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The document compares music videos from the 1970s, 1990s, and 2010. It summarizes the key differences between each decade's music video styles and technologies. In the 1970s, videos used basic graphic effects and green screens. Videos in the 1990s focused more on the artist and suggestive dancing. By 2010, video quality improved significantly, and videos included storylines to engage audiences rather than just focusing on effects or sexuality.
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The history of music videos
Music videos originated in the 1920s but became prominent in the 1980s with the launch of MTV. Early music videos in the 1970s focused on just showing the artist singing but evolved to include narratives and higher production values. Michael Jackson's "Thrilller" was a breakthrough that was almost like a mini movie. By the 1980s, music videos became vital for artist promotion and career success. Today, music videos often last 3-4 minutes and can be linear with a storyline or non-linear. They aim to match the rhythm and pacing of the video to the song.
Music video directors
This document discusses three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing videos for artists like Weezer, Lady Gaga, and Kanye West. His video for "Sabotage" by the Beastie Boys won several MTV awards. Mark Romanek transitioned from screenwriting to directing and has worked with Madonna, Coldplay, and David Bowie. His video for "Scream" by Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyoncé, Rihanna, and Leona Lewis. Her most famous video is Bey
Music video directors
This document provides information on three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing unique music videos for artists like Weezer, Lady Gaga, and Kanye West. He won several MTV awards for his video for "Sabotage" by the Beastie Boys. Mark Romanek originally wrote screenplays but focused on music videos, directing acclaimed videos for Madonna, Coldplay, and David Bowie. His "Scream" video for Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyonce, Rihanna, and Leona Lewis and
Final Music Directors
Music video directors are responsible for overseeing the production of music videos. They storyboard the video, direct performers, and ensure the visuals synchronize with the song. Famous music video directors like Jonas Akerlund, Chris Applebaum, and Chris Cunningham have helped promote artists and sell music through creative, stylized videos. Other notable directors include Joseph Kahn, Jake Nava, Sophie Muller, and Ray Kay, who have worked with major pop and rock artists.
Music Video Director
Joseph Kahn is a Korean American music video and film director known for working with popular artists like Lady Gaga, Maroon 5, Taylor Swift, and Eminem. He spent his early childhood in South Korea and Italy before moving to Houston, Texas as a teenager. After graduating from NYU, he began directing low-budget music videos and formed his own production company in 1999. Since then, he has directed hundreds of popular music videos and helped launch the careers of many artists. His work is characterized by its bright, lively style that keeps viewers engaged.
History of music videos
Bob Dylan's Subterranean Homesick Blues was one of the first real music videos, displaying conventions of the genre. In the 1960s, the Beatles pioneered the music video by creating promotional films for their songs that showed them performing. The 1970s saw the rise of concept music videos and music videos becoming an art form. The 1980s was the decade when MTV launched, popularizing music videos and requiring more memorable videos from artists, such as Madonna's "Material Girl" video.
Issues Surrounding Music Videos
This document discusses issues that can arise in music videos, such as nudity, sexuality, and explicit lyrics. It provides examples of several music videos that faced backlash or bans. Rihanna's "Pour it Up" video was banned within ten minutes for its explicit imagery and nudity. Megadeath's "In My Darkest Hour" was banned by MTV for its lyrics about suicide. Madonna's "Justify My Love" video from 1990 was extremely explicit, showing nudity, bisexuality, and S&M, and was banned by MTV. Many other videos have faced bans or censorship over inappropriate content.
Sticks and stones
Jamie T filmed the music video for his song "Sticks and Stones" in the suburban London neighborhood of Wimbledon where he grew up. The video features shots of Jamie's house with friends and band members, as well as train shots in the area. Jamie used these familiar locations to show viewers where he was from and tell the story of reconnecting with old friends from his teenage years. The casual clothing worn throughout fits both the tone of the song and its references to "chequered seasoned wallabies buttoned shirts and whiskey." A variety of shots including long shots, mid shots, and close-ups help set the scene and convey facial expressions.
Recommended
The history of music videos
Music videos originated in the 1920s but became prominent in the 1980s with the launch of MTV. Early music videos in the 1970s focused on just showing the artist singing but evolved to include narratives and higher production values. Michael Jackson's "Thrilller" was a breakthrough that was almost like a mini movie. By the 1980s, music videos became vital for artist promotion and career success. Today, music videos often last 3-4 minutes and can be linear with a storyline or non-linear. They aim to match the rhythm and pacing of the video to the song.
Music video directors
This document discusses three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing videos for artists like Weezer, Lady Gaga, and Kanye West. His video for "Sabotage" by the Beastie Boys won several MTV awards. Mark Romanek transitioned from screenwriting to directing and has worked with Madonna, Coldplay, and David Bowie. His video for "Scream" by Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyoncé, Rihanna, and Leona Lewis. Her most famous video is Bey
Music video directors
This document provides information on three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing unique music videos for artists like Weezer, Lady Gaga, and Kanye West. He won several MTV awards for his video for "Sabotage" by the Beastie Boys. Mark Romanek originally wrote screenplays but focused on music videos, directing acclaimed videos for Madonna, Coldplay, and David Bowie. His "Scream" video for Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyonce, Rihanna, and Leona Lewis and
Final Music Directors
Music video directors are responsible for overseeing the production of music videos. They storyboard the video, direct performers, and ensure the visuals synchronize with the song. Famous music video directors like Jonas Akerlund, Chris Applebaum, and Chris Cunningham have helped promote artists and sell music through creative, stylized videos. Other notable directors include Joseph Kahn, Jake Nava, Sophie Muller, and Ray Kay, who have worked with major pop and rock artists.
