Sound planning
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The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
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Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Sound
This document discusses different categories of sound that can be used in thrillers, including diegetic, non-diegetic, and special effects sounds. It explains that diegetic sounds come from visible or invisible sources within the story, while non-diegetic sounds do not originate from the film world, such as voiceovers or background music. The document also discusses parallel and contrapuntal sounds and provides examples of how they can build tension or conflict with the visuals. It concludes by noting the filmmakers' intent to use various sound techniques like contrapuntal music to scare the audience in their psychological thriller.
Diegetic and non diegetic sounds
Diegetic and non-diegetic sounds refer to sounds that are either part of the natural world of the film (diegetic) or added for effect after filming (non-diegetic). Diegetic sounds include natural voices and sounds picked up on screen, while non-diegetic sounds are added effects, music, or narration. For a thriller teaser trailer, the document discusses using diegetic footsteps during a murder scene but no visual of the murder. Non-diegetic string music and recorded dialogue would then be added to scenes of a funeral and brothers seeking revenge, with drum beats symbolizing a heartbeat in subsequent shots.
Diegetic and non diegetic sounds
Diegetic sounds originate from within the scene and are naturally occurring, like character voices or object sounds. Non-diegetic sounds are added in post-production and don't originate from within the scene, like narration, music, or amplified sound effects. The distinction depends on the audience understanding of natural versus added sounds, and diegetic and non-diegetic conventions can be used to surprise audiences, as in comedies. Footsteps in a chase scene would be non-diegetic and recreated/amplified in post, to create a sense of panic for characters fleeing. Background music is also non-diegetic and meant to represent the teens' lives in the full film.
ideas for Non diegetic sound
The document discusses ideas for non-diegetic sounds to include in a movie trailer. It suggests using a lively soundtrack for an initial montage that is then interrupted by another sound. It also proposes using a heartbeat sound to mimic the protagonist and audience's reactions during action scenes, as well as screams and a nursery rhyme towards the end to build suspense, fear, and retain the audience's attention.
Research into specific features - sound
This document discusses different types of sound that can be used in horror movie trailers. It defines diegetic sound as sounds the characters can hear within the reality of the story. Non-diegetic sounds include soundtracks and scores that accompany the scenes but are not part of the fictional world. Voiceovers are another non-diegetic technique where a narrator speaks over scenes. After researching these sound techniques and composing own horror sounds, the author prefers using non-diegetic music rather than diegetic sounds in trailers to create more suspense.
Recommended
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Sound
This document discusses different categories of sound that can be used in thrillers, including diegetic, non-diegetic, and special effects sounds. It explains that diegetic sounds come from visible or invisible sources within the story, while non-diegetic sounds do not originate from the film world, such as voiceovers or background music. The document also discusses parallel and contrapuntal sounds and provides examples of how they can build tension or conflict with the visuals. It concludes by noting the filmmakers' intent to use various sound techniques like contrapuntal music to scare the audience in their psychological thriller.
Diegetic and non diegetic sounds
Diegetic and non-diegetic sounds refer to sounds that are either part of the natural world of the film (diegetic) or added for effect after filming (non-diegetic). Diegetic sounds include natural voices and sounds picked up on screen, while non-diegetic sounds are added effects, music, or narration. For a thriller teaser trailer, the document discusses using diegetic footsteps during a murder scene but no visual of the murder. Non-diegetic string music and recorded dialogue would then be added to scenes of a funeral and brothers seeking revenge, with drum beats symbolizing a heartbeat in subsequent shots.
Diegetic and non diegetic sounds
Diegetic sounds originate from within the scene and are naturally occurring, like character voices or object sounds. Non-diegetic sounds are added in post-production and don't originate from within the scene, like narration, music, or amplified sound effects. The distinction depends on the audience understanding of natural versus added sounds, and diegetic and non-diegetic conventions can be used to surprise audiences, as in comedies. Footsteps in a chase scene would be non-diegetic and recreated/amplified in post, to create a sense of panic for characters fleeing. Background music is also non-diegetic and meant to represent the teens' lives in the full film.
ideas for Non diegetic sound
The document discusses ideas for non-diegetic sounds to include in a movie trailer. It suggests using a lively soundtrack for an initial montage that is then interrupted by another sound. It also proposes using a heartbeat sound to mimic the protagonist and audience's reactions during action scenes, as well as screams and a nursery rhyme towards the end to build suspense, fear, and retain the audience's attention.
