Live Labels: e-Ink displays in a museum environmentNils Pokel
This document summarizes a pilot project testing the use of e-ink displays in the Auckland Museum. The pilot aimed to display digital information in galleries without competing with exhibits using e-ink labels on a display case. It was found that visitors did not realize they were looking at a screen and that the technology provided benefits like flexibility to update text and integrate with digital publishing workflows. However, e-ink displays still have limitations like low contrast and cost. Further uses under consideration include connecting displays to the collection database and using for multi-language or emergency messaging.
BUILDING THE DX LAB FROM SCRATCH: WHAT IS THIS AND WHY DO IT?DX Lab
The document summarizes the DXLab, the first innovation lab at the State Library of New South Wales. The DXLab aims to push boundaries through experimentation, research, collaboration and design thinking. It brings together digital organizations, GLAM sectors, students, researchers, creators and audiences to connect and create through constant prototyping and iteration. The lab is led by a Lab Leader and Developer and engages library staff through brainstorming sessions to collaborate on projects like Atlas lenses and digital experiences.
This document discusses experiences with user-generated content and crowdsourcing on Arkitekturbilleder.dk. It describes how crowdsourcing was used to add over 55 new building photos in three months compared to 60 added in a previous year. Benefits included greater diversity of content and geographical coverage, while challenges included variable workloads and ensuring contributors remain engaged. Future plans could involve crowdsourcing the website and app development. The document seeks feedback on using crowdsourcing further.
Introduction on the Studytour for Business School in the Netherlands, may 2012
Ellen Macarthur Foundation and One Planet Architecture institute were the organisers
This document discusses developing virtual mobility for staff and students through online collaboration and learning opportunities. It defines virtual mobility as online exchanges and partnerships between institutions that allow students and staff to participate in international learning experiences without traveling abroad. The benefits of virtual mobility include increased inclusion, sustainability, and opportunities to integrate internationalization into daily work. The document provides examples of virtual mobility programs for students, such as online master's courses, and for staff, including open online courses for professional development. It also offers resources and tools to help institutions develop their own virtual mobility initiatives.
Innovative Learning Week is a festival of creative learning at The University of Edinburgh which aims to inspire, support, and celebrate creative learning on campus, online, and beyond. Running from 15-19 February 2016, staff and students are invited to collaborate and explore their teaching & learning experience in a new way.
This is a report about how ILW 2016 went.
Stay put for information about ILW 2017!
www.ed.ac.uk/innovative-learning
Using AWS to Enable Data-Driven Decision Making at the Nation’s Cultural CenterAmazon Web Services
The Kennedy Center implemented a new data warehouse using AWS services to enable data-driven decision making and support their strategic plan. Their previous on-premises data warehouse was outdated and unable to scale. They took an agile approach using AWS Redshift, DMS, Lambda, and other services to build a minimum viable product that retired the old system. Their new solution provides reliable performance and a foundation to incorporate more data sources and analytics tools like Quicksight.
Live Labels: e-Ink displays in a museum environmentNils Pokel
This document summarizes a pilot project testing the use of e-ink displays in the Auckland Museum. The pilot aimed to display digital information in galleries without competing with exhibits using e-ink labels on a display case. It was found that visitors did not realize they were looking at a screen and that the technology provided benefits like flexibility to update text and integrate with digital publishing workflows. However, e-ink displays still have limitations like low contrast and cost. Further uses under consideration include connecting displays to the collection database and using for multi-language or emergency messaging.
BUILDING THE DX LAB FROM SCRATCH: WHAT IS THIS AND WHY DO IT?DX Lab
The document summarizes the DXLab, the first innovation lab at the State Library of New South Wales. The DXLab aims to push boundaries through experimentation, research, collaboration and design thinking. It brings together digital organizations, GLAM sectors, students, researchers, creators and audiences to connect and create through constant prototyping and iteration. The lab is led by a Lab Leader and Developer and engages library staff through brainstorming sessions to collaborate on projects like Atlas lenses and digital experiences.
