Insidious
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This document analyzes how the poster for the film "Insidious" conforms to characteristics of the thriller genre. It discusses how the poster features a child demonstrating signs of demonic possession through his scratched-out eyes and expressionless stare, implying narratives of being watched and possibly murdered. Shadows, confined spaces, and a figure in the window also denote themes of being watched and watched typical to thrillers. Elements like shadows, the clouded sky, isolated house, and near-dead trees and leaves further iconographic connections to darkness, evil, death, and isolation common in the thriller genre.
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Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Poster overview
The document analyzes six movie posters for possession horror films. It finds that all the posters share common elements like a dominant image, title, and slogan. Nearly all feature an innocent child protagonist who becomes possessed, terrifying audiences by threatening families. The child characters often have their faces hidden or are turning into the background, suggesting their innocence is being consumed by evil. Imagery of decaying hands, ghostly figures, and distorted bodies aim to terrify without using masked killers or blood. Color palettes of red, black, and white create a sinister feel. Overall, the posters effectively promote their films as possession horrors through frightening visuals and consistency in design conventions.
Research Stock Characters
This document discusses several common character archetypes found in horror movies:
The jock is an athletic, popular character who often acts invincible but tends to die early in the film. The final girl is the sole survivor, who is strong-willed and influential. The popular girl is confident and the center of male attention, often friends with the final girl. The wanderer explores surroundings inquisitively but needs supervision, making them likely to die first. The geek provides reason but may help defeat the villain. The pervert negatively pursues girls and is targeted by the villain. These stock characters are crucial to horror films by making the audience able to identify with people in the movie.
Horror Film Poster Overview
The document provides an overview of characteristics commonly found in horror film posters for supernatural genre films. It discusses six specific posters in detail. Some common elements identified include the prominent display of the film title, the use of disturbing and upsetting imagery typically featuring a distressed female protagonist, and pale cold colors used to set a sinister and dark mood. Additional patterns often seen involve references to children in distress or possession as well as taglines and text that further highlight the threatening narrative elements.
Thriller conventions
Thriller conventions typically involve:
1) A plot centered around justice/injustice with the protagonist intervening in the antagonist's plans, creating a growing sense of threat.
2) A narrative told from the protagonist's point of view as they work to overcome events, though the antagonist's perspective is sometimes shown as well.
3) Protagonists that are often ordinary people pulled into danger, while antagonists cannot be trusted and may have psychological issues driving their actions.
Sub genre2
The document discusses various horror film subgenres and their common conventions. It analyzes supernatural, psychological, slasher, possession and gothic subgenres. For each, it identifies common narrative structures, character tropes, locations, and visual/audio techniques. For example, it notes possession films typically feature religious imagery and are set in isolated places with dark histories. The author's group chose the possession subgenre for their film due to its complexity, relevance and opportunities for creative expression.
Sub genre
The document discusses various horror subgenres and their conventions. It analyzes the conventions of supernatural, psychological, slasher, possession and gothic subgenres. Key conventions discussed include common settings like homes and isolated locations, characters like the final girl in slashers and themes involving curses or haunted places. The author and their group chose the possession subgenre for their film due to its interesting narrative possibilities and relevance to modern audiences. They believe it will allow them to creatively challenge conventions and engage a sophisticated audience.
Film Poster Overview
The document analyzes eight film posters for psychological horror movies and identifies common design patterns. All posters feature regular conventions like the title being the largest text and an image hinting at the narrative. Most prominently feature female protagonists undergoing mental anguish. Five posters use close-up shots of the distressed female lead. Color schemes and lighting create ominous atmospheres. The posters entice viewers with unsettling images before revealing the title and taglines relating to the plot.
Recommended
Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Poster overview
The document analyzes six movie posters for possession horror films. It finds that all the posters share common elements like a dominant image, title, and slogan. Nearly all feature an innocent child protagonist who becomes possessed, terrifying audiences by threatening families. The child characters often have their faces hidden or are turning into the background, suggesting their innocence is being consumed by evil. Imagery of decaying hands, ghostly figures, and distorted bodies aim to terrify without using masked killers or blood. Color palettes of red, black, and white create a sinister feel. Overall, the posters effectively promote their films as possession horrors through frightening visuals and consistency in design conventions.
Research Stock Characters
This document discusses several common character archetypes found in horror movies:
The jock is an athletic, popular character who often acts invincible but tends to die early in the film. The final girl is the sole survivor, who is strong-willed and influential. The popular girl is confident and the center of male attention, often friends with the final girl. The wanderer explores surroundings inquisitively but needs supervision, making them likely to die first. The geek provides reason but may help defeat the villain. The pervert negatively pursues girls and is targeted by the villain. These stock characters are crucial to horror films by making the audience able to identify with people in the movie.