Research into specific features - sound
This document discusses different types of sound that can be used in horror movie trailers. It defines diegetic sound as sounds the characters can hear within the reality of the story. Non-diegetic sounds include soundtracks and scores that accompany the scenes but are not part of the fictional world. Voiceovers are another non-diegetic technique where a narrator speaks over scenes. After researching these sound techniques and composing own horror sounds, the author prefers using non-diegetic music rather than diegetic sounds in trailers to create more suspense.
Soundintvdrama 100129055219 Phpapp01
Sound plays an important role in television drama by setting moods and signaling events. There are two main types of sound: diegetic sound, which comes from within the world of the story, and non-diegetic sound, which comes from outside the story world, such as music and soundtracks. Both types of sound are used to create realism and manipulate the audience's emotions. Music in particular is used to tell viewers how they should feel during different scenes.
Media language investiation
The document reviews the use of media language techniques in three horror movie trailers. It analyzes the cinematography, editing, sound, and mise-en-scene in each trailer. For cinematography, it notes the frequent use of close-ups to show facial expressions and build tension. The editing is described as generally fast-paced to create suspense. Non-diegetic music and sounds are used to emphasize scary moments. Dark lighting, isolated settings, and other visual elements establish the horror genre conventions.
Production reflection (6)
The document summarizes Abi Long's process for producing an audio project. It describes finding sound effects from YouTube and converting them to mp3 format. It details editing the audio to create a conversation between three voices, adding radio sound effects and background static. Background whispering and echo effects were used for the third voice. Background music was also added. The process of editing images to create a security camera aesthetic is summarized, including adding effects to a door image and including project title text.
Sound Research
This is my research on the various sounds included in teaser trailers, particularly action and crime films.
Understanding the soundtrack - Lights out
The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
Sound ideas
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to create suspense, but eerie music will be played beforehand to signal what is coming. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before slow, eerie music plays again after a teen is caught.
Sound Ideas
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen. The document discusses using different non-diegetic sounds in a horror movie trailer, including slow peaceful music that gradually speeds up when the villain appears, eerie music to build suspense before murders, sad music after murders, fast-paced action music during chase scenes, and silence during tense moments to add more suspense before switching to slow eerie music after a victim is caught. The sounds described are meant to complement and heighten the frightening elements of scenes in the trailer.
Sound Ideas Within The Trailer
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to build suspense, but eerie music will be played leading up to the events. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before reverting to slow, eerie music once a teen is caught.
Sound
Diegetic sound is generated from within the narrative and includes dialogue and sound effects. Non-diegetic sound comes from outside the narrative and includes background music. Sound in TV dramas helps create atmosphere and mood for the audience by guiding their emotional response through music, sound effects, dialogue, and ambient noise. Different sound elements like themes, stings, and soundtrack also signify the genre and emotional emphasis of scenes.
Film Language - sound editing and mixing
This document discusses various techniques for sound mixing and editing in film to create meaning, including sound bridging, foley effects, sonic flashbacks, and manipulating perspective through volume, timbre and pitch. It provides examples from films like The Matrix, Jurassic Park and Sixth Sense to illustrate these concepts. The overall purpose is to understand how sound mixing and editing can construct representation and drive narrative through linking scenes, revealing information and solving plot points.
Film language 2
This document defines and provides examples of key concepts in film sound, including:
1) Diegetic sounds originate from visible or implied sources within the story world, while non-diegetic sounds come from outside the story.
2) Synchronous sounds match visible actions, while asynchronous sounds are indigenous but not precisely synchronized.
3) Parallel sounds fit a scene's genre or mood, whereas contrapuntal sounds create unexpected contrasts.
4) Ambient sounds establish locations, and sound bridges/motifs condition emotional responses to characters, settings or ideas.