This document discusses experiences with user-generated content and crowdsourcing on Arkitekturbilleder.dk. It describes how crowdsourcing was used to add over 55 new building photos in three months compared to 60 added in a previous year. Benefits included greater diversity of content and geographical coverage, while challenges included variable workloads and ensuring contributors remain engaged. Future plans could involve crowdsourcing the website and app development. The document seeks feedback on using crowdsourcing further.
Introduction on the Studytour for Business School in the Netherlands, may 2012
Ellen Macarthur Foundation and One Planet Architecture institute were the organisers
This document discusses developing virtual mobility for staff and students through online collaboration and learning opportunities. It defines virtual mobility as online exchanges and partnerships between institutions that allow students and staff to participate in international learning experiences without traveling abroad. The benefits of virtual mobility include increased inclusion, sustainability, and opportunities to integrate internationalization into daily work. The document provides examples of virtual mobility programs for students, such as online master's courses, and for staff, including open online courses for professional development. It also offers resources and tools to help institutions develop their own virtual mobility initiatives.
Innovative Learning Week is a festival of creative learning at The University of Edinburgh which aims to inspire, support, and celebrate creative learning on campus, online, and beyond. Running from 15-19 February 2016, staff and students are invited to collaborate and explore their teaching & learning experience in a new way.
This is a report about how ILW 2016 went.
Stay put for information about ILW 2017!
www.ed.ac.uk/innovative-learning
Using AWS to Enable Data-Driven Decision Making at the Nation’s Cultural CenterAmazon Web Services
The Kennedy Center implemented a new data warehouse using AWS services to enable data-driven decision making and support their strategic plan. Their previous on-premises data warehouse was outdated and unable to scale. They took an agile approach using AWS Redshift, DMS, Lambda, and other services to build a minimum viable product that retired the old system. Their new solution provides reliable performance and a foundation to incorporate more data sources and analytics tools like Quicksight.
Supporting open research - how to help your researchers - Vitae15Kevin Ashley
A talk given at a Vitae event in Leeds, 2015-12-01, on how universities and other research organisations can help their researchers practice open research, with a special focus on the training resources provided by FOSTER.
TCI 2015 Working with Clusters for a Global Approach to Creative Entrepreneur...TCI Network
This document discusses the Creative Business Cup (CBC), a global competition and networking forum for creative entrepreneurs. Some key points:
- CBC is held annually in over 50 countries and is one of the premier events of Global Entrepreneurship Week, which includes over 35,000 total events worldwide.
- The 2014 CBC in Copenhagen included 50 startup teams, over 4,000 total attendees, and awarded $150,000 in prizes. It featured networking, workshops, investor pitches, and celebrations.
- Winners were announced in 3 categories: PocketSky from Austria, GIGI BLOKS from Latvia, and Professor Why from Poland.
- Plans for 2015 include partnering with the
Michael Parry Keynote Digital strategies NSW.net DE&UX Seminar 2015PublicLibraryServices
Digital strategies provide museums with a framework to thoughtfully leverage digital technologies and engage online audiences. They require identifying priorities and policies to guide decision-making as technologies evolve, rather than rigidly defining multi-year plans. Effective strategies focus on creating useful content for audiences, embedding research to understand user needs, and promoting collaboration across teams. Developing a content plan that identifies core channels and recycles existing materials is also important for managing digital engagement over time.
Example of an integrated content strategist portfolio. With the marketplace changing and competition increasing, job seekers must figure out new and engaging ways to tell their story.
Creative City Networks Review: their role supporting creative talent in Scotland’s cities. An event focused on the Ekos review findings of the 3 city networks: Creative Dundee, Creative Edinburgh and Creative Stirling at Creative Scotland's office.
Find out more about the work of the networks and read the Review report: http://www.creativescotland.com/explore/read/stories/creative-city-networks/2014/creative-city-networks-review
This document provides an overview of the ChiC project and its activities to coordinate and promote the CAPSSI initiative. The key points are:
1. ChiC is a Horizon 2020 project that aims to strengthen the CAPSSI ecosystem by connecting related projects, promoting impact, and providing tools to grow social innovation.
