Usnavi operates a small bodega in the tight-knit immigrant community of Washington Heights in Manhattan. On the hottest day of summer, the musical introduces the main characters including Usnavi, Vanessa who works at the hair salon across the street, and Nina who has returned home from her first year at Stanford. Throughout the day, the characters dream about their futures and deal with challenges like Nina dropping out of college. That night, a blackout causes chaos in the neighborhood. The following days bring more changes as some characters make plans to leave the Heights while others decide to stay in the community that feels like home.
Eveline by James JoyceSHE sat at the window watching the evening .docxturveycharlyn
Eveline by James Joyce
SHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.
Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.
Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:
"He is in Melbourne now."
She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.
"Miss Hill, don't you see these ladies are waiting?"
"Look lively, Miss Hill, please."
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mot.
1 James Joyce (1882-1941) Eveline (1914) She sat.docxmercysuttle
1
James Joyce (1882-1941)
Eveline (1914)
She sat at the window watching the evening invade the avenue. Her head was leaned
against the window curtains and in her nostrils was the odour of dusty cretonne. She was
tired.
Few people passed. The man out of the last house passed on his way home; she heard
his footsteps clacking along the concrete pavement and afterwards crunching on the cinder
path before the new red houses. One time there used to be a field there in which they used to
play every evening with other people's children. Then a man from Belfast bought the field
and built houses in it—not like their little brown houses but bright brick houses with shining
roofs. The children of the avenue used to play together in that field—the Devines, the
Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however,
never played: he was too grown up. Her father used often to hunt them in out of the field
with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw
her father coming. Still they seemed to have been rather happy then. Her father was not so
bad then; and besides, her mother was alive. That was a long time ago; she and her brothers
and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the
Waters had gone back to England. Everything changes. Now she was going to go away like
the others, to leave her home.
Home! She looked round the room, reviewing all its familiar objects which she had
dusted once a week for so many years, wondering where on earth all the dust came from.
Perhaps she would never see again those familiar objects from which she had never dreamed
2
of being divided. And yet during all those years she had never found out the name of the
priest whose yellowing photograph hung on the wall above the broken harmonium beside the
coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a
school friend of her father. Whenever he showed the photograph to a visitor her father used
to pass it with a casual word:
“He is in Melbourne now.”
She had consented to go away, to leave her home. Was that wise? She tried to weigh
each side of the question. In her home anyway she had shelter and food; she had those whom
she had known all her life about her. O course she had to work hard, both in the house and at
business. What would they say of her in the Stores when they found out that she had run
away with a fellow? Say she was a fool, perhaps; and her place would be filled up by
advertisement. Miss Gavan would be glad. She had always had an edge on her, especially
whenever there were people listening.
“Miss Hill, don't you see these ladies are waiting?”
“Look lively, Miss Hill, please.”
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would not be like that. Then
she would be married—she ...
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2. Title of play: In The Heights
Name of playwright: Quiara
Alegría Hudes with music and lyrics by Lin-
Manuel Miranda
Premiere date: First performance
on 20th April, 1999.
3. Synopsis of play outlining
each act & scene
“In The Heights is an award-winning musical about life in
Washington Heights, a tight-knit community where the
coffee from the corner bodega is light and sweet, the
windows are always open, and the breeze carries the
rhythm of three generations of music.”
Act 1:
At the crack of dawn, on the hottest day of summer, Usnavi chases away a graffiti artist from his tiny
bodega in Washington Heights, opens the store, and introduces the major characters. This is the cue
for “In The Heights”. Last to appear is Nina Rosario who is back from her freshman year at Stanford
University. Alone, Nina thinks about her struggles at college and prepares herself to give her parents
some bad news. This is the cue for “Breathe”. Meanwhile, Nina's parents, Kevin and Camila, seek an
emergency loan to keep their struggling taxi dispatch afloat, temporarily leaving Benny, a young
employee and friend of Nina's, in charge. This is the cue for “Benny’s Dispatch”. Meanwhile, at the hair
salon across the street, Vanessa, Usnavi's potential love interest, dreams of escaping to a studio
apartment in the West Village, remaining optimistic despite her own financial insecurity. This is the cue
for “It Won’t Be Long Now”. When Vanessa stops by Usnavi's bodega, Usnavi's younger cousin Sonny
asks her out to a romantic evening on Usnavi's behalf, and she accepts.
