IG3 Task 2
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Firstly, the author added sound files from a USB lead to a Game Maker project, labeling and saving them. Secondly, the author added the sounds to various objects by double clicking the object, selecting the main event, and dragging the sound file from the project. During this process, the author removed existing sounds from objects to only have the new sounds. Now the author tested the game and confirmed the sounds were working as intended with the objects.
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Sound programme process
Robert Hillard-Linney describes the process of adding sound effects to a game created in Game Maker. He first creates sound files and attaches them to sound beds. Then, he programs specific sounds to play when objects like buttons or walls are interacted with by adding code to their scripts. This allows sounds to play only when triggered by certain events rather than continuously throughout the game.
Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
Sound effects to my game
To add sound effects to a game, one selects sound and clicks on the original sound to browse for and add a new sound effect. This process is then repeated to add additional sound effects to the game. The document provides instructions for adding multiple sound effects to a game by browsing for the files and repeating the process of selection and addition.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a one-time sound to play when an arrow is created to signify an archer firing, adding background music to loop from the start of the game tied to the player's alive status, using code to play a sound when an enemy is defeated, playing a sound on each jump, and playing two sounds when an attack button is pressed - a flame noise and a triple hit noise for firing 3 fireballs.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a sound to play when an arrow is created to signify an archer firing, adding background music to play on game start and loop while the player is alive, scripting a sound to play when an enemy is defeated, coding a sound to play when the character jumps, and adding two sounds to play when the character shoots flames on pressing the attack button.
Rhl sound generation_1
The document describes a sound effect called the alphatron that was used to make a sound more techno and futuristic. A Bass Moog preset was used to make the sound more ominous and bass-like. The initial sound was created going down then raised to be more upbeat and higher pitched. The effect would suit games going for techno and futuristic sounds, such as copying beats or sounds.
Anotation 1
The document describes adding a custom sound file to a game. The person opened their documents, added one of the sounds they created, and renamed the file to correspond to how it would be used in the game.
Programming My Sounds Into My Game
Sam Duxbury documented importing sounds into Game Maker and programming them into objects. He found importing the sounds straightforward but programming them to the correct objects required a tutorial. He also placed background music in the scene by setting it to loop continuously.
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Sound programme process
Robert Hillard-Linney describes the process of adding sound effects to a game created in Game Maker. He first creates sound files and attaches them to sound beds. Then, he programs specific sounds to play when objects like buttons or walls are interacted with by adding code to their scripts. This allows sounds to play only when triggered by certain events rather than continuously throughout the game.
Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
Sound effects to my game
To add sound effects to a game, one selects sound and clicks on the original sound to browse for and add a new sound effect. This process is then repeated to add additional sound effects to the game. The document provides instructions for adding multiple sound effects to a game by browsing for the files and repeating the process of selection and addition.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a one-time sound to play when an arrow is created to signify an archer firing, adding background music to loop from the start of the game tied to the player's alive status, using code to play a sound when an enemy is defeated, playing a sound on each jump, and playing two sounds when an attack button is pressed - a flame noise and a triple hit noise for firing 3 fireballs.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a sound to play when an arrow is created to signify an archer firing, adding background music to play on game start and loop while the player is alive, scripting a sound to play when an enemy is defeated, coding a sound to play when the character jumps, and adding two sounds to play when the character shoots flames on pressing the attack button.
Rhl sound generation_1
The document describes a sound effect called the alphatron that was used to make a sound more techno and futuristic. A Bass Moog preset was used to make the sound more ominous and bass-like. The initial sound was created going down then raised to be more upbeat and higher pitched. The effect would suit games going for techno and futuristic sounds, such as copying beats or sounds.
Anotation 1
The document describes adding a custom sound file to a game. The person opened their documents, added one of the sounds they created, and renamed the file to correspond to how it would be used in the game.
Programming My Sounds Into My Game
Sam Duxbury documented importing sounds into Game Maker and programming them into objects. He found importing the sounds straightforward but programming them to the correct objects required a tutorial. He also placed background music in the scene by setting it to loop continuously.
T’sharwn sound track for film opening
T'sharwn created an original soundtrack for a film opening using Logic Pro software. They combined a variety of sounds such as drums, horns, and strings to imply an urban drama genre. Taking advantage of sound loops allowed T'sharwn to choose from a wide range of options and find the right sounds to fit the genre. The final soundtrack included a mixture of different urban-style sounds.