Music Video Director
Joseph Kahn is a Korean American music video and film director known for working with popular artists like Lady Gaga, Maroon 5, Taylor Swift, and Eminem. He spent his early childhood in South Korea and Italy before moving to Houston, Texas as a teenager. After graduating from NYU, he began directing low-budget music videos and formed his own production company in 1999. Since then, he has directed hundreds of popular music videos and helped launch the careers of many artists. His work is characterized by its bright, lively style that keeps viewers engaged.
History of music videos
Bob Dylan's Subterranean Homesick Blues was one of the first real music videos, displaying conventions of the genre. In the 1960s, the Beatles pioneered the music video by creating promotional films for their songs that showed them performing. The 1970s saw the rise of concept music videos and music videos becoming an art form. The 1980s was the decade when MTV launched, popularizing music videos and requiring more memorable videos from artists, such as Madonna's "Material Girl" video.
Issues Surrounding Music Videos
This document discusses issues that can arise in music videos, such as nudity, sexuality, and explicit lyrics. It provides examples of several music videos that faced backlash or bans. Rihanna's "Pour it Up" video was banned within ten minutes for its explicit imagery and nudity. Megadeath's "In My Darkest Hour" was banned by MTV for its lyrics about suicide. Madonna's "Justify My Love" video from 1990 was extremely explicit, showing nudity, bisexuality, and S&M, and was banned by MTV. Many other videos have faced bans or censorship over inappropriate content.
Sticks and stones
Jamie T filmed the music video for his song "Sticks and Stones" in the suburban London neighborhood of Wimbledon where he grew up. The video features shots of Jamie's house with friends and band members, as well as train shots in the area. Jamie used these familiar locations to show viewers where he was from and tell the story of reconnecting with old friends from his teenage years. The casual clothing worn throughout fits both the tone of the song and its references to "chequered seasoned wallabies buttoned shirts and whiskey." A variety of shots including long shots, mid shots, and close-ups help set the scene and convey facial expressions.
Director Research
This document summarizes information about three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work is inspiring for creating a successful music video production. It provides details about some of their notable music videos and awards. It also reviews the Uses and Gratification theory and how it relates to interpreting media. The document concludes that combining images in a split screen like Courtes' "Go Up" video and including dancing scenes could help make the production successful, and filming authentic footage in America will help depict modern life in the country.
Timeline of a music video
This document traces the evolution of music videos from the 1920s to the 2010s. It notes that early music films like The Jazz Singer influenced the rise of rock music in musicals in the 1920s. Abstract animator Oskar Fischinger created early musical animations in the 1940s. Elvis Presley and the Beatles produced some of the earliest popular music videos in the 1950s and 60s. Queen's "Bohemian Rhapsody" was one of the first true music videos and most elaborate productions of the 1970s. Michael Jackson and Madonna choreographed highly produced performance videos in the 1980s that helped establish the modern music video format. Avril Lavigne and Rihanna produced defining videos and had
Purpose of music video
This document discusses how music videos are used to promote songs and artists in various ways. It provides examples of how music videos can explain song lyrics, entertain audiences, promote new artists, and benefit from synergies with films. Artists now must work harder to promote their music due to piracy and competition from other media. Music videos are distributed on TV channels, YouTube, and get shared on Facebook to reach large audiences. Major record labels influence artists' music and image as they become more popular and mainstream.
R&b conventions
The document discusses how R&B music videos have changed over the decades from the 1980s to present day. In the 1980s, videos featured formal costumes, dance routines, and close-ups with narrative stories. By the 1990s, costumes became more casual as the music focused more on emotion with slower, intimate videos. Modern R&B videos are more promiscuous and focus on sexuality, money, and material goods within narrative plots, unlike the formal and emotive styles of earlier decades.
The drums
The document discusses the indie rock genre and the song "Money" by the band Cage the Elephant. It describes some of the typical fashion styles associated with indie rock bands like skinny jeans, leather jackets, and plain t-shirts. It also notes that indie rock originated in the 1980s in the UK and USA as a way for bands to get known without major record labels. The summary then discusses the song "Money", describing it as a fast-paced song with catchy lyrics. It was the first single released from their 2011 album Portamento. The remainder of the document outlines plans for a proposed music video for the song, including a black and white, art-house style with emphasis on typical indie
R&B conventions
The document explores how the genre of R&B music has changed over time through its music videos from the 1980s to present day. It notes that in the 1980s, videos featured large dance routines and formal costumes, while in the 1990s, videos became more emotive and narrative-based with casual clothing and close-up shots as the music evolved. Modern R&B videos are described as more promiscuous and focusing on narratives of vulgarity, sexuality, money and materialism compared to previous decades.
History of music videos
This is a presentation of the history of music videos starting from the 19th century up until the present day.
Genre research
The document summarizes research on the pop artists Adele, Alicia Keys, and Christina Aguilera to serve as inspiration for a music video project. It provides background on each artist's music genre, representative music videos, and live performances. The group decided Adele exemplifies their desired genre of slow, contemporary pop ballads. Alicia Keys and Christina Aguilera were also selected for inspiration, with Keys providing marketing style and Aguilera incorporating narrative into her music videos and performances. By combining elements from all three artists, the group aims to develop their own artist's style for the music video.