2. Some of ChiC's main actions include developing promotional materials, knowledge sharing resources, best practices, and recommendations to define and assess impact.
3. Upcoming events coordinated by ChiC include a CAPSSI community workshop in September 2016 in Bratislava and the Digital Social Innovation Fair in February 2017 in Rome.
Sandra Schön presented the DOIT project and first resutls at the "Social Innovation Seminar" co-organised by ERCEA and REA in Brussels, 23rd January 2020.
This document provides a summary report on the 2015 Sydney Architecture Festival. It discusses the goals of connecting people to architecture and place, and empowering the community to shape the city. It outlines the themes explored over the four day festival - design secrets, emerging ideas, global influences shaping the city. Around 3,800 people attended events with over 1.75 million online interactions. It thanks the many sponsors, partners, and ambassadors who helped make the festival possible and engage the community in discussions about architecture and urban design.
Exploring the Potential of Digital Making: a collaborative project at the Uni...Museums Computer Group
Kate Noble – Education Officer and Ina Pruegel – Digital Engagement Specialist (both University of Cambridge Museums)
The digital maker residency enabled the University Of Cambridge Museums to rethink how they approached the use of technology in their museums and to re-position audiences and staff from passive consumers to active creators.
This session will explore how this project provided opportunities to explore and test new ideas and workshops in collaboration with audiences and members of local Makerspaces, and to reflect on the role of technology in the museum of the future.
This document discusses various options for sharing museum collections online and how to determine which options provide the best return on investment. It outlines different levels of open access from sharing content and metadata to full aggregation and outlines platforms like Google Cultural Institute, Wikimedia Commons, commercial picture libraries, and Europeana. For each option, it discusses the effort required and potential upsides like increased exposure and audience as well as downsides like losing control over content or data. Key recommendations include defining your approach based on your audience and values, using high quality images and metadata to unlock multiple options, and using commercial activity to generate income to reinvest in further opening collections.
Share or sharealike – deciding how, when and where to share your digital contentMuseums Computer Group
Presentation given at UKMW12, the Museums Computer Group's Museums on the Web
'Strategically Digital' conference, Wellcome Collection, London, November 30, 2012
Brussels is the Capital of Data Science in Europe.
Thanks to the European Data Innovation Hub and the Data Science community Brussels has become in a few years the place to be for data driven startups..
The Brussels based European Data Innovation Hub is the premier networking space where business, startup, academic and political decison makers meet and discuss policy and best practices about big data, open data and data innovation.
Our Brussels based hub connects European data professionals, enterprises, startups, government, non-profit organisations and the academic world active in the data innovation ecosystem.
We create and manage a vibrant environment where they share best practices, learn about and drive data innovation in the EU.
The European Data Innovation Hub supports data professionals with networking activities, infrastructure for training, co-workers and startups, resources for community management.
Activities are:
Data Innovation Hub
OpenTraining hub for Data related trainings
Data start-up incubator
Co-working space for data experts
Data Innovation Summit
Data Innovation Survey
Data4Good hub and meeting place
Contact:
vzw European Data Innovation Hub asbl
Vorstlaan 23 bus 411, B-1170 Watermaal-Bosvoorde, Belgium
VAT: BE0630.675.984
email: info@dihub.eu
Main contact: Philippe Van Impe
pvanimpe@dihub.eu
+32 477 23 78 42
@pvanimpe
Keynote address for the International CIMED Conference about Museums and Digital Strategies - “II Congreso Internacional de Museos y Estrategias Digitales”, dedicated to Museums and Digital Strategies for the Spanish and Latin American professionals https://remed.webs.upv.es/cimed22/ on October 19, 2022. This talk explores the origins and current state of digital in the museum sector, which enable us to put a frame of reference on the accelerated changes that happened during the COVID-19 pandemic and examine what is likely to come next. Museums have faced numerous challenges on the journey to digital transformation, and success often depends not only on a clear vision and strategy, but also on how that strategy is implemented in day-to-day work. It is vital for the digital function to be closely-aligned with the overall strategy of the organization, empowering staff to work together in close collaboration. This talk will include specific examples of successful digital strategies and initiatives, along with a few illustrative failures. We will also take a look at how ongoing rapid changes in technology create particular challenges for the cultural heritage sector.