Showing how to programme sounds in to my game
To program sounds into a game made with Game Maker, one must first open Game Maker and go to the sounds tab. There, existing sounds can be selected and changed by clicking the file icon next to the name and selecting a new sound file. Additional sounds can be added by right clicking "sounds" and selecting "create sound," then finding and selecting the desired sound file. Sounds should then be renamed for easy identification before being added to the game.
3. production experiments - Audio
The document describes an experiment recording a morning routine and adding sound effects from YouTube's audio library in Adobe Premier. The student recorded their morning routine, found relevant sound effects, and placed the audio and effects together in Premier. Two effects needed adjusted volume which was done using audio gain. The final product was then exported. For the final product, the student plans to use sound effects to separate each section to help the listener understand what part of the routine is being described.
Game maker sound annotations
The document discusses sound choices for a game. It describes selecting science fiction sounds for bricks breaking because the background looked like space. It also details using fantasy sounds twice by editing one to make a single noise suited for an object. An intro sound was chosen to match the game genre. A bounce sound was edited not to sound alike another. A triumphant sound was used for beating levels.
Adding non diegetic music
The document discusses the use of non-diegetic music and sound effects in the movie "Deadly in Love". It describes downloading a creepy instrumental track called "The Threat" from YouTube to serve as the main soundtrack. It also details adding a scream sound effect for a scene where the actress is attacked. The scream was recorded separately in GarageBand after muting the original diegetic scream. Care was taken to synchronize the added non-diegetic scream with the scene.
Sound planning
The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
Analysis
The document summarizes how the author created a sound sequence using 35 audio files to simulate sounds from inside a zoo. They chose one ambient sound to play throughout and added 4 animal sound effect files. To make the animal sounds more regular, they split some files where there were gaps in sound. A ReaVerb effect was added to one track and the sequence was rendered to only include the selected area with sound.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Anotation 3
The document discusses creating a Background_Music object to hold background music for a game. The sound was added to the Background_Music object, which was then placed into the game to play background music.
Game music sequence annotations 3
The musician used the Tapeotronic instrument with the Chorale Attack Release effect. This effect provided background sounds to accompany the main tune and make the overall music richer with additional layers of sound rather than just the single melody. The goal was to add more fullness to the music beyond a single tune.
Audacity
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Workflow
The document describes the design of a space shooter game. The main inspiration was Space Invaders, featuring red enemies with tentacles. The player's ship is green and blue while enemies are red, yellow, and orange. Enemies have different laser sprites so the player knows who is shooting. The gameplay is fast-paced with 8-directional movement and one bullet can be fired at a time. Enemies are spawned randomly and destroyed enemies yield points. The player has a health bar and is destroyed upon collision with an enemy. The art style is cartoony with bright colors and low definition sprites. There are three background layers - a planet, asteroids, and space debris - to give a 3D effect. The menu
Ig3 task 2
The document discusses Thomas Mcdonagh's selection and editing of sound files in his game maker project. It explains that the green button plays the loaded sound, the orange button stops it, and sounds were chosen because they fit objects like bricks breaking or a bouncing ball. Multiple sounds were edited versions of the same file so they would have different properties. The purpose of buttons is to load, play, and stop sounds connected to selected objects in the game.
Sound design
The document discusses sound design choices for an opening film sequence. The opening contained no dialogue or non-diegetic sounds, relying only on sounds from within the scene. The only added sound was the song "Radioactive" by Imagine Dragons, for which permission was obtained. Typical sounds used in thriller films are described as suspenseful music, footsteps, and heavy breathing, often created using strings, drums, and synthesizers. Such sounds aim to generate suspense and tension in audiences by making them feel scared. Common thriller sounds have a dark, eerie quality, with music that starts slow and speeds up to build tension and climax.
Task 7 pitch & rate
Jake Hyatt was asked to modify the pitch and rate of audio clips to create new sounds from the original. For the first clip, no modifications were made. For the second clip, the rate was changed to 4 and the pitch to 10, dramatically increasing the speed and breaking the audio into sections of individual sounds. Changing the pitch of the third clip to -7 and rate to 0.0001 stretched it out significantly, making it incredibly slow with more bass than usual. For the final clip, changing the pitch to -40 and rate to 10 split the audio into different sections, allowing individual sounds to be heard that normally would not be, creating an almost beat-like effect.
Task 2 part 2
The document discusses how direct sounds are inserted into a game. Sounds are chosen for specific objects like an explosion sound for when an explosion appears. The sounds are set up to play an action when the associated object appears and do not loop as they are direct sounds rather than background music.