History of the Pop Video
The history of the pop music video began in 1921 with the short film "St Louis Blues" directed by Dudley Murphy, which featured Bing Crosby lip syncing. In the 1940s, stars like Bing Crosby, Frank Sinatra, and Elvis Presley appeared in early music videos. The Beatles revolutionized the music video in the 1960s with color videos like "Paperback Writer" that featured varied shots and fast editing. Their 1967 video "Strawberry Fields Forever" was notable for including special effects like reverse footage. MTV was launched in 1981 as a channel dedicated to music videos and helped popularize the format. Modern videos now use computers and special effects to produce genres like rap and R&B
HISTORY OF MUSIC VIDEO
Queen's "Bohemian Rhapsody" in 1975 is considered the first music video, which was popular despite its poor quality and helped popularize the format. In 1981, MTV launched with "Video Killed the Radio Star" by The Buggles, establishing music videos as a way to promote artists on television. Britney Spears' 1998 video for "...Baby One More Time" was a marketing success that helped launch her career and showed how videos targeted younger audiences. Modern videos like Carly Rae Jepsen's "Call Me Maybe" in 2012 have much higher production quality and make more use of narrative and editing techniques. Overall, the purpose and style of music videos has evolved from early promotional clips to become
Music Video History
Music videos began as short films that accompanied songs in the 1920s-1950s to provide a visual element. They became more common in the 1960s with films like A Hard Day's Night and helped promote singles on shows like Top of the Pops in the UK. The first music video aired on MTV in 1981, "Video Killed the Radio Star" by The Buggles, which helped popularize the format. Today, music videos are a major promotional tool for songs but are sometimes watched without sound for their visual qualities alone, focusing more on artists' appearances over musical talent.
Liiar analysis of 3 music videos
The document contains analyses of the music videos for "Black Widow" by Iggy Azalea, "Say You Like Me" by We the Kings, and "Don't" by Ed Sheeran. It discusses the language, institutions, ideologies, audiences, and representations depicted in each video. The narratives and visual elements of the videos are examined in detail over multiple paragraphs for each song.
HISTORY OF THE MUSIC VIDEO
The document traces the evolution of the music video from 1975 to present day. It highlights Queen's "Bohemian Rhapsody" as the first music video in 1975. In 1981, MTV launched with "Video Killed the Radio Star" as its first video. Britney Spears' "Baby One More Time" in 1998 was one of the first videos used as a marketing tool. More recent videos like Carly Rae Jepsen's "Call Me Maybe" in 2012 show the advancements in video quality and narrative techniques over the decades. Overall, the document discusses how music videos have changed from early performance-focused clips to more cinematic short films that balance performance and storytelling.
History of Music Videos
A media presentation taking you through the history of music videos from the earliest until music video until music videos as we know them.
Music video directors
Jonas Åkerlund is a Swedish director known for directing music videos that are like movie trailers, including Madonna's "Ray of Light" which won a Grammy and seven MTV VMAs. Spike Jonze is an American director who started his career directing music videos and has since directed films like Being John Malkovich and Her. Ray Kay is a Norwegian director based in LA who directs music videos for artists such as Lady Gaga, Britney Spears, and Justin Bieber. Chris Cunningham is a British artist who primarily directs ambient and electronica music videos as well as art installations. Jared Leto is an American actor and musician who also directs music videos for his band Thirty Second
History of Music videos
The document discusses the history of music videos from the 1980s to present day. It notes that the 1980s saw the rise of music videos as a major marketing tool for artists, with Adam Ant, Duran Duran, and Madonna seeing much success through creative videos. MTV launched in 1980 and was integral to promoting artists by broadcasting their music videos. Michael Jackson's "Thriller" video from 1983 was pioneering as one of the first true music videos resembling a short film. Today, YouTube allows artists to self-publish videos and gain large followings.
The History of Music Videos
Music videos began as a way for artists like Elvis and The Beatles to promote themselves through films in the 1950s-60s. The first true music video was Queen's "Bohemian Rhapsody" in 1975, setting conventions like lighting effects and editing to the beat. Michael Jackson's "Thriller" video in 1983 with its complex narrative and production values was hugely influential. Today, music videos are often shared online through platforms like YouTube, gaining millions of views, while still incorporating conventions established by early pioneers.
Mise en-scene-plannin
This document discusses the plans for a music video mise-en-scene. It will feature a teenage girl as the main actor to portray the pressures of relationships. Costumes will include a big fur coat for the main actor and casual clothes for other actors. Locations will be urban settings and nightlife areas in London. Props will include bottles of alcohol, a clutch bag, and phones. Lighting will be dark and misty to reflect the nightlife, using spotlights on the main actor when singing alone.
History of music video
- Music videos originated in the 1920s with jazz musicians being recorded while performing. In the 1960s, films like "A Hard Day's Night" featured musical segments resembling modern music videos.
- Music videos became popular in the early 1980s with the rise of MTV. The first video aired on MTV was "Video Killed the Radio Star" by The Buggles.
- Michael Nesmith produced some of the first modern music videos in the late 1970s for "Saturday Night Live", including the first video album "Elephant Parts" which won a Grammy for music video.
Presentation on Biofuel, by a BDTian
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D Banerjee Tamu 2009 Projects 090604
The document provides information about Dr. Debjyoti Banerjee and his research related to nano-devices for cooling, sensing, and storage. His lab focuses on multi-phase flows and heat transfer and has received over 20 grants for projects related to nano-sensors, thermal management, and biomedical microfluidics. Some of the key enhancements his research has demonstrated include a 40% improvement in heat exchanger performance using carbon nanotube nanofluids and a 300% improvement in pool boiling using carbon nanotube coatings.
nanoICT Strategic Research Agenda
At this stage, it is impossible to predict the exact course
the nanotechnology revolution will take and, therefore,
its effect on our daily lives. We can, however, be
reasonably sure that nanotechnology will have a
profound impact on the future development of many
commercial sectors. The impact will likely be greatest in
the strategic nanoelectronics (ICT nanoscale devices -
nanoICT) sector, currently one of the key enabling
technologies for sustainable and competitive growth in
Europe, where the demand for technologies permitting
faster processing of data at lower costs will remain
undiminished.
Considering the fast and continuous evolvements in the
inter-disciplinary field of Nanotechnology and in
particular of “ICT nanoscale devices”, initiatives such as
the nanoICT Coordination Action 1 should identify and
monitor the new emerging fields research drivers of
interest for this Community and put in place
instruments/measures to address them.