When Nina's parents return, she reveals how she lost her academic scholarship and dropped out of
Stanford. Nina's father, Kevin, is devastated that he cannot provide for his daughter. This is the cue for
"Inútil". Nina seeks comfort from Vanessa, but the salon owner and local gossip, Daniela, sits Nina
down for a makeover, forcing Vanessa into admitting that she cares about Usnavi's sexual decisions;
Nina then reveals to the salon that she has dropped out. This is the cue for "No Me Diga".
4. After Usnavi discovers that he sold a winning lottery ticket worth $96,000,
everyone on the block dreams of how they would each spend the small fortune.
This is the cue for “$96,000”. Later, Abuela Claudia, the beloved neighborhood
matriarch who "practically raised" Usnavi as a young orphan, reflects on her
childhood journey from Cuba to New York in 1943, showing the audience that
she secretly holds the winning lottery ticket. This is the cue for "Paciencia y
Fé".
Nina and Benny take a tour of the neighbourhood and reminisce, gradually
sharing romantic feelings and this is the cue for "When You're Home". At a
dinner party, Kevin announces that he has sold the family car service to pay for
Nina's tuition. Vanessa and Usnavi enter a dance club for their date, followed
by a furious Benny, who is now out of work, and an apologetic Nina; tensions
rise on the dance floor because Vanessa and Usnavi are attempting to make
each other jealous, while Benny drunkenly hits a man dancing with Nina. This
is the cue for “In The Club”. The entire club breaks out into a huge fight when,
suddenly, the power goes out throughout the city, probably due to the intense
summer heat. The neighbourhood erupts into chaos and Usnavi, Vanessa,
Nina and Benny all look for each other in the darkness. Meanwhile, Sonny and
his mischievous friend from the opening of the show, Graffiti Pete, attempt to
distract the bodega from any potential looters by setting off fireworks; at the
same time, Abuela Claudia reveals to Usnavi that she won the lottery, while
Nina and Benny find each other, argue, and then kiss. This is the cue for
“Blackout”.
5. Act 2:
Benny and Nina have spent the night together and, the next morning, Nina teaches Benny some
Spanish phrases, while he shares his stress over what Kevin will think of their new relationship
("Sunrise"). Down on the street, Usnavi's bodega has been robbed. Abuela Claudia convinces Usnavi
they should use her lottery winnings to move to Usnavi's homeland: the Dominican Republic. Usnavi
agrees to pursue this lifelong dream at last ("Hundreds of Stories").
Nina's parents have been searching for her all night, and when they learn that she has been with
Benny, Kevin is furious. Kevin vows that Benny will never be a part of the Rosario family because he is
not Latino, but Camilla ends the family fight ("Enough"). It is high noon and all are frustrated by the
extreme heat and continuing power outage. The locals, led by Daniela, muster enough energy for a
last celebration before the bodega, salon, and dispatch shut their doors forever. Usnavi publicly
announces that Abuela Claudia won the lottery, and he and she will soon leave for the Dominican
Republic; the neighborhood celebrates, though Vanessa is heartbroken ("Carnaval del Barrio"). Kevin
makes a sudden announcement over the taxi radios: Abuela Claudia has suddenly died ("Atención").
The neighborhood holds a vigil for Claudia, while Usnavi, attributing her death to a "combination of the
stress and the heat," makes an impromptu eulogy ("Alabanza"). Usnavi and Nina rummage through
boxes of Claudia's keepsakes ("Everything I Know"). As Nina discovers photographs from her own
high school graduation, she decides to accept her father's sacrifice and return to Stanford.
Across the street, as Daniela closes her salon, she reveals one last bit of juicy news: she will co-sign
on Vanessa's dream apartment in the West Village, thanks to a little convincing from Usnavi ("No Me
Diga" – Reprise). Vanessa brings a bottle of champagne to thank Usnavi and, though she flirts with
him, he is so flustered by Claudia's death that he is unable to appreciate Vanessa's attempts; Vanessa
finally kisses him and leaves ("Champagne"). Meanwhile, Benny worries about his relationship with
Nina, since her decision to go back west, and they stand together while the sun sets, uncertain of their
future ("When the Sun Goes Down").