How you think the sound in your chosen example has been produced zelda
1. The sounds in The Legend of Zelda: Ocarina of Time were produced using real instruments like organs for the soundtracks. Voice acting and in-game sound effects were recorded in a studio.
2. Post-production techniques like layering sounds, adding echo, and adjusting audio levels were used to integrate the voice acting and sound effects with the soundtracks.
3. The game's sound design enhanced the gaming experience by using music and audio cues that matched the mood of different locations, like upbeat music for villages versus gloomy music for temples.
Unity Task 3
Terence Byrne created a level in Unity where the player awakens from a plane crash on an unidentified island. He built the terrain and environment, adding textures, lighting, structures like villages and ruins, props like campsites and wagons, and characters like goblins. Throughout the process, he encountered issues like lost work but was able to recover. The final level included multiple locations connected by a bridge between islands to explore, with the goal of simulating a playable game environment.
My Console
IGN reviewed several consoles - the Wii U, PS4, and Xbox One. For the Wii U, IGN noted many hardware limitations and pain points like long loading screens. The only advantages were the light Gamepad and decent screen resolution. IGN gave the PS4 high praise for its powerful yet familiar hardware, open software, and impressive features. The DualShock 4 controller was highlighted as "amazing". For the Xbox One, IGN said it improved on the Xbox 360 while offering more entertainment options than the PS4, but noted it was more expensive and its voice commands require learning specific vocabulary. Overall ratings were 7/10 for the Wii U, 9/10 for the PS4,
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T’sharwn sound track for film opening
T'sharwn created an original soundtrack for a film opening using Logic Pro software. They combined a variety of sounds such as drums, horns, and strings to imply an urban drama genre. Taking advantage of sound loops allowed T'sharwn to choose from a wide range of options and find the right sounds to fit the genre. The final soundtrack included a mixture of different urban-style sounds.
Showing how to programme sounds in to my game
To program sounds into a game made with Game Maker, one must first open Game Maker and go to the sounds tab. There, existing sounds can be selected and changed by clicking the file icon next to the name and selecting a new sound file. Additional sounds can be added by right clicking "sounds" and selecting "create sound," then finding and selecting the desired sound file. Sounds should then be renamed for easy identification before being added to the game.
3. production experiments - Audio
The document describes an experiment recording a morning routine and adding sound effects from YouTube's audio library in Adobe Premier. The student recorded their morning routine, found relevant sound effects, and placed the audio and effects together in Premier. Two effects needed adjusted volume which was done using audio gain. The final product was then exported. For the final product, the student plans to use sound effects to separate each section to help the listener understand what part of the routine is being described.
Game maker sound annotations
The document discusses sound choices for a game. It describes selecting science fiction sounds for bricks breaking because the background looked like space. It also details using fantasy sounds twice by editing one to make a single noise suited for an object. An intro sound was chosen to match the game genre. A bounce sound was edited not to sound alike another. A triumphant sound was used for beating levels.
Adding non diegetic music
The document discusses the use of non-diegetic music and sound effects in the movie "Deadly in Love". It describes downloading a creepy instrumental track called "The Threat" from YouTube to serve as the main soundtrack. It also details adding a scream sound effect for a scene where the actress is attacked. The scream was recorded separately in GarageBand after muting the original diegetic scream. Care was taken to synchronize the added non-diegetic scream with the scene.
Sound planning
The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
Analysis
The document summarizes how the author created a sound sequence using 35 audio files to simulate sounds from inside a zoo. They chose one ambient sound to play throughout and added 4 animal sound effect files. To make the animal sounds more regular, they split some files where there were gaps in sound. A ReaVerb effect was added to one track and the sequence was rendered to only include the selected area with sound.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Anotation 3
The document discusses creating a Background_Music object to hold background music for a game. The sound was added to the Background_Music object, which was then placed into the game to play background music.
Game music sequence annotations 3
The musician used the Tapeotronic instrument with the Chorale Attack Release effect. This effect provided background sounds to accompany the main tune and make the overall music richer with additional layers of sound rather than just the single melody. The goal was to add more fullness to the music beyond a single tune.
Audacity
Audacity is an audio editing software that allows you to record and edit audio files. It allows you to select your audio input device, record audio tracks, trim unwanted sections, adjust volume levels, import additional audio files, move audio clips, fade audio in and out, save your project, and export your final podcast with metadata tags for identification and distribution.
