Interpretation is revealing meanings and relationships through educational activities and using original objects and media. It is a valuable management tool at heritage sites to manage crowds, conserve the past, and educate the public. Interpretation includes all ways of presenting the cultural significance of a place, including activities at the place and educational materials. Effective interpretation provokes attention, offers paths to deeper meaning, and turns phenomena into experiences. The ICOMOS Charter introduces seven recommendations for effective heritage interpretation, including inclusiveness, research/evaluation, and sustainability. Interpretation enhances understanding and enjoyment of heritage sites by appealing to different audiences and learning styles. It shows visitors the value of the site and can inspire visitors. Without interpretation, a historic site is just an old
Auroville, City of dawn is located in state of Tamil Nadu, India, near Pondicherry in South India. .Auroville was founded as a project on experimental basis of the ‘Sri Arbindo Society’ on Wednesday 28 February 1968. The basic idea originated from Mirra Alfassa ‘The Mother ‘who was spiritually related to India.
Ma envisaged Auroville as an international township for 50,000 residents on the shape of a flower. Architect Roger Anger refined the planning and designed it in shape of Universe.He placed Matrimandir at the center of this city.
Mary Alfassa in her first message regarding the town stated that, "Auroville is meant to be a universal town where men and women of al countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities”
.
HERITAGE- It is not only about built heritage but includes certain distinctive open areas, neighborhoods, and environs
which are of historical, aesthetic,
cultural or sociological interest and
value which we would like to preserve
for the posterity as they enrich our
history and traditions.Heritage characteristics to be
preserved or conserved are
identified as elevational features,
floor heights, cornices, special
carvings designs, motifs,
architectural style, roof-scape
etc.
Conserving and preserving the
Heritage of our historical possession
in its pristine and original form, so
that it continues to portray its original
beauty, distinctive character, unique
style or use or association with a
distinctive historical personality or
event
Auroville, City of dawn is located in state of Tamil Nadu, India, near Pondicherry in South India. .Auroville was founded as a project on experimental basis of the ‘Sri Arbindo Society’ on Wednesday 28 February 1968. The basic idea originated from Mirra Alfassa ‘The Mother ‘who was spiritually related to India.
Ma envisaged Auroville as an international township for 50,000 residents on the shape of a flower. Architect Roger Anger refined the planning and designed it in shape of Universe.He placed Matrimandir at the center of this city.
Mary Alfassa in her first message regarding the town stated that, "Auroville is meant to be a universal town where men and women of al countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities”
.
HERITAGE- It is not only about built heritage but includes certain distinctive open areas, neighborhoods, and environs
which are of historical, aesthetic,
cultural or sociological interest and
value which we would like to preserve
for the posterity as they enrich our
history and traditions.Heritage characteristics to be
preserved or conserved are
identified as elevational features,
floor heights, cornices, special
carvings designs, motifs,
architectural style, roof-scape
etc.
Conserving and preserving the
Heritage of our historical possession
in its pristine and original form, so
that it continues to portray its original
beauty, distinctive character, unique
style or use or association with a
distinctive historical personality or
event
A design museum is a museum with a focus on product, industrial, graphic, fashion and architectural design. Many design museums were founded as museums for applied arts or decorative arts and started only in the late 20th century to collect design.
The first museum of this kind was the Victoria and Albert Museum in London. In Germany the first museum of decorative arts was the Deutsches-Gewerbe-Museum zu Berlin (now Kunstgewerbemuseum), founded in 1868 in Berlin.[1]
Also some museums of contemporary or modern art have important design collections, like the MoMA in New York, the Centre Pompidou in Paris. A special concept has been realised in the Pinakothek der Moderne in Munich, in which four independent museums cooperate, one of them being Die Neue Sammlung – the largest design museum in the world.
Today corporate museums like the Vitra Design Museum, Museo Alessi or Museo Kartell play an important role.