Horror Film Poster Overview
The document provides an overview of characteristics commonly found in horror film posters for supernatural genre films. It discusses six specific posters in detail. Some common elements identified include the prominent display of the film title, the use of disturbing and upsetting imagery typically featuring a distressed female protagonist, and pale cold colors used to set a sinister and dark mood. Additional patterns often seen involve references to children in distress or possession as well as taglines and text that further highlight the threatening narrative elements.
Thriller conventions
Thriller conventions typically involve:
1) A plot centered around justice/injustice with the protagonist intervening in the antagonist's plans, creating a growing sense of threat.
2) A narrative told from the protagonist's point of view as they work to overcome events, though the antagonist's perspective is sometimes shown as well.
3) Protagonists that are often ordinary people pulled into danger, while antagonists cannot be trusted and may have psychological issues driving their actions.
Sub genre2
The document discusses various horror film subgenres and their common conventions. It analyzes supernatural, psychological, slasher, possession and gothic subgenres. For each, it identifies common narrative structures, character tropes, locations, and visual/audio techniques. For example, it notes possession films typically feature religious imagery and are set in isolated places with dark histories. The author's group chose the possession subgenre for their film due to its complexity, relevance and opportunities for creative expression.
Sub genre
The document discusses various horror subgenres and their conventions. It analyzes the conventions of supernatural, psychological, slasher, possession and gothic subgenres. Key conventions discussed include common settings like homes and isolated locations, characters like the final girl in slashers and themes involving curses or haunted places. The author and their group chose the possession subgenre for their film due to its interesting narrative possibilities and relevance to modern audiences. They believe it will allow them to creatively challenge conventions and engage a sophisticated audience.
Film Poster Overview
The document analyzes eight film posters for psychological horror movies and identifies common design patterns. All posters feature regular conventions like the title being the largest text and an image hinting at the narrative. Most prominently feature female protagonists undergoing mental anguish. Five posters use close-up shots of the distressed female lead. Color schemes and lighting create ominous atmospheres. The posters entice viewers with unsettling images before revealing the title and taglines relating to the plot.
Jane poster analysis
This document analyzes the design elements of a movie poster for the film "SAW 2". It discusses the use of a black and white color scheme with red accents to draw the eye to key elements like the voodoo doll. Symbols like the voodoo doll and quotes like "SCARY AS HELL" are used to indicate it is a horror genre film involving violence or scary scenes. The poster also uses imagery like masked figures and worried faces in dark settings to create an unsettling and mysterious tone that will attract horror movie audiences.
Poster analysis jane wilmot
This document analyzes the design elements of a movie poster for the film "SAW 2". It discusses the use of a black and white color scheme with red accent color to draw the eye to the voodoo doll image. The poster aims to convey the horror genre through sinister symbols like the doll and quotes like "Scary as Hell". Gory images are included but may limit the audience. Overall the poster uses contrast, symbols, and text to market the film as a terrifying horror experience.
Vladimir propp
Vladimir Propp believed that certain essential character types exist in all stories. These include the Hero, who is the main character seeking to succeed; the Villain, who creates disruption and is usually bad; and the False Hero, who pretends to support the Hero but may actually be the Villain. Propp also identified character types like the Dispatcher who sends the Hero on a mission, the Helper who aids the Hero, and the Princess or reward that the Hero and False Hero may compete for.
Conventions of horror trailers
The document discusses conventions used in horror trailers, posters, and film magazines. For trailers, they tease the plot without revealing everything and include opening titles and credits. Horror magazine covers typically feature a central image of the actor in character along with bold typography and colors like red and black. Film posters commonly use close-ups of eyes, sometimes manipulated, houses as creepy settings, or dark silhouettes of figures to generate intrigue without revealing too much of the story. These conventions attract audiences and promote curiosity without giving away all details.
Horror Film Narrative
Our film tells the psychological horror story of Marie, who suffers abuse from her parents as a child. This causes her to develop nightmares and later become addicted to drugs and alcohol. Her mental state deteriorates further as she has horrific hallucinations. Marie's boyfriend tries to help her but she ends up killing him in a rage. She grows more unstable, hearing voices and smashing her mirror because she sees her dead boyfriend's reflection. In the end, overwhelmed by her psychological torture, Marie commits suicide by hanging.
Film poster overview
The document analyzes eight film posters for supernatural horror films. It finds that they share several common conventions, including featuring fearful female protagonists, sinister antagonists, and horrific imagery designed to attract audiences. The posters also typically use bold titling, catchy taglines, matching fonts, and institutional information to provide context and draw in viewers. Overall, the posters are effective because they are simple and image-focused while adhering to genre conventions.
