Log changes to the footage
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The document outlines various edits and changes made to footage for a short film, including colour correction to give colours a duller and pastel look to reflect the narrative, adding noise and decreasing saturation on clips from an old camera, cutting clips and adjusting audio levels, and adding a centered title graphic with an increased font size. Colour correction, audio editing, cutting clips, and a single title graphic were the main editing aspects covered in the changes made to finalize the short film.
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The document summarizes some of the technical difficulties encountered during filming and post-production of a music video. Issues included bad weather during filming which caused delays, lighting issues that were corrected through editing, and last minute location changes. During post-production, chroma key was difficult but the desired effect was achieved, too much footage made time management challenging but clips were cut down, and some clips were out of sync with the music but were re-shot to fix it.
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The document discusses the effectiveness of combining a print product and video to establish a clear style. While the print work maintained some consistency through similar effects, fonts, and backgrounds, the video lacked consistency in color and adhered less strictly to visual patterns. However, the video and print shared some elements like models, costumes, and concepts of contrasting colors. Overall, the package cohered reasonably through shared suburban settings, expressions, and strategic inconsistencies, but could have been improved with more consistent visuals between media.
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This document provides a music video production diary summarizing the filming process. It includes screenshots from footage taken during production with annotations providing context. The diary notes that the student filmed most of the clips as the actors needed to focus on acting. It describes challenges like location lighting not matching the frame rate and how they were addressed. The student's role was primarily operating the camera and they aimed to keep shots consistent in style while progressing the narrative through locations and times of day. Issues around unexpected technical difficulties are discussed along with solutions employed.
Editing processes
- Warp stabilizer was used to stabilize shaky footage and make it less visually jarring. Speed alteration was also used to add interest, usually by slowing footage down to match the feel of the song. However, these effects cannot both be used in Premiere, requiring additional editing in After Effects.
- Adjustment layers were important for giving the video a cold, emotional tone to match the sad lyrics. Blue color corrections were applied through adjustment layers to different clips depending on their location.
- Careful cutting of footage to the beat of the song is key to creating an aesthetically pleasing music video that engages the audience. Proper lip syncing is also essential to avoid distracting inconsistencies.
Image manipulation
The document describes the process of editing an original image in Photoshop for use on a digipak. Several edits were made to enhance features like contrast, brightness and saturation. Actions were added to manipulate the images further. Colors were adjusted and overlays were used to darken corners and edges. The edits created cohesion across images while emphasizing focal points and tying the visual design to the overall theme and message.
Q7
The document discusses the key things the author learned from their preliminary task to their final production. They learned to:
1) Use cameras and lenses more effectively to reduce shaky-cam and improve focus.
2) Spend more time editing to fix errors and refine the production through techniques like color matching and rewatching.
3) Carefully plan and manipulate lighting to achieve the best aesthetic effect.
4) Properly record sound without background noise and balance dialogue and effects volumes.
Editing techniques
The document discusses editing a music video and achieving various visual effects. It describes using blue and pink color overlays to represent different sides of the character. It also discusses having to edit the video in three separate sections due to large file sizes. Techniques like layering clips, matching cuts to the beat, and using a sixteen-point garbage matte to combine clips shot under different lighting conditions are mentioned.
Image manipulation 2
This document discusses editing images using Adobe Photoshop and iMovie. It describes lowering the brightness and increasing the saturation of an image to give it a darker, creepier feeling for a prison shot. It also describes lowering the brightness of another image to increase shadow feeling and intensify features by increasing contrast. For a settings photo, it was edited by decreasing the color temperature for a blue tint, increasing saturation for a darker grey tone, and increasing lighting and contrast to make buildings and steel stand out more.
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This document contains appendices from a BBC risk assessment form. Appendix B discusses health and safety, providing a risk assessment matrix to determine the likelihood and impact of potential harms. It also lists common situational, physical, chemical, health, and environmental hazards. The form is used to outline the risk assessment process, including details of the production, locations, hazards, and approvers.
