Heros/Villains

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The document outlines Joseph Campbell's theory of the monomyth, also known as the hero's journey. It describes 8 stages of the typical hero's journey: 1) the call to adventure, 2) crossing the first threshold, 3) challenges, 4) meeting with the goddess in the abyss, 5) atonement with the father, 6) apotheosis, 7) the ultimate boon, and 8) return with the elixir. The hero's journey pattern is reflected in stories, movies, and individuals' real-life experiences as they face challenges and undergo personal growth.

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The Hero’s Journey Based on writings and research by Joseph Campbell

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The Hero: Symbolic Vitality Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine as children do. It's not just in some of us; it is in everyone. And as we let our own lights shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others. (Coach Carter) The Adventure A Hero ventures forth from the world of the common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from the mysterious adventure with the power to bestow boons on his fellow man (J. Campbell, H1K, 30) Separation: In the call and separation, the hero’s activity must be directed toward some goal outside him/herself to lead to his/her authentic wholeness. The Call: “The journey always begins here. The call is to leave a certain social situation, move into your loneliness and find the jewel, the center that’s impossible to find when you are socially engaged” (J. Campbell) We are off center in the social. We define ourselves through external criteria, expectations, contexts. Initiation: The Battles. The passage over and through these thresholds is a kind of self-annihilation, either inward or outward, a contest between contradictory forces within the self which the hero must face before he can perform his life renewing act. The Temptations at the Threshold JesusEconomic: power over othersPolitical: power over othersSpiritual (when ideology becomes dogma): power over God. BuddhaLust (desire): personalFear: personalSocial Duty (do what you are told): social In these struggles, the hero comes to wholeness and a new relationship to the world and is made suitable for his role within the culture. These struggles/trials/temptations are where to gain yourself, you must lose the self you have come to cling to as “yourself.” This is the giving up of what you planned for yourself in order to embrace what has been waiting for you. “Psychologically, it’s a shift into the unconsciousness, otherwise, it’s a move into the filed of action of which you know nothing.” (J. Campbell) The result of these trials may be favorable or unfavorable. It depends on your reasons/your purpose. The Return: “The Hero has died a modern man; but as eternal man—perfected, unspecific, universal man—he has been reborn. His second solemn task and deed therefore is to return to us, transfigured, and teach the lessons he has learned of life renewed.” (J. Campbell, H1K, 20) The hero winds up where he/she began, but is transfigured and posses boons to bestow upon his fellowman. In Sum: “Where we had thought to slay another, we .

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Heros/Villains

1. The Hero’s Journey Based on writings and research by Joseph Campbell

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15. The Tale of Man - Thomas Cole

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18. The Tale of Man

Editor's Notes

Childhood - Emerging from the dark cave, the child is bright, full of light (innocence, purity) and the surroundings are full of blossoming flowers, lighted skies. The angel leads the way on the river of life.
Youth - The voyager is confident in continuing his voyage toward the bright castle in the distance (symbolic of the daydreams of youth). Still the image has bright colors, man is wearing red, showing his passion for his journey and the angel still leads the way. There is no more blossoming flowers but the foliage is still abundant and green.
Manhood - Trouble awaits the traveler in the form of turbulent waters. The lighting changes and In the background there is light but not in the present moment. The trees are no longer green and full of leaves and the rocky terrain is menacing and foreboding. The man is praying, suggesting by Cole that only prayer can save the voyager. The angel is the top corner can be interpreted in two ways - a calm, helping presence or nature’s fury.
Old Age - with old age comes the light of heaven. The voyager leaves behind the dark clouds of manhood and moves toward the lights of heaven, now with divine intervention. The helm of the boat is gone symbolizing the past, and how it can no longer be re-lived. The voyager is seated, acquiescing to his age and accepting his fate. The ocean beyond the mist is the end of life (Now Voyager).

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