Story board
The document discusses several common conventions and tropes found in slasher films. It describes how there is usually a sole female survivor known as the "final girl" who is less promiscuous than her peers. It also notes that slasher films typically take place in suburban or isolated settings to heighten fear, and feature an ineffectual male authority figure and a monster that is eventually killed by the final girl.
Poster Analysis 2
This poster for the film "The Unborn" follows some horror movie poster conventions while also breaking some. It depicts a woman looking in a bathroom mirror and seeing a boy staring back at her, enticing viewers to learn their relationship and the plot. The dark, gloomy tones and unsettling elements like the boy's dark eyes versus the woman's light eyes represent the theories of Todorov and Levi-Strauss. Elements like the old-fashioned bathroom setting and boy's clothing suggest the film is set in an old house and that the boy is a supernatural presence rather than human. The poster aims to attract male viewers through the vulnerable depiction of the female protagonist in her underwear and uses contrasts in age, gender,
Poster overview
The document analyzes 7 film posters for possession horror movies to understand how to effectively design a poster for a possession horror film. It finds that the posters all feature:
1) A dominant central image that conveys something important about the film's narrative, often showing a possessed child suffering.
2) Horrific and disturbing imagery meant to scare audiences, like a decomposed hand emerging from a mouth.
3) Cold colors like red, black, and white that create a sinister feel.
4) The largest and boldest title at the bottom below the image to draw attention.
By understanding the conventions of existing effective posters, the document provides knowledge for designing a successful possession horror film poster.
Noir Mood boards AS
The document discusses conventions of film noir genre characters including detectives, villains, and femmes fatales. Detectives are often morally questionable with bad habits that plague their work. Villains are usually sharply dressed, conniving, and have a complex scheme that challenges the detective. Femmes fatales are rarely the protagonist or villain but are often portrayed sexually and have some control over the detective through manipulation.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are portrayed as either heroes or villains, with the villain in this case representing stereotypes like physical strength and lack of emotion. The two female protagonists are portrayed as weaker and in need of rescue, adhering to common thriller tropes. All characters are white to follow conventions of the thriller genre, though including more diversity could have portrayed modern society. The young adult target audience is reflected in the main characters' same age group to facilitate identification and relation.
18 th Birthday Presentation
The document provides information about the genre, narrative structure, audience, and representation for a horror film trailer and film being created for a 12-year-old's 18th birthday. The genre draws on horror tropes but aims to appeal to a younger audience. Key narrative elements include establishing the characters and setting in the exposition, complications arising when their car breaks down in the forest, and the climax involving the main character being stalked while trying to escape. The target audience is identified as young teens around age 12 who are not often exposed to horror films. Representation techniques like lighting and camerawork will be used to convey meaning and tension.
Prop analysis
Knives, axes, Ouija boards, dolls, and masks are common props used in horror films to symbolize violence, death, and invoke fear in viewers. Knives represent anger and torture, while axes imply the antagonist views victims as objects to assert dominance over. Ouija boards are used to contact spirits but often allow evil entities to possess victims. Dolls and toys are intended to be comforting but become terrifying when animated. Masks hide the identity of antagonists, encouraging mystery and leaving audiences feeling powerless against the unknown threat.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are typically portrayed as either heroes or villains, with the villain in this case portrayed as physically strong but emotionally detached to justify his crimes. The two female leads are presented as weaker and in need of rescue. All characters are young white British individuals to fit thriller film conventions. Ages are also used to stereotypical ends, with teenagers depicted as mischievous and the older villain as stronger.
Stock characters in slasher horror
This document discusses various stock character types that are commonly found in slasher horror films. It describes the wanderer as a curious character who gets killed while investigating something. The popular girl is attractive and sexually experienced, often the first or last to die. The jock is a popular athlete who is arrogant but seen as likely to survive due to strength. The final girl is the last survivor who tells the story. Pandora characters seem innocent but may be evil or the killer. The pervert is a sexually disturbed character, often the killer. These stock characters provide inspiration and templates but can also be challenged in new slasher films.
Presentation1
The document discusses representations of children in horror films. It notes that children are commonly portrayed as either the victim or a ghost. The most popular portrayal is as a "creepy little kid" who is clearly evil from the start, as seen in films about possessed orphans. These creepy children are more often girls portrayed as innocent to make their evil acts more shocking. The document also discusses the stereotypical portrayal of women in horror films, noting they are sometimes heroes who survive to the end or defeat the monster. However, males are usually the initial protagonists who are defeated, with the female then taking over.
Film Poster Overview
The document analyzes eight film posters for psychological horror movies and identifies common design patterns and conventions across the posters. Some key findings include:
1) Most posters feature a close-up shot of the distressed female protagonist to signal her mental instability will be a focus. Cracks in faces also suggest psychological testing.
2) Taglines directly address the audience to make them feel targeted by the antagonist. Phrases imply the audience could be next.