E.T. - opening sequence 2
The opening scene of E.T. establishes the alien's arrival on Earth through careful use of sound design. Diegetic sounds immerse the viewer in the environment, with ambient noises establishing a sense of place. Non-diegetic music and sound effects further enhance key moments, such as using a contrapuntal score during the alien's chase to build tension and drama. Overall, the document discusses how sound design is as important as visuals in crafting the narrative and setting the tone for E.T.'s landing on Earth.
Sound use Ideas
Non-diegetic sounds, such as music, that are added in post-production are important for making horror films scary. The document discusses using non-diegetic sounds in the group's horror film trailer, including a slow build-up of ominous music during establishing shots that gradually speeds up as the butcher appears. During murders there will be no sound to create suspense, but eerie music will play in build-ups. After murders, sad music will play. Fast-paced music will complement scenes of the butcher searching for teens to add tension, and music will go silent as the teen stays quiet to avoid detection before ominous music plays again after being caught.
Sound in TV Drama
Sound plays an important role in television drama by creating moods and signaling events. There are two main types of sound: diegetic sound, which comes from within the world of the story, and non-diegetic sound, which comes from outside the story world, such as music. Both types of sound are used to create realism and manipulate the audience's emotions. Theme tunes are also important as they establish the mood of the show and act as an audible cue that the program is starting.
Sound in Film
This document defines different types of sound used in films and their effects on audiences. It discusses diegetic sound, which is heard by characters in the film, and non-diegetic sound, which is heard only by audiences. Diegetic sounds include ambient noise, dialogue, and music from within the film world, while non-diegetic sounds include soundtrack music, narration, and added sound effects. Parallel and contrapuntal sounds are also discussed, with parallel sounds enhancing atmosphere and contrapuntal sounds having audio that does not match the visuals. Words to describe sounds are provided at the end.
6. production reflection(2)
The document describes the process of creating an animated zombie shooting game. It explains how the creator added separate layers for the zombie and bullet to animate their movement in different directions. Sound effects of gunfire and a splat were added for when the zombie's head is shot off. The music from the Overlord soundtrack was also included. To depict the zombie's head being shot off, a second head layer without a jaw was created. Layers were made for all animated elements. Text with an explosion sound effect was made visible and invisible on alternating slides to end the game.
Evaluation Question 1
Our media product uses and develops several conventions of psychological thriller films. It includes hermeneutic codes and enigmas to pose questions, uses low-key lighting as seen in films like Se7en, includes dramatic disjointed music similar to Se7en, and adds effects like rewinds and distorted shots that aim to confuse the viewer like in Memento. However, it challenges conventions by including a gun not just implying violence, and having an ambiguous setting unlike clear locations in openings we observed.
TV Drama - Sound
The document discusses the different types of sounds used in TV drama, including diegetic sounds that come from within the world of the story and non-diegetic sounds that are added later for mood or emotion. It explains that dialogue, sound effects, and music make up the sound track and help create balance between the realism of the story world and the drama. Proper use of these sounds through techniques like stings, incidental music, and ambient noise can manipulate audiences' emotions and signal upcoming events to enhance dramas.
Sound
The document defines different types of sound that can be used in TV dramas, including diegetic sounds that come from within the scene and non-diegetic sounds that come from outside. It provides examples of different sound effects, music, and dialogue that can be used and how they contribute to the atmosphere, mood, and message of a scene. The purpose of sound in TV dramas is also discussed, such as using music, ambient noise, and dialogue to engage the audience and enhance the narrative.
Sound in tv drama jt
This document provides lesson objectives, key terms, and questions for a lesson on identifying and analyzing sounds in TV drama. The objectives are to identify examples of sounds, learn terminology, and understand how sound is used to represent gender. Key terms are defined and students practice matching terms to definitions. Students then listen to and analyze sequences from TV dramas to identify diegetic and non-diegetic sounds and understand how sound conveys plot and suggests what is happening. They consider how sound represents gender and how music choice varies by drama genre.
