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GOBHAI
MOUNTAIN
LODGE
PRESENTED BY
UMA MULLAPUDI
NARI GANDHI
❖NARI GANDHI[1934-1993]
WAS AN INDIAN
ARCHITECT KNOWN FOR
HIS HIGHLY INNOVATIVE
WORKS IN ORGANIC
ARCHITECTURE.
❖WHILE WORKING IN INDIA NARI CONTINUED TO WORK ON
WRIGHT’S IDEALOGY OF ORGANIC ARCHITECTURE AND
FURTHER DEVELOPED HIS OWN UNIQUE STYLE WITH A
SUBTLE INFLUENCE OF LOCAL CLIMATE AND CULTURE.
❖HE CEASELESSELY CONTINUED TO WORK ON WRIGHT’S IDEA
OF ‘FLOWING SPACE’.
❖HE WAS ALSO KNOWN AS HOWARD ROARK OF INDIA.
❖MOST OF HIS BUILDINGS IN THE COUNTRYSIDE EXERCISES IN
BALANCING ,ACTS TO HOLD ROOFS UP AND UNIQUE WAYS
IN FERRYING LOADS TO THE GROUND.
• IN HIS WORKS THE FUSION OF INTERIOR SPACES CREATE
TRANSPARENCY WITHIN A STRUCTURE IS OBTAINED BY THE
MEANS OF GEOMETRY.
• GEOMETRY WAS USED TO GIVE DYNAMISM TO FORM AND
TENSION OF THE SPACE.
• HE BELIEVED THAT GEOMETRY WAS THE UNDERLYING
DISCIPLINE OF STRUCTURE , A PRIMARY TOOL FOR
ORDERING AN ARCHITECTURAL FORM.
GOBHAI MOUNTAIN LODGE
❖CONSTRUCTED BETWEEN 1964-1965.
❖LOCATION; NEAR TUNGARLI DAM, LONAVALA,MAHARASTRA.
❖ARCHITECT ; NARI GANDHI.
❖CLIENT ; JAL GOBHAI.
❖BUILDING TYPE ; RESIDENTIAL.
❖BUILDING USAGE ; PRIVATE RESIDENCE.
• IT WAS THE FIRST PROJECT BY THE ARCHITECT NARI GANDHI.
• AND WAS ARGUABLY THE FIRST TIME F.L.WRIGHT’S TALIESIAN
WEST ‘’DESERT MASONRY’’ METHOD WAS UTILIZED IN INDIA.
• THE LODGE IS LOCATED ON AN INACCESSIBLE CLIFF TOP; IT’S
A VERY REMOTE LOCATION NEAR AN ELEVATED DAM
RESERVOIR.
• ACCESSIBILITY; THE LODGE REMAINS DIFFICULT TO
ACCESS EVEN WITH A HEAVY VEHICLE.
• ITS DESIGN RESPONDS TO THE SPECIFIC CONDITIONS OF
SITE.
• THE FORM OF NARI’S BUILDINGS WAS ALWAYS DETERMINED
BY THE GEOMETRY OF HIS SITES.
• HERE TOO HE DEVELOPS HIS GEOMETRY FROM THE NATURE
OF TWO DISTANT VIEWS- THE RAJMACHI HILLTOP FORT AND
THE VALVAN LAKE BELOW.
PLAN
• THE MOST STRIKING DESIGN ELEMENT IN THIS BUILDING IS ITS
PLAN.
• THE ARCHITECT USED THE EAST-WEST MERIDIAN AS A CENTRAL
DIVISOR OF THE SITE , AND USED A 30/60 TRAINGLE AS THE FORM
GENERATOR FOR THE HOUSE ALONG THIS MERIDIAN.
• THE CONTOURS OF THE SITE PLAYED A MINOR ROLE,BUT THIS
TRAINGULAR LAYOUT WAS INTENDED TO MAXIMIZE THE HEAT
AND, LIGHT OF THE SUN ALONG THE SITE.
WALLS
• THE WALLS OF THE HOUSE WERE BUILT WITH WRIGHT’S
METHOD , LARGE STONE WERE PLACED WITHIN
WOODEN FORMWORK,WITH THE MORE FLAT/FINISHED
SIDES OF THE STONES FACING OUTWARDS.
• AFTER THIS CONCRETE IS POURED FROM THE TOP AND
SETTING ,THE FORMWORK IS REMOVED LEAVING A
ROUGH RUBBLE OUTER FINISH TO THE BUILDING.
• FOR THIS LOCALLY QUARRIED STONES WERE USED.