3) Colors like blue and white are used to create ominous, inhospitable atmospheres, while red and black imply more blood and gore.
4) Titles are in all caps near the bottom below main images, drawing viewers in first visually before
Horor Poster Analysis
The document analyzes and summarizes several horror movie posters. It discusses elements like the titles, main images, color schemes, stars, and taglines to infer possible plot details and genres. Key points analyzed include a tree bursting through a cabin suggesting rural/woods setting and resurrection for "Evil Dead", a deer-like symbol creating intrigue for "Vilsen", and a girl emerging from a mirror with the tagline "You see what it wants you to see" for "Oculus".
THRILLER GENRE CONVENTIONS
This document discusses genre conventions for psychological thriller films. It outlines key elements like settings that isolate characters, themes of death and fear, and character archetypes such as serial killers and victims. Iconography in thrillers often involves weapons and blood. Cinematography like close-ups, silhouettes, and low-key lighting build tension. Narratives commonly involve characters being stalked or trapped by the antagonist. Famous examples that employ these conventions help capture audiences interested in solving mysteries.
Film Poster Overview
These film posters promote supernatural horror films and share common features and conventions. Six of the posters feature a female protagonist who appears afraid. The posters depict either the antagonist or symbols associated with the supernatural genre. Images and colors create a sinister and unwelcoming mood. Titles are placed at the bottom in bold, simple fonts to stand out from the ominous imagery. All posters include a short, catchy tagline and institutional information to intrigue audiences about the supernatural occurrences in the films.
Magazine and poster analysis.
The document analyzes several movie posters and magazine covers related to horror genres. It notes conventions used across the posters, such as dark color schemes with red accents to represent blood and danger. Young female characters are often featured to make the content more unsettling. Taglines directly reference death to grab attention. Similar conventions are seen across magazine covers promoting horror content, including bold fonts, dark colors, and creepy images.
Codes and conventions of thriler films
The document defines codes and conventions used in psychological thriller films. Codes are systems of signs that create meaning, including technical codes like camera work and symbolic codes like character positioning. Conventions are techniques commonly used within a genre, like using low lighting to create shadows in thrillers. The rest of the document discusses common codes and conventions in psychological thrillers, such as villains having horrific deaths, victims being vulnerable, heroes being tested physically and psychologically, themes of perception and psyche, and the use of dreary colors, mirrors as props, shaky or frantic camera work, and low lighting.
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Jane poster analysis
This document analyzes the design elements of a movie poster for the film "SAW 2". It discusses the use of a black and white color scheme with red accents to draw the eye to key elements like the voodoo doll. Symbols like the voodoo doll and quotes like "SCARY AS HELL" are used to indicate it is a horror genre film involving violence or scary scenes. The poster also uses imagery like masked figures and worried faces in dark settings to create an unsettling and mysterious tone that will attract horror movie audiences.
Poster analysis jane wilmot
This document analyzes the design elements of a movie poster for the film "SAW 2". It discusses the use of a black and white color scheme with red accent color to draw the eye to the voodoo doll image. The poster aims to convey the horror genre through sinister symbols like the doll and quotes like "Scary as Hell". Gory images are included but may limit the audience. Overall the poster uses contrast, symbols, and text to market the film as a terrifying horror experience.
Vladimir propp
Vladimir Propp believed that certain essential character types exist in all stories. These include the Hero, who is the main character seeking to succeed; the Villain, who creates disruption and is usually bad; and the False Hero, who pretends to support the Hero but may actually be the Villain. Propp also identified character types like the Dispatcher who sends the Hero on a mission, the Helper who aids the Hero, and the Princess or reward that the Hero and False Hero may compete for.
Conventions of horror trailers
The document discusses conventions used in horror trailers, posters, and film magazines. For trailers, they tease the plot without revealing everything and include opening titles and credits. Horror magazine covers typically feature a central image of the actor in character along with bold typography and colors like red and black. Film posters commonly use close-ups of eyes, sometimes manipulated, houses as creepy settings, or dark silhouettes of figures to generate intrigue without revealing too much of the story. These conventions attract audiences and promote curiosity without giving away all details.
Horror Film Narrative
Our film tells the psychological horror story of Marie, who suffers abuse from her parents as a child. This causes her to develop nightmares and later become addicted to drugs and alcohol. Her mental state deteriorates further as she has horrific hallucinations. Marie's boyfriend tries to help her but she ends up killing him in a rage. She grows more unstable, hearing voices and smashing her mirror because she sees her dead boyfriend's reflection. In the end, overwhelmed by her psychological torture, Marie commits suicide by hanging.