One of the main challenges is the timely identification
and substantiation of new directions for the physical
realisation of ICT beyond CMOS that have a high
potential for significant breakthrough and that may
become the foundations of the information and
communication technologies and innovations of
tomorrow.
Therefore, the first version of the nanoICT research
agenda provides focus and accelerate progress in
identified R&D directions and priorities for the
“nanoscale ICT devices and systems” FET proactive
program and guide public research institutions, keeping
Europe at the forefront in research. In addition, it aims
to be a valid source of guidance, not only for the
nanoICT scientific community but also for the industry
(roadmapping issues), providing the latest developments in the field of emerging nano-devices that appear
promising for future take up by the industry.
This first version of the research agenda is an open
document to comments and/or suggestions and covers
a very wide range of interdisciplinary areas of research
and development, such as Mono-Molecular electronics,
Bioelectronics, NEMS, Nanotubes, Modelling, etc.
providing insights in these areas, currently very active
worldwide.
Expected impact of initiatives such as this nanoICT
strategic research agenda is to enhance visibility,
communication and networking between specialists in
several fields, facilitate rapid information flow, look for
areas of common ground between different
technologies and therefore shape and consolidate the
European research community.
I hope you will enjoy reading this document and look
forward to the next edition beginning of 2011 which will
explore some new nanoICT related research areas such
as Spintronics, Nanophotonics and Nanophononics.
Please contact coordinators of the working groups if
you are interested in providing a comment.
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Timeline of a music video
This document traces the evolution of music videos from the 1920s to the 2010s. It notes that early music films like The Jazz Singer influenced the rise of rock music in musicals in the 1920s. Abstract animator Oskar Fischinger created early musical animations in the 1940s. Elvis Presley and the Beatles produced some of the earliest popular music videos in the 1950s and 60s. Queen's "Bohemian Rhapsody" was one of the first true music videos and most elaborate productions of the 1970s. Michael Jackson and Madonna choreographed highly produced performance videos in the 1980s that helped establish the modern music video format. Avril Lavigne and Rihanna produced defining videos and had
Purpose of music video
This document discusses how music videos are used to promote songs and artists in various ways. It provides examples of how music videos can explain song lyrics, entertain audiences, promote new artists, and benefit from synergies with films. Artists now must work harder to promote their music due to piracy and competition from other media. Music videos are distributed on TV channels, YouTube, and get shared on Facebook to reach large audiences. Major record labels influence artists' music and image as they become more popular and mainstream.
R&b conventions
The document discusses how R&B music videos have changed over the decades from the 1980s to present day. In the 1980s, videos featured formal costumes, dance routines, and close-ups with narrative stories. By the 1990s, costumes became more casual as the music focused more on emotion with slower, intimate videos. Modern R&B videos are more promiscuous and focus on sexuality, money, and material goods within narrative plots, unlike the formal and emotive styles of earlier decades.
The drums
The document discusses the indie rock genre and the song "Money" by the band Cage the Elephant. It describes some of the typical fashion styles associated with indie rock bands like skinny jeans, leather jackets, and plain t-shirts. It also notes that indie rock originated in the 1980s in the UK and USA as a way for bands to get known without major record labels. The summary then discusses the song "Money", describing it as a fast-paced song with catchy lyrics. It was the first single released from their 2011 album Portamento. The remainder of the document outlines plans for a proposed music video for the song, including a black and white, art-house style with emphasis on typical indie
R&B conventions
The document explores how the genre of R&B music has changed over time through its music videos from the 1980s to present day. It notes that in the 1980s, videos featured large dance routines and formal costumes, while in the 1990s, videos became more emotive and narrative-based with casual clothing and close-up shots as the music evolved. Modern R&B videos are described as more promiscuous and focusing on narratives of vulgarity, sexuality, money and materialism compared to previous decades.
History of music videos
This is a presentation of the history of music videos starting from the 19th century up until the present day.
Genre research
The document summarizes research on the pop artists Adele, Alicia Keys, and Christina Aguilera to serve as inspiration for a music video project. It provides background on each artist's music genre, representative music videos, and live performances. The group decided Adele exemplifies their desired genre of slow, contemporary pop ballads. Alicia Keys and Christina Aguilera were also selected for inspiration, with Keys providing marketing style and Aguilera incorporating narrative into her music videos and performances. By combining elements from all three artists, the group aims to develop their own artist's style for the music video.
History of the Pop Video
The history of the pop music video began in 1921 with the short film "St Louis Blues" directed by Dudley Murphy, which featured Bing Crosby lip syncing. In the 1940s, stars like Bing Crosby, Frank Sinatra, and Elvis Presley appeared in early music videos. The Beatles revolutionized the music video in the 1960s with color videos like "Paperback Writer" that featured varied shots and fast editing. Their 1967 video "Strawberry Fields Forever" was notable for including special effects like reverse footage. MTV was launched in 1981 as a channel dedicated to music videos and helped popularize the format. Modern videos now use computers and special effects to produce genres like rap and R&B
HISTORY OF MUSIC VIDEO
Queen's "Bohemian Rhapsody" in 1975 is considered the first music video, which was popular despite its poor quality and helped popularize the format. In 1981, MTV launched with "Video Killed the Radio Star" by The Buggles, establishing music videos as a way to promote artists on television. Britney Spears' 1998 video for "...Baby One More Time" was a marketing success that helped launch her career and showed how videos targeted younger audiences. Modern videos like Carly Rae Jepsen's "Call Me Maybe" in 2012 have much higher production quality and make more use of narrative and editing techniques. Overall, the purpose and style of music videos has evolved from early promotional clips to become
Music Video History
Music videos began as short films that accompanied songs in the 1920s-1950s to provide a visual element. They became more common in the 1960s with films like A Hard Day's Night and helped promote singles on shows like Top of the Pops in the UK. The first music video aired on MTV in 1981, "Video Killed the Radio Star" by The Buggles, which helped popularize the format. Today, music videos are a major promotional tool for songs but are sometimes watched without sound for their visual qualities alone, focusing more on artists' appearances over musical talent.