Workflow
The document describes the design of a space shooter game. The main inspiration was Space Invaders, featuring red enemies with tentacles. The player's ship is green and blue while enemies are red, yellow, and orange. Enemies have different laser sprites so the player knows who is shooting. The gameplay is fast-paced with 8-directional movement and one bullet can be fired at a time. Enemies are spawned randomly and destroyed enemies yield points. The player has a health bar and is destroyed upon collision with an enemy. The art style is cartoony with bright colors and low definition sprites. There are three background layers - a planet, asteroids, and space debris - to give a 3D effect. The menu
Ig3 task 2
The document discusses Thomas Mcdonagh's selection and editing of sound files in his game maker project. It explains that the green button plays the loaded sound, the orange button stops it, and sounds were chosen because they fit objects like bricks breaking or a bouncing ball. Multiple sounds were edited versions of the same file so they would have different properties. The purpose of buttons is to load, play, and stop sounds connected to selected objects in the game.
Sound design
The document discusses sound design choices for an opening film sequence. The opening contained no dialogue or non-diegetic sounds, relying only on sounds from within the scene. The only added sound was the song "Radioactive" by Imagine Dragons, for which permission was obtained. Typical sounds used in thriller films are described as suspenseful music, footsteps, and heavy breathing, often created using strings, drums, and synthesizers. Such sounds aim to generate suspense and tension in audiences by making them feel scared. Common thriller sounds have a dark, eerie quality, with music that starts slow and speeds up to build tension and climax.
Task 7 pitch & rate
Jake Hyatt was asked to modify the pitch and rate of audio clips to create new sounds from the original. For the first clip, no modifications were made. For the second clip, the rate was changed to 4 and the pitch to 10, dramatically increasing the speed and breaking the audio into sections of individual sounds. Changing the pitch of the third clip to -7 and rate to 0.0001 stretched it out significantly, making it incredibly slow with more bass than usual. For the final clip, changing the pitch to -40 and rate to 10 split the audio into different sections, allowing individual sounds to be heard that normally would not be, creating an almost beat-like effect.
Task 2 part 2
The document discusses how direct sounds are inserted into a game. Sounds are chosen for specific objects like an explosion sound for when an explosion appears. The sounds are set up to play an action when the associated object appears and do not loop as they are direct sounds rather than background music.
How you think the sound in your chosen example has been produced zelda
1. The sounds in The Legend of Zelda: Ocarina of Time were produced using real instruments like organs for the soundtracks. Voice acting and in-game sound effects were recorded in a studio.
2. Post-production techniques like layering sounds, adding echo, and adjusting audio levels were used to integrate the voice acting and sound effects with the soundtracks.
3. The game's sound design enhanced the gaming experience by using music and audio cues that matched the mood of different locations, like upbeat music for villages versus gloomy music for temples.
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How you think the sound in your chosen example has been produced zelda
How you think the sound in your chosen example has been produced zelda
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Unity Task 3
Terence Byrne created a level in Unity where the player awakens from a plane crash on an unidentified island. He built the terrain and environment, adding textures, lighting, structures like villages and ruins, props like campsites and wagons, and characters like goblins. Throughout the process, he encountered issues like lost work but was able to recover. The final level included multiple locations connected by a bridge between islands to explore, with the goal of simulating a playable game environment.
My Console
IGN reviewed several consoles - the Wii U, PS4, and Xbox One. For the Wii U, IGN noted many hardware limitations and pain points like long loading screens. The only advantages were the light Gamepad and decent screen resolution. IGN gave the PS4 high praise for its powerful yet familiar hardware, open software, and impressive features. The DualShock 4 controller was highlighted as "amazing". For the Xbox One, IGN said it improved on the Xbox 360 while offering more entertainment options than the PS4, but noted it was more expensive and its voice commands require learning specific vocabulary. Overall ratings were 7/10 for the Wii U, 9/10 for the PS4,
Final major project production diary - Terence Byrne
This document contains the production diary of a student working on their final major project for a BTEC Extended Diploma in Creative Media Production. Over the course of 15 weeks, the student and their group worked through pre-production, production, and post-production stages to create an advertisement package for an apocalyptic video game. They conducted research, created concept art, storyboards, and a trailer. In the final weeks, they conducted surveys and made improvements before submitting their work.
IG2 task 1 work sheet terence byrne
The document is a glossary created by a student named Terence Byrne for a unit on sound design and production. It contains definitions for over 20 key terms related to sound design methodology, sound file formats, audio limitations, audio recording systems, and MIDI. For each term, the student provided a short definition from an online source along with a description of how the term relates to their own production practice.
