Lighting
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Here are 3 tips for lighting different scenes: 1. For an internal scene use a key light as your main, a backlight to separate subject from background, and a fill light to lighten shadows. 2. For an external scene use available sunlight and supplement with reflectors. Choose a location with good existing light and face your subject towards the light source. 3. For night shoots use available moonlight or streetlights. Consider noise increase and use natural or considerable artificial sources like streetlights. Platforms can provide shadows.
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Light Importance Presentation
Lighting is important in film to set moods - bright colors suggest cheerfulness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background area, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Light presentation
Lighting is important in film to set moods - bright colors suggest cheerfulness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background area, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Light presentation
Lighting is important in film to set moods - bright colors suggest happiness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Finished lighting essay
This document summarizes and provides examples of different types of portable lighting equipment used in media productions. It discusses redheads and blondes, which are portable key and flood lights that produce hard shadows and are commonly used for fill lighting. It also covers practicals, which are any light sources that are part of the scene, reflector boards for bouncing and controlling light, and scrims/diffusers for softening light. Additionally, it provides information on spotlights, floods, gobos, LED lights, hard and soft lighting techniques, and lighting for key, fill, and back purposes. Temperature and quality of lighting are also touched on.
Finished lighting essay
This document summarizes and provides examples of different types of portable lighting equipment used in media productions. It discusses redheads and blondes, which are portable key and flood lights that produce hard shadows and are commonly used for lighting large areas. It also covers practicals, which are any light sources that are part of the scene, reflector boards for bouncing and controlling light, and scrims/diffusers for softening light. Additionally, it provides information on spotlighting, floods, gobos, LED lights, hard and soft lighting techniques, and lighting set-ups involving key, fill, and back lights. Throughout it provides example uses and price ranges for different pieces of equipment.
3Ds Max lighting
Three key concepts in 3Ds MAX lighting are:
1. Intensity, direction, and diffuseness are properties of light that determine how light spreads and illuminates surfaces. Shadows are cast by objects blocking light, not by lights themselves.
2. Three-point lighting is a basic lighting setup that illuminates a scene using a key light, fill light, and highlight. The key light is the primary light source, the fill light reduces shadows, and the highlight adds depth.
3. Ambient light and IES skies/suns are used to simulate indirect lighting and realistic outdoor lighting conditions, though creative lighting is also possible.
Portable lighting equipment
Redheads are lightweight, multi-purpose lights ideal for TV news coverage, commercials, and films. They produce around 800W of light but are not powerful enough to be a main light source. Blondes are larger lights that produce between 1000-2000W, making them extremely powerful for flooding large areas. Practical lights are lights that are visible in the frame of a shot, like lamps or streetlights, and help make scenes look more realistic. Reflector boards bounce light to control shadows and highlights. There are white, silver, gold, and black reflector boards that each impact the light and colors differently.
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Bharat Jeswani ( M.sc- Interior Design)Lighting protfolio
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Lighting
- 1. ucti on to si c I ntrod A Ba Lighting ter Colleg e M anches e s – The Rachel Hey
- 2. Why use lighting? Style – Film Noir Particular Meaning Add atmosphere Emphasise Subject Direct the audience’s eye
- 3. Types of Lighting Sunlight – Dramatic Landscape, Not Interviews Cloudy Days – Moody, Looks flat Directionality – Sun behind, Silhouette, Flare Artificial – Double Shadows Reflected – Boards, Mirrors, Walls Fill Light – Gently lights shadows
- 4. Top Tips Use ‘available light’ Make the most of whatever is available Supplement in some circumstances Choose a location with a good amount of light Ensure your subject is facing the light source
- 5. Exteriors Bright Sunlight creates bright highlights and dense shadows Bleached out Black voids Cloudy day is colder/bluer Light shadows Reflect the sun
- 6. The Sun ‘Gods Key Light’ Avoid midday, Overhead sun Few Shadows, Flat, Colourless High temperature, Blue light Late afternoon, Early morning Good definition, Orange Texture
- 7. Interiors Bounce Light Point lamp at a wall or reflective surface Soft Light, Natural Effect Polystyrene, Reflect towards
- 8. One Lamp Underlight Lower level, Supernatural Halo Lights hair, Face dark
- 9. Colour Temperature Colour temperature is a standard method of describing colours for use in a range of situations and with different equipment Colour temperatures are normally expressed in units called kelvins (K)
- 10. Colour Temperature Temperatures range from around 2,000K to 8,000K Common lighting conditions Selecting lights, gels and filters most appropriate to the prevailing light or to create a particular colour effect
- 11. Shooting at Night Picture Noise Graininess increase Natural Source Moon Streetlight Considerable amount of light Platforms (Shadows)
- 12. 3 Point Lighting Main Light (Key) Lights Subject Backlight Defines Subject from Surroundings Fill Shadows
- 13. Task(s) 1. Set up 3 point lighting for an internal scene 2. Light a scene externally 3. Light a scene at night