SlideShare a Scribd company logo
Same message, fresh content
Ali Straker and Ros Knight
Editorial team, British Red Cross
What are we talking about?
> Who we are and what we do
> Tips and tricks for keeping content fresh
> In detail: case studies of creative ways to
get attention for your cause
Our communications team
> The team – who’s who?
> Hybrid content and editorial
> 60% online 40% offline
Shared
calendar
Monday
news
meeting
Friday
editorial
meeting
Project
planning
Reactive
day-to-
day Online
content
planning
Key channels
> blogs.redcross.org.uk
> redcross.org.uk
> social media:
> Facebook
> Twitter
> Instagram
Current affairs
> It’s news to me
> News hooks work
especially for Twitter
and organic search
> Act appropriately, not
desperately.
In remembrance of
those who we lost
on 9/11 the hotel
will provide
complimentary
coffee and mini
muffins from
8.45-9.15am.
Statistics are your friends
> Same message
new stats
> What do the
stats tell you?
> Try a regular
release cycle
> Service users
> Volunteers
> Experts
> Celebrities
> Social media
personalities
> Commentators
Twitter
cards
Thinglink Multimedia
packages
Written
formats
Channels
Digital tools, formats and
channels
• Audioboom
• Medium
• Snapchat
Audience
> Can you segment
your segment?
> Find a way to make it
relevant – make the
connections for them
> Attitudes will give you
actionable insight
Case study: the Syria crisis
2015
Seven million
people
displaced within
Syria.
Number of
Syrians living in
border countries
rapidly
approaching
four million.
4 years of conflict
The British Red Cross is calling for urgent support for
their Syria Crisis Appeal.
We want to:
> increase media coverage
> encourage fundraising and engagement
> break through the apathy
> make the crisis relatable
…but how?
Milk!
No one home
> We launched an art
installation with Syrian artist
Ibrahim Fakhri to highlight
the desperate situation
facing millions of people
who had fled their homes.
> Visitors saw the entrance
to a family home with
1,461 milk bottles outside –
one for each day of the
Syria crisis.
> Another milk bottle was
added every day of the exhibition
as the crisis continued into its fifth year.
> https://vimeo.com/122248357
> Old Truman Brewery
> At the launch, a milk
bottle was added by
5-year-old twins from
Syria, Bishir and Bassil.
Their family fled Syria
and were helped by the
British Red Cross in
the UK.
> Two of our Syrian
volunteers, who used
to volunteer for our
partners, the Syrian Arab Red Crescent, also attended the
launch event.
> Guardian, Time Out, Telegraph, Evening Standard, BT, Londonist,
Design Week, Express…
> LBC radio, London Live,
BBC Arabic…
> International coverage on
RAI (Italy), NRRTV
(Kurdish news),
Times of Oman,
Taz.de (German news
website)…
> 25 pieces of coverage
Media coverage
Who was involved?
> Fundraising
> International
> Humanitarian policy
> Comms: social media, editorial, media, design, video,
photography
> International Federation of the Red Cross and Red Crescent
> Volunteering (to help the staff the event)
> Agency (Rain/Ministry of Fun) to assist with the installation of
the event
> The artist and the Syrian family (availability for interviews was
an issue)
Social media
> Twitter engagement rate of
15.6% (average rate for major
brands = 0.5 - 0.7%)
> Striking and unusual visual
event lent itself well to social
media interaction
> Laying of milk bottles each day
provided another reason to
communicate on social media
> Total impressions: 155,297
> Total
engagements/likes/views:
20,090
Reasons to be cheerful
> Visual and quirky invited social
media opportunities – free
publicity for the piece, and our
work
> There were a number of ‘ways
in’ for public – it was
simultaneously an event, an art
piece, and a charity campaign
> Good relationship with venue,
artist, and agencies - they all
promoted the work with their
contacts
> We stood out
> Combining UK and Syrian
images created a link between
the two cultures, and the
quirkiness of the British milk
bottles intrigued international
media
> Working with a well-known
Syrian artist allowed us to do
more Arabic media, and to get
coverage in arts and events
media
The nitty gritty
> BUDGET
> Entire project cost around
£21,000 – including venue
hire, agency fees, artist’s
materials, photographer fee,
vinyls for walls and windows.
> ISSUES
> Lack of time!