Liiar analysis of 3 music videos
The document contains analyses of the music videos for "Black Widow" by Iggy Azalea, "Say You Like Me" by We the Kings, and "Don't" by Ed Sheeran. It discusses the language, institutions, ideologies, audiences, and representations depicted in each video. The narratives and visual elements of the videos are examined in detail over multiple paragraphs for each song.
HISTORY OF THE MUSIC VIDEO
The document traces the evolution of the music video from 1975 to present day. It highlights Queen's "Bohemian Rhapsody" as the first music video in 1975. In 1981, MTV launched with "Video Killed the Radio Star" as its first video. Britney Spears' "Baby One More Time" in 1998 was one of the first videos used as a marketing tool. More recent videos like Carly Rae Jepsen's "Call Me Maybe" in 2012 show the advancements in video quality and narrative techniques over the decades. Overall, the document discusses how music videos have changed from early performance-focused clips to more cinematic short films that balance performance and storytelling.
History of Music Videos
A media presentation taking you through the history of music videos from the earliest until music video until music videos as we know them.
Music video directors
Jonas Åkerlund is a Swedish director known for directing music videos that are like movie trailers, including Madonna's "Ray of Light" which won a Grammy and seven MTV VMAs. Spike Jonze is an American director who started his career directing music videos and has since directed films like Being John Malkovich and Her. Ray Kay is a Norwegian director based in LA who directs music videos for artists such as Lady Gaga, Britney Spears, and Justin Bieber. Chris Cunningham is a British artist who primarily directs ambient and electronica music videos as well as art installations. Jared Leto is an American actor and musician who also directs music videos for his band Thirty Second
History of Music videos
The document discusses the history of music videos from the 1980s to present day. It notes that the 1980s saw the rise of music videos as a major marketing tool for artists, with Adam Ant, Duran Duran, and Madonna seeing much success through creative videos. MTV launched in 1980 and was integral to promoting artists by broadcasting their music videos. Michael Jackson's "Thriller" video from 1983 was pioneering as one of the first true music videos resembling a short film. Today, YouTube allows artists to self-publish videos and gain large followings.
The History of Music Videos
Music videos began as a way for artists like Elvis and The Beatles to promote themselves through films in the 1950s-60s. The first true music video was Queen's "Bohemian Rhapsody" in 1975, setting conventions like lighting effects and editing to the beat. Michael Jackson's "Thriller" video in 1983 with its complex narrative and production values was hugely influential. Today, music videos are often shared online through platforms like YouTube, gaining millions of views, while still incorporating conventions established by early pioneers.
Mise en-scene-plannin
This document discusses the plans for a music video mise-en-scene. It will feature a teenage girl as the main actor to portray the pressures of relationships. Costumes will include a big fur coat for the main actor and casual clothes for other actors. Locations will be urban settings and nightlife areas in London. Props will include bottles of alcohol, a clutch bag, and phones. Lighting will be dark and misty to reflect the nightlife, using spotlights on the main actor when singing alone.
History of music video
- Music videos originated in the 1920s with jazz musicians being recorded while performing. In the 1960s, films like "A Hard Day's Night" featured musical segments resembling modern music videos.
- Music videos became popular in the early 1980s with the rise of MTV. The first video aired on MTV was "Video Killed the Radio Star" by The Buggles.
- Michael Nesmith produced some of the first modern music videos in the late 1970s for "Saturday Night Live", including the first video album "Elephant Parts" which won a Grammy for music video.
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At this stage, it is impossible to predict the exact course
the nanotechnology revolution will take and, therefore,
its effect on our daily lives. We can, however, be
reasonably sure that nanotechnology will have a
profound impact on the future development of many
commercial sectors. The impact will likely be greatest in
the strategic nanoelectronics (ICT nanoscale devices -
nanoICT) sector, currently one of the key enabling
technologies for sustainable and competitive growth in
Europe, where the demand for technologies permitting
faster processing of data at lower costs will remain
undiminished.
Considering the fast and continuous evolvements in the
inter-disciplinary field of Nanotechnology and in
particular of “ICT nanoscale devices”, initiatives such as
the nanoICT Coordination Action 1 should identify and
monitor the new emerging fields research drivers of
interest for this Community and put in place
instruments/measures to address them.
One of the main challenges is the timely identification
and substantiation of new directions for the physical
realisation of ICT beyond CMOS that have a high
potential for significant breakthrough and that may
become the foundations of the information and
communication technologies and innovations of
tomorrow.
Therefore, the first version of the nanoICT research
agenda provides focus and accelerate progress in
identified R&D directions and priorities for the
“nanoscale ICT devices and systems” FET proactive
program and guide public research institutions, keeping
Europe at the forefront in research. In addition, it aims
to be a valid source of guidance, not only for the
nanoICT scientific community but also for the industry
(roadmapping issues), providing the latest developments in the field of emerging nano-devices that appear
promising for future take up by the industry.
This first version of the research agenda is an open
document to comments and/or suggestions and covers
a very wide range of interdisciplinary areas of research
and development, such as Mono-Molecular electronics,
Bioelectronics, NEMS, Nanotubes, Modelling, etc.
providing insights in these areas, currently very active
worldwide.
Expected impact of initiatives such as this nanoICT
strategic research agenda is to enhance visibility,
communication and networking between specialists in
several fields, facilitate rapid information flow, look for
areas of common ground between different
technologies and therefore shape and consolidate the
European research community.