12.11.2.22 -sensory experience in architecture-dissertation.pptxSHALININIVETHAD
THIS PPT IS ABOUT THE SENSORY EXPERIENCE FROM MUNDAE ENVIRONMENT TO THE HEALING SPACE ( SELECTED ONLY RELIGIOUS SPACES AS THEY HAVE ALL THE PARAMATERES WHICH IS LISTED BY THE ROGER ULRICH
THE PARAMETERES DIFFERS ACCORDING WITH THE TRANSITION SPACE
THE HEALING OF SPACES IS STRONGER ALONG WITH THE EVERY SINGLE TRANSITION IN SPACE
It is a term used to categorise methods of
construction which use locally available
resources and traditions to address local
needs.
Vernacular architecture tends to evolve over
time to reflect the environmental, cultural
and historical context in which it exists.
It has often been dismissed as crude and
unrefined, but also has proponents who
highlight its importance in current design.
Architecture is the art of spaces. The human feelings were influenced by architectural
space from time to time. Relating to the design of a history museum, it could evoke a
certain feeling or memory of a historical event. This dissertation focuses on the
influence of architectural space over period of times.
A theoretical as well as practical key issue in the design of museum and galleries is how
the layout of space interacts with displays to create a specific effect, express the intended
message to visitors. This dissertation aims to capture and represent the history of
mankind’s understanding of space in the design of an architectural building.
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
Architectural conservation_laws and practices_authenticityJoarder Hafiz Ullah
“Antiquity”
BNBC:
Definitions of Conservation
General Guidelines for Heritage Buildings and Sites
Promote cultural continuity
Integrate development with conservation
Outstanding Universal Value
Authenticity
Aspects of Authenticity
Study on Tourism and Intangible Cultural Heritage Summary Dr Lendy Spires
Why Tourism & Intangible Cultural Heritage? UNWTO Study on Tourism and Intangible Cultural Heritage Intangible Cultural Heritage is embodied in those practices, expressions, knowledge, and skills, as well as in associated objects and cultural spaces, that communities and individuals recognize as part of their cultural heritage. Transmitted through generations and constantly recreated, it provides humanity with a sense of identity and continuity.* This global wealth of traditions has become one of the principal motivations for travel, with tourists seeking to engage with new cultures and experience the global variety of performing arts, handicrafts, rituals, cuisines, and interpretations of nature and the universe.
As celebrated on World Tourism Day 2011, ‘Tourism – Linking Cultures’, the cultural interaction spurred by such encounters prompts dialogue, builds understanding, and, in turn, fosters tolerance and peace. One of the challenges currently facing the tourism sector is to contribute to the identification, protection and safeguarding of intangible cultural heritage through tourism development. Fostering the responsible use of this living heritage for tourism purposes can provide new employment opportunities, help alleviate poverty, curb rural flight migration among the young and marginally-employed, and nurture a sense of pride among communities.
Tourism also offers a powerful incentive for preserving and enhancing intangible cultural heritage, as the revenue it generates can be channelled back into initiatives to aid its long-term survival. Intangible cultural heritage must be thoughtfully managed if it is to survive in an increasingly globalised world. True partnerships between communities and the tourism and heritage sectors can only occur if all sides develop a genuine appreciation for each other’s aspirations and values.
A design museum is a museum with a focus on product, industrial, graphic, fashion and architectural design. Many design museums were founded as museums for applied arts or decorative arts and started only in the late 20th century to collect design.
The first museum of this kind was the Victoria and Albert Museum in London. In Germany the first museum of decorative arts was the Deutsches-Gewerbe-Museum zu Berlin (now Kunstgewerbemuseum), founded in 1868 in Berlin.[1]
Also some museums of contemporary or modern art have important design collections, like the MoMA in New York, the Centre Pompidou in Paris. A special concept has been realised in the Pinakothek der Moderne in Munich, in which four independent museums cooperate, one of them being Die Neue Sammlung – the largest design museum in the world.
