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Unsettled: Exploring
Systems of Power
Cameron Paterson
@cpaterso
We acknowledge the
sovereign first peoples of
these lands and waters, the
Bunurong Peoples of the
Kulin nation. We pay our
respects to their elders,
past and present and to all
descendants of this nation
who have cared for this
place since creation. We
also honour all other
Aboriginal and Torres Strait
Islanders.
Share in chat
What do you do, and where?
A moment for injustice, oppression, suffering, surviving. Rather
than a moment of silence, let’s have a moment unsilenced.
Where do you want to send your light, your energy, your prayers?
Norms
Be gentle and
generous
Use ‘I’ statements,
not ‘We’
statements.
Expect and
embrace a lack of
closure
In one minute,
quickly sketch a
powerful person
Power walk
Messages
What do you
think the
messages are?
Choices
What design
choices did the
maker make?
How do these
choices help
express the
message(s)?
Lookingcriticallyat the
design of objects and
systems,including systems
ofpowerand oppression
Exploring and interrogating
context, representation,
identity, and positionality
Reimagining a more just
world and how one might
participate innew and
"better" ways
Critical Sensitivity to Design
Discriminatory design
A system is acollection
of parts that interact
with or
influence each other in
some way(s), to some end(s).
Power muscle
Sensitivity to design muscle
Systems muscle
People, Systems, Power, Participation
1. Notice • Name everything you see and note the
context.
2. People • Who is involved and whose
perspectives are being represented? Whose
perspectives are not being represented?
3. Systems • Name the systems that are involved
and note any connections you see between the
people and the systems.
4. Power • What systems have power? • What
people have power? • What kinds of power do you
see?
5. Participation • How do you participate in any
social issues that have surfaced? How do you
participate in any systems you have
noted/discussed? • What power(s) do you have to
influence or change the systems? • How might you
participate differently within the systems?
3pedagogicalprinciples
Design is not neutral
Power is multidimensional
Participation is constructed
Critical Mending
Titus Kaphar, Behind
the Myth of
Benevolence
“When students choose to hear a challenging ordifficultidea that arisesinthe classroom...ina spiritthat sustains,rather
than shutsdown, learning“ BraveCommunity,Janine De Novais, 2017
Design
participation in
ways that
challenge the
status quo and
amplify the
voices of young
people.
• JxD is about designing curriculum that empowers students. When young people
are supported to recognise inequities in everyday design we are helping them to
reimagine a more just world. A series of routines has been developed:
• Parts, Purposes, Complexities (for looking closely)
• Parts, People, Interactions (for exploring complexity)
• Voice and Choice (for developing a sensitivity to what and who is not
represented)
• People, Systems, Power, Participation (for looking critically at content and
developing a sensitivity to the roles of power and participation)
How might you explore
justice/injustice, power,
representation, and
identity in your practice?
We Call Them
Pirates Out
Here, Daniel
Boyd, 2006
Shaun Tan, ‘They Came by
Water’, an illustration from
The Rabbits, 1997
Hope Beyond the
Window, Jacqui
Stewart, 2011
Taken Away, Sally
Morgan, 1987
Credit: Sheya
Hacking systems
with a social
justice lens

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JxD workshop PZAus 2021

  • 1. Unsettled: Exploring Systems of Power Cameron Paterson @cpaterso
  • 2. We acknowledge the sovereign first peoples of these lands and waters, the Bunurong Peoples of the Kulin nation. We pay our respects to their elders, past and present and to all descendants of this nation who have cared for this place since creation. We also honour all other Aboriginal and Torres Strait Islanders.
  • 3. Share in chat What do you do, and where?
  • 4. A moment for injustice, oppression, suffering, surviving. Rather than a moment of silence, let’s have a moment unsilenced. Where do you want to send your light, your energy, your prayers?
  • 5. Norms Be gentle and generous Use ‘I’ statements, not ‘We’ statements. Expect and embrace a lack of closure
  • 6. In one minute, quickly sketch a powerful person
  • 8. Messages What do you think the messages are? Choices What design choices did the maker make? How do these choices help express the message(s)?
  • 9. Lookingcriticallyat the design of objects and systems,including systems ofpowerand oppression Exploring and interrogating context, representation, identity, and positionality Reimagining a more just world and how one might participate innew and "better" ways Critical Sensitivity to Design
  • 11. A system is acollection of parts that interact with or influence each other in some way(s), to some end(s).
  • 12. Power muscle Sensitivity to design muscle Systems muscle
  • 13.
  • 14. People, Systems, Power, Participation 1. Notice • Name everything you see and note the context. 2. People • Who is involved and whose perspectives are being represented? Whose perspectives are not being represented? 3. Systems • Name the systems that are involved and note any connections you see between the people and the systems. 4. Power • What systems have power? • What people have power? • What kinds of power do you see? 5. Participation • How do you participate in any social issues that have surfaced? How do you participate in any systems you have noted/discussed? • What power(s) do you have to influence or change the systems? • How might you participate differently within the systems?
  • 15.
  • 16. 3pedagogicalprinciples Design is not neutral Power is multidimensional Participation is constructed
  • 18. Titus Kaphar, Behind the Myth of Benevolence
  • 19.
  • 20.
  • 21.
  • 22.
  • 23. “When students choose to hear a challenging ordifficultidea that arisesinthe classroom...ina spiritthat sustains,rather than shutsdown, learning“ BraveCommunity,Janine De Novais, 2017 Design participation in ways that challenge the status quo and amplify the voices of young people.
  • 24. • JxD is about designing curriculum that empowers students. When young people are supported to recognise inequities in everyday design we are helping them to reimagine a more just world. A series of routines has been developed: • Parts, Purposes, Complexities (for looking closely) • Parts, People, Interactions (for exploring complexity) • Voice and Choice (for developing a sensitivity to what and who is not represented) • People, Systems, Power, Participation (for looking critically at content and developing a sensitivity to the roles of power and participation)
  • 25. How might you explore justice/injustice, power, representation, and identity in your practice?
  • 26.
  • 27. We Call Them Pirates Out Here, Daniel Boyd, 2006
  • 28. Shaun Tan, ‘They Came by Water’, an illustration from The Rabbits, 1997
  • 29. Hope Beyond the Window, Jacqui Stewart, 2011
  • 31.
  • 32. Credit: Sheya Hacking systems with a social justice lens