I hope you will enjoy reading this document and look
forward to the next edition beginning of 2011 which will
explore some new nanoICT related research areas such
as Spintronics, Nanophotonics and Nanophononics.
Please contact coordinators of the working groups if
you are interested in providing a comment.
Seo omega review
SEO Omega is a software and training course that claims to help users rank websites for keywords in just days with only 2 minutes of work. It teaches a niche research method that allows users to find uncompetitive keywords to target. The course costs $27 and teaches on-page optimization techniques, backlinking strategies, and its proprietary niche research method. It claims this niche research technique will give users a massive advantage over their competitors and allow them to rank sites within 24 hours with little content. Discounts are available by contacting the seller. The review promotes the training and bonuses as a simple path to SEO success requiring only following the provided instructions.
A wife’s tale
The document outlines a proposed film titled "A Wife's Tale" about twin children who are transported back in time to Tudor England after finding a mysterious old history book. While witnessing an event at King Henry VIII's court, the twins realize they have discovered a secret about one of Henry's wives that has been left out of the history lessons. The film is pitched as unique for including a cliffhanger and starring popular actors appealing to both children and parents audiences. Marketing plans include trailers, posters, and advertisements to generate interest in the film.
A wife’s tale
The document outlines a proposed film titled "A Wife's Tale". It involves twin children who are transported back in time after finding an old history book. In Tudor England, they witness an event involving King Henry VIII that is not included in the history lessons about his wives. They see Henry with a wife not covered by the rhyme about his marriages. The film would have an intriguing plot twist and appeal to both children and parents due to a star-studded cast including Kirsten Stewart, Ryan Gosling, and Michael Caine. To generate interest, the producers would create a trailer and widespread promotional posters.
Music video analysis
This document summarizes and comments on screenshots from six music videos. It notes key elements of each screenshot like settings, themes, representations of lyrics, and connections to related works. The screenshots establish moods, reflect genres, and can create personal connections with audiences or promote other projects.
Dennisa's Marketing Management
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Group 3 pitch
This document outlines the plans for a music video for the song "Love and War" by Rita Ora. It discusses using various settings and lighting contrasts to keep the audience interested. The artist will have a bold, hipster look while the rapper's costume will be more casual. A range of camera shots and positions from long to close up will be used. Editing techniques like lip syncing, cutting on the beat, and transitions will incorporate the music. The digipak and advert will feature the artist against a background from one of the filmed scenes.
Impementasi kurikulum-2013-final
Dokumen tersebut membahas tentang implementasi Kurikulum 2013, yang mencakup perubahan mindset guru, perubahan sistem pembelajaran dan penilaian, serta upaya mempersiapkan generasi emas Indonesia melalui peningkatan kualitas pendidikan."
Moving to a paperless classroom
The document discusses moving classrooms to a paperless model. It notes that teachers will be able to implement paperless assignments and do classroom activities using technology. Statistics are provided about the large amount of paper used each year in California and at Irvine Valley College specifically, and the cost of that paper usage. The document concludes by listing some conditions and tools to consider for teaching paperless, such as available equipment, using online syllabi, presentations, videos, apps, and social media.
Carbon Nanotubes- SREESANGH P GHOSH
This document provides an overview of carbon nanotubes, including their properties, types (single-walled vs multi-walled), methods of synthesis (arc discharge, laser ablation, chemical vapor deposition), applications, challenges and future outlook. Carbon nanotubes have extraordinary strength and unique electrical properties. They show promise for applications in electronics, optics, energy storage and more, but challenges remain in controlling their growth and assembly at scale.
Qnex technologies profile
Qnex is a high quality, client focused IT/ITes service provider with well dedicated and professional team members to provide high quality service . Qnex specialises in data and content management services in e-publishing and transcription for both local and international clients. We operate in a secure, reliable, private and scalable computing and communication environment. This combined with our continuous system monitoring processes, stringent quality testing and tight security policies using industry standards, enables us to ensure that we deliver consistent high quality service to all our customers while maintaining data privacy, confidentiality and service continuity. We pride ourselves being an equal opportunity employer. We are proud to have more than 60% female employees in Qnex Technologies LLP.
We offer services like
DATA ANALYZING , DATA MINING , DATA LITIGATION
EPUBLISHING , XML CONVERSION , DATA CONVERSION , EPUB , MOBI , FIXED LAYOUT CONVERSION .
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WEB SOLUTION , LOGO DESIGN , WEBSITE DESIGN , WEBSITE DEVELOPMENT.
contact : Qnex Technologies LLP
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Logarithm
Lots of students find logarithm complicated and tricky.For them this slide may prove useful.This is the most easy way to learn logarithm.Best of luck!! :)
20130904 irr-ra-10533-bsa k to 12 2013
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Nanotech presentation
This document provides an overview of nanotechnology including its history, definition, and applications. It discusses the following key points:
- Nanotechnology involves engineering at the molecular scale between 1 to 100 nanometers as well as manipulating and controlling matter on an atomic and molecular scale.
- Some applications of nanotechnology discussed include using nanomachines like nanoimpellers to target cancer cells, developing nanobots, improving electronics by reducing transistor size, and delivering drugs using nanoparticles.
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Mb0051 –legal aspects of business
The document discusses the primary and secondary sources of Indian law. It defines custom, judicial precedent, statute, and personal law as the primary sources. It also discusses English law, principles of justice/equity/good conscience as secondary sources. It provides details on customs, judicial precedent based on stare decisis, statute law created by legislation, and personal laws governing Hindus, Muslims, Christians. It also summarizes the key sources of English law that influence Indian law - common law, equity, law merchant, and statute law.