Film poster overview
The document analyzes eight film posters for supernatural horror films. It finds that they share several common conventions, including featuring fearful female protagonists, sinister antagonists, and horrific imagery designed to attract audiences. The posters also typically use bold titling, catchy taglines, matching fonts, and institutional information to provide context and draw in viewers. Overall, the posters are effective because they are simple and image-focused while adhering to genre conventions.
Story board
The document discusses several common conventions and tropes found in slasher films. It describes how there is usually a sole female survivor known as the "final girl" who is less promiscuous than her peers. It also notes that slasher films typically take place in suburban or isolated settings to heighten fear, and feature an ineffectual male authority figure and a monster that is eventually killed by the final girl.
Poster Analysis 2
This poster for the film "The Unborn" follows some horror movie poster conventions while also breaking some. It depicts a woman looking in a bathroom mirror and seeing a boy staring back at her, enticing viewers to learn their relationship and the plot. The dark, gloomy tones and unsettling elements like the boy's dark eyes versus the woman's light eyes represent the theories of Todorov and Levi-Strauss. Elements like the old-fashioned bathroom setting and boy's clothing suggest the film is set in an old house and that the boy is a supernatural presence rather than human. The poster aims to attract male viewers through the vulnerable depiction of the female protagonist in her underwear and uses contrasts in age, gender,
Poster overview
The document analyzes 7 film posters for possession horror movies to understand how to effectively design a poster for a possession horror film. It finds that the posters all feature:
1) A dominant central image that conveys something important about the film's narrative, often showing a possessed child suffering.
2) Horrific and disturbing imagery meant to scare audiences, like a decomposed hand emerging from a mouth.
3) Cold colors like red, black, and white that create a sinister feel.
4) The largest and boldest title at the bottom below the image to draw attention.
By understanding the conventions of existing effective posters, the document provides knowledge for designing a successful possession horror film poster.
Noir Mood boards AS
The document discusses conventions of film noir genre characters including detectives, villains, and femmes fatales. Detectives are often morally questionable with bad habits that plague their work. Villains are usually sharply dressed, conniving, and have a complex scheme that challenges the detective. Femmes fatales are rarely the protagonist or villain but are often portrayed sexually and have some control over the detective through manipulation.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are portrayed as either heroes or villains, with the villain in this case representing stereotypes like physical strength and lack of emotion. The two female protagonists are portrayed as weaker and in need of rescue, adhering to common thriller tropes. All characters are white to follow conventions of the thriller genre, though including more diversity could have portrayed modern society. The young adult target audience is reflected in the main characters' same age group to facilitate identification and relation.
18 th Birthday Presentation
The document provides information about the genre, narrative structure, audience, and representation for a horror film trailer and film being created for a 12-year-old's 18th birthday. The genre draws on horror tropes but aims to appeal to a younger audience. Key narrative elements include establishing the characters and setting in the exposition, complications arising when their car breaks down in the forest, and the climax involving the main character being stalked while trying to escape. The target audience is identified as young teens around age 12 who are not often exposed to horror films. Representation techniques like lighting and camerawork will be used to convey meaning and tension.
Prop analysis
Knives, axes, Ouija boards, dolls, and masks are common props used in horror films to symbolize violence, death, and invoke fear in viewers. Knives represent anger and torture, while axes imply the antagonist views victims as objects to assert dominance over. Ouija boards are used to contact spirits but often allow evil entities to possess victims. Dolls and toys are intended to be comforting but become terrifying when animated. Masks hide the identity of antagonists, encouraging mystery and leaving audiences feeling powerless against the unknown threat.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are typically portrayed as either heroes or villains, with the villain in this case portrayed as physically strong but emotionally detached to justify his crimes. The two female leads are presented as weaker and in need of rescue. All characters are young white British individuals to fit thriller film conventions. Ages are also used to stereotypical ends, with teenagers depicted as mischievous and the older villain as stronger.
Stock characters in slasher horror
This document discusses various stock character types that are commonly found in slasher horror films. It describes the wanderer as a curious character who gets killed while investigating something. The popular girl is attractive and sexually experienced, often the first or last to die. The jock is a popular athlete who is arrogant but seen as likely to survive due to strength. The final girl is the last survivor who tells the story. Pandora characters seem innocent but may be evil or the killer. The pervert is a sexually disturbed character, often the killer. These stock characters provide inspiration and templates but can also be challenged in new slasher films.
Presentation1
The document discusses representations of children in horror films. It notes that children are commonly portrayed as either the victim or a ghost. The most popular portrayal is as a "creepy little kid" who is clearly evil from the start, as seen in films about possessed orphans. These creepy children are more often girls portrayed as innocent to make their evil acts more shocking. The document also discusses the stereotypical portrayal of women in horror films, noting they are sometimes heroes who survive to the end or defeat the monster. However, males are usually the initial protagonists who are defeated, with the female then taking over.
