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Seated Customer / High Counter Height Code inch A 26-30 B 18-24 C 42 D 28 E 84-112 F 18 G 18-24 H 30-48 I 18-22 J 35-38 K 72 commercial Anthropometric assignments Typical Sales Area / Standing Customer DC A Public Circulation Zone Activity Zone/ Circulation Display Counter Stock Stock Stock Stool Clerk’s aisle Display Counter E F G H I J Display Max.shelfheight K Activity Zone Clerk’s aisle with circulation Circulation Zone The drawing shows the clearances involved for a 42inch high counter to service a seated user. By filling the recess with an additional display , however , the counter can also be used exclusively as typical sales counter. the bottom drawing illustrates the clearances for typical sales counter.
- 16. Project Report Drawing Title Date of Submission Submitted to Submitted by 2-11- 2018 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Typical Merchandise Cases Code inch A 48max. B 30-36 C 51min D 66 E 72 F 84-96 G 20-26 H 28-30 I 18-24 J 18min K 72max L 4 M 42 N 26min. commercial Anthropometric assignments Hanging Merchandise Cases E JBJIG Activity Zone Circulation Zone Activity Zone N M L K Dresses A D E Stock Locked Sliding Doors Locked Sliding Doors B C Circulation Zone /Activity Zone The heights established must therefore be responsive to vertical grip reach dimensions as well as to eye height . In establishing height limits, the body sizes data of the smaller person should be used The bottom drawing illustrate the clearances involved in hanging type merchandise cases.
- 17. Bars The drawing illustrate in plan and section the consideration that should make the design of bar more sensitive to human body size. Clearances and other dimensional data for use in making preliminary design assumption are also indicated in the matrix above. INTERIOR Design
- 18. BARS
- 19. Project Report Drawing Title Date of Submission Submitted to Submitted by 4-1- 2019 Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Bar And Back Bar Code inch A 54 B 18-24 C 24 D 30 E 16-18 F 24-30 G 30-36 H 28-38 I 100-128 J 42-52 K 11-12 L 6-7 M 7-9 N 6-9 O 22-26 P 60-69 Q 36-42 commercial Anthropometric assignments BAR / SECTION F G B H A B EE F D C Activity Zone/ Circulation Edge Of Bar Equipment Edge Of Bar Equipment Bar Top Back Bar Circulation zone I B H G F B P QOJ Bar Equipment Back Bar Top Of Back Bar Stool Footrest Top Of Equipment Work Activity Zone D The distance between bar and back bar should allow adequate workspace. A minimum of 36in, should provide space for one bartender to serve and another to circulate behind him. A one bartender operations would require a 30in, clearances. In regards to bar stool seats is more critical than center line spacing , and it should allow patrons of larger body size a comfortable side approach and departure with the next person. Activity Zone
- 20. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Bar / Clearances Public Side Code inch A 76 B 66-72 C 10-12 D 18 E 30 F 18-24 G 76 H 54-56 I 6-9 J 7-9 K 42-45 L 24 M 29-33 N 32-36 commercial Anthropometric assignments Cocktail Table / Seating For Two Back Bar To ensure proper circulation and interface, adequate clearances in front the bar are illustrated in the top drawing . A customer activity zone 0f 18 in should and access, in addition to general circulation zone at least 30in if a supplementary drinking surface or shelf is provides a small activity zone of 18in is suggested front of the shelf . G H C D E F F B A K K Stool Footrest Circulation ZoneActivity Zone customer Activity Zone visibility D D L L Sitting Zone M N Sitting Zone 4-1- 2019
- 21. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Code inch A 30 B 24-30 C 28-38 D 24 E 120 F 18-30 G 36-54 commercial Anthropometric assignments The top drawing possible density model , based on one seated or standing patron per 30in of bar length. The center drawing illustrate a medium density model, based on 24 in spacing ; takes occasional pairing into account, as shown by dotted figure and allows for occasional body contact and territorial intrusion. The bottom drawing illustrate a high density model, with deep and density factor of over 1.5 patrons per 12in of bar length. A A A A B C work/Activity Zone Edge Of Bar Equipment customer Activity Zone Bar Density Plan/ 0.4 Per 12in Of Bar Length One Deep At Bar D D D D D work/Activity Zone Edge Of Bar Equipment Bar Density Plan/ 0.5 Per 12in Of Bar Length One Deep At Bar G E Bar Density Plan/ 1.5 Per 12in Of Bar Length Two Or Three Deep At Bar customer Activity Zone Edge Of Bar Equipment work/Activity Zone 4-1- 2019
