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JRN 572 - Researching & Writing
the News Documentary
Rich Hanley, Associate Professor
Lecture Thirteen
JRN 572 - News Documentary
Overview:
• This week we move to the third act of
your script.
• Again, the expectation at the end of
this final phase of the course is not a
fully realized shooting script, with
transcribed interviews in place.
JRN 572 - News Documentary
Overview:
• As noted, what you want to show at
the end of the semester is a clear
storyline, from start to finish.
• In short, the outcome of the draft
script at the end ought to be this:
• “I have a story, and here’s the
evidence of that in script form.”
JRN 572 - News Documentary
Overview:
• The written draft will show the story
but details may shift as the recording
commences and new facts come to
light.
• We aren’t making a documentary for
this class in terms of production but
you need to show the elements of
story.
JRN 572 - News Documentary
Overview:
• As noted earlier this semester,
research continues into a story until
the documentary is locked.
• For this class, the script ought to be
worked on – including research -
until the deadline as posted on
Blackboard.
JRN 572 - News Documentary
The Script:
• Some students are pursuing a fly-on-
the-wall documentary and don’t know
how to write a script for that process.
• As the BBC producer noted in
Lecture Twelve, the key is
preparation, as noted in the following
quote from a BBC panel on the
subject:
JRN 572 - News Documentary
The Script:
• “After all, documentaries are all
about storytelling and scripting in the
beginning will give you a good plan,
allowing you to work out the shots
you want … being prepared while
allowing for some flexibility can bring
your story together and keep the
production on track.”
JRN 572 - News Documentary
The Script:
• Students ought to pre-interview the
people who they will follow if a
production occurs.
• Questions about why they do what
they do, when they came to doing it,
and so on ought to be addressed in
the pre-interview. When the cameras
roll, they can repeat those
responses.
JRN 572 - News Documentary
The Script:
• If you go into a documentary and
think that the story will unfold in front
of you without such preparation, you
will be in for a surprise, as the BBC
taught us in Lecture Twelve.
• Thus, the info – the answers to basic
questions – ought to be in the draft
script .
JRN 572 - News Documentary
The Script:
• Otherwise, you can’t possibly know
whether you have a story worth
telling.
• As noted, the draft script is the
scaffolding or infrastructure on which
factual films are built.
JRN 572 - News Documentary
The Script:
• Another issue that emerges in the
process is based on a concern that
people won’t return messages.
• Get used to it. Persistence is part of
the skill set required to make
documentaries. Keep pressing.
JRN 572 - News Documentary
The Script:
• To the issue that potential interview
prospects won’t respond because it’s
not a “real” documentary, note the
following: most documentary ideas
outside of college never get
produced or are turned into the work
of hobbyists, not professionals.
JRN 572 - News Documentary
The Script:
• Again, persistence is the key.
• If you don’t show persistence or
cultivate it for a class, you can’t
possibly work in this field because
“no” is the most common answer to
everything, from funding to
interviews.
JRN 572 - News Documentary
The Script:
• Again, it’s important to note once
more that the process of scripting is
actually one of revision.
• In other words, the composition of
act three means that acts one and
two ought to be revised as
weaknesses emerge in the narrative
and so forth.

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JRN 572DE - Lecture Thirteen

  • 1. JRN 572 - Researching & Writing the News Documentary Rich Hanley, Associate Professor Lecture Thirteen
  • 2. JRN 572 - News Documentary Overview: • This week we move to the third act of your script. • Again, the expectation at the end of this final phase of the course is not a fully realized shooting script, with transcribed interviews in place.
  • 3. JRN 572 - News Documentary Overview: • As noted, what you want to show at the end of the semester is a clear storyline, from start to finish. • In short, the outcome of the draft script at the end ought to be this: • “I have a story, and here’s the evidence of that in script form.”
  • 4. JRN 572 - News Documentary Overview: • The written draft will show the story but details may shift as the recording commences and new facts come to light. • We aren’t making a documentary for this class in terms of production but you need to show the elements of story.
  • 5. JRN 572 - News Documentary Overview: • As noted earlier this semester, research continues into a story until the documentary is locked. • For this class, the script ought to be worked on – including research - until the deadline as posted on Blackboard.
  • 6. JRN 572 - News Documentary The Script: • Some students are pursuing a fly-on- the-wall documentary and don’t know how to write a script for that process. • As the BBC producer noted in Lecture Twelve, the key is preparation, as noted in the following quote from a BBC panel on the subject:
  • 7. JRN 572 - News Documentary The Script: • “After all, documentaries are all about storytelling and scripting in the beginning will give you a good plan, allowing you to work out the shots you want … being prepared while allowing for some flexibility can bring your story together and keep the production on track.”
  • 8. JRN 572 - News Documentary The Script: • Students ought to pre-interview the people who they will follow if a production occurs. • Questions about why they do what they do, when they came to doing it, and so on ought to be addressed in the pre-interview. When the cameras roll, they can repeat those responses.
  • 9. JRN 572 - News Documentary The Script: • If you go into a documentary and think that the story will unfold in front of you without such preparation, you will be in for a surprise, as the BBC taught us in Lecture Twelve. • Thus, the info – the answers to basic questions – ought to be in the draft script .
  • 10. JRN 572 - News Documentary The Script: • Otherwise, you can’t possibly know whether you have a story worth telling. • As noted, the draft script is the scaffolding or infrastructure on which factual films are built.
  • 11. JRN 572 - News Documentary The Script: • Another issue that emerges in the process is based on a concern that people won’t return messages. • Get used to it. Persistence is part of the skill set required to make documentaries. Keep pressing.
  • 12. JRN 572 - News Documentary The Script: • To the issue that potential interview prospects won’t respond because it’s not a “real” documentary, note the following: most documentary ideas outside of college never get produced or are turned into the work of hobbyists, not professionals.
  • 13. JRN 572 - News Documentary The Script: • Again, persistence is the key. • If you don’t show persistence or cultivate it for a class, you can’t possibly work in this field because “no” is the most common answer to everything, from funding to interviews.
  • 14. JRN 572 - News Documentary The Script: • Again, it’s important to note once more that the process of scripting is actually one of revision. • In other words, the composition of act three means that acts one and two ought to be revised as weaknesses emerge in the narrative and so forth.