Summary of Secondary Research
The document discusses research done by various people into different aspects of developing a zombie apocalypse video game. Terence researched the importance of color contrast and text size/style in posters. Anthony discovered that successful game trailers tell stories through cut scenes, suspenseful music, and sound effects. Harry found London and New York would make suitable ruined environments. The document also discusses character, zombie, and bandit designs as well as the importance of game covers in attracting buyers.
Unit 73 IG3 assignment programming sound assets to a game 2013 Y1
This document provides an assignment brief for a student to complete tasks involving sound design and programming for a computer game. The student must select sound effects and music they have produced, document the process of programming these sounds into their game, and create a video demonstrating the gameplay and soundtrack. The tasks are mapped to learning outcomes that assess sound design principles, asset creation following industry standards, and applying sounds to a game. The student will blog about their sounds, document the programming process with screenshots, and upload a gameplay video to be evaluated based on criteria for the relevant diploma qualifications and units.
Research Game Covers
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Unit 73 ig3 assignment programming sound assets to a game 2013_y1
This document provides an assignment brief for a student to complete tasks involving sound design and programming for a computer game. The student must select sound effects and music they have produced, document the process of programming these sounds into their game, and create a video demonstrating the gameplay and soundtrack. The tasks are mapped to learning outcomes that involve describing sound design, creating sound assets, and applying sounds to a game following industry practices. Sources of information and the assessor are also provided.
P i t c h
This pitch proposes an environmental documentary that draws inspiration from video games like Far Cry 4 and Red Dead Redemption 2. It will feature landscapes from Australia and China and use equipment to capture footage of rivers, woodlands, and beaches. The document expresses gratitude for the opportunity to present this idea.
Environments
The document provides images of post-apocalyptic cities, streets, buildings, vehicles, and props to give ideas for illustrations being created for posters. The images show broken down buildings, decayed streets after an outbreak, zombie-infested countryside, and various objects that would be found in a post-apocalyptic world.
Artist
The document discusses several artists and their styles. John William Hill worked in watercolors, gouache, lithography and engraving and was known for his paintings and engravings of animals. Robert W. Hines used both paint and watercolors in his bird paintings. Nick Mackman sculpts wildlife such as reptiles out of clay and then paints them with acrylic paint. Andrya Webb uses pencil and charcoal to create drawings of reptiles. Steve Cale creates pieces using acrylic paints, such as the wasp shown.
Quantitative Results
The document summarizes the results of a survey about the video game GTA V. It found that over 70% of respondents were male, between 16-18 years old. Over 40% were Caucasian and over 20% were Hispanic. 50% of respondents reported playing games every day and over 70% had played GTA V and other GTA titles. Responses were split evenly on whether respondents had bought GTA V and how they would rate it out of 10. The majority (50%) reported playing GTA V for 1-3 hours. Most respondents (50%) lived in the northwest region.
Quantitative Results
The document summarizes the results of a survey about the video game Grand Theft Auto V (GTA V). It found that over 70% of respondents were male, between 16-18 years old, and Caucasian. Over 70% of respondents had played GTA V and other titles in the GTA series. Half of respondents played games every day and said they played GTA V for 1-3 hours at a time. The majority of respondents were from the northwest region.
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Final major project production diary - Terence Byrne
Final major project production diary - Terence Byrne
Unit 73 IG3 assignment programming sound assets to a game 2013 Y1
Unit 73 IG3 assignment programming sound assets to a game 2013 Y1
Unit 73 ig3 assignment programming sound assets to a game 2013_y1
Unit 73 ig3 assignment programming sound assets to a game 2013_y1
Similar to IG3 Task 2
IG3 Task 2
Lewis describes the process of adding sound effects to objects in Game Maker. The key steps are:
1. Create a "Sounds" folder and convert any sound files to .wav format to be recognized by Game Maker.
2. Double click on an object to open its event editor, drag the "speaker" icon from the sidebar into the action grid to make the object play a sound.
3. Select the sound file by double clicking the speaker icon and choosing it from the files.
4. Test that the sounds play correctly when the objects are used in the game.
Ig3 task 2
The document describes the process of adding sound effects to objects in a Game Maker game. It involves:
1. Creating a "Sounds" folder and converting any sound files to .wav format to be recognized by Game Maker.
2. Double clicking an object to open its properties, then dragging a "speaker" icon from the actions menu to link a sound effect to play when the object is used.
3. Browsing and selecting the desired sound file through the speaker icon to designate which audio file will play for that object.
4. Testing the sounds during game play to confirm they play at the appropriate times with the targeted objects.
IG3 task 2
This document describes Anthony Bowes' process of adding sounds to a game in Game Maker. He imported sounds, assigned them to events like a player getting hit, and tested that the sounds played correctly at the right times. While there was some initial lag when the player was hit, the sounds worked well overall. He was able to choose sounds, edit them, and loop background music to repeat using the event panel in Game Maker.