Film Poster Overview
The document analyzes eight film posters for psychological horror movies and identifies common design patterns and conventions across the posters. Some key findings include:
1) Most posters feature a close-up shot of the distressed female protagonist to signal her mental instability will be a focus. Cracks in faces also suggest psychological testing.
2) Taglines directly address the audience to make them feel targeted by the antagonist. Phrases imply the audience could be next.
3) Colors like blue and white are used to create ominous, inhospitable atmospheres, while red and black imply more blood and gore.
4) Titles are in all caps near the bottom below main images, drawing viewers in first visually before
Horor Poster Analysis
The document analyzes and summarizes several horror movie posters. It discusses elements like the titles, main images, color schemes, stars, and taglines to infer possible plot details and genres. Key points analyzed include a tree bursting through a cabin suggesting rural/woods setting and resurrection for "Evil Dead", a deer-like symbol creating intrigue for "Vilsen", and a girl emerging from a mirror with the tagline "You see what it wants you to see" for "Oculus".
THRILLER GENRE CONVENTIONS
This document discusses genre conventions for psychological thriller films. It outlines key elements like settings that isolate characters, themes of death and fear, and character archetypes such as serial killers and victims. Iconography in thrillers often involves weapons and blood. Cinematography like close-ups, silhouettes, and low-key lighting build tension. Narratives commonly involve characters being stalked or trapped by the antagonist. Famous examples that employ these conventions help capture audiences interested in solving mysteries.
Film Poster Overview
These film posters promote supernatural horror films and share common features and conventions. Six of the posters feature a female protagonist who appears afraid. The posters depict either the antagonist or symbols associated with the supernatural genre. Images and colors create a sinister and unwelcoming mood. Titles are placed at the bottom in bold, simple fonts to stand out from the ominous imagery. All posters include a short, catchy tagline and institutional information to intrigue audiences about the supernatural occurrences in the films.
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Magazine and poster analysis.
The document analyzes several movie posters and magazine covers related to horror genres. It notes conventions used across the posters, such as dark color schemes with red accents to represent blood and danger. Young female characters are often featured to make the content more unsettling. Taglines directly reference death to grab attention. Similar conventions are seen across magazine covers promoting horror content, including bold fonts, dark colors, and creepy images.
Codes and conventions of thriler films
The document defines codes and conventions used in psychological thriller films. Codes are systems of signs that create meaning, including technical codes like camera work and symbolic codes like character positioning. Conventions are techniques commonly used within a genre, like using low lighting to create shadows in thrillers. The rest of the document discusses common codes and conventions in psychological thrillers, such as villains having horrific deaths, victims being vulnerable, heroes being tested physically and psychologically, themes of perception and psyche, and the use of dreary colors, mirrors as props, shaky or frantic camera work, and low lighting.
Horror Poster Analysis
This poster features many conventions of the horror genre including an isolated setting, dark color scheme, frightening imagery, and taglines that reference danger, death or fear. It establishes expectations that the film will include typical horror elements through references to other horror directors and genres like possession films. The use of a young female protagonist also fits a common theme aimed at making the film more chilling for adult audiences.
Genre research
Psychological thrillers focus on characters' unstable mental states and complex relationships. They emphasize characters relying on mental rather than physical strength as they battle for equilibrium in their own minds or prey on each other mentally. Common themes include death, loss of reality, identity struggles, and guilt. Psychological thrillers commonly use first-person narratives and ambiguity about reality to focus on characters' minds. They tend to be set in urban areas and use costumes to portray characters as fitting social norms. Cinematography, music, and iconography like knives and shadows are employed to build tension and mystery.
Horror Movie Posters Analysis
This document summarizes and analyzes three horror movie posters: Rosemary's Baby (1968), I Know What You Did Last Summer (1997), and Hostel (2005).
For Rosemary's Baby, the poster sets a chilling tone through its use of a green color and silhouette imagery that hints at something being out of balance with an innocent child as the cause of fright.
For I Know What You Did Last Summer, the poster creates mystery through its use of blues and a faceless threatening figure, suggesting the threat of "backyard horror" in everyday life. It also plays on teen horror movie tropes.
For Hostel, the poster contrasts the warmth of yellow lighting with the weapon-w
Thriller
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Conventions of Horror
This document outlines several conventions of horror films including their use of mise-en-scene, props, characters, and features. Regarding mise-en-scene, horror films often take place in dark, abandoned locations and use lights to guide victims or reveal clues. Props commonly reflect themes of death through weapons and skeletons. Character archetypes include the protagonist female, the villain, friends who are early victims, and occasional helpers who may also become victims. Horror features work to build tension through screams, heavy breathing, and distinctive traits of villains.