The next morning, Usnavi wakes up early to begin closing up shop. In just a few weeks, Usnavi
imagines that the block will be completely changed. Sonny, however, has commissioned Graffiti Pete
to paint a mural of Abuela Claudia on the bodega's grate. Sonny now rolls down the bodega grate in
front of Usnavi, revealing the memorial. Usnavi is stunned that they completed this all in one night; he
tells Sonny to spread the news that he has changed his mind to stay, promises to pursue Vanessa,
and realises that this block is his true home ("Finale").
6. Historical, geographical &
social contextual
understanding• Washington Heights spans 35 blocks at the northern end of Manhattan and
was originally settled by “old immigrant” populations, primarily of European
descent.
• In The Heights is set in the vibrant upper Manhattan neighbourhood of
Washington Heights; a neighbourhood characterised by its predominantly
Hispanic population and a lively mix of cultural traditions as they take shape
in the context of life in New York City.
• The citizens of the neighbourhood in Washington Heights are mostly lower
class, and are struggling to make a living, dreaming of escaping the Barrio.
7. Main character analysis
• Usnavi De La Vega, 24 year old owner of De La Vega’s Bodega, his parents emigrated from
the Dominican Republic and have since passed away. He lives with Abuela Claudia
(Grandmother Claudia), who isn’t actually his grandmother but they are as close as family.
Usnavi is in love with Vanessa and remains the eyes and ears of his Washington Heights
neighbourhood.
• Nina Rosario, 19 year old Nina has just finished her freshman year at Stanford University.
She is the daughter of Kevin and Camilla Rosario. Nina is the only member of her family and
friends who made it to college. She is best friends with Vanessa and a beacon of hope and
inspiration to all who know her; she represents the opportunity outside of “the Heights.”
• Kevin Rosario, in his forties and owner of Rosario Car and Limousine, Kevin is a husband to
Camilla and father to Nina. While Kevin was born and raised in Arecibo, Puerto Rico, he
immigrated to New York City with Camilla. Kevin immediately started working to provide a
better life for his newly-arrived family. He is stubborn, hot tempered at times and can be
quick to act without thoughts of repercussions.
• Camilla Rosario, also in her forties, she is the co-owner of Rosario Car and Limousine with
her husband Kevin. Also from Arecibo, Puerto Rico, she fell in love with Kevin at 19 and
immigrated with him to New York City. She is cool-headed yet keeps a subtle but strong leash
on Kevin. Her daughter Nina has just returned for the summer from her first year at Stanford.
8. • Benny, now a 24 year old cab driver for Rosario Car and Limousine, he once was a street
punk and hoodlum, often finding himself in trouble. Kevin saw promise in Benny and helped
shape him into a responsible, hard-working young man. Benny has enormous respect for
Kevin and sees him as a father figure. Eventually falling in love with Nina, Benny sees a future
for them by becoming a businessman. He and Usnavi are best friends.
• Vanessa, a 19 year old shampoo girl at Daniela’s Salon, Vanessa is strong, intelligent and
grew up with Benny and Usnavi. Though Usnavi would like to be something more than
Vanessa’s “friend”, he has never made any attempt. Vanessa dreams of leaving to create her
own life away from her alcoholic mother.
• Abuela Claudia, in her late 60’s, she raised Usnavi after his parents passed away and
continues to live with him. She emigrated from Cuba when she was very young. Of all the
characters, Abuela Claudia has been in “The Heights” the longest. She struggled to learn
English, struggled to find work and in turn has helped others who have followed in her path.
She is clearly the matriarch of the neighbourhood.
• Graffiti Pete, an 18-year old graffiti artist and the
nemesis of Usnavi, he is always hanging out on the
streets, dancing to his boom box music, spraying
any surface he can. Usnavi is unhappy that Sonny
and Graffiti Pete are friends because Graffiti Pete
epitomizes everything that Usnavi hopes that
Sonny will not grow up to be.
9. Initial creative ideas
• Backdrop of Brooklyn Bridge/skyline
• Fire hydrant
• Latina/salsa street music
• Crickets at night/car horns
• General street background noise
• Shop signs
• Hair salon chairs