STRUCTURE
ROOF
• ITS ROOF COSISTS OF WOODEN TRUSSES AND STEEL.
• A LARGE ROOF WITHDEEP OVERHANGS [ INCLUDING LONG
PROJECTIONS AT THE GABLE ENDS] AND EAVES WHICH TOUCH THE
GROUND ,WAS BUILT IN SHEETS OF ASBESTOS CEMENT.
• THESE DEEP ROOF OVERHANGS PROTECTED FROM THE REGIONAL
HEAVY RAINS.
• THE ROOF BEAMS ARE SET AT 30 DEGREES WHILE THE ROOF PANELS
ARE PLACED PERPENDICULAR TO THE WALLS.
ARCHITECTURAL ELEMENTS
• FLOORING:THE FLOORING OF THE LODGE IS SIMPLE CONCRETE ,WITH
GROOVES THAT FOLLOW THE TRAINGULAR GEOMETRY OF THE ROOF.
• OPENINGS :WITHIN THE ANGLES OF THE TRAINGULAR PLAN, OPENINGS WERE
ALIGNED TO VIEWS OF THE THE NEARBY RESERVOIR AND VALLEY, AND DISTANT
RAJMACHI FORT.
• LIGHT AND VENTILATION: THE DESIGN ALLOWS MAXIMUM SUNLIGHT INTO THE
INTERIOR SPACES……WITHIN THE LODGE ,THE MAIN LIVING AREAS WERE
EXPOSED TO MAXIMUM SUNLIGHT .
• WIND :THE ROOF ON THE EAST FACE IS PRESSED DOWN TO REDIRECT THE AIR
FLOW TO THE PREVAILING SOUTHWEST WINDS.
• VERANDAS:THE VERANDAHS OF THE LODGE OVERLOOK THE FORT AND THE
LAKE, A CONSTANT SOURCE OF JOY FOR THE INHABITANTS.
THE MAIN TECHNIQUE ADAPTED FOR CONSTRUCTION IS
TALIESIAN WEST ‘’DESERT MASONRY’’.
MATERIALS
• LOCALLY QUARRIED STONE FOR WALLS .
• WOODEN TRUSSES AND STEEL FOR ROOF.
• CONCRETE FOR FLOORING.
Gobhai mountain lodge

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Water Industry Process Automation and Control Monthly - May 2024.pdf
 

Gobhai mountain lodge

  • 2. NARI GANDHI ❖NARI GANDHI[1934-1993] WAS AN INDIAN ARCHITECT KNOWN FOR HIS HIGHLY INNOVATIVE WORKS IN ORGANIC ARCHITECTURE.
  • 3. ❖WHILE WORKING IN INDIA NARI CONTINUED TO WORK ON WRIGHT’S IDEALOGY OF ORGANIC ARCHITECTURE AND FURTHER DEVELOPED HIS OWN UNIQUE STYLE WITH A SUBTLE INFLUENCE OF LOCAL CLIMATE AND CULTURE. ❖HE CEASELESSELY CONTINUED TO WORK ON WRIGHT’S IDEA OF ‘FLOWING SPACE’. ❖HE WAS ALSO KNOWN AS HOWARD ROARK OF INDIA. ❖MOST OF HIS BUILDINGS IN THE COUNTRYSIDE EXERCISES IN BALANCING ,ACTS TO HOLD ROOFS UP AND UNIQUE WAYS IN FERRYING LOADS TO THE GROUND.
  • 4. • IN HIS WORKS THE FUSION OF INTERIOR SPACES CREATE TRANSPARENCY WITHIN A STRUCTURE IS OBTAINED BY THE MEANS OF GEOMETRY. • GEOMETRY WAS USED TO GIVE DYNAMISM TO FORM AND TENSION OF THE SPACE. • HE BELIEVED THAT GEOMETRY WAS THE UNDERLYING DISCIPLINE OF STRUCTURE , A PRIMARY TOOL FOR ORDERING AN ARCHITECTURAL FORM.
  • 5. GOBHAI MOUNTAIN LODGE ❖CONSTRUCTED BETWEEN 1964-1965. ❖LOCATION; NEAR TUNGARLI DAM, LONAVALA,MAHARASTRA. ❖ARCHITECT ; NARI GANDHI. ❖CLIENT ; JAL GOBHAI. ❖BUILDING TYPE ; RESIDENTIAL. ❖BUILDING USAGE ; PRIVATE RESIDENCE.