Today corporate museums like the Vitra Design Museum, Museo Alessi or Museo Kartell play an important role.
12.11.2.22 -sensory experience in architecture-dissertation.pptxSHALININIVETHAD
THIS PPT IS ABOUT THE SENSORY EXPERIENCE FROM MUNDAE ENVIRONMENT TO THE HEALING SPACE ( SELECTED ONLY RELIGIOUS SPACES AS THEY HAVE ALL THE PARAMATERES WHICH IS LISTED BY THE ROGER ULRICH
THE PARAMETERES DIFFERS ACCORDING WITH THE TRANSITION SPACE
THE HEALING OF SPACES IS STRONGER ALONG WITH THE EVERY SINGLE TRANSITION IN SPACE
It is a term used to categorise methods of
construction which use locally available
resources and traditions to address local
needs.
Vernacular architecture tends to evolve over
time to reflect the environmental, cultural
and historical context in which it exists.
It has often been dismissed as crude and
unrefined, but also has proponents who
highlight its importance in current design.
Architecture is the art of spaces. The human feelings were influenced by architectural
space from time to time. Relating to the design of a history museum, it could evoke a
certain feeling or memory of a historical event. This dissertation focuses on the
influence of architectural space over period of times.
A theoretical as well as practical key issue in the design of museum and galleries is how
the layout of space interacts with displays to create a specific effect, express the intended
message to visitors. This dissertation aims to capture and represent the history of
mankind’s understanding of space in the design of an architectural building.
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
Architectural conservation_laws and practices_authenticityJoarder Hafiz Ullah
“Antiquity”
BNBC:
Definitions of Conservation
General Guidelines for Heritage Buildings and Sites
Promote cultural continuity
Integrate development with conservation
Outstanding Universal Value
Authenticity
Aspects of Authenticity
Study on Tourism and Intangible Cultural Heritage Summary Dr Lendy Spires
Why Tourism & Intangible Cultural Heritage? UNWTO Study on Tourism and Intangible Cultural Heritage Intangible Cultural Heritage is embodied in those practices, expressions, knowledge, and skills, as well as in associated objects and cultural spaces, that communities and individuals recognize as part of their cultural heritage. Transmitted through generations and constantly recreated, it provides humanity with a sense of identity and continuity.* This global wealth of traditions has become one of the principal motivations for travel, with tourists seeking to engage with new cultures and experience the global variety of performing arts, handicrafts, rituals, cuisines, and interpretations of nature and the universe.
As celebrated on World Tourism Day 2011, ‘Tourism – Linking Cultures’, the cultural interaction spurred by such encounters prompts dialogue, builds understanding, and, in turn, fosters tolerance and peace. One of the challenges currently facing the tourism sector is to contribute to the identification, protection and safeguarding of intangible cultural heritage through tourism development. Fostering the responsible use of this living heritage for tourism purposes can provide new employment opportunities, help alleviate poverty, curb rural flight migration among the young and marginally-employed, and nurture a sense of pride among communities.
Tourism also offers a powerful incentive for preserving and enhancing intangible cultural heritage, as the revenue it generates can be channelled back into initiatives to aid its long-term survival. Intangible cultural heritage must be thoughtfully managed if it is to survive in an increasingly globalised world. True partnerships between communities and the tourism and heritage sectors can only occur if all sides develop a genuine appreciation for each other’s aspirations and values.
Dossier on Creative Tourism.
Blowing glass in Biot (French Riviera), dancing Rumba in Barcelona, baking “croissant” in Paris, performing a concert in a church in Rome, participating in a cooking class in Galicia or in Bangkok, weaving according to Mayan Tradition or finally producing chill out music in Ibiza, they are only some of the many unique experiences promoted by Creative Tourism Network® - International Network for the Promotion of Creative Tourism, whose details are provided in this dossier.