Research into genre powerpoint new
The document discusses the genre and codes/conventions of horror films. It analyzes the film "Psychosis" and categorizes it as a psychological horror and madness/paranoia film. It outlines typical elements of horror films like isolated settings, costumes/makeup to depict blood or possession, and weapons as props. Codes and conventions covered include shots, angles, characters, and sound effects used to build suspense and tension.
Media genre research
This document discusses conventions of the horror genre. It notes that horror aims to create a sense of fear in audiences by focusing on dark or evil forces. Common themes include hauntings, murders, demons and ghosts. Narratives typically involve heroes facing evil characters or spirits and surviving to defeat them. Settings are usually remote, dark places like forests and abandoned homes. Characters include protagonists, villains, teens and possessed children. Examples like Insidious and The Woman in Black are provided that follow these conventions through their characters, settings and use of fear.
Genre research
Psychological thrillers focus on the unstable mental states of characters and incorporate elements of mystery, drama, action and horror. The settings can be everyday places that emphasize realism and psychological torment. Main characters include victims in troubled relationships, police officers trying to help victims, and psychotic individuals with dual personalities who are often the killers. Narratives typically involve someone unaware of their dual nature hurting others due to past trauma before realizing their identity and ending up dead or institutionalized. Iconography includes confined spaces, low lighting, elements of surprise and draining sounds to unsettle audiences. Cinematography uses techniques like low angles, close-ups and zooms to convey emotions and imply danger.
Sub genres of horror
The document discusses several common sub-genres of horror films including slasher, supernatural, gothic, and psychological. It provides examples and conventions for each sub-genre. The last section discusses why a promotional group chose to focus on psychological horror for their project. They felt it allowed more creative freedom than other sub-genres with stricter conventions like slasher and gothic. Psychological horror films can differ more in their narratives, locations, and other elements compared to the similar narratives often found in slasher films. They wanted to create a trailer that was refreshing and different.
Conventions of a thriller
The document discusses character archetypes in different thriller subgenres. In psychological thrillers, the main character is typically mentally unstable and searching for truth or identity. They are accompanied by a helper character who may have ulterior motives. A penny-dropper character holds knowledge that reveals secrets and resolutions. Crime thrillers feature powerful gangster bosses and their disposable underlings. Action thrillers center around a heroic, charming male lead and their beautiful female interest.
Sub genres of horror
The document discusses several sub-genres of horror films including:
- Slasher films which involve a masked killer murdering teenagers with weapons. Examples given are Halloween and Scream.
- Supernatural films about spirits haunting and antagonizing victims, often in their home. Common conventions described.
- Gothic horror films set in the past featuring monsters in gloomy settings like castles. Examples are Dracula and Sleepy Hollow.
- Psychological horror focuses on the characters' disturbed minds to scare viewers rather than gore. Examples given are Silence of the Lambs and Psycho.
The concluding paragraphs discuss why the group chose psychological horror for their promotional package - it allows more creative
Research of film posters
The document discusses conventions of horror film posters. It notes that posters typically feature a large title at the bottom, frightening central images, taglines at the top, and billing blocks at the bottom with release dates. Images usually show scared protagonists or threatening antagonists to intrigue viewers. Colors like red are used to imply violence, and font sizes emphasize the title over other text. Overall, the layout and visual elements are designed to attract attention and convey a sense of danger or suspense regarding the film's plot.
Short Story Literary Terms & Definitions 2011
The document defines various literary terms related to short story elements including:
- Parts of plot such as exposition, rising action, climax, falling action, and resolution.
- Characterization techniques like direct and indirect characterization.
- Narrative techniques including point of view, setting, imagery, foreshadowing, suspense, mood, tone, diction, dialect, and theme.
Poster analysis three
The document provides an analysis of the movie poster for the film "Insidious". It summarizes that the poster depicts a boy standing in front of a house with a shadowy figure in the window, breaking conventions of typical horror movie posters. Through the use of lighting, color, and the boy's scratched eyes, the poster hints that something sinister is haunting the house through this child. It concludes that the poster effectively draws viewers in by promising a unique take on the haunted house subgenre.
Killer in horror
The document discusses common conventions and representations in horror films. It outlines several character archetypes including the female victim, non-believer, hero/protagonist, hysterical character, villain/antagonist, and false hero. It also describes common elements of setting, costume, makeup, props, and lighting used to portray villains. Additionally, it notes historical gender stereotypes in horror and how more recent films have challenged traditional conventions.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
The Shining trailer analysis
This is a presentation where I have analysed The Shining, in terms of genre, representation, narrative, audience, and media language.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
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Question 3
The document summarizes feedback from a questionnaire given to a focus group about a music video and ancillary texts. Key points:
- The questionnaire asked both closed and open-ended questions and was completed by the original focus group used for audience research.
- The focus group understood the non-feminine representation of females in the video and how it challenged stereotypes. They also felt the editing fit well with the music and genre.
