Locations A2
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Fabio Chiarizia discusses various location options for shooting scenes for his film. He plans to use the school media suite for close-up shots that require a clean background. For a scene showing his character entering a Porsche, he will use his own driveway. He also plans to use the top of a multi-story car park in Peterborough to film scenes depicting power and control by looking over the city.
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Evaluation
The document discusses different types of narratives including linear vs nonlinear stories, open vs closed stories, single vs multiple story strands, realistic vs unrealistic elements, and standard narrative components. It provides Deadpool and Coronation Street as examples of nonlinear and multiple story strand narratives, and Fast and Furious as an example blending realistic and unrealistic elements. The author's own story is described as linear, closed, single-stranded, unrealistic, and including an opening, conflict, climax and resolution but no enigma.
Evaluation
The document discusses the author's children's story and compares it to other linear and non-linear narratives. The author's story is linear, with a clear beginning, middle, and end that follows Barry and Lenny in a race through the desert. In contrast, Deadpool uses flashbacks to provide backstory and help audiences understand the plot. The author's story also has a single narrative thread, closed ending, and is meant for children, while shows like Coronation Street have multiple ongoing storylines.
Raw locations
This document discusses potential filming locations for a music video that were considered but ultimately not chosen. Locations in Easton and at a bus stop in Kingswood were considered for showing the rap artist's humble beginnings, but Easton was deemed too dangerous while the empty bus stop lacked concepts of cars and money important to rap music. Filming in the wealthy houses of Almondsbury or the elegant Grosvenor Hotel in London were also considered to show the artist's success, but there was no parking by the houses and permission would have been needed to film, while the hotel did not fit the rap genre.
Location recce
This document provides location details for filming a video. It describes 7 potential filming locations:
1) A hilltop overlooking area that would be good for establishing shots and has easy access.
2) An ordinary street with a bus stop that offers coverage while being accessible and not too busy.
3) A house close to a secluded lake area that offers a transition between urban and rural settings and is available to use.
4) A dark room that allows for control of lighting and is near the editing location.
5) A dark alley that feels trapped and has distance for viewing a violent scene.
6) A character's house near the secluded lake area that shows an urban neighborhood
Location report form
Battle train station is proposed as a filming location for its alleyway, country road, open train crossing, and station architecture. Most of the music video for the song "A Drop in the Ocean" will be filmed in Battle to capture shots fitting the song. Battle Abbey is also proposed for its visually pleasing ruins and architecture to relate to the lyrics and planned visuals. Benches will be incorporated into shots there. Additional shots are proposed in Brighton at the sea front for its ability to express oneself and relate to starting university, capturing the tide rolling in and sunlight reflecting on waves to tie in with lyrics.
Mise en scene
The document analyzes the mise-en-scene elements in the opening credits of the film Napoleon Dynamite. It notes that the location features colorful backgrounds and props. The costumes and props, such as food items and receipts, help establish the main character as a nerdy stereotype. High key lighting and colorful carpets and décor aim to set a fun, comedic tone for the film.
Callsheet CR Media AS
This call sheet schedules Charlotte Rowbottom to play the character of Driver on the 23rd of November 2017. She is called to the set at 10:00 PM to film scene 6 on location A1, where her character is the Driver on a road. Makeup is not required for this scene.
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Evaluation
The document discusses different types of narratives including linear vs nonlinear stories, open vs closed stories, single vs multiple story strands, realistic vs unrealistic elements, and standard narrative components. It provides Deadpool and Coronation Street as examples of nonlinear and multiple story strand narratives, and Fast and Furious as an example blending realistic and unrealistic elements. The author's own story is described as linear, closed, single-stranded, unrealistic, and including an opening, conflict, climax and resolution but no enigma.
Evaluation
The document discusses the author's children's story and compares it to other linear and non-linear narratives. The author's story is linear, with a clear beginning, middle, and end that follows Barry and Lenny in a race through the desert. In contrast, Deadpool uses flashbacks to provide backstory and help audiences understand the plot. The author's story also has a single narrative thread, closed ending, and is meant for children, while shows like Coronation Street have multiple ongoing storylines.
Raw locations
This document discusses potential filming locations for a music video that were considered but ultimately not chosen. Locations in Easton and at a bus stop in Kingswood were considered for showing the rap artist's humble beginnings, but Easton was deemed too dangerous while the empty bus stop lacked concepts of cars and money important to rap music. Filming in the wealthy houses of Almondsbury or the elegant Grosvenor Hotel in London were also considered to show the artist's success, but there was no parking by the houses and permission would have been needed to film, while the hotel did not fit the rap genre.
Location recce
This document provides location details for filming a video. It describes 7 potential filming locations:
1) A hilltop overlooking area that would be good for establishing shots and has easy access.
2) An ordinary street with a bus stop that offers coverage while being accessible and not too busy.
3) A house close to a secluded lake area that offers a transition between urban and rural settings and is available to use.
4) A dark room that allows for control of lighting and is near the editing location.
5) A dark alley that feels trapped and has distance for viewing a violent scene.