IG3 PROGRAMMING ANNOTATIONS
Elliot loaded a pre-made top-down shooter level and replaced the original sounds with custom sounds. They created a background music object to play the music on a continuous loop until the player dies. Elliot also added a death sound to the player explosion object and sounds to other objects to play when activated. However, the background music would play multiple times when restarting levels, so Elliot added an event to stop the music when the player dies.
Edited annotationss
The document summarizes the process of programming sounds into a top-down shooter game. The key steps included: removing original sounds, adding custom sounds, creating a background music object to play on a loop until player death, adding a death sound to the player explosion object, and adding object-specific sounds to play when activated. Additionally, an event was created to stop the background music when the player dies to prevent overlapping music on level restart.
Evidence of Programming Sounds into 2D Games
The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
Evidence of Programming Sound into a 2D Game
The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
Programming my sounds into my game
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
Old anotationss
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
Adam hughes ig3 annotations
Adam Hughes imported sound files into Game Maker including a "gun" sound, music, and death sound. He created an object to play the background music on a loop from the start of the game. He also added the death sound to an explosion object, stopping the background music so the death sound could be heard. The gun sound was added similarly without stopping other sounds.
Making My Game
The document describes the process of creating a space shooter game in GameMaker. It details how the creator made the player sprite and object, added movement controls, created rooms and backgrounds, implemented enemies that move and shoot, added particle effects, integrated health and damage systems, included title and death screens, and tweaked various elements. The creator aimed to improve the game by changing the background to a city under alien attack, modifying sprites, adding soundtracks, and fixing bugs to produce a polished final product.
Sound game maker explanations
The document discusses importing and assigning sound assets in a game. The author discovered that .wav files allow for overlapping multiple sounds while .mp3 is better for background music due to smaller file size. Sounds are imported by clicking the audio icon. The first sound, 'Doors_open', plays when starting a new game by assigning it to a release event on the 'play_game_obj' button, so it plays immediately after clicking rather than before.
Unit 73- Criteria 4: Programming Sounds Into a Video Game.
1. The document provides instructions for adding different sounds to a game created in GameMaker, including sounds for shooting, objects hitting each other, background music, and starting and destroying objects.
2. It describes how to open an existing game project in GameMaker, create new sounds by giving them descriptive names and loading sound files, and then linking the sounds to events in the game like pressing the space bar, objects colliding, the game starting, or objects being destroyed so that the corresponding sound plays during these events.
3. By following all the steps, the finished game will have automatic sound effects for shooting, hitting objects, destroying objects, starting the game, as well as background music playing throughout.
Game maker audio editing
The document discusses editing audio in a game maker demo game. It has simple mechanics where the goal is to destroy blocks by bouncing a ball. The audio can be edited by double clicking sounds to open a menu, then browsing files to replace the current sound with a new one recorded or edited by the user. For example, the breaking block sound was replaced with a metallic sound. Repeating this allows all sounds to be swapped for custom audio.
Ig3 annotations567678
Callum Drake describes the process of replacing the default sounds in a game with custom sounds. He opened the sound panel and changed each of the five default sounds by selecting the corresponding custom sound files from his folder and playing them to confirm they worked as intended. Screenshots were provided showing the custom sounds had successfully replaced the defaults for all sound effects in the game.
Evaluation
The document discusses two methods the author used to create sounds for their game. One method involved using VSTi effects and an empty MIDI file to create music patterns. The other used layering and adjusting sound files to create effects like explosions and projectiles. Once the sounds were created, the MIDI file was rendered and sound files added to the game maker file by locating and selecting them in the sounds folder.
Programming my sounds into my game
To add sounds to a game created in Game Maker, the user opens the sound editor by clicking the disk icon in the toolbar. A window then appears to upload, edit, and assign sounds to specific game events, such as a sprite moving. The user can code sounds to play in order by using the audio_play_sound code followed by the name of the uploaded sound file within the sprite's steps event.
Programming sounds into my game
The document describes the process of adding different sounds to a game made in Game Maker. It discusses adding a jump sound to play when the player jumps, an enemy death sound, background music, and menu sounds. For each sound, the author describes importing the audio file, assigning it to the appropriate event (such as jumping or button presses), and setting parameters like whether to loop. Testing is done after each addition to ensure sounds play correctly. The full process results in a game with sound effects, background music, and menu sounds all integrated through Game Maker's audio functionality.