Translated by Maria Giulia Causa
Conscious Travel - not more but better SummaryAnna Pollock
Conscious Travel is presented as an alternative model to industrial, mass tourism that deploys a community-based, collaborative action learning program to transform tourism hosts into active change agents. Objective: higher net benefit for all stakeholders engaged in tourism and hospitality.
We are delighted to share with you the exciting news about our latest initiative at Storydoers. We have recently run a comprehensive training combo aimed at promoting the digitisation of SMEs in the rural tourism sector as part of the Erasmus+ Programme.
The training combo comprises a series of engaging and informative sessions designed to improve the digital skills and capabilities of entrepreneurs in the local tourism sector. Our aim is to equip these businesses with the tools and knowledge they need to thrive in the digital age.
STORYDOERS. DIGITAL STORYDOING FOR LOCAL TOURISM is an initiative to foster responsible tourism skills and digitalisation of people in rural areas of Europe.
STORYDOERS is a project co-funded by the Erasmus + programme of the European Commission.
The consortium consists of:
Ecosystem Europe
Diesis Network
Bulgarian Chamber of Commerce and Industry
AITR-Turismo Responsabile
Walora
Wazo Coop
Similar to Heritage Interpertation case study (20)
Seminar of U.V. Spectroscopy by SAMIR PANDASAMIR PANDA
Spectroscopy is a branch of science dealing the study of interaction of electromagnetic radiation with matter.
Ultraviolet-visible spectroscopy refers to absorption spectroscopy or reflect spectroscopy in the UV-VIS spectral region.
Ultraviolet-visible spectroscopy is an analytical method that can measure the amount of light received by the analyte.
(May 29th, 2024) Advancements in Intravital Microscopy- Insights for Preclini...Scintica Instrumentation
Intravital microscopy (IVM) is a powerful tool utilized to study cellular behavior over time and space in vivo. Much of our understanding of cell biology has been accomplished using various in vitro and ex vivo methods; however, these studies do not necessarily reflect the natural dynamics of biological processes. Unlike traditional cell culture or fixed tissue imaging, IVM allows for the ultra-fast high-resolution imaging of cellular processes over time and space and were studied in its natural environment. Real-time visualization of biological processes in the context of an intact organism helps maintain physiological relevance and provide insights into the progression of disease, response to treatments or developmental processes.
In this webinar we give an overview of advanced applications of the IVM system in preclinical research. IVIM technology is a provider of all-in-one intravital microscopy systems and solutions optimized for in vivo imaging of live animal models at sub-micron resolution. The system’s unique features and user-friendly software enables researchers to probe fast dynamic biological processes such as immune cell tracking, cell-cell interaction as well as vascularization and tumor metastasis with exceptional detail. This webinar will also give an overview of IVM being utilized in drug development, offering a view into the intricate interaction between drugs/nanoparticles and tissues in vivo and allows for the evaluation of therapeutic intervention in a variety of tissues and organs. This interdisciplinary collaboration continues to drive the advancements of novel therapeutic strategies.
Richard's entangled aventures in wonderlandRichard Gill
Since the loophole-free Bell experiments of 2020 and the Nobel prizes in physics of 2022, critics of Bell's work have retreated to the fortress of super-determinism. Now, super-determinism is a derogatory word - it just means "determinism". Palmer, Hance and Hossenfelder argue that quantum mechanics and determinism are not incompatible, using a sophisticated mathematical construction based on a subtle thinning of allowed states and measurements in quantum mechanics, such that what is left appears to make Bell's argument fail, without altering the empirical predictions of quantum mechanics. I think however that it is a smoke screen, and the slogan "lost in math" comes to my mind. I will discuss some other recent disproofs of Bell's theorem using the language of causality based on causal graphs. Causal thinking is also central to law and justice. I will mention surprising connections to my work on serial killer nurse cases, in particular the Dutch case of Lucia de Berk and the current UK case of Lucy Letby.