- Feedback suggested they understood references to silent film era, though the video's themes were not recognized as similar to other artists' works.
- Feedback on ancillary texts of a magazine ad and digipak was generally positive, recognizing their relationship to the video through
Question 2
Ellie created a music video, magazine advertisement, and digipak that showed synergy through similar simple designs using black and white themes and fonts. Focus group testing showed 100% recognized the products came from the same artist and genre. The products can be analyzed using three audience theories: the effects model sees the audience as passive receivers, uses and gratification sees them as active users fulfilling needs, and reception theory looks at how the meaning encoded by the producer is decoded by audiences, who may disagree, negotiate, or agree with the implied meanings. Ellie encoded meanings around disability and femininity that audiences may interpret differently.
Treatment 2
The proposed music video will tell the story of the Elephant Man through a narrative set in the countryside and cobblestone streets of Norwich, England. It will feature the band member's family and friends acting as characters including the Elephant Man, a Bearded Lady, a Clown, and a Woman. The black and white, silent film-style video aims to match the band's vintage country/alternative rock style through costumes, lighting and location. It seeks to highlight the song's lyrics and story over 3 minutes through various shots and quick edits.
Treatment
The music video will tell the story of "The Elephant Man" through a narrative and performance-based style. It will feature the band as characters set in countryside and cobbled streets styled after the early 20th century. Inspired by silent films, it will use exaggerated movements and expressions to follow one band member, Ronnie, as he is pursued but later accepted once his humanity is recognized. The video aims to match the band's vintage country style through location, costumes, and theatrical presentation.
Shooting schedule
The document outlines a filming schedule for several days in December. On Sunday the 1st, solo shots of an abandoned asylum will be captured using a camera and tripod. From the 2nd to the 4th, indoor flashback and awakening scenes will be filmed requiring a group and props like a tripod, dolly, and red ribbon. Outdoor woodland scenes on the 4th only need a flashlight. The same shots from the 7th to the 8th will be refilmed during the day requiring the same group, equipment and props.
Planning edit
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
Locations
The document discusses potential filming locations for scenes in a thriller film around Taverham and Thorpe Marriott. It analyzes photos taken of an urban road, alleyway, woods, open fields, and an abandoned mental asylum that could be used to introduce characters and create a sense of fear through isolated and dark settings. Concerns about filming at night due to lighting are addressed. Maps show the distances between locations being considered.
G321: Planning - Casting
The document discusses casting choices for a thriller film. It considers casting Beth's older brother as the Detective despite his young age of 18, as most other options were unavailable. Joe's younger sister will play Charlotte Adams, though she is blonde while the character description called for black hair. The role of The Shade will be easiest to cast as the entire body will be covered. Mini-auditions will be held for all roles to ensure the best casting choices or find alternatives if needed, and availability is important so filming is not delayed.
G321: Planning - Equipment, Costume, Props
The document discusses planning for a student film project. It includes sections on equipment, costumes, props, and importance. The group will use a camera, VT tape, tracking dolly, tripod, and Final Cut editing software. Costumes are planned for the detective, young girl, and the shade/villain. The detective will wear a long coat, and the shade will be fully covered. The young girl's dress will be muddy. Important props include a red ribbon, lamp post, photographs, notes, casebook, string connectors, and police gear to develop characters and mystery.
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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本公司拥有海外各大学样板无数，能完美还原。
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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- 1. Insidious Film Poster How does it conform with Thriller characteristics?
- 2. Characters Typical thriller characters include psychos, detectives, criminals and victims. The child in this poster shows a demonic presence. This is also accompanied with the with the tagline “It‟s not the house that‟s haunted” implying that it is the boy who is in fact haunted.
- 3. Characters • The eyes have been scratched out which have could mean that the boys „soul‟ in unwanted. It could also show that the boy in not himself which connotes possession. • His darkened stare with little expression also fits with the theme of thrillers as he is hard to read and is very dark and shadowy. • The writing over his body with lexis such as „scary and terror‟ also denotes a theme of thriller. The tagline definitely suggests that the boy is haunted.
- 4. Narratives Typical thriller narratives often include, being watched, being followed, death/murder and deception. The scratched out eyes of the boy connote being watched and maybe even murder. This poster also denotes being watched from the shadowed figure standing in the window.
- 5. Iconography Typical thriller iconography include shadows, confined spaces and maybe bars on windows. There are many parts of this film poster which express the typical iconography of a thriller.
- 6. Iconography • The shadows in the windows and the bottom of the poster connote death, evil and darkness; running themes of a thriller. • The dark clouded sky also has connotations of darkness, evil and death. • The lone standing house can also show a theme of isolation. • The leaves on the trees also appear to be near dead, causing denotations of death.