The document discusses the DOIT project, which aims to develop early entrepreneurship education materials for children aged 6-16 using makerspace settings. The DOIT program involves a 7-step process for young social innovators focusing on motivation, co-design, prototyping, reflection, and sharing ideas. Pilot studies involving 1,000 children will take place in 10 countries to test the program and evaluate its impact on entrepreneurial skills, attitudes, and knowledge. The evaluation faces challenges due to differences in languages, interventions, and ages but will use mixed methods including surveys, tests, and interviews.
The document discusses how Leicestershire Museums worked to engage new audiences through social media and digital initiatives. Guest curators created digital exhibitions for social media platforms, which achieved high engagement rates. The museums also used 3D modeling, gaming apps, storytelling projects, and heritage trails connected through technology like iBeacons. The key lessons were that experimentation is important, engagement matters more than broadcasting, and bridging the digital gap requires workforce training and buy-in at all levels of the organization.
The document discusses the Edinburgh Festivals Innovation Lab (festivalslab), which was established to explore innovations that could benefit the Edinburgh Festivals. Over two years, festivalslab ran several projects including developing a Festival Listings API to make festival data openly available, hosting a Culture Hack event, and establishing a "Geek in Residence." Festivalslab's work provided learning and inspiration for both the festivals and the wider cultural sector in Scotland. The document evaluates some of festivalslab's key initiatives and impact.
Ken Newman is seeking a position that combines creativity, technology, and leadership in higher education. He has 14 years of experience in higher education, including 6 years in academic leadership roles. He has a PhD in serious games and masters degrees in digital design and education. His skills include teaching, curriculum development, management, and project leadership. He has experience developing programs in game development, communication, and design at universities in the UAE, Netherlands, UK, and Australia.
Supporting open research - how to help your researchers - Vitae15Kevin Ashley
A talk given at a Vitae event in Leeds, 2015-12-01, on how universities and other research organisations can help their researchers practice open research, with a special focus on the training resources provided by FOSTER.
TCI 2015 Working with Clusters for a Global Approach to Creative Entrepreneur...TCI Network
This document discusses the Creative Business Cup (CBC), a global competition and networking forum for creative entrepreneurs. Some key points:
- CBC is held annually in over 50 countries and is one of the premier events of Global Entrepreneurship Week, which includes over 35,000 total events worldwide.
- The 2014 CBC in Copenhagen included 50 startup teams, over 4,000 total attendees, and awarded $150,000 in prizes. It featured networking, workshops, investor pitches, and celebrations.
- Winners were announced in 3 categories: PocketSky from Austria, GIGI BLOKS from Latvia, and Professor Why from Poland.
- Plans for 2015 include partnering with the
Michael Parry Keynote Digital strategies NSW.net DE&UX Seminar 2015PublicLibraryServices
Digital strategies provide museums with a framework to thoughtfully leverage digital technologies and engage online audiences. They require identifying priorities and policies to guide decision-making as technologies evolve, rather than rigidly defining multi-year plans. Effective strategies focus on creating useful content for audiences, embedding research to understand user needs, and promoting collaboration across teams. Developing a content plan that identifies core channels and recycles existing materials is also important for managing digital engagement over time.
Example of an integrated content strategist portfolio. With the marketplace changing and competition increasing, job seekers must figure out new and engaging ways to tell their story.
Creative City Networks Review: their role supporting creative talent in Scotland’s cities. An event focused on the Ekos review findings of the 3 city networks: Creative Dundee, Creative Edinburgh and Creative Stirling at Creative Scotland's office.