Nutraceutical market, scope and growth: Herbal drug technologyLokesh Patil
As consumer awareness of health and wellness rises, the nutraceutical market—which includes goods like functional meals, drinks, and dietary supplements that provide health advantages beyond basic nutrition—is growing significantly. As healthcare expenses rise, the population ages, and people want natural and preventative health solutions more and more, this industry is increasing quickly. Further driving market expansion are product formulation innovations and the use of cutting-edge technology for customized nutrition. With its worldwide reach, the nutraceutical industry is expected to keep growing and provide significant chances for research and investment in a number of categories, including vitamins, minerals, probiotics, and herbal supplements.
Multi-source connectivity as the driver of solar wind variability in the heli...Sérgio Sacani
The ambient solar wind that flls the heliosphere originates from multiple
sources in the solar corona and is highly structured. It is often described
as high-speed, relatively homogeneous, plasma streams from coronal
holes and slow-speed, highly variable, streams whose source regions are
under debate. A key goal of ESA/NASA’s Solar Orbiter mission is to identify
solar wind sources and understand what drives the complexity seen in the
heliosphere. By combining magnetic feld modelling and spectroscopic
techniques with high-resolution observations and measurements, we show
that the solar wind variability detected in situ by Solar Orbiter in March
2022 is driven by spatio-temporal changes in the magnetic connectivity to
multiple sources in the solar atmosphere. The magnetic feld footpoints
connected to the spacecraft moved from the boundaries of a coronal hole
to one active region (12961) and then across to another region (12957). This
is refected in the in situ measurements, which show the transition from fast
to highly Alfvénic then to slow solar wind that is disrupted by the arrival of
a coronal mass ejection. Our results describe solar wind variability at 0.5 au
but are applicable to near-Earth observatories.
This pdf is about the Schizophrenia.
For more details visit on YouTube; @SELF-EXPLANATORY;
https://www.youtube.com/channel/UCAiarMZDNhe1A3Rnpr_WkzA/videos
Thanks...!
Introduction:
RNA interference (RNAi) or Post-Transcriptional Gene Silencing (PTGS) is an important biological process for modulating eukaryotic gene expression.
It is highly conserved process of posttranscriptional gene silencing by which double stranded RNA (dsRNA) causes sequence-specific degradation of mRNA sequences.
dsRNA-induced gene silencing (RNAi) is reported in a wide range of eukaryotes ranging from worms, insects, mammals and plants.
This process mediates resistance to both endogenous parasitic and exogenous pathogenic nucleic acids, and regulates the expression of protein-coding genes.
What are small ncRNAs?
micro RNA (miRNA)
short interfering RNA (siRNA)
Properties of small non-coding RNA:
Involved in silencing mRNA transcripts.
Called “small” because they are usually only about 21-24 nucleotides long.
Synthesized by first cutting up longer precursor sequences (like the 61nt one that Lee discovered).
Silence an mRNA by base pairing with some sequence on the mRNA.
Discovery of siRNA?
The first small RNA:
In 1993 Rosalind Lee (Victor Ambros lab) was studying a non- coding gene in C. elegans, lin-4, that was involved in silencing of another gene, lin-14, at the appropriate time in the
development of the worm C. elegans.
Two small transcripts of lin-4 (22nt and 61nt) were found to be complementary to a sequence in the 3' UTR of lin-14.
Because lin-4 encoded no protein, she deduced that it must be these transcripts that are causing the silencing by RNA-RNA interactions.
Types of RNAi ( non coding RNA)
MiRNA
Length (23-25 nt)
Trans acting
Binds with target MRNA in mismatch
Translation inhibition
Si RNA
Length 21 nt.
Cis acting
Bind with target Mrna in perfect complementary sequence
Piwi-RNA
Length ; 25 to 36 nt.
Expressed in Germ Cells
Regulates trnasposomes activity
MECHANISM OF RNAI:
First the double-stranded RNA teams up with a protein complex named Dicer, which cuts the long RNA into short pieces.
Then another protein complex called RISC (RNA-induced silencing complex) discards one of the two RNA strands.
