Indian pacific - James Ledger Australian Music
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A listening activity for stage 5 in Australian music. This slideshow includes score excerpts for better understanding and focus questions. It identifies the multiple recurring ideas. Lesson suggestion: Print out a soundscape similar to what Audacity would produce and have the student label the ideas while listening to the soundtrack. This can incorporate technology into your classroom.
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I am not the owner of all the images that you may see in this presentation. Copyright infringement is not intended. If you are the owner of the pictures and you wish to delete this, or you may not want these pictures to be seen from this website, just message me and I will respect your right.
This is for educational and not for commercial purposes. You may use this presentation in your reports in school. Thank you.
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I am not the owner of all the images that you may see in this presentation. Copyright infringement is not intended. If you are the owner of the pictures and you wish to delete this, or you may not want these pictures to be seen from this website, just message me and I will respect your right.
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- 2. Influence Musicology • Named after the transcontinental train that runs from Sydney to Perth • Programmatic symphonic work for large orchestra, harp, piano and percussion instruments including a piece of railway line struck with xylophone mallets • Piece aims to capture spirit, excitement, romance and grandeur of its journey • Mixed meters • Dynamic rhythms often involving accented off-beats • Tonal center rather than a key • Dissonant chords of major or minor 2nd intervals • Use of orchestral effects (glissandos and muted brass etc.) and numerous percussion instruments for colour • Staccatissimo articulation • Uses motives that serve as unifying devices.
- 3. Percussion 2 line Rail line
- 4. Simple triple time In unison Syncopation Idea A
- 5. Three note motive that gradually expands into a jaunty melody heard against a repeated note rhythm Idea B
- 6. Soaring melody that contrasts with Idea B Accompanying staccato quavers element of programmatic music Here’s how this idea sounds modified in a later recurrence Idea C
- 7. Horns 1, 2, 3, 4 play melody comprising only two notes creating the impression of distance and open spaces Another element of programmatic music Idea D
- 8. Idea E Disjointed, angular motive involving triplets and accompanied by stabbing brass chords
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