6) A character's house near the secluded lake area that shows an urban neighborhood
Location report form
Battle train station is proposed as a filming location for its alleyway, country road, open train crossing, and station architecture. Most of the music video for the song "A Drop in the Ocean" will be filmed in Battle to capture shots fitting the song. Battle Abbey is also proposed for its visually pleasing ruins and architecture to relate to the lyrics and planned visuals. Benches will be incorporated into shots there. Additional shots are proposed in Brighton at the sea front for its ability to express oneself and relate to starting university, capturing the tide rolling in and sunlight reflecting on waves to tie in with lyrics.
Mise en scene
The document analyzes the mise-en-scene elements in the opening credits of the film Napoleon Dynamite. It notes that the location features colorful backgrounds and props. The costumes and props, such as food items and receipts, help establish the main character as a nerdy stereotype. High key lighting and colorful carpets and décor aim to set a fun, comedic tone for the film.
Callsheet CR Media AS
This call sheet schedules Charlotte Rowbottom to play the character of Driver on the 23rd of November 2017. She is called to the set at 10:00 PM to film scene 6 on location A1, where her character is the Driver on a road. Makeup is not required for this scene.
Recce
The document discusses potential locations for filming a project and provides details on each location. It describes Sugar Way Estate as a housing estate near Woodston, Peterborough that would provide plenty of room to film with good lighting and relatively quiet sound. It notes that the A1 motorway could cause accessibility issues due to potential traffic. The Queens Gate car park is accessible with facilities inside the shopping center and excellent lighting from the open sky, though it sometimes closes early. The media suite at the author's school would require permission to film there and has subpar lighting, but is virtually soundproof.
Risk assessment sw
This risk assessment document summarizes the potential hazards for a video production project titled "Chasing Paper" filmed on November 25, 2017 at the Sugar Way Housing Estate. It identifies hazards like fire, lone working, and roads/vehicles that could cause injuries ranging from small burns to death. For each hazard, it evaluates the likelihood and severity of potential harm and outlines management strategies. Fire risk will be controlled by taking extra precautions when using lighters. Lone working risk will be eliminated by always having at least one other person working. Road hazard will be reduced by being cautious near roads and watching out for moving vehicles.
Risk assessment car
This risk assessment document is for a video production project titled "Chasing Paper" being filmed on November 18, 2017 at location A1(M). It identifies potential hazards like roads, vehicles, and weather that could cause harm while filming, and describes how each risk will be managed. For roads, the risk of a car accident will be reduced by being watchful of other vehicles. For vehicles, an experienced driver will be used and seatbelts worn to control the risk of a crash. And filming will only occur on days without dangerous weather to eliminate weather-related risks while driving.
Risk assessment car park q
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Recce
The document discusses potential locations for filming a project and provides details on each location. It describes Sugar Way Estate as a housing estate near Woodston, Peterborough that would provide plenty of room to film with good lighting and relatively quiet sound. It notes that the A1 motorway could cause accessibility issues due to potential traffic. The Queens Gate car park is accessible with facilities inside the shopping center and excellent lighting from the open sky, though it sometimes closes early. The media suite at the author's school would require permission to film there and has subpar lighting, but is virtually soundproof.
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This risk assessment document summarizes the potential hazards for a video production project titled "Chasing Paper" filmed on November 25, 2017 at the Sugar Way Housing Estate. It identifies hazards like fire, lone working, and roads/vehicles that could cause injuries ranging from small burns to death. For each hazard, it evaluates the likelihood and severity of potential harm and outlines management strategies. Fire risk will be controlled by taking extra precautions when using lighters. Lone working risk will be eliminated by always having at least one other person working. Road hazard will be reduced by being cautious near roads and watching out for moving vehicles.
Risk assessment car
This risk assessment document is for a video production project titled "Chasing Paper" being filmed on November 18, 2017 at location A1(M). It identifies potential hazards like roads, vehicles, and weather that could cause harm while filming, and describes how each risk will be managed. For roads, the risk of a car accident will be reduced by being watchful of other vehicles. For vehicles, an experienced driver will be used and seatbelts worn to control the risk of a crash. And filming will only occur on days without dangerous weather to eliminate weather-related risks while driving.
Risk assessment car park q
This risk assessment document summarizes the hazards associated with filming the project "Chasing Paper" in a multi-storey car park. It identifies potential hazards like heights, vehicles, and access. For the height hazard, the assessment indicates there are already safety nets in place, but filming should not be done beyond them. For the vehicle hazard, it notes the likelihood of cars crashing is likely and the harm could be bruises or broken bones. To manage this risk, it recommends being wary while driving, wearing seatbelts, and using an experienced driver.
Risk assessment media suite
This video production risk assessment document identifies potential hazards for a filming project taking place at the MediaSuite location on November 17th, 2017. It evaluates three specific hazards: cables, which could cause tripping and bruises if not properly managed; electricity, which could cause electric burns or shocks but is very unlikely; and lighting equipment, which poses a likely risk of collisions causing bruises. For each hazard, the document outlines the likelihood and severity of potential harm and proposes control methods like being careful of wires, keeping electrical equipment away from water, and taking care when moving around lighting equipment.