Sound handout
Sound is an important but often overlooked element of filmmaking. It needs to be carefully crafted during post-production to fully realize the film. There are two main types of sound: diegetic sounds that exist within the story world, like voices and noises, and non-diegetic sounds added later like music and voiceovers. Both can be used creatively to impact meaning, such as using contrasting music to create irony or associate sounds with characters. Careful use of sound effects and music can influence how audiences perceive characters, narratives, genres, and settings.
Sound within media
Sound plays an important role in films, providing 90% of the audio experience. There are several types of sounds used, including dialogue between characters, ambient natural sounds of the environment, narration, soundtrack music, additional recorded dialogue, and sound effects. Sound establishes mood, enhances realism, and provides crucial context and information to viewers.
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What's hot
Soundintvdrama 100129055219 Phpapp01
Sound plays an important role in television drama by setting moods and signaling events. There are two main types of sound: diegetic sound, which comes from within the world of the story, and non-diegetic sound, which comes from outside the story world, such as music and soundtracks. Both types of sound are used to create realism and manipulate the audience's emotions. Music in particular is used to tell viewers how they should feel during different scenes.
Media language investiation
The document reviews the use of media language techniques in three horror movie trailers. It analyzes the cinematography, editing, sound, and mise-en-scene in each trailer. For cinematography, it notes the frequent use of close-ups to show facial expressions and build tension. The editing is described as generally fast-paced to create suspense. Non-diegetic music and sounds are used to emphasize scary moments. Dark lighting, isolated settings, and other visual elements establish the horror genre conventions.
Production reflection (6)
The document summarizes Abi Long's process for producing an audio project. It describes finding sound effects from YouTube and converting them to mp3 format. It details editing the audio to create a conversation between three voices, adding radio sound effects and background static. Background whispering and echo effects were used for the third voice. Background music was also added. The process of editing images to create a security camera aesthetic is summarized, including adding effects to a door image and including project title text.
Sound Research
This is my research on the various sounds included in teaser trailers, particularly action and crime films.
Understanding the soundtrack - Lights out
The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
Sound ideas
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to create suspense, but eerie music will be played beforehand to signal what is coming. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before slow, eerie music plays again after a teen is caught.
Sound Ideas
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen. The document discusses using different non-diegetic sounds in a horror movie trailer, including slow peaceful music that gradually speeds up when the villain appears, eerie music to build suspense before murders, sad music after murders, fast-paced action music during chase scenes, and silence during tense moments to add more suspense before switching to slow eerie music after a victim is caught. The sounds described are meant to complement and heighten the frightening elements of scenes in the trailer.
Sound Ideas Within The Trailer
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to build suspense, but eerie music will be played leading up to the events. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before reverting to slow, eerie music once a teen is caught.
Sound
Diegetic sound is generated from within the narrative and includes dialogue and sound effects. Non-diegetic sound comes from outside the narrative and includes background music. Sound in TV dramas helps create atmosphere and mood for the audience by guiding their emotional response through music, sound effects, dialogue, and ambient noise. Different sound elements like themes, stings, and soundtrack also signify the genre and emotional emphasis of scenes.
Film Language - sound editing and mixing
This document discusses various techniques for sound mixing and editing in film to create meaning, including sound bridging, foley effects, sonic flashbacks, and manipulating perspective through volume, timbre and pitch. It provides examples from films like The Matrix, Jurassic Park and Sixth Sense to illustrate these concepts. The overall purpose is to understand how sound mixing and editing can construct representation and drive narrative through linking scenes, revealing information and solving plot points.
Film language 2
This document defines and provides examples of key concepts in film sound, including:
1) Diegetic sounds originate from visible or implied sources within the story world, while non-diegetic sounds come from outside the story.
2) Synchronous sounds match visible actions, while asynchronous sounds are indigenous but not precisely synchronized.
3) Parallel sounds fit a scene's genre or mood, whereas contrapuntal sounds create unexpected contrasts.
4) Ambient sounds establish locations, and sound bridges/motifs condition emotional responses to characters, settings or ideas.