SUM sem 3 Mb0050 – research methodology
The document provides information on analysis of variance (ANOVA) including its assumptions and examples of its use. ANOVA is a technique used to compare the means of two or more samples using the F distribution. It can only be used for numerical data. The key assumptions are that the error terms are independent and normally distributed with equal variances. Variances and means of samples must also be independent. Examples provided include comparing cholesterol contents of different diet foods using ANOVA to test if sample mean differences are due to chance.
Mf0013 – internal audit and control
This document provides an overview of internal auditing and control. It discusses the advantages and limitations of auditing, key objectives of an internal audit system, qualifications of an internal auditor and their role in management, and basic principles of internal control. The advantages of auditing include providing assurance of financial reports, assisting management with performance and detection of fraud. Limitations include it being retrospective and relying on sampling. Objectives of an internal audit are evaluating controls, compliance, asset protection and utilization, and reliability of management information systems. Qualifications for an internal auditor include expertise, knowledge, skills, and integrity. Their role involves reviewing controls, assets, compliance, organization structure, resource deployment, and information reliability. Basic principles of internal control include
Mf0011 – mergers and acquisitions
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Decade Progression task
The document compares music videos from the 1970s, 1990s, and 2010s. 1970s videos featured live performances with static shots and fades to found footage. 1990s videos focused on the artist singing without instruments and seamlessly cutting between the song and a story. 2010s videos, like OK Go's "This Too Shall Pass", took a more abstract, experimental approach without instruments to make the video memorable and help the artist stand out compared to most others.
2) Evolution of Music Video
The document discusses the evolution of music videos from their origins in the 1960s to present day. It traces how music videos started as a way for bands like Queen and The Beatles to promote their music when they could not appear on TV shows, and became a major marketing tool with the launch of MTV in 1981. While music videos were not hugely popular at first, attracting only younger viewers, their audience grew over time. Today, music videos are a major business and influence many aspects of popular culture, though some question their future as more people access music illegally online rather than watching official videos.
Media Studies A2 - Director Research and Comparrison
This document provides information about directors David Fincher and Nigel Dick and compares their styles. It notes that Fincher tends to focus on either narrative or performance styles in his music videos, while Dick uses more cinematic and dance number styles. It analyzes some of their music videos and finds that Dick varies his style more depending on the genre of music, while Fincher's older videos were more narrative-focused but his newer ones feature more performance-based styles. Both directors represent women in revealing clothing at times in their videos. Overall, the document suggests that Dick's more flexible directorial style between genres would be better to follow for a final project.
Music video thesis
Music videos have been around since the 1960s and have evolved significantly over time. They began as simple recordings of live performances but became more cinematic and artistic. The launch of MTV in 1981 helped establish music videos as an art form. Today, music videos are used to interpret songs visually, promote artists, showcase directing talent, and engage fans through new technologies like VR and integration with streaming services. Directors now have more tools like advanced visual effects at their disposal to create visually stunning videos.
History of music videos
Music videos were originally used to promote artists but now are showpieces to sell songs. The history of music videos shows changing approaches from effects-heavy videos like Michael Jackson's "Can You Feel It" to Madonna's live performance-style to Destiny's Child's studio-shot color-coordinated video to Usher's club-set video with camera movement but no effects.
History of music videos
Music videos were originally used to promote artists but now are showpieces to sell songs. The history of music videos shows changing approaches from effects-heavy videos like Michael Jackson's "Can You Feel It" to Madonna's live performance-style to Destiny's Child's studio-shot color-coordinated video to Usher's club-set video with camera movement but no effects.
Video History
This document provides summaries of 20 iconic music videos from 2012 back to the pre-1980s era. Some of the videos summarized include Gangnam Style (2012) by Psy, Somebody That I Used To Know (2011) by Gotye, Bad Romance (2009) by Lady Gaga, Single Ladies (2008) by Beyoncé, Here It Goes Again (2006) by OK Go, Feel Good Inc. (2005) by Gorillaz, Toxic (2004) by Britney Spears, Hey Ya (2003) by Outkast, Weapon of Choice (2000) by Fatboy Slim, and Bohemian Rhapsody (1975) by Queen. The summaries highlight what made each
History of Music Videos
The document summarizes and analyzes three music videos from different eras: Bee Gees' "Stayin' Alive" from 1977, The Verve's "Bitter Sweet Symphony" from 1997, and Flo Rida's "Let It Roll" from a more recent time. It discusses the evolution of music video styles over time in terms of camera work, editing, sound, and other elements. Key points include that earlier videos like "Stayin' Alive" were more performance-based with basic shots and editing due to technology limitations, while more recent videos like "Let It Roll" utilize many special effects, creative shots, and electronic sounds.
Through the decades
This document analyzes and compares music videos from different decades: Michael Jackson's "Don't Stop Till You Get Enough" from the 1970s, the Spice Girls' "Wannabe" from the 1990s, and One Direction's "What Makes You Beautiful" from the 2010s. It discusses the use of green screen technology in the 1970s video and the representation of girl power and friendship in the 1990s and 2010s videos. The document also notes how boy bands shifted from cuteness to sexuality between the 1990s and 2010s.
Video History
This document provides summaries of 20 iconic music videos from 2012 back to the pre-1980s. Some of the videos summarized include Gangnam Style (2012), Somebody That I Used To Know (2011), Bad Romance (2009), Single Ladies (2008), Here It Goes Again (2006), Feel Good Inc. (2005), Toxic (2004), Hey Ya (2003), and Bohemian Rhapsody (1975). The summaries highlight things like the videos' visual styles, narratives, popularity, cultural impacts, and in some cases whether the video or song was more influential.
Video history
This document provides summaries for 20 iconic music videos ranging from 2012 to the pre-1980s. Some of the videos summarized include Gangnam Style (2012), Somebody That I Used to Know (2011), Bad Romance (2009), Single Ladies (2008), Here It Goes Again (2006), Feel Good Inc. (2005), Toxic (2004), and Bohemian Rhapsody (1975). The summaries analyze elements like visuals, choreography, popularity, cultural impact, and whether the video enhanced or drove the success of the song.