- 22. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces LUNCH COUNTER Code inch A 60-66 B 18-24 C 36 D 24 E 12-18 F 35-36 G 42 H 30-31 I 11-12 J 10 K 12-13 L 24-30 commercial Anthropometric assignments LUNCH COUNTER The Basic Drawing Shows Some Of The Basic Clearances Required For A Typical Counter 36in. For Work Space Behind The Counter And The Nearest Obstruction. The Clearances From The Top Of The Seat To The Underside Of The Counter Top Overhang Are Extremely Important. C B A L Circulation zone Circulation work zone Line of back counter or nearest obstruction Sitting zone Line of counter or nearest obstruction F G H I J K C B E Sitting zone work activity zone Circulation zone 4-1- 2019
- 23. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Lunch Counter / Table Clearances Code inch A 96-120 B 18-24 C 60-72 D 12-18 E 36min F 10 G 60-66 H 48min I 42 J 12-13 K 30-31 L 11-12 M 16-17 N 29-30 commercial Anthropometric assignments The drawing shows some of the basic clearances required between counter when arranged parallel to each other. This is a rather common situation with counter layout in a repetitive u configuration the clearances between counters allows an activity zone for seated patron at each other Sitting zone Circulation zone Counter Top Lunch Counter / Table Clearances Table Chair Circulation zoneSitting zone Footrest 4-1- 2019
- 24. Dining Spaces Proper clearances for circulation and service aisle, adequate knee and thigh space between the top of the seat an underside of the table, accessibility for the wheelchair- bound person, and adequate clearances around the perimeter of the table are basic factor to make into account to ensure the proper relationship between human dimension and dining spaces. Among other consideration examined in the drawing on the following pages in the development of an incremental unit to be used in allocating the proper space for dinner. INTERIOR Design
- 25. DINING
- 26. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi sharma 2nd Year Commercial Design Diploma Anthropometric In Dining Spaces Anthropometric In Dining Spaces TABLE SIZE / OPTIMUM TABLE WIDTH WITH MINIMUM, PREFERRED MINIMUM, AND OPTIMUM TABLE DEPTHS C B C B Opt. table width A B B H G B B L K I IM I IJ Min. table depth Place setting depth ED D Code inch A 66—78 B 18-24 C 30 D 14 E 2 F 24 G 72-84 H 36 I 16 J 4 K 76-88 L 40 M 8 The place seating is made up of a studied arrangement of dinnerware and related accessories. During the dining process, it is transformed into a state of disarray, covering the large zone of table than at the beginning. This expanded zone occupier a minimum area of 14 by 24”. The first group of drawing labeled shows these zone relation to table of varying depth but of constant minimal width of 24”. 4-1- 2019
- 27. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi sharma 2nd Year Commercial Design Diploma Anthropometric In Dining Spaces Anthropometric In Dining Spaces TABLE SIZE / OPTIMUM TABLE WIDTH WITH MINIMUM, PREFERRED MINIMUM, AND OPTIMUM TABLE DEPTHS C B C B Opt. table width A B B H G B B L K I IJ I IM Min. table depth Place setting depth ED D Code inch A 66—78 B 18-24 C 30 D 14 E 2 F 24 G 72-84 H 36 I 16 J 4 K 76-88 L 40 M 8 In the drawing same zones are applied to 30”. This is related to the maximum body movement involve in the dining activity. Etiquette aside, a 24” width will allow the arms of the larger user to project beyond the table into circulation lanes. The 30” dimensions corresponds to human body breadth. The 40” allows sufficient room for place setting and accommodates horizontal reach. 4-1- 2019
- 28. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Table / minimum and optimum depth / vertical clearances Code inch A 76-88 B 66-78 C 40 D 30 E 16-17 F 30 G 18-24 H 31 I 30min J 29min. commercial Anthropometric assignments Wheelchair /Table Clearances A B C D F E Mini. depth E H D Varies G Both drawings deal with the height and clearance of dining table. The top drawing relates to the plan on the preceding page and illustrate a 30 and 40” table. The portions of the drawing shown in dotted line reflect the 40” table the bottom drawing deals with wheelchair access to a dining table. Clearance from the floor to the underside of the table is critical if the wheelchair bound diner is to be accommodated. 4-1- 2019