E.T. - opening sequence 2
The opening scene of E.T. establishes the alien's arrival on Earth through careful use of sound design. Diegetic sounds immerse the viewer in the environment, with ambient noises establishing a sense of place. Non-diegetic music and sound effects further enhance key moments, such as using a contrapuntal score during the alien's chase to build tension and drama. Overall, the document discusses how sound design is as important as visuals in crafting the narrative and setting the tone for E.T.'s landing on Earth.
Sound use Ideas
Non-diegetic sounds, such as music, that are added in post-production are important for making horror films scary. The document discusses using non-diegetic sounds in the group's horror film trailer, including a slow build-up of ominous music during establishing shots that gradually speeds up as the butcher appears. During murders there will be no sound to create suspense, but eerie music will play in build-ups. After murders, sad music will play. Fast-paced music will complement scenes of the butcher searching for teens to add tension, and music will go silent as the teen stays quiet to avoid detection before ominous music plays again after being caught.
Sound in TV Drama
Sound plays an important role in television drama by creating moods and signaling events. There are two main types of sound: diegetic sound, which comes from within the world of the story, and non-diegetic sound, which comes from outside the story world, such as music. Both types of sound are used to create realism and manipulate the audience's emotions. Theme tunes are also important as they establish the mood of the show and act as an audible cue that the program is starting.
Sound in Film
This document defines different types of sound used in films and their effects on audiences. It discusses diegetic sound, which is heard by characters in the film, and non-diegetic sound, which is heard only by audiences. Diegetic sounds include ambient noise, dialogue, and music from within the film world, while non-diegetic sounds include soundtrack music, narration, and added sound effects. Parallel and contrapuntal sounds are also discussed, with parallel sounds enhancing atmosphere and contrapuntal sounds having audio that does not match the visuals. Words to describe sounds are provided at the end.
6. production reflection(2)
The document describes the process of creating an animated zombie shooting game. It explains how the creator added separate layers for the zombie and bullet to animate their movement in different directions. Sound effects of gunfire and a splat were added for when the zombie's head is shot off. The music from the Overlord soundtrack was also included. To depict the zombie's head being shot off, a second head layer without a jaw was created. Layers were made for all animated elements. Text with an explosion sound effect was made visible and invisible on alternating slides to end the game.
Evaluation Question 1
Our media product uses and develops several conventions of psychological thriller films. It includes hermeneutic codes and enigmas to pose questions, uses low-key lighting as seen in films like Se7en, includes dramatic disjointed music similar to Se7en, and adds effects like rewinds and distorted shots that aim to confuse the viewer like in Memento. However, it challenges conventions by including a gun not just implying violence, and having an ambiguous setting unlike clear locations in openings we observed.
TV Drama - Sound
The document discusses the different types of sounds used in TV drama, including diegetic sounds that come from within the world of the story and non-diegetic sounds that are added later for mood or emotion. It explains that dialogue, sound effects, and music make up the sound track and help create balance between the realism of the story world and the drama. Proper use of these sounds through techniques like stings, incidental music, and ambient noise can manipulate audiences' emotions and signal upcoming events to enhance dramas.
Sound
The document defines different types of sound that can be used in TV dramas, including diegetic sounds that come from within the scene and non-diegetic sounds that come from outside. It provides examples of different sound effects, music, and dialogue that can be used and how they contribute to the atmosphere, mood, and message of a scene. The purpose of sound in TV dramas is also discussed, such as using music, ambient noise, and dialogue to engage the audience and enhance the narrative.
Sound in tv drama jt
This document provides lesson objectives, key terms, and questions for a lesson on identifying and analyzing sounds in TV drama. The objectives are to identify examples of sounds, learn terminology, and understand how sound is used to represent gender. Key terms are defined and students practice matching terms to definitions. Students then listen to and analyze sequences from TV dramas to identify diegetic and non-diegetic sounds and understand how sound conveys plot and suggests what is happening. They consider how sound represents gender and how music choice varies by drama genre.