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  • 7. • IT WAS THE FIRST PROJECT BY THE ARCHITECT NARI GANDHI. • AND WAS ARGUABLY THE FIRST TIME F.L.WRIGHT’S TALIESIAN WEST ‘’DESERT MASONRY’’ METHOD WAS UTILIZED IN INDIA. • THE LODGE IS LOCATED ON AN INACCESSIBLE CLIFF TOP; IT’S A VERY REMOTE LOCATION NEAR AN ELEVATED DAM RESERVOIR. • ACCESSIBILITY; THE LODGE REMAINS DIFFICULT TO ACCESS EVEN WITH A HEAVY VEHICLE. • ITS DESIGN RESPONDS TO THE SPECIFIC CONDITIONS OF SITE.
  • 8. • THE FORM OF NARI’S BUILDINGS WAS ALWAYS DETERMINED BY THE GEOMETRY OF HIS SITES. • HERE TOO HE DEVELOPS HIS GEOMETRY FROM THE NATURE OF TWO DISTANT VIEWS- THE RAJMACHI HILLTOP FORT AND THE VALVAN LAKE BELOW.
  • 9. PLAN • THE MOST STRIKING DESIGN ELEMENT IN THIS BUILDING IS ITS PLAN. • THE ARCHITECT USED THE EAST-WEST MERIDIAN AS A CENTRAL DIVISOR OF THE SITE , AND USED A 30/60 TRAINGLE AS THE FORM GENERATOR FOR THE HOUSE ALONG THIS MERIDIAN. • THE CONTOURS OF THE SITE PLAYED A MINOR ROLE,BUT THIS TRAINGULAR LAYOUT WAS INTENDED TO MAXIMIZE THE HEAT AND, LIGHT OF THE SUN ALONG THE SITE.
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  • 11. WALLS • THE WALLS OF THE HOUSE WERE BUILT WITH WRIGHT’S METHOD , LARGE STONE WERE PLACED WITHIN WOODEN FORMWORK,WITH THE MORE FLAT/FINISHED SIDES OF THE STONES FACING OUTWARDS. • AFTER THIS CONCRETE IS POURED FROM THE TOP AND SETTING ,THE FORMWORK IS REMOVED LEAVING A ROUGH RUBBLE OUTER FINISH TO THE BUILDING. • FOR THIS LOCALLY QUARRIED STONES WERE USED. STRUCTURE
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  • 13. ROOF • ITS ROOF COSISTS OF WOODEN TRUSSES AND STEEL. • A LARGE ROOF WITHDEEP OVERHANGS [ INCLUDING LONG PROJECTIONS AT THE GABLE ENDS] AND EAVES WHICH TOUCH THE GROUND ,WAS BUILT IN SHEETS OF ASBESTOS CEMENT. • THESE DEEP ROOF OVERHANGS PROTECTED FROM THE REGIONAL HEAVY RAINS. • THE ROOF BEAMS ARE SET AT 30 DEGREES WHILE THE ROOF PANELS ARE PLACED PERPENDICULAR TO THE WALLS.
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  • 16. ARCHITECTURAL ELEMENTS • FLOORING:THE FLOORING OF THE LODGE IS SIMPLE CONCRETE ,WITH GROOVES THAT FOLLOW THE TRAINGULAR GEOMETRY OF THE ROOF. • OPENINGS :WITHIN THE ANGLES OF THE TRAINGULAR PLAN, OPENINGS WERE ALIGNED TO VIEWS OF THE THE NEARBY RESERVOIR AND VALLEY, AND DISTANT RAJMACHI FORT. • LIGHT AND VENTILATION: THE DESIGN ALLOWS MAXIMUM SUNLIGHT INTO THE INTERIOR SPACES……WITHIN THE LODGE ,THE MAIN LIVING AREAS WERE EXPOSED TO MAXIMUM SUNLIGHT . • WIND :THE ROOF ON THE EAST FACE IS PRESSED DOWN TO REDIRECT THE AIR FLOW TO THE PREVAILING SOUTHWEST WINDS. • VERANDAS:THE VERANDAHS OF THE LODGE OVERLOOK THE FORT AND THE LAKE, A CONSTANT SOURCE OF JOY FOR THE INHABITANTS.
  • 17. THE MAIN TECHNIQUE ADAPTED FOR CONSTRUCTION IS TALIESIAN WEST ‘’DESERT MASONRY’’.
  • 18. MATERIALS • LOCALLY QUARRIED STONE FOR WALLS . • WOODEN TRUSSES AND STEEL FOR ROOF. • CONCRETE FOR FLOORING.