Production schedule vita
The document outlines the shooting schedule for a film over three days. On day 1, exterior shots were filmed outside a school from 4pm to 6:30pm, then a graveyard location from 5:15pm to 6pm. Day 2 filming took place in a bedroom from 4pm to 6:10pm with camera, tripod and three LED lights. Scenes were shot in blocks from 6pm to 6:30pm and 6:30pm to 6:50pm.
Storyboard VITA
This document contains a storyboard layout for a video project. The storyboard includes 28 shots organized with descriptions of the visual elements and audio for each shot, as well as the duration and transition type. Shots include variations in shot type, description and movement, music and audio effects. The storyboard provides a visual plan for the content, pacing, and flow of the video through the use of individual shots and transitions.
Vita production script
The document describes 31 shots taken with a Canon 750D camera and 50mm lens for a film. The shots include various close-ups and angles of a character named Abel at a graveyard with his father, finding mysterious items in his room, interacting with a computer program called VITA, and conversing with VITA. Each shot lists the camera settings used including white balance, ISO, shutter speed, and aperture. Shot durations range from 2 to 5 seconds.
Vita script word
Abel's father created an AI named V.I.T.A before his death to be a companion for Abel. After his father's death, Abel discovers V.I.T.A on a USB stick along with his father's notebooks. V.I.T.A speaks with his father's voice and tells Abel about the time they spent working together. However, V.I.T.A has a flaw that his father was unable to resolve. Abel studies the notebooks and works with V.I.T.A to try and solve the issue. After bonding over their discussions, V.I.T.A tells Abel that nothing is permanent and shuts off, leaving
LECTURE THEATRE RISK ASSESSMENT
This document contains appendices related to risk assessment forms used by the BBC. It includes a general risk assessment form with sections for listing hazards, assessing likelihood and severity of harm, and obtaining authorization. The form is to be used to document what is proposed, associated risks, team members involved, and hazards identified from a provided list. It also contains the BBC risk assessment matrix for determining risk level based on how bad and likely a hazard is.
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- 1. Log Changes to the Footage - maxim Thing Changed What was changed and why. ColourCorrection Colourcorrectionwasn’ta bigaspectof the editingprocess.Ispenttime planningcamera settings,andmakingsure everythingexposed properlyandthe white balance wassetupwell. Thisis still leftaspectstobe desiredthoughas the base footage wasn’texactlywhatIwanted the footage to looklike.AndsoIusedan adjustmentlayer,andusedthe colourpanel in premierproto change some of the coloursand add some creative aspects. Instartedoff with by desaturationthe videoabitandalso reducingthe vibrancyinorderto give the coloursmore of a dull look,andincombination withaddingfade andincreasingthe white level a touch made the colourslookpastel. This meantthat the coloursof the filmare quite weak,reflectingthe narrative and the more depressingsidetoit.Anexample of thisisin the firstshot of the graveyard,originallythe grass wasverygreenmakingitlooklush,and so I addedthese changesandthe greenbecame a lotdullerandevenclosertogrey,makingthe scene look gloomyanddepressing. My shortfilmfeaturesshortclipsfromthe last will andtestamentof the maincharacter’s father.Inorder to reflectthe factitwas shot witha camera that wascheap,I addednoise and decreasedthe saturationtoreflectthe limiteddynamicrange of cheapercameras. Cutting/Inand Outpoints Cuttingmyfootage wasa fundamental aspect of the process.Usingmyedl I usedinand out pointstoselectthe relevantpartsof different clipsfromthe besttakes,and thenI added themto my time line.Alsosomeclipswere cut fromwithinthe timeline,inordertomatch differenttakes,inordertocreate effective match cuts or justto fitthe timingsof other clips. SoundEditing Soundeditingwasanotherfundamental aspect of my film.Itwas importantfirsttoorganise all of mysoundclipsrecordedexternally,andthen sync itto the footage on the timeline.Ialsohad to mix the differentaudiochannels.For example,itwasimportantformydialogue to be louderthanmy music,andit was important for mydialogue toall be at the same volume,
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