What's hot (20)
Similar to Sound planning
Sound handout
Sound is an important but often overlooked element of filmmaking. It needs to be carefully crafted during post-production to fully realize the film. There are two main types of sound: diegetic sounds that exist within the story world, like voices and noises, and non-diegetic sounds added later like music and voiceovers. Both can be used creatively to impact meaning, such as using contrasting music to create irony or associate sounds with characters. Careful use of sound effects and music can influence how audiences perceive characters, narratives, genres, and settings.
Sound within media
Sound plays an important role in films, providing 90% of the audio experience. There are several types of sounds used, including dialogue between characters, ambient natural sounds of the environment, narration, soundtrack music, additional recorded dialogue, and sound effects. Sound establishes mood, enhances realism, and provides crucial context and information to viewers.
Sound
Sound plays an important role in films, providing 90% of the audio experience. There are several types of sounds used in movies, including dialogue between characters, ambient natural sounds of the environment, narration, soundtrack music, additional recorded dialogue, and sound effects. Sound establishes mood, enhances realism, and provides crucial context and information to viewers.
Importance Of Sound In Film
Sound is an essential component of film that enhances the viewing experience beyond just the visuals. There are two main types of sound in films - diegetic sounds that come from within the story world and non-diegetic sounds that are added later. Sound serves several purposes such as synchronizing with the visuals to create realism, setting the mood, orienting the viewer to locations, and conveying subjective experiences or emotions. Background noises are particularly important for creating an immersive sense of realism in a scene.
Evaluation question 1
This document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening including: low-key lighting, a costume to convey the protagonist's isolation, non-diegetic sounds and asynchronous sounds from other horror films, a slow-paced editing style with flashbacks, and camera work like blurred shots and canted angles to imply mental instability. The goal was to challenge conventions and codes of the horror genre to create an unsettling sequence that leaves the audience with questions.
Evaluation question 1
The document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening to develop conventions of the horror genre. These include using low-key lighting, asynchronous sounds and a creepy soundtrack to set an ominous tone. Slow-paced editing with blurred shots was employed to build tension and mystery around an unstable female protagonist. Costuming and mise-en-scene clues also subtly conveyed her abandoned mental state within the confines of a hospital setting.
Thriller sound research
Sound is an essential element of thriller teaser trailers. Non-diegetic sound like soundtracks help build tension and suspense without the characters' awareness. Ambient sounds and dialogue also create realism while punctuating sounds and changes in pace further develop suspense. Effective thriller teaser trailers use sound strategically to immerse audiences and hint at the film's mood, themes and narrative without revealing too much.
Sound
The researchers conducted sound research for their film genre and found that sound effects play an important role by suiting each scene. They used gunshot sounds at the beginning to represent a killing, thunder sounds when showing the protagonist sleeping, and suspense music throughout to keep the audience engaged. The sounds were intended to help audiences understand and interact with the story by questioning what happens next.
Sound Resarch
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
Sound research
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
Sound examples
The document discusses different sounds that will be used in a thriller production. It describes tension building bass sounds to create an uneasy atmosphere, ambient sounds like a crackling fire to add realism and verisimilitude, and action build-up music with low tones to generate suspense without fright. Examples are given of how each sound type could be used in specific scenes.
Music
Horror films effectively use sound in three key ways: music, sound effects, and highlighting important moments. Music establishes atmosphere and tension through isolated instruments, suspenseful notes, and changes in pitch. Sound effects like creaking doors and echoed voices are classic horror tropes that signal danger. Directors strategically incorporate sounds to craft an immersive experience for audiences and connect them to characters' emotions.
Music
Horror films effectively use sound in three key ways: music, sound effects, and highlighting important moments. Music establishes atmosphere and tension through isolated instruments, suspenseful notes, and changes in pitch. Sound effects like creaking doors and echoed voices are classic horror tropes that signal danger. Directors strategically incorporate sounds to craft an immersive experience for audiences and strengthen emotional connections between the characters and viewers.
Sound lesson 1
The document discusses the history and development of sound in film from the early silent films to the introduction of synchronized sound in 1927's The Jazz Singer, noting key terms like diegetic and non-diegetic sounds and analyzing how sounds are used in films like The Godfather and Boogie Nights to build tension and reflect a character's emotions.