History of music videos
Music videos first emerged in the 1960s with The Beatles releasing promotional videos to accompany their songs when they stopped touring. In the early 1970s, videos by artists like David Bowie grew more popular but television shows still preferred to simply show live performances. The 1983 video for Michael Jackson's "Thriller" marked a turning point where videos began featuring clearer storylines beyond just performances. MTV's launch in 1987 further accelerated the popularity and production values of music videos, which became essential promotional tools aimed at MTV's large audience. Today, websites like YouTube have made music videos nearly compulsory for artists to release with new songs.
History of music videos
Music videos began in the 1920s-1930s as short films promoting songs from musicals. In the 1960s, bands like the Beatles popularized music videos featuring both narrative scenes and live performances. The development of new recording and editing technologies in the 1970s-1980s allowed artists to produce promotional videos more cheaply and helped boost song sales. The launch of MTV in 1981 dedicated entirely to music videos greatly increased their popularity and influence, with many artists owing their success to the network. Today, music videos remain an important way for artists to promote new songs, though they now often feature more provocative imagery and are widely shared online through websites like YouTube.
Textual analysis 3
1) The music video for "Dusk Till Dawn" by Zayn ft. Sia was released in September 2017 and was directed by Marc Webb.
2) While most pop music videos feature bright colors and high-key lighting during performances, this video uses low-key blue and green lighting during narrative scenes like an interrogation in a warehouse.
3) The video challenges pop music conventions through its crime film narrative involving gangsters but still features Zayn in a suit with a colorful shirt, conforming to typical pop star costuming.
Case Study
Johan Renck is a Swedish music video and film director known for directing videos for artists like Madonna, The Libertines, and Kylie Minogue. His video for "The Libertines" uses a Steadicam and fast editing to create an energetic, low-budget feel. For Kylie Minogue's "Love at First Sight," he uses many close-ups and dancers to keep the audience engaged and showcase her talents. In Bat for Lashes' "Daniel," Renck uses dancers in strange costumes, references to loss of innocence, and dreamlike lighting to symbolize themes of guilt, loss, and pain.
The Development of Music Videos Through Time
This document summarizes and compares three music videos from different eras: Bee Gees' "Stayin' Alive" from 1977, The Verve's "Bitter Sweet Symphony" from 1997, and Flo Rida's "Let It Roll" from a more recent time. It analyzes elements like camera work, editing, sound, mise-en-scene, and how they have evolved from more simplistic techniques in earlier videos to more advanced and creative approaches over time as technology has progressed.
History of music videos
This document provides a history of music videos, describing what they are, key features, their importance, technical features, and important events. It notes that music videos are short promotional films that incorporate a song and imagery. They are mainly used to promote an artist and song. Music videos use various styles and key features include associations between lyrics/music and visuals, as well as genre characteristics and close-ups of artists. The document also discusses how music videos help artists and directors, and conveys meanings of songs. It outlines some technical features and provides examples of early influential music videos from Elvis Presley and The Beatles.
Presentation1
Music videos are an important way for artists to promote themselves and their music. They allow artists to visually represent their song and story, gaining more exposure and fans. Videos posted to YouTube can reach a massive audience and help songs go viral. For example, PSY's "Gangnam Style" video received over 1 billion views and helped propel the song to international success. Music videos also provide additional revenue streams for artists and help promote films when used for movie soundtracks. Their widespread distribution allows artists to reach more potential fans and helps explain who they are as an artist.
History of music videos
Music videos did not become an established term until the 1980s. Before then, promotional films and clips were used to promote music. The first considered "music video" was Tony Bennett's "Stranger in Paradise" in 1953. In the 1960s, The Beatles filmed 10 promotional films for their albums. Michael Jackson's "Thriller" video in the 1980s was hugely influential and helped establish the modern music video format. Lady Gaga's "Poker Face" music video was one of the first to reach over 1 billion views on YouTube in 2010, demonstrating the new opportunities online platforms created for music video promotion.
The history of music viedos
Music videos began in the 1920s as musical short films shown in cinemas to promote artists and songs. In the 1950s, musical films rose in popularity and artists like Elvis would star in films as a way to promote themselves when they couldn't tour internationally. In the 1960s, promotional music videos became more common though they primarily just included the song performance. The 1980s saw the rise of MTV and a new era of music videos that helped launch careers and brought a visual element to music consumption. Advancements in technology now make it easy to create and share music videos, helping promote songs and artists globally.
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Jade&becca
- 1. 1970’s, 1990’s and 2010 music video Becca & Jade
- 2. 1970’s In the 1970s many of the video technology available therefore consisted of a lot of graphic effects and moving backgrounds. In this video we can see that a green screen was used to create the effect. This video is very basic and a modern audience would find it harder to engage with what is happening. The video has minimal jump cuts and it focused on Michael Jackson’s signature dance moves.
- 3. 1990’s In this video it is mainly focused on her and her dancing. She is posing and wearing minimal clothing. It is all filmed in the dark to show the ‘bad’ side, also there is also a lot of men in cars. From the 1970’s music video this is more promiscuous and risky. None of the green screen or special effects have been used it is more of a story line to back up the song.
- 4. 2010 In this music video just like the 1990’s music video there is a story line to go along with the music video. Unlike the 1970’s there has been no special effects. This music video is very simple and not sexualised as it was made for the FIFA World cup. From the 1970’s to 2010 there is a major increase of quality of the video camera and the variety of shots used to capture and keep the audiences attention.
- 5. Richard Dyers star theory 1. Idolization- that people copy what they are doing or what they are wearing 2. Some stars everyone will slate and others will only have good press written about them.