> Capitalising on weekends – most
footfall – and not doing weekdays
or so many of them
> Working with artists is very
valuable but needs sensitivity and
isn’t always straight-forward
> The milk bottles had some paint
issues – more time needed for trial
and error
2016: How do you beat
2,000 milk bottles?
Postcards for Syria
> We asked people to take part in Postcards for Syria to show
solidarity with Syrians and help support our work in the region.
> We asked high-profile supporters, celebrities, schoolchildren
and Syrian refugees to create a postcard artwork or poem, or
write a message – anything that expressed the themes of home,
hope or humanity.
> We displayed the postcards in an online gallery and at our
national headquarters in London. A selection were auctioned
online in aid of the British Red Cross Syria appeal.
> AIMS
> To highlight the length
of the Syrian conflict
and the humanitarian
impact
> To re-engage some
of our audiences
(donors, schools and
youth, high-profile
supporters)
> To connect with new
audiences
> To support our Syria
Crisis Appeal
Social media
> Over 3 million impressions
on social media (3.3 million
impressions on Twitter alone –
over 1 milion resulted from
aGuardian gallery)
> 52,900 reach on Facebook)
Reasons to be cheerful
> 90 pieces of media coverage
> Ebay auction raised £5,353.72
> 20,000 hits on all Syria-related
content in March
> A clear and simple brief which
allowed people to respond
creatively and meant anyone
could take part
> A great opportunity to work
with artists, celebrities and
include Syrian voices
> Boosted staff morale
The nitty gritty
> BUDGET
£677. For every £1 spent we
raised £9.15
> DID NOT RELY ON
ONE MESSAGE
Not issue-sensitive – a bonus
when so much was changing. On
March 15th Putin announced ‘job
done’ in Syria so news of the
conflict overtook the 5-year
milestone
> ISSUES
> Lack of time!
> One buyer pulled out of the sale,
leaving us to find a second buyer
> One school changed their mind
about media – felt issue too
political – had to remove those
images from media galleries – in
future have those conversations
earlier.
Click to add title
Thank you
Ros Knight Rosalindknight@redcross.org.uk
Ali Straker Astraker@redcross.org.uk
Visit the CharityComms website
to view slides from past events,
see what events we have
coming up and to check out
what else we do:
www.charitycomms.org.uk
Creatives Group
12 May 2016
London
#charitycreative
Keeping it fresh:
saying the same thing in a
different way

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Keeping it fresh: saying the same thing in a different way | Creatives Group | 27 September 2016

  • 1. Same message, fresh content Ali Straker and Ros Knight Editorial team, British Red Cross
  • 2. What are we talking about? > Who we are and what we do > Tips and tricks for keeping content fresh > In detail: case studies of creative ways to get attention for your cause
  • 3. Our communications team > The team – who’s who? > Hybrid content and editorial > 60% online 40% offline
  • 5. Key channels > blogs.redcross.org.uk > redcross.org.uk > social media: > Facebook > Twitter > Instagram
  • 6. Current affairs > It’s news to me > News hooks work especially for Twitter and organic search > Act appropriately, not desperately.
  • 7. In remembrance of those who we lost on 9/11 the hotel will provide complimentary coffee and mini muffins from 8.45-9.15am.
  • 8. Statistics are your friends > Same message new stats > What do the stats tell you? > Try a regular release cycle
  • 9. > Service users > Volunteers > Experts > Celebrities > Social media personalities > Commentators
  • 10. Twitter cards Thinglink Multimedia packages Written formats Channels Digital tools, formats and channels • Audioboom • Medium • Snapchat
  • 11. Audience > Can you segment your segment? > Find a way to make it relevant – make the connections for them > Attitudes will give you actionable insight
  • 12. Case study: the Syria crisis
  • 13. 2015 Seven million people displaced within Syria. Number of Syrians living in border countries rapidly approaching four million.
  • 14. 4 years of conflict The British Red Cross is calling for urgent support for their Syria Crisis Appeal. We want to: > increase media coverage > encourage fundraising and engagement > break through the apathy > make the crisis relatable …but how?
  • 15. Milk!