The RISC-docked, single-stranded RNA then pairs with the homologous mRNA and destroys it.
THE RISC COMPLEX:
RISC is large(>500kD) RNA multi- protein Binding complex which triggers MRNA degradation in response to MRNA
Unwinding of double stranded Si RNA by ATP independent Helicase
Active component of RISC is Ago proteins( ENDONUCLEASE) which cleave target MRNA.
DICER: endonuclease (RNase Family III)
Argonaute: Central Component of the RNA-Induced Silencing Complex (RISC)
One strand of the dsRNA produced by Dicer is retained in the RISC complex in association with Argonaute
ARGONAUTE PROTEIN :
1.PAZ(PIWI/Argonaute/ Zwille)- Recognition of target MRNA
2.PIWI (p-element induced wimpy Testis)- breaks Phosphodiester bond of mRNA.)RNAse H activity.
MiRNA:
The Double-stranded RNAs are naturally produced in eukaryotic cells during development, and they have a key role in regulating gene expression .
3. Many people have heard the word Interpretation
Tilden describes ‘Interpretation’ as revealing meanings
and relationships through an educational activity and by
using original objects and illustrative media.
Interpretation is a valuable management tool at heritage sites; it can
manage crowds, conserve the past and educate the public
Timothy, Dallen
Ahmed Shaikhon 2019
4. William T Alderson and Shirley Payne Low defined(1970)
“ interpretation is not only an activity but also a program. While the program establishes
certain objectives for increasing understanding of visitors, the activity is about the skills and
techniques that help create that understanding”
‘Interpretation’ is also defined in the Burra Charter as:
“all the ways of presenting the cultural significance of a place.” the use of activities at the
place; and the use of educational illustrative material. In other words, interpretation is
about the treatment of the fabric of a place and about communicating its significance.
interpretation means “the full range of potential activities intended to heighten public awareness and enhance
understanding of cultural heritage sites”
Ahmed Shaikhon 2019
7. 1. Communication and Access
explains desired visitor experiences and issues regarding accessibility of the sites.
3. Context and Setting
the area around a place, which may include the visual catchment, This principle also indicates
that as social, cultural, historical and natural contexts and settings are different in each place,
there can not be a standardized approach to interpretation.
2. Information Sources
all material, written, oral and figurative sources which make it possible to know the nature,
specifications, meaning and history of the cultural heritage.”
4. Authenticity
interpretation and presentation must protect the authenticity of a cultural heritage site through
respect for traditional social functions, cultural values, original fabric, natural and cultural
setting, and character of the site.
5. Sustainability
interpretive plan for a cultural heritage site must be sensitive to its natural and cultural
environment, with social, financial and environmental sustainability among its central goals.” In
order to ensure sustainability
ICOMOS Charter for the Interpretation and Presentation of Cultural Heritage Sites
introduces seven Recommendations for effective Heritage interpretation
Ahmed Shaikhon 2019
8. 6. Inclusiveness
Interpretation and presentation of cultural heritage sites must be the result of meaningful
collaboration between heritage professionals, associated communities, and other
stakeholders”
7. Research, Evaluation and Training
continuing research, training, and evaluation are essential components of the interpretation
of a cultural heritage site.
Ahmed Shaikhon 2019
9. In Athens commuters encounter archaeology as part of their daily routine.
Underground metro station, Athens, Greece
Ahmed Shaikhon 2019
10. Seating with maps, London, UK
This photo is from the men’s section of a clothes shop. It shows the possibility of putting
interesting historical images on seemingly mundane objects.
Ahmed Shaikhon 2019
11. Outdoor exhibitions, Paris, France
Both exterior exhibitions were located in places of high footfall. They brought a niche interest
(graphic design) to as broad an audience as possible. The exhibitions are great examples of
engaging people who may not otherwise be interested in a subject matter.
