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By: Andrew Stephens and Phil Sutfin
Where Does Abstractionism
Originate?
 Impressionism- picture-like works of art
that show the fleeting of color and light
 Post-impressionism- overlapping planes
to create shape and symbolic and
emotional use of color
 Fauvism- using color for symbolic
purposes and to express emotion. Also
shows abstract shape.
 Cubism- overlapping, reduced geometric
shapes
Influences
 Nature
 Emotion
 Music
 War
 Philosophy
 Science
 Other art movements such as
impressionism, post-impressionism,
fauvism, and cubism
What is Abstractionism?
 The principles or practice of creating
abstract art
 An artists minimalization of the
representational meaning in a work of
art
 Often reducing things down to basics
such as color and shape
What is Abstractionism?
 “For me, the province of art and the province
of nature thus became more and more widely
separated, until I was able to experience both
as completely independent realms.” –
Kandinsky
 “The emotion of beauty is always obscured by
the appearance of the object. Therefore, the
object must be eliminated from the picture” -
Mondrian
Geometric Abstraction
 Highly influenced by cubism
 Believed to be the peak of non-objective
works of art
 Inorganic shapes
 Some symmetry
Non-Geometric Abstraction
 Influenced by fauvism and post-
impressionism
 Organic shapes
 More play on emotion levels
Kandinsky
His art was:
 Emotional
 Non-representational
 geometric abstraction
 Non-geometric abstraction
And focused on:
 Color
 Form
 Shape
Mondrian
His art was:
 Pure
 Bright
 Mathematical
 Geometric abstraction
 Non-geometric abstraction
And focused on:
 De Stijl – geometric shapes that use vertical
lines and horizontal lines with some primary
colors
O’Keeffe
Her art was:
 Emotional
 Organic
 An imitation of nature
 Often monochromatic
And focused on:
 Color
 Form
 Organic shape
Kandinsky, Small Pleasures
1913
Kandinsky, Composition VII,
1913
Kandinsky, Composition VIII,
1923
Mondrain, Grey Tree,
1911
Mondrain, Tableau No.
2/Composition No. VII
Mondrain, Composition A,
1923
O’Keefe, Anything,
1916
O’Keefe, Black Lines,
1916
O’Keefe, Series I-From the
Plains,
1919
Sources
 http://www.okeeffemuseum.org/abstraction.html
 http://emptyeasel.com/2007/04/17/piet-mondrian-the-evolution-
of-pure-abstract-paintings/
 http://www.radford.edu/rbarris/art428/kandinskysabstraction.htm
l
 www.dictionary.referance.com
 www.wisegeek.com
 www.arthistory.net
 www.wassilykandinsky.net
 www.ezinearticles.com
 www.kasimirmavelich.org
 www.theartstory.org
 www.artfactory.com
 www.florencegriswoldmuseum.org
 www.ibiblio.org

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Abstractionism