- 29. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Table / Clearances For Water Service And Circulation Code inch A 48 B 18 C 30 D 96-108 E 18-24 F 60 G 30-36 H 36 commercial Anthropometric assignments Service Aisle / Clearances Between Chairs B C A D E F E The top drawing shows minimal clearance for a combined service and circulation. It should be noted that the width indicated will not accommodated two lanes. Either the waiter or customer would have to step aside to avoid body contact. In a high volume operation with long aisle lengths such a clearance would be inadequate. 4-1- 2019
- 30. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi sharma 2nd Year Commercial Design Diploma Anthropometric In Dining Spaces Anthropometric In Dining Spaces Code inch A 54-66 B 30-40 C 18-24 D 18 E 36 CDCB Table / Minimum Clearance And Non Circulation Zoes E Service Aisle / Clearances Between Tables Service Aisle / Clearances Between Tables Corners E Service Aisle In certain table arrangements chair of two adjacent tables may be located back to back and some clearance between them must be provided. This clearance would not be for purpose of public circulation or service but simply to allow access to the chair. The minimum recommended clearance for a service lane is 36”. 4-1- 2019
- 31. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Code inch A 48-54 B 24-30 C 48 D 36 E 18-24 F 30-36 commercial Anthropometric assignments Table / Wheel Chairs D Circulation zone C E D Combined Circulation Zone Line of obstruction Chair in extend position In planning for wheel chair access, the portion of the chair projection beyond the table will be between 24 – 30”. It is suggested that the larger figure be used for preliminary design assumption. The drawing at the bottom indicated the clearance required for chair movement in connection with round table. It should also be noted that the lane width needed to accommodated a wheel chair should be a minimum if 36”. TABLE / WHEELCHAIR SEATING A B 4-1- 2019
- 32. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Banquette Seating / Minimum Clearances Code inch A 72-76 B 36-38 C 30 D 24 E 12-14 F 108 G 54 H 24 commercial Anthropometric assignments Banquette seating / recommended clearances for acoustic and visual privacy A B B D E D Seat back Min. Cleara nce Zone F G G Seat back C CH Clear access zone Both drawing illustrate the clearance involved for banquette dining arrangements. One of the more critical considerations is access to the banquette seat. The top drawing indicated a minimum clearance between tables. Allowing body and clothing movements in addition to the basic body dimensions the bottom drawing suggests a 24” clearance between tables, which will permit access without disturbing the table location. 4-1- 2019
- 33. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Booth Seating And Circulation Clearances Code inch A 65-80 B 17.5-20 C 30-40 D 2-4 E 15.5-16 F 30 G 36 H 18 I 48-54 J 16-17 K 29-30 commercial Anthropometric assignments Booth Seating I H G F B C B AD D ACTIVITY ZONE CIRCULATION ZONE CIRCULATION ZONE A C EE K J SeatingSeating Table Top Booths particularly in situations where both the seating and the table are fixed, provide no margin for individual adjustment. This lack of flexibility makes it essential that the anthropometric aspects of the design be considered closely. The height of the compressed seat should reflect popliteal height data. The depth of the seat, buttock – popliteal length data. 4-1- 2019
- 34. The term public toiler facility is to a large degree generic since it is quite possible and proper to create sub classification depending on the user population it is intended to serve. The anthropometric considerations, particularly during these peak periods are also quite similar. The drawing on the following pages examine some conditions and such clearance and other dimensional data more responsive to human body size and dimension. Public Bathrooms INTERIOR Design
- 35. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Code inch A 48-54 B 24-30 C 48 D 36 E 18-24 F 30-36 commercial Anthropometric assignments A B C A CIRCULATION ZONE ACTIVITY ZONE CIRCULATION ZONE J I J K H Stall urinals are available for battery installations on 21”centers. The larger size person has a maximum clothed body breadth dimension of almost 26”postures assumed while urinating in addition to the space taken up by partially opened garments will increase this dimension even more. A circulation zone of 54” will allow for pedestrian and wheelchair traffic. A wheelchair clearance zone should be provided in front of the stall. EXERCISE BICYCLE URINAL LAYOUT 4-1- 2019