Ahmed Shaikhon 2019
12. Romanesque Church, Madrid, Spain
The archaeological remains of a Romanesque church are exposed and preserved under protective
glass. The statue of the man encourages people to come over. A small model provides
interpretation.
Ahmed Shaikhon 2019
13. effective interpretation:
effective interpretation can be possible by achieving public appreciation of cultural
heritage (changing behavior of visitors) while making cultural heritage sites places of
learning heritage values and meanings, and resources for dialogue, and sustainable
community development. Even though, distinctions are made between heritage
interpretation and heritage management, interpretation should be seen as an
integral part of heritage management to achieve its goals.
Understanding the Audience: interpreters must have to be effective in their presentations is
an understanding of how visitors learn and remember information in a recreational learning
environment.
interpretive content is based on appropriate research.- conducting primary research
do so according to scholarly standards. - uses techniques, technologies and methods
appropriate to its educational goals, content, audiences and resources.- presents
accurate and appropriate content for each of its audiences.- demonstrates consistent
high quality in its interpretive activities.- assesses the effectiveness of its interpretive
activities and uses those results to plan and improve its activities.
Ahmed Shaikhon 2019
19. The significance of some heritage items is easy to understand; but the values of
others are not obvious and require interpretation. Many items have values that
warrant interpretation.
Interpretation enhances understanding and enjoyment of heritage items by
appealing to different audiences, different levels of experience and knowledge
and different learning styles.
In some cases where a heritage site is big enough or well known enough, it
might not require as much interpretive effort to attract visitors – people will
want to see it or experience it because of other benefits the site provides.
Interpretation is a "value added" benefit to the total site visit. But for most
moderate to small heritage sites, providing outstanding interpretive programs
and services, and having a good interpretive plan will be required for their
long-term tourism success.
Ahmed Shaikhon 2019
20. interpretation in the 1970s by and large meant leaflets and exhibition
panels.” Since the early 1990s, new technologies have been started to be
utilized for interpreting heritage sites. Virtual reality and interactive
multimedia applications have been instrumental in effectively
communicating the meanings and significance of the sites to the general
public as well as to the professionals.
Ahmed Shaikhon 2019
22. - Professional interpreters use their understanding of interpretive techniques to
develop the interpretive program, service or media to:
- Provoke the attention of the visitor.
- Relate to the every day lives of visitors.
- Reveal the essence of the message in a unique or interesting manner.
- Develop objective and outcome based media, program or services plans.
- Target messages to specific market groups interests, backgrounds and feelings.
- Have in-depth understandings of their audiences.
- Can make the presentations fun, inspirational, memorable and powerful.
- Plan for the total visitor experience.
- Plan for low cost per contact while getting high cost effectiveness from the
communication (media, programs or services).
Ahmed Shaikhon 2019
23. Interpretation is the most powerful communication process any historic or heritage site
has available to communicate its message(s) to visitors!
This may sound like a strong statement, but it’s true. This is because of where
interpretive communications strategies have come from: marketing, advertising,
psychology of the audience, recreational learning theory, consumer behavior and other
related professions and disciplines.
Every time you see an advertisement on television or see one in a magazine, you are
seeing the principles of interpretive communication at work. Here are just a few of the
elements interpretation and professional interpreters bring to heritage sites: Knowledge
and expertise
Ahmed Shaikhon 2019
24. Interpretation shows the visitors why the heritage site has value – to them (the visitor), to the community, and perhaps
regionally or nationally.
Interpretation can inspire visitors and create a sense of individual and community pride.
It is the interpretation (programs, living history, guided tours, exhibits, etc.) that visitors come to the heritage site for – the
story and site experience.
Without interpretation a historic site is, in the eyes of the visitor, just another OLD site.
Interpretation gets visitors to CARE about heritage (theirs or other cultures).
Interpretive services are the reasons visitors come back to heritage sites.
Interpretive programs and services can increase visitation by increasing the perception of BENEFITS tourists receive by going
to a particular heritage site.