  • 16. No one home > We launched an art installation with Syrian artist Ibrahim Fakhri to highlight the desperate situation facing millions of people who had fled their homes. > Visitors saw the entrance to a family home with 1,461 milk bottles outside – one for each day of the Syria crisis. > Another milk bottle was added every day of the exhibition as the crisis continued into its fifth year. > https://vimeo.com/122248357
  • 17. > Old Truman Brewery > At the launch, a milk bottle was added by 5-year-old twins from Syria, Bishir and Bassil. Their family fled Syria and were helped by the British Red Cross in the UK. > Two of our Syrian volunteers, who used to volunteer for our partners, the Syrian Arab Red Crescent, also attended the launch event.
  • 18. > Guardian, Time Out, Telegraph, Evening Standard, BT, Londonist, Design Week, Express… > LBC radio, London Live, BBC Arabic… > International coverage on RAI (Italy), NRRTV (Kurdish news), Times of Oman, Taz.de (German news website)… > 25 pieces of coverage Media coverage
  • 19. Who was involved? > Fundraising > International > Humanitarian policy > Comms: social media, editorial, media, design, video, photography > International Federation of the Red Cross and Red Crescent > Volunteering (to help the staff the event) > Agency (Rain/Ministry of Fun) to assist with the installation of the event > The artist and the Syrian family (availability for interviews was an issue)
  • 20. Social media > Twitter engagement rate of 15.6% (average rate for major brands = 0.5 - 0.7%) > Striking and unusual visual event lent itself well to social media interaction > Laying of milk bottles each day provided another reason to communicate on social media > Total impressions: 155,297 > Total engagements/likes/views: 20,090
  • 21. Reasons to be cheerful > Visual and quirky invited social media opportunities – free publicity for the piece, and our work > There were a number of ‘ways in’ for public – it was simultaneously an event, an art piece, and a charity campaign > Good relationship with venue, artist, and agencies - they all promoted the work with their contacts > We stood out > Combining UK and Syrian images created a link between the two cultures, and the quirkiness of the British milk bottles intrigued international media > Working with a well-known Syrian artist allowed us to do more Arabic media, and to get coverage in arts and events media
  • 22. The nitty gritty > BUDGET > Entire project cost around £21,000 – including venue hire, agency fees, artist’s materials, photographer fee, vinyls for walls and windows. > ISSUES > Lack of time! > Capitalising on weekends – most footfall – and not doing weekdays or so many of them > Working with artists is very valuable but needs sensitivity and isn’t always straight-forward > The milk bottles had some paint issues – more time needed for trial and error
  • 23. 2016: How do you beat 2,000 milk bottles?
  • 25. > We asked people to take part in Postcards for Syria to show solidarity with Syrians and help support our work in the region.
  • 26. > We asked high-profile supporters, celebrities, schoolchildren and Syrian refugees to create a postcard artwork or poem, or write a message – anything that expressed the themes of home, hope or humanity.
  • 27. > We displayed the postcards in an online gallery and at our national headquarters in London. A selection were auctioned online in aid of the British Red Cross Syria appeal.
  • 28. > AIMS > To highlight the length of the Syrian conflict and the humanitarian impact > To re-engage some of our audiences (donors, schools and youth, high-profile supporters) > To connect with new audiences > To support our Syria Crisis Appeal
  • 29. Social media > Over 3 million impressions on social media (3.3 million impressions on Twitter alone – over 1 milion resulted from aGuardian gallery) > 52,900 reach on Facebook)
  • 30. Reasons to be cheerful > 90 pieces of media coverage > Ebay auction raised £5,353.72 > 20,000 hits on all Syria-related content in March > A clear and simple brief which allowed people to respond creatively and meant anyone could take part > A great opportunity to work with artists, celebrities and include Syrian voices > Boosted staff morale
  • 31. The nitty gritty > BUDGET £677. For every £1 spent we raised £9.15 > DID NOT RELY ON ONE MESSAGE Not issue-sensitive – a bonus when so much was changing. On March 15th Putin announced ‘job done’ in Syria so news of the conflict overtook the 5-year milestone > ISSUES > Lack of time! > One buyer pulled out of the sale, leaving us to find a second buyer > One school changed their mind about media – felt issue too political – had to remove those images from media galleries – in future have those conversations earlier.
  • 32. Click to add title Thank you Ros Knight Rosalindknight@redcross.org.uk Ali Straker Astraker@redcross.org.uk
  • 33. Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
  • 34. Creatives Group 12 May 2016 London #charitycreative Keeping it fresh: saying the same thing in a different way