Find out more about the work of the networks and read the Review report: http://www.creativescotland.com/explore/read/stories/creative-city-networks/2014/creative-city-networks-review
This document provides an overview of the ChiC project and its activities to coordinate and promote the CAPSSI initiative. The key points are:
1. ChiC is a Horizon 2020 project that aims to strengthen the CAPSSI ecosystem by connecting related projects, promoting impact, and providing tools to grow social innovation.
2. Some of ChiC's main actions include developing promotional materials, knowledge sharing resources, best practices, and recommendations to define and assess impact.
3. Upcoming events coordinated by ChiC include a CAPSSI community workshop in September 2016 in Bratislava and the Digital Social Innovation Fair in February 2017 in Rome.
Sandra Schön presented the DOIT project and first resutls at the "Social Innovation Seminar" co-organised by ERCEA and REA in Brussels, 23rd January 2020.
This document provides a summary report on the 2015 Sydney Architecture Festival. It discusses the goals of connecting people to architecture and place, and empowering the community to shape the city. It outlines the themes explored over the four day festival - design secrets, emerging ideas, global influences shaping the city. Around 3,800 people attended events with over 1.75 million online interactions. It thanks the many sponsors, partners, and ambassadors who helped make the festival possible and engage the community in discussions about architecture and urban design.
Exploring the Potential of Digital Making: a collaborative project at the Uni...Museums Computer Group
Kate Noble – Education Officer and Ina Pruegel – Digital Engagement Specialist (both University of Cambridge Museums)
The digital maker residency enabled the University Of Cambridge Museums to rethink how they approached the use of technology in their museums and to re-position audiences and staff from passive consumers to active creators.
This session will explore how this project provided opportunities to explore and test new ideas and workshops in collaboration with audiences and members of local Makerspaces, and to reflect on the role of technology in the museum of the future.
This document discusses various options for sharing museum collections online and how to determine which options provide the best return on investment. It outlines different levels of open access from sharing content and metadata to full aggregation and outlines platforms like Google Cultural Institute, Wikimedia Commons, commercial picture libraries, and Europeana. For each option, it discusses the effort required and potential upsides like increased exposure and audience as well as downsides like losing control over content or data. Key recommendations include defining your approach based on your audience and values, using high quality images and metadata to unlock multiple options, and using commercial activity to generate income to reinvest in further opening collections.
Share or sharealike – deciding how, when and where to share your digital contentMuseums Computer Group
Presentation given at UKMW12, the Museums Computer Group's Museums on the Web
'Strategically Digital' conference, Wellcome Collection, London, November 30, 2012
Brussels is the Capital of Data Science in Europe.
Thanks to the European Data Innovation Hub and the Data Science community Brussels has become in a few years the place to be for data driven startups..
The Brussels based European Data Innovation Hub is the premier networking space where business, startup, academic and political decison makers meet and discuss policy and best practices about big data, open data and data innovation.
Our Brussels based hub connects European data professionals, enterprises, startups, government, non-profit organisations and the academic world active in the data innovation ecosystem.
We create and manage a vibrant environment where they share best practices, learn about and drive data innovation in the EU.
The European Data Innovation Hub supports data professionals with networking activities, infrastructure for training, co-workers and startups, resources for community management.
Activities are:
Data Innovation Hub
OpenTraining hub for Data related trainings
Data start-up incubator
Co-working space for data experts
Data Innovation Summit
Data Innovation Survey
Data4Good hub and meeting place
Contact:
vzw European Data Innovation Hub asbl
Vorstlaan 23 bus 411, B-1170 Watermaal-Bosvoorde, Belgium
VAT: BE0630.675.984
email: info@dihub.eu
Main contact: Philippe Van Impe
pvanimpe@dihub.eu
+32 477 23 78 42
@pvanimpe
Keynote address for the International CIMED Conference about Museums and Digital Strategies - “II Congreso Internacional de Museos y Estrategias Digitales”, dedicated to Museums and Digital Strategies for the Spanish and Latin American professionals https://remed.webs.upv.es/cimed22/ on October 19, 2022. This talk explores the origins and current state of digital in the museum sector, which enable us to put a frame of reference on the accelerated changes that happened during the COVID-19 pandemic and examine what is likely to come next. Museums have faced numerous challenges on the journey to digital transformation, and success often depends not only on a clear vision and strategy, but also on how that strategy is implemented in day-to-day work. It is vital for the digital function to be closely-aligned with the overall strategy of the organization, empowering staff to work together in close collaboration. This talk will include specific examples of successful digital strategies and initiatives, along with a few illustrative failures. We will also take a look at how ongoing rapid changes in technology create particular challenges for the cultural heritage sector.