Sound in media
The document discusses different types of sound used in media, including diegetic sound (sounds from visible sources), non-diegetic sound (sounds from invisible sources), synchronous sound (matched to movements), asynchronous sound (out of sync), sound effects, sound motifs (recurring sounds associated with themes), sound bridges (carry visual transitions), dialogue, voiceovers, direct address (actors addressing audience), sound mixing, scores (orchestral music for scenes), incidental music (ambient sounds enhancing scenes), themes (iconic music representing films), stings (short recurring sounds), and ambient sound (background noise complimenting scenes).
Sound in media
The document discusses different types of sound used in media, including diegetic sound (sounds from visible sources), non-diegetic sound (sounds from invisible sources), synchronous sound (matched to movement), asynchronous sound (out of sync), sound effects, sound motifs (recurring sounds associated with themes), sound bridges (carry visual transitions), dialogue, voiceovers, direct address (actors addressing audience), sound mixing, scores (orchestral music for scenes), incidental music (ambient sounds enhancing scenes), themes (iconic music representing films), stings (short recurring sounds), and ambient sound (background noise complimenting scenes).
Sound in media
The document discusses different types of sound used in media, including diegetic sound (sounds from visible sources), non-diegetic sound (sounds from invisible sources), synchronous sound (matched to movement), asynchronous sound (out of sync), sound effects, sound motifs (recurring sounds associated with themes), sound bridges (carry visual transitions), dialogue, voiceovers, direct address (actors addressing audience), sound mixing, scores (orchestral music for scenes), incidental music (ambient sounds enhancing scenes), themes (iconic music representing films), stings (short recurring sounds), and ambient sound (background noise complimenting scenes).
Sound research
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound, which builds tension, and diminuendo sound, which indicates a passed threat. Forzando sound emphasizes shock through loud noises. The document stresses the significance of sound in manipulating moods and emphasizing concepts or scenes, and lists some sounds that could be used in an opening sequence, like music to reflect on actions or a heartbeat to build anxiety.
Sound
The document discusses the importance of sound in film. It states that a film's sound track is as complicated as the images on screen. A film's overall sound track is comprised of three essential elements: human voice, sound effects, and music. These three elements must be mixed and balanced properly to create the intended emotional effects.
My Evaluation
The student worked in a group of three to create a thriller film opening called "Banshee". The student took responsibility for the storyline, production company identity, and audience feedback aspects. They researched existing horror films to inform the project, focusing on "Blair Witch Project", "Grave Encounters", and "28 Weeks Later". The opening features a false alarm to create unease in the audience. Feedback on the finished opening was generally positive.
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Sound planning
- 1. By Zoe Utting and Thomas Middleton
- 3. We also created a list of all of the non-diagetic sounds that we would need to add effect to our overall opening of our horror film. These consisted of: - Production company sound - Theme tune - Eerie music throughout - Heartbeat - Stepping into a park
- 4. We will be using some of our own recordings and also free sound effects from various software websites such as www.freesound.org, to create both the Diagetic and Non-Diagetic sounds. For example, we will record Anna saying ‘We All Fall Down’ as this would be a difficult sound to acquire this from a free sound website. By doing this we can ensure that we can use the correct sounds for our horror opening.
- 5. The use of all sounds in horror films and especially our opening clip allows the audience to feel drawn into the action and adds suspense and tension throughout. On the other hand silence can also be very effective due to its eerie atmosphere. Furthermore, sound contributes to the mise en scene therefore without it, it would not reflect the true atmosphere.
- 6. Within every horror film there are both Diagetic and Non-Diagetic sounds used, it is always in place to add effect to the overall piece. For example in the film 'The Ring' a lot of the sound used is Non-Diagetic which helps to create a strange exterior for the audience. Whereas in 'Paranormal Activity' there is mostly Diagetic sound used which allows the audience to be part of the scene, feeling everything the characters feel. If you look at a film like 'Sorority Row' which uses both types of sound, it is difficult to distinguish which is which due to the reality of the plot and the way the characters react.