Task 2 evidence ig3
The document describes Alex Ballantyne's process of adding sounds to a game file in 4 iterations. The process involves opening a sound file, selecting the desired sound, adjusting the volume, and testing the sound in the game to check that it worked as intended.
Similar to IG3 Task 2 (20)
Unit 73- Criteria 4: Programming Sounds Into a Video Game.
Unit 73- Criteria 4: Programming Sounds Into a Video Game.
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Task 1 Briefs
Pewdiepie, a famous Youtuber, created a competition brief called "Indies vs Pewdiepie" where he challenged fans to create games about him within 72 hours. Over 700 games were created and submitted. Pewdiepie then played and reviewed the games, thanking all participants.
Steam Greenlight is an online game store where developers can sell games hoping to grow their popularity. Any developer can upload games to be tested and potentially added to the store. There is no deadline, and offensive games will not be approved.
The Global Game Jam hosts an annual game jam competition where participants have a weekend (around 48 hours) to develop a video game in groups or individually
Terence Byrne Art FMP Production Diary
This document contains 15 weekly progress updates from a student working on their final major project (FMP) focusing on environments. Over the months, the student researched environment artists, created artwork in their sketchbook using collected images, took photos on a forest field trip to use for more pieces, and completed their third and final artwork. For next steps, they plan to review their sketchbook one last time for any improvements before concluding their FMP.
Ideas Generation
The document discusses various character animations, actions, weapons, and armor that could be used for different character types in a game such as a soldier, student, police officer, warrior or child. It lists animations like walk and run as well as actions involving weapons like attack and kick. It also lists different types of weapons from swords and spears to pistols and assault rifles along with pieces of armor for the chest, legs, and arms.
Magazine Research
This document contains summaries of several video game posters:
1) A Watch Dogs poster showing the main character sliding over a car and shooting in a snowy city environment.
2) A military-themed poster for a warfare game, showing the main character holding a sniper with bold black and red text implying a serious, bloody war.
3) A fantasy battle game poster portraying two main characters holding weapons against a battlefield background with attention-grabbing yellow and orange text.
4) A Resistance: Burning Skies poster clearly displaying the title and a character fighting an alien with a background implying fire and apocalypse.
5) A BioShock poster using dark concept
Ideas generation
The document discusses various character animations, actions, weapons, and armor that could be used for different character types in a game such as a soldier, student, police officer, warrior or child. It lists animations like walk and run as well as actions involving weapons like swords, spears, pistols and shotguns and attacks such as kick and character deaths. It also lists types of armor that could be worn on different body parts.
Task 1 Research
This document profiles several environmental artists, including Geoff Kersey who creates watercolor pieces focusing on nature in the Peak District of the UK, Donald Maier who works in watercolor, oils, and pastel to depict natural and populated places, and Kathleen Caddick who uses charcoal and pencil to depict trees and landscapes using dull colors. It also mentions David Parfitt who uses watercolors to depict woodland environments, Jill Morris who focuses on beaches using acrylics and watercolors, and Ann Vaillencourt who creates forest and snowy scenes using acrylic paint and charcoal.
Our Pitch Presentation
HAT's Prestige worldwide is a company co-founded by Harry Johnson, Terry Byrne, and Anthony Bowes. The company slogan is "We ride Together We Design Together" suggesting they work collaboratively on design projects while also enjoying recreational activities together like riding bikes.
Q Card Quotes
The document outlines a plan by HAT's Prestige Worldwide to create an advertisement package for a zombie survival horror game being developed by Bethesda. The package will include posters with character, environment and zombie themes. It will also include concept art, 3D models, a trailer with music and sound effects, and packaging design. Research was conducted through surveys and reviewing other zombie games to determine effective advertisement strategies and the target audience for the game.
Q cards
The document outlines a plan by HAT's Prestige Worldwide to create an advertisement package for a zombie survival horror game being developed by Bethesda. The package will include posters with character, environment and zombie themes. It will also include concept art, trailers, game packaging, and 3D models. Research was conducted through surveys and reviewing other zombie games to determine effective advertisement strategies and the target audience.
Kajiit Bio
HuskirNataba is a 21-year-old Khajiit who lives in a forest in 1352 England. As a hybrid of human and cat, he has the ability to think and act like a human while appearing cat-like. After being orphaned at a young age, Huskir has lived alone in the forest dodging human contact. However, after two Khajiits were captured and killed by medieval soldiers, Huskir became an assassin seeking to protect his race by killing soldiers. He now travels with a group of five other Khajiits fighting in the war that has broken out between humans and Khajiits across the world after the races made contact.