The document discusses the DOIT project, which aims to develop early entrepreneurship education materials for children aged 6-16 using makerspace settings. The DOIT program involves a 7-step process for young social innovators focusing on motivation, co-design, prototyping, reflection, and sharing ideas. Pilot studies involving 1,000 children will take place in 10 countries to test the program and evaluate its impact on entrepreneurial skills, attitudes, and knowledge. The evaluation faces challenges due to differences in languages, interventions, and ages but will use mixed methods including surveys, tests, and interviews.
The document discusses how Leicestershire Museums worked to engage new audiences through social media and digital initiatives. Guest curators created digital exhibitions for social media platforms, which achieved high engagement rates. The museums also used 3D modeling, gaming apps, storytelling projects, and heritage trails connected through technology like iBeacons. The key lessons were that experimentation is important, engagement matters more than broadcasting, and bridging the digital gap requires workforce training and buy-in at all levels of the organization.
The document discusses the Edinburgh Festivals Innovation Lab (festivalslab), which was established to explore innovations that could benefit the Edinburgh Festivals. Over two years, festivalslab ran several projects including developing a Festival Listings API to make festival data openly available, hosting a Culture Hack event, and establishing a "Geek in Residence." Festivalslab's work provided learning and inspiration for both the festivals and the wider cultural sector in Scotland. The document evaluates some of festivalslab's key initiatives and impact.
Ken Newman is seeking a position that combines creativity, technology, and leadership in higher education. He has 14 years of experience in higher education, including 6 years in academic leadership roles. He has a PhD in serious games and masters degrees in digital design and education. His skills include teaching, curriculum development, management, and project leadership. He has experience developing programs in game development, communication, and design at universities in the UAE, Netherlands, UK, and Australia.
Similar to Join up your data to make it valuable (20)
Preliminary findings _OECD field visits to ten regions in the TSI EU mining r...OECDregions
Preliminary findings from OECD field visits for the project: Enhancing EU Mining Regional Ecosystems to Support the Green Transition and Secure Mineral Raw Materials Supply.
Combined Illegal, Unregulated and Unreported (IUU) Vessel List.Christina Parmionova
The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
Commission for the Conservation of Antarctic Marine Living Resources (CCAMLR)
Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
International Commission for the Conservation of Atlantic Tunas (ICCAT)
Indian Ocean Tuna Commission (IOTC)
Northwest Atlantic Fisheries Organisation (NAFO)
North East Atlantic Fisheries Commission (NEAFC)
North Pacific Fisheries Commission (NPFC)
South East Atlantic Fisheries Organisation (SEAFO)
South Pacific Regional Fisheries Management Organisation (SPRFMO)
Southern Indian Ocean Fisheries Agreement (SIOFA)
Western and Central Pacific Fisheries Commission (WCPFC)
The Combined IUU Fishing Vessel List merges all these sources into one list that provides a single reference point to identify whether a vessel is currently IUU listed. Vessels that have been IUU listed in the past and subsequently delisted (for example because of a change in ownership, or because the vessel is no longer in service) are also retained on the site, so that the site contains a full historic record of IUU listed fishing vessels.
Unlike the IUU lists published on individual RFMO websites, which may update vessel details infrequently or not at all, the Combined IUU Fishing Vessel List is kept up to date with the best available information regarding changes to vessel identity, flag state, ownership, location, and operations.