Magazine Textual Analysis
The document analyzes the consistent design features across five front covers of Total Film Magazine. It annotates one cover to outline the key elements, including the masthead using a bold, enlarged font to clearly convey the magazine topic of film. The skyline informs readers of contents in the same style and color. Cover lines provide additional information on topics in the same consistent style, font and color. The main image is usually a medium shot of a recognizable character to draw attention, and the main selling line emphasizes the main article subject.
Costume & Props Research
The document provides a list of props and costumes needed for a film production, including a borrowed Porsche car, fake cocaine made of vitamin B powder, fake money, cigarettes, watches, mobile phones, suits, gloves, and sunglasses. A Skoda Fabia car will also be borrowed for an interior driving scene. Many of the costume items like suits and accessories will be supplied from the filmmaker's own wardrobe.
Teaser Posters vs Theatrical Posters - A2 Media
The document compares and contrasts teaser and theatrical posters for the film Harry Potter and the Half Blood Prince. The teaser poster uses initials and a short tagline to entice audiences without revealing details, features only Harry seeing Dumbledore's reflection, and uses darker colors for mystery. In contrast, the theatrical poster fully displays the title, shows the characters and London location, and uses brighter colors to promote the film.
Film posters Purpose and Effect
Film posters serve to inform audiences about key details of films like producers, studios, and actors in order to attract viewers. Specifically, highlighting acclaimed producers of previous films, famous studios like Disney, and popular stars helps convince audiences that the film will be of high quality entertainment. The use of new technologies and formats, such as IMAX, also appeals to audiences and encourages them to watch films in theaters for the best viewing experience. Overall, film posters aim to entice audiences and achieve their purpose through showcasing elements that make films seem appealing and worth watching.
Primary Audience Research
Based on a questionnaire completed by 10 people interested in drama films, the primary target audience for a film trailer are males aged 19-22 from middle-class backgrounds who identify as extroverts. These individuals mainly look for good use of special effects and props in film trailers. Conducting this research revealed that the film trailer should include exciting scenes, different locations, and props to appeal to this target audience and achieve the best reaction.
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A multi-modal text communicates messages through multiple modes such as written text, spoken language, moving images, music, and sound effects. An example is the trailer for the film I-Robot, which uses futuristic font for on-screen text, formal robotic language, scenes of advanced technology, gunshots and explosions for sound effects, and beeping robotic music to set the scene of a hyper-futuristic world and attract the audience with action and intrigue surrounding potential killer robots. The variety of modes in the trailer work together to effectively convey the genre, remind viewers of the setting, and make the trailer more interesting and appealing.
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Foley sound is used in films and television to recreate everyday sounds that are difficult to capture with microphones, like footsteps in snow. Foley artists are the professionals who recreate these sounds in studios. There are two main categories of sound in films - diegetic sounds that characters can hear within the story, and non-diegetic sounds like music that the audience hears but the characters do not.
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The document analyzes common forms and conventions used in film trailers. It provides examples from the trailer for Marvel's Avengers Assemble. Some conventions discussed include the standard length of around 2 minutes for trailers in the same genre, the use of dramatic music during action scenes and silence in between, inclusion of production logos to convey genre, and character introductions using shots that portray power like low angles.
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The document analyzes the mise-en-scene elements in the opening credits of the film Napoleon Dynamite. It notes that the location features colorful backgrounds and props. The costumes and props, such as food items and books, help establish the main character as a stereotypical nerd. The high key lighting and colorful carpets and décor aim to set a fun, comedic tone for the film.
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Locations A2
- 2. Locations Many of my shots are close ups, meaning I only require a clear back round, such as a wall or room. I believe that, for many of my close up shots, I can use the school media suite as my location, as it is a clean, plain room, making it easier to dictate lighting. The reason why location for these scenes are not significant is because the focus is more directed at costume and props, such as the suit or watch in the shot.
- 3. Locations For the scene where a POV shot reveals my character walking and entering the Porsche, I will use my own driveway. This is due to the available space giving me enough room to enhance the quality of the scene overall. If money and time were not limiting factors, I would take the car to a very upper class location, such as outside a London hotel. This would further enhance to quality of the scene, as a more upper class location will improve the visuals on screen, and the reaction from the audience.
- 4. Locations I plan on using the top of the Queensgate multi story car park to film a selection of scenes for my film. This ties in to the story, as being on top of the building looking over the city has connotations of power and control. Scenes such as looking over the city and the bag exchange will take place here. If money and time were no limitations, I would travel to London and use a high rise building to look over London (potentially the shard). This would connotation power, money and control, due to the location, and is a huge upgrade compared to using a multi story car park in Peterborough.
- 5. Locations For the scene where I am walking through the street, I plan on travelling down to London to shoot a POV shot of Oxford Street. This will link back it to the themes of power and money, as these are both connotations of this location. I believe this is the perfect location for this specific shot, so I wouldn't change it if money and time were not limitations.