Final Major Project Proposal
The document is a proposal form for a final major project for a BTEC Extended Diploma in Creative Media Production. The proposed project is an advertisement pack for a survival horror video game that will include a trailer, posters, concept art, models, and packaging. The advertisement pack will use a range of skills from film editing to sound production and graphic design. The target audience for the project is mainly teenagers and young adults who enjoy playing video games. The proposal outlines the narrative and genres that will be used, as well as the technical and non-technical production techniques like Illustrator, Photoshop, and story development that will be employed to realize the project.
Story Development
The document summarizes a scenario that began in 2015 when a secret military weapon called Project Green exploded at an underground base in New York City, releasing a toxic gas. A year later, in 2016, the gas has caused a global pandemic and the collapse of society. The story then focuses on three soldier friends - Terence, Anthony, and Harry - who were near New York when the explosion occurred and must now work together to survive in the infected landscape.
Mood Board
The document contains a list of 12 image links related to zombies and a zombie apocalypse scenario. The images depict various scenes of a post-apocalyptic world overrun by zombies including survivors scavenging for supplies, zombies attacking cities, and people fighting or hunting zombies.
Game Covers - Terence Byrne
The game covers summarize portray gloomy, tense post-apocalyptic worlds where zombies and other threats hunt down survivors. Bright colors and dramatic lighting are used to draw attention to zombies and create an eerie atmosphere. Main characters are shown fighting or fleeing from the undead. Bold or colored text stands out against dark backgrounds to emphasize the titles. Environments depicted include abandoned buildings, swampland, and burning cities, giving players a sense of the settings they will encounter in each survival horror game.
Summary of Primary Research
Trailers were found to be the most effective form of advertisement according to the survey results, so the document recommends focusing efforts on the trailer. Posters were the second most voted for and should be the second priority. Detail and color in posters were noticed more than text. Most people said they would purchase a product after seeing an advertisement for it. The majority preferred action movie trailers. Trailers should be advertised on YouTube and TV to reach the most people. Detail and color should be emphasized the most on game covers according to the survey responses.
Briefs
The document describes several types of briefs used in contractual agreements between clients and production companies for creative projects. A contractual brief outlines the work to be done, expectations of the client, and payment terms. A negotiated brief allows the client and producer to discuss and potentially modify the project scope and guidelines. A formal brief provides guidelines from the client for the project but does not necessarily constitute a legally binding agreement.
Reseach Game Covers
The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
Trailer Research
This document contains summaries of several game trailers for DayZ and The Last of Us. The summaries highlight key details about the environments, characters, gameplay, and tones conveyed by the trailers. Overall, the summaries concisely capture the essential information and impressions given by each trailer in 3 sentences or less per trailer as requested.
Summary of Primary Research
The document summarizes the results of a survey about advertising. It finds that trailers were the most commonly seen and effective form of advertisement. Posters were also effective but packaging was least popular. The survey confirmed that people think advertising is important for a product's success. When looking at posters, people notice detail and color more than text. Television and YouTube are the most popular places to watch trailers, while billboards are less effective. The document concludes that future advertising should focus on detailed trailers to be shown on YouTube and television.
Task 1 Different types Of Briefs
The document describes different types of briefs used in media production projects. It discusses a contractual brief, which outlines the work and expectations between a client and producer. It also covers negotiated, formal, informal, commission, tender, cooperative, and competition briefs. Each brief type focuses on different aspects of communication, time management, technical skills, and career progression in relation to the project workflow and client/producer relationship.
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【主营项目】
一.毕业证【q微6496090】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微6496090】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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IG3 Task 2
- 1. Terence Byrne Firstly I began by adding the rendered sound files from my USB lead to the game maker project. I labelled the sounds sound 1, sound 2 e.c.t. and then saved them. Secondly, I then clicked on each of the objects that I wanted to add sounds to and then began adding the sounds.
- 2. Terence Byrne To do this I double clicked the object, clicked main 1 and the and then dragged the first sound option under the Title “sounds” and then searched for my sound file in the project in which I wanted to use for the object I was working with During this process the game already had sound in which I needed to remove. To do this I clicked on the object went over to main 1 and removed the sounds in which were already there in order for me to just have my sounds.
- 3. Terence Byrne Now I needed to test if the sounds worked. In order to do this I played the game to see if the object with sound were playing. The sounds were working well meaning I could now proceed into doing task 3 in which is for me to film my game with my sound splaying.