Interpretive programs and services can produce reductions in site maintenance, and related management issues when used as
a management tool.
Interpretive programs and services can make money!
Interpretive programs and services provide added value to any heritage tourism experience, and heritage site marketing
efforts.
You cannot have heritage tourism without interpretation.
Heritage tourism is dependent upon the story of the site and the willingness of visitors to want to travel to see, learn about
and experience the site.
Interpretation brings in more visitors, more repeat visitors and more income.
Interpretation helps visitors create their own unique choice of ways to experience and learn about a site and its story (mass
customization and markets of one).
Ahmed Shaikhon 2019
25. few indicators that heritage sites are in need of interpretive programs or services (new or improved):
- Visitation numbers have not significantly increased over the past 2-3 years (and you can’t always blame it on the weather).
- Visitation numbers have flat lined (no growth).
- Visitation numbers are far below expected numbers in relationship to site location (population bases), and visitation numbers to
other similar heritage sites.
- Visitation numbers are decreasing (over one or more years), On a holidays afternoon in the summer your site looks "empty".
- Site visitor management problems are increasing or remain unresolved (littering, etc.).
- You have very poor community support (image, etc.).
- You are experiencing a reduction in grant aid support from past years.
- Visitors do not leave your heritage site truly understanding the story of the site, or the value in preservation of historic sites and
landscapes.
- Memberships to your organization are flat or declining.
- Your agency has poor name (and mission) recognition.
- Your heritage site lacks sparkle, excitement, fun, experiences, and BENEFITS to visitors.
- Your marketing brochures have pictures of landscapes, furniture or buildings, but no people in the pictures.
- You have to reduce hours of operation due to poor visitation.
- It is difficult to keep guides or volunteers.
- Staff begin to move on to other sites.
Ahmed Shaikhon 2019
26. 1- Develop your inventory Gather your information. Why is the place important? What is significant about it? What are
the interesting stories? What are the unique selling points? Who visits the place?
2- Develop you goals “ Goals should describe a kind of benefit or improved condition. Typical goals are: enhancing visitor
experience, promoting public support and protecting resources.
3- Identify your audience Are your visitors made up of locals, tourists, families, or possibly a combination? Audiences
differ in what they expect from an experience. For example, do locals visit the site for different reasons than interstate or
international tourists?
4- Determine outcomes for goals What do you want to achieve? For example, the goal of enhancing experiences at a
museum might be to provoke visitors to think about the period or subject matter, and the goal for promoting public
support might be that visitors recommend the museum to others.
5- Develop themes A theme is a whole idea that is usually expressed in one sentence. It is the way you express the
essence of the message you want to impart to visitors. One way to develop a theme is to complete the following
statement: "When it comes to [site], and in order for this audience to reach our outcome, it is really, really, REALLY
important for them to understand that...“
6- Choose your medium What is the most appropriate way to reach your audience? It could be a brochure, an
interpretative panel, guided tours, or self-guided audio tours. Some options include: panels; guided tours; self-guided
audio tours; apps; displays; brochures.
7- Develop your action plan This plan will list who is doing what, your timelines, what your budget is, what resources
you may already have available, and any other resource implications.
8- Evaluate This allows you to see whether your interpretation is working.
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27. Brenda Chafin: Best Practices in Educational Interpreting,2006, p.166
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28. References
Lewis, William 1980. Interpreting For Park Visitors. Eastern Acorn Press.
Tilden, Freeman. 1957. Interpreting Our Heritage, The University of North Carolina Press, Chapel Hill.
Veverka, John A. 1994. Interpretive Master Planning. Falcon Press, Helena, MT.
Timothy, Dallen J. 2011. Cultural Heritage and Tourism. Bristol: Channel View Publications.
NSW Heritage Office. 2005. Interpreting Heritage Places and Items Guidelines
Mohamed Badry, Sahar Fawzy.2015 A Case study of Elephantine Island , Aswan : Heritage
Interpretation and Architecture Conservation
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