- 36. Project Report Drawing Title Date of Submission Submitted to Submitted by Dezyne E’cole College www.dezyneecole.com Mansi Sharma 2 Year Commercial Design Diploma Anthropometric In Retail Spaces Code inch A 48-54 B 24-30 C 48 D 36 E 18-24 F 30-36 commercial Anthropometric assignments Lavatories like urinals are all too often located too close to each other the result is an illustration that may save floor space and may conform to the code in terms of quantity of fixture but simply does not permit the user comfortable access. LAVATORY LAYOUT 4-1- 2019
- 104. LIGHTINGDESIGN
- 133. LIGHTINGDESIGN
- 141. LIGHTINGDESIGN
- 142. LIGHTINGDESIGN
- 144. RENAISSANCE FURNITURE In Renaissance Time Period, Artists Drew From The Rich Heritage Of Ancient Culture. Using Wood Techniques, And Sculpture Working Stone MOTIFS Shell Motifs(Naturalistic) Foliage (Plant Motif),C And S Scroll Motifs, Oriental Motifs, Etc. Chairs were light and easy to move chair armrest and sent in trapezium shape. cross- - structure made from two pairs MATERIAL Walnut wood, inlay work , deep relief sculpture work. Leather and damask, velvet or goblin fabric for upholstery work Panels with beautifully carved. Stretchers were set – out as X from with a vase from or turned finial placed at the intersection. The Seats And Backrest Of Sofa Were Made Of Lattice And Frame Panel. High Backrest Was Mainly Used Round Pillars On Beds And A Hook Was Used Carving – Inlay Work, Turning, And Gilding. In The Early Italian Renaissance Period On Beds Canopy Was Used in
- 145. ROCOCO FUTNITURE Rococo Was An Artistic Movement And Style Which Affected Many Art: Sculpture, Painting, Architecture, Interior, Furniture, Ceramic, Etc. MOTIFS Shell Motifs(naturalistic) Foliage (Plant Motif),c And S Scroll Motifs, Oriental Motifs, Etc. Rococo Chair Were Not Only Shape But Also In Shape But Also In Dimension Which Were Adjusted As Per The Need Of User. Chippendale Design Were Almost Used. MATERIAL Dark Ebony Wood, Light – Colour, Red Veneers Of Exotic Tress, Such As Amaranth, Lemon, Rosewood, Olive, And Mant More. Tables Can Be Easily Moved Around For Gathering. Scroll Foot Was Mostly Used. The Back Legs Were Straight And Slightly Curved Sofas Were Lightweight, Physically And Visually. Cushions And Detached Arms. High Backrest Was Used And Log Height Armrest With Cushions Used. Bed Did Not Differ Significantly Among Themselves In The Form Of Canopy Or The Height Of Cases, They Have Visible Lightness, As Well As Clear Differentiation In Men’s And Women's Bedroom Design. in
- 146. BAROQUE FUTNITURE Baroque Style Was Introduced In 1600 In Italy, And After That Was Spread Across Europe. MOTIFS Shell, Scroll, Rosettes, Foliage, Masks, Ram’s Head And Sun. Large Mirrors, Crystal Chandeliers, And Door Knobs. Formal And Highly Ornament Grand Scale Comfortable Upholstered Back And Seat. MATERIAL Oak, Walnut, Ebony, And Rosewood Was Used. Gold Colour Typically Used Marquetry Work With Fabric And Velvet Tables Were Characterized By Strong Resemblance To Dutch Tables With Screw Trued Legs. Heavy Furniture For Sitting, Comfortable And Shows The Wealth Of The Person Sitting On The Sofa. Armrest Were Scroll And The Legs Cabriole Shaped But Some What Massive. Beds Were Covered Over The Top With Corners With Feather Or Finials. Walnut Wood Was Used In Furniture. Beds Were Heavy Ornamented To Show Richness Of The Person. in
- 147. SKELETAL FURNITURE ELEMENTS Skeletal Furniture Is A Type Of Liner And Surface Structure, In Which Elements Do Not Close A Space. Like In The Group Of Case Furniture. Main Elements, Forming The Function And Construction Of The Furniture Leg, Backrest Board, Top Panel, Etc.) Complementary Elements, Providing Only The Function Of Furniture Piece ( Insert Of Worktop, Armrest, Etc. ) Compensatory Elements , Which Can Improve Satisfactory Stiffness, Strength, Durability And Reliability Of Construction. USES The Most Characteristic Representation Of Skeletal Furniture Are Chairs And Tables. Usually Frame Elements Of Chair Are Connected Using In Separable Connections, Which Provide Strength Of The Construction. MATERIALS Beam Or Rod Elements Derived From Wood, Profile Made Of Plastic And Metal. Elements In Form Of A Board Made Of Wood Fitting Made Of Metal Or Plastic. Panel Element, Obtained From An MDF Board, HDF Board, Composite Board With Lignocellulose Particles, Plywood, Etc. External Surface, Visible In The Furniture Piece At A Position Of Use. This Includes All Surface Of Beam, Rod, And Panel Elements. Invisible Surface, Those That Are Invisible In The Furniture Piece During Its Use In Accordance With The Intended Purpose.CHAIR SOFA TABLE
