The document provides an overview of community photography in Birmingham from the 1970s-1980s as a form of cultural intermediation. It discusses organizations like WELD and Ten:8 magazine that documented the city's racial and industrial changes during that era. Examples from Manchester are also briefly mentioned, such as Daniel Meadows' photography project and David Chadwick's documentation of the Hulme Housing Estate. The document examines community photography as both a social practice and means of cultural representation during this transformative period in Britain.