About Potato, The scientific name of the plant is Solanum tuberosum (L).Christina Parmionova
The potato is a starchy root vegetable native to the Americas that is consumed as a staple food in many parts of the world. Potatoes are tubers of the plant Solanum tuberosum, a perennial in the nightshade family Solanaceae. Wild potato species can be found from the southern United States to southern Chile
Synopsis (short abstract) In December 2023, the UN General Assembly proclaimed 30 May as the International Day of Potato.
United Nations World Oceans Day 2024; June 8th " Awaken new dephts".Christina Parmionova
The program will expand our perspectives and appreciation for our blue planet, build new foundations for our relationship to the ocean, and ignite a wave of action toward necessary change.
Contributi dei parlamentari del PD - Contributi L. 3/2019Partito democratico
DI SEGUITO SONO PUBBLICATI, AI SENSI DELL'ART. 11 DELLA LEGGE N. 3/2019, GLI IMPORTI RICEVUTI DALL'ENTRATA IN VIGORE DELLA SUDDETTA NORMA (31/01/2019) E FINO AL MESE SOLARE ANTECEDENTE QUELLO DELLA PUBBLICAZIONE SUL PRESENTE SITO
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
UN WOD 2024 will take us on a journey of discovery through the ocean's vastness, tapping into the wisdom and expertise of global policy-makers, scientists, managers, thought leaders, and artists to awaken new depths of understanding, compassion, collaboration and commitment for the ocean and all it sustains. The program will expand our perspectives and appreciation for our blue planet, build new foundations for our relationship to the ocean, and ignite a wave of action toward necessary change.
CBO’s Outlook for U.S. Fertility Rates: 2024 to 2054
Join up your data to make it valuable
1. JOIN UP YOUR DATA TO MAKE IT VALUABLE:
THE RESULTS OF PROJECT KIWI
ARTSADMIN & GOLANT MEDIA VENTURES
1 June 2017
#KIWIDATA
2. COMING UP…
INTRODUCTION TO PROJECT KIWI
SETTING THE SCENE AT ARTSADMIN
PROJECT KIWI JOURNEY
PROJECT KIWI LESSONS LEARNT (OR, HOW TO DEAL WITH A NEWBORN
KIWI!)
NEXT STEPS
QUESTIONS, THOUGHTS, IDEAS…
3. THE PROJECT KIWI JOURNEY
Create an interconnected way of
gathering and understanding the many
types of data that Artsadmin collects
More effectively connect the people
Artsadmin reaches to the activity it
delivers locally, nationally and
internationally
Build better connections between
Artsadmin’s networks and facilitate data
sharing
4. APRIL 2016 APRIL 2017
Discovery Modelling Implementation
FundingConcept
Proto-
typing
Requirements
Development
& Design
In Use
Technology
selection
Technology
set up
Giving up
cakes...
Hackney Half
Marathon
Communications and keeping everyone briefed
5. 1. Broadening and deepening
relationships with audiences
2. Creating and measuring value
3. Developing new business models
4. Encouraging creative experimentation
The art of analytics: using big data to create
value in the arts and cultural sector
NESTA, 2014
The last few years has seen a focus on BIG DATA and how this impacts
organisations
http://www.golantmediaventures.com/interesting/how-can-arts-or
ganisations-adopt-digital-technology
CONTEXT
http://www.golantmediaventures.com/interesting/our-report-on-how-to-make-intellect
ual-property-more-easily-traded-and-financed-published-by-government
6. Out of Water, CAROLINE WRIGHT & HELEN PARIS, 2014.
Photo by Tony Millings.
7. ABOUT
Artsadmin enables artists to create without boundaries, connecting
bold interdisciplinary work with local, national and international audiences.
PRODUCING
ARTIST DEVELOPMENT
TOYNBEE STUDIOS
8. SUSTAINABLE
Raising awareness of environmental
issues through the arts and seeking
greener ways of working.
Plunge,MICHAELPINSKY,2014.
PhotobyKristianBuus.
10. BOLD
Encouraging artists to take risks,
supporting radical approaches and
promoting experimentation.
TheAssemblyofAnimals,TIMSPOONER.
PhotobyPaulBlackemore.