- 148. UPHOLSTERED FURNITURE ELEMENTS Upholstered Furniture Belongs To A Group Of Products Of Complex Structure And A Multifaceted Manufacturing Process. Upholstered Furniture Fulfills Several Functions – Usable, Ensuring Comfortable Re – Laxation, Sleep Etc. Main Elements, Without Which The Furniture Piece Cannot Provide The Necessary Stiffness ( The Rail Of An Upholstery Frame ) Complementary Elements, Without Which The Product Does Not Meet The Necessary Stiffness, ( The Bottom Of A Container ) Compensatory Elements, Which Can Improve The Quality Of Bearing Structure ( Additional Rail On Bars ) USES Upholstery furniture can be used to make tamboured chairs, armchairs, benches, sofas, couches, lounges, mattresses at both residential and commercial spaces. MATERIALS Board : Chipboard, Carpentry, MDF, HDF, Cellular Composite With Lignocellulose Particles, Plywood, Etc. Wood, Metal And Plastic. Natural Raw Materials(straw, Sea Grass, Coconut Fiber, Wool, Feathers, Horsehair, Etc.) Elastomers(polyurethane, Polypropylene, Etc. ) Upholstered Furniture Divided Into 3 Parts – For Sitting – Chairs, Armchairs, Benches, Sofas, Etc. For Reclining – Couches, Beds, Lounges, Etc. For Sitting And Reclining – Sofa, Couches, Corner Sofa With Reclining Functions, Etc.SITTING SITTINGF & RECLININGRECLINING
- 149. MODULAR FURNITURE Single – Bodied It Is A Type Of Modular Furniture Which Is Designed On The Basis Of A Body With A Universal Structure Elements Multi – Bodied Multi Bodies Maintains Unified And Repetitive Closed Dimensions Of The System. Universal For Completion In This Type Of Modular Furniture Universal Elements Used For Completion Of Furniture. This Can Be Done Vertically, Horizontally And Marti wise. On A Frame In This Modular Furniture The Complete Body Of Furniture Is In A Frame. As It Creates An Great Aesthetic. For Hanging This Modular Type Of Furniture Done By Using A System Of Simple Connections Between The Elementary Solid Furniture, Used For The Purpose Of Hanging.
- 150. Quality OF Furniture Classification Of Furniture The Division Of Furniture In Terms Of Quality Quality Of Furniture Quality Of Furniture Manufacturing Requirement Of The User Structural Properties Functional properties Technological Properties Aesthetic Properties Economic Characteristics Useful properties Quality of joints and materials characteristics of cross-sections and placement of elements, reliability of joints, elements and whole structure Dimensions of the furniture and anthropometric characteristics of user population. Criteria of ergonomics and comfort. The suitability of the use of all functions The ease and accuracy of execution. Surface quality and finis assembly and packing Compliance of form, harmony of proportions. Design and innovation. Harmony of Colour and textures. Adapting to the interior. The price level of sales. Magnitude of the actual cost of manufactured. Product profitability Stiffness, stability, strength, durability, ease of assembly and disassembly, convenience of maintenance and ease of maintains and operation.
- 151. CLASSIFICATION AND CHARACTERISTICS OF FURNITURE The Division Of Furniture In Terms Of The Manufacturing Technology MACHINING MATERIAL TYPE OF SURFACE FINISHING Carpentry Turned Carved Typical Carpentry Wooden Veneered Rattan Transparent covered Special, Such As: Marquetry, Incrustation, Etching, Burning, Gilding, Laminating Bent Woven Upholstered Wicker Reed Metal Soft Semi - Soft Hard Leather With Plastic Others
- 152. The Division Of Furniture In Terms Of The MANUFACTURING TECHNOLOGY Carpentry – Turned, Carved and Typical carpentry Bent Woven Upholstered – Soft, Semi – Soft And Hard Metal Leather With Plastic Others Transparent Wooden Covered Veneered Rattan Wicker Reed Special, such as marquetry, incrustation, etching, burning, gilding, laminating Furniture Manufacturing MATERIAL Furniture Manufacturing TYPES OF SURFACE FINISHING Furniture Manufacturing MACHINING
- 154. THANK YOU Mansi Sharma 2nd Year Commercial Design Diploma NSQF Level-6 Of NSDC Dezyne E’cole College, www.Dezyneecole.Com