11. "To turn our data – and the relationships and knowledge that it represents –
into a strategic and organisational asset. This will help us achieve our
creative and charitable ambitions, as well as be more economically
sustainable."
17. Arts Bar & Cafe.
LISA
UK venue
programmer
Lunch meeting
Green
18. Cock and Bull, NIC GREEN, 2016.
Photo by Julia Bauer.
NIC GREEN
Cock and Bull
2013 Bursary
Make Space
19. Antarctica, CHRIS DOBROWOLSKI, 2016.
Photo by Helen Murray.
CHRIS DOBROWOLSKI
The Spring, Havant
Salisbury International Arts Festival
Theatre Delicatessen, Sheffield
Shoreditch Town Hall, London
The Old Fire Station, Oxford
The ShowRoom, Chichester
Wimbledon College of Arts
New Wolsey Theatre, Ipswich
Seen by 718 people so far...
21. IMAGINE 2020
Summer Lab
For European artists
Environmental sustainability
Imagine 2020 Summer Lab, 2014.
Photo by Sam Trotman.
22.
23. DATA AS AN ORGANISATIONAL ASSET
Identifiable, separable, something of independent value
Capable of generating future (economic) benefit
Capable of ‘doing work’
Saving time, increasing efficiency
Increasing knowledge
Creating analytical leverage
Making your work provable and repeatable
Enhancing reputation
Helping to win work or funding
39. Person
Product/
service
Is interested in...
Touchpoint
(channel)
AA Conceptual Schema (B2C) v002
Project/
Opportunity
AA Performance
/Event in TS
Event/meeting in TS
space organised by
3rd party
AA Non-public
event (b2b)
Marketing
communication
Donation
Merchandise
Food/drink orderOpts into...
Opts out of...
Content/
experience
Produced by
Mailing
list
Other??
Wifi
portalWebsite
Digital distribution
channel
Social media
platform
TS
Artform Theme
OrganisationPerson
Interest
EmailText
Is about...
Is about...
Is about...
Audience
Visitor
Eater/
drinker
Participant
Volunteer
Emerging
artist
Customer
Donor
Information service
Need to associate with the verbs other things usually
at least time - in this way the ‘verb’ becomes a ‘noun’
and event
Phone
Other
location
Advisory service
Print
Venue
AA Performance
/Event Touring
Interaction
Via...
Follows
Posts
Engages with an element of
Visits
Signs into
Pays for ticket
Claims…
Registers for ticket.
Spektrix?
60. Involvement of many people and stakeholders
Numerous moving parts
The timeline for the project
Budget constraints
Learning the technologies
Working in new ways
… and doing the day job!
We used Confluence & Jira throughout the project to
collaborate and track issues
MANAGING COMPLEX PROJECTS
62. WHAT NEXT?
PHASE 2: New Development
Proposing a 12-month programme of work, which will see new digital
applications and the integration of:
• Advanced SuiteCRM development
• Booking system (managing Toynbee Studios’ spaces)
• Wi-Fi captive portal (capturing basic information about Toynbee Studios’
customers and visitors)
• Visitor Book - digital sign-in for visitors to Toynbee Studios
Actively seeking funding to support Phase 2
PHASE 1: Implementation
• Training and extending its use across Artsadmin teams
• Support agreement in place which allows for further enhancements and
SuiteCRM configurations
• Capture feedback from users for suggested improvements
64. WHAT NEXT?
Extending this solution to the wider Arts sector
• Golant Media Ventures & Artsadmin have signed a collaboration agreement
to enable them to offer the solution to other interested parties
• GMV to partner with organisations that want to create their own custom CRM
based on this open source out-of-the-box solution
• GMV aims to coordinate a group of organisations to work together to create
the next iteration to help spread costs and build a sector-specific product
• Artsadmin providing selected support to both organisational transformation
as well as implementation of solutions (including training)
• GMV can use the conceptual and data models as a basis for other
organisations to set this up in their own CRM solution
http://golantmediaventures.com/artsadmin-kiwi