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Masters Programmes
Submitted by: Group 4
Module Title: Global Branding
Module Code: IB846K
Date/Year of Module: 2014-2015
Submission Deadline: March 24, 2015
Company: DC Designs India
"I declare that this work is being submitted on behalf of my group, in
accordance with the University's Regulation 11 and the WBS guidelines on
plagiarism and collusion. All external references and sources are clearly
acknowledged and identified within the contents. No substantial part(s) of the
work submitted here has also been submitted in other assessments for
accredited courses of study and if this has been done it may result in us being
reported for self-plagiarism and an appropriate reduction in marks may be
made when marking this piece of work." 	
   	
  
Table of Contents
COMPANY BRIEF................................................................................................................................3
SELECTION OF UNITED KINGDOM ..............................................................................................3
BRAND BUILDING BLOCKS.............................................................................................................4
COMPARISON........................................................................................................................................4
BRAND IDENTITY PRISM .................................................................................................................6
COMPARISON........................................................................................................................................6
BRAND ELEMENTS.............................................................................................................................8
COMPARISON........................................................................................................................................8
GENERALIZABLE IMPLICATIONS..............................................................................................10
APPENDIX ...........................................................................................................................................12
COMPANY BRIEF ................................................................................................................................12
GENERALIZABLE IMPLICATIONS ........................................................................................................12
Insurance Prices ............................................................................................................................12
Target Market ................................................................................................................................12
REFERENCES .....................................................................................................................................14
	
   	
  
Company Brief
DC design, founded in 1993 by Dilip Chhabria, is the largest automotive accessory
manufacturer brand in India (Dcdesign.co.in, 2012). The company is well acclaimed in the
market and “…has made more than 600 portfolios for innovative and latest car models or
other vehicles…” that serves as “…a benchmark for the best designs in the world…”
(autoportal.com, 2015). Chhabria launched this brand in the market to serve two purposes.
According to Dcdesign.co.in, first purpose is “…redesigning and modifying mass market cars
to create one-of-a-kind automotive beauties for…” automobile enthusiasts and second caters
to the original equipment manufacturers need by “…offering design and prototyping
services…” (See Appendix).
Selection of United Kingdom
Extending DC’s B2C business to the UK can be supported by various facts. According to a
report on European automotive aftermarket by The Boston Consulting Group (2014), the
industry has observed growth in recent years. This is mainly due to the liberalization of the
automotive aftermarket in the EU in 2010 (Capgemini Consulting, 2010). The report further
highlights that competitors utilizing the new block exemption regulation (BER) 2010 could
achieve growth rates of 5% to 10%, and the highest margins earned are from accessories and
appearance products creating additional opportunities for DC to exploit. Another industry
analysis by MarketLine (2012) shows that one way to enter the EU market is as a completely
new company with major entry barriers being skilled engineers and designers. DC caters both
of these parts by being a completely new company and possessing extremely skilled
designers. Another aspect this market, that favors DC, is that success in the Western Europe
market is mainly attributed to “…high emphasis on specific customer requirements and
customization of services…” (Capgemini Consulting, 2010) is critical to operate in
automotive aftermarket sector around Western Europe. Additionally, a co-operative
agreement with popular brands could be established. Top selling brands in the UK include
Ford, Nissan, Vauxhall, and Volkswagen (SMMT, 2014), few of which have already worked
with DC in B2B segment.
Brand Building Blocks
Brand building blocks ensure identification of the brand with the customers and an
association of the brand in customers’ minds with a specific product class, product benefit, or
customer need (Keller, 2001). The CBBE pyramid, as indicated by Keller, focuses on the four
key aspects of the brand; identity, meaning, responses and relationships. DC as a brand has
struck the right cords in the Indian automotive aftermarket and is one of the only product
developers in the world to do such a modification.
Comparison
Brand Salience is the first building block, defining the identity of the brand. Salience focuses
on the awareness of the brand, its recall, depth and breadth of the brand (Keller, 2001). DC
design is a luxury automotive customizations brand with high awareness more depth in the
product offering and lesser breadth in India. It has the close to 22 standard product offerings
in India and is the most recalled brand in the country (Knowledge@Wharton, 2008). A higher
level of awareness is proposed for the UK luxury market. With respect to India the luxury
cars sale in the UK is higher, so the aim would be make luxurious cars into ultra luxurious
vehicles (Capgemini Consulting, 2010). Collaborative automotive partnership with auto
manufacturers like Ford and Land Rover who already share B2B relations with DC would
help boost awareness in the market (Dcdesign.co.in, 2012).
The next aspect of the CBBE pyramid is the ‘meaning’ of the brand. The pyramid covers two
major aspects under meaning; one is the performance and imagery (Keller, 2001). The
primary aspect of performance is upmarket interiors and exteriors and the supplementary
feature is the state of the art technology (Dcdesign.co.in, 2012). DC Design in India is known
for its specialized serviceability. In the UK, DC is to retain of its Indian performance qualities
making it the first B2C prototyping brand in the UK. In context of imagery, people high on
style, all in one car, elite people, celebrities, CEO’s wanting an all in one purpose vehicle
(Knowledge@Wharton, 2008). In UK, DC would create a similar imagery as its home
country because the target group, who it would cater to in the UK, should also see the brand
as one that creates a stylish and novel imagery.
Moving to the ‘responses’ part of the building blocks, the CBBE pyramid explores judgments
and feelings (Keller, 2001). Brand judgments explores quality in India to be superior, credible
with its benchmark designs (Knowledge@Wharton, 2008) and also known for its highly
innovative designs (Dcdesign.co.in, 2012). In UK, these judgment attributes would be
retained, as, for DC, the target audience in the UK would require similar brand judgments. In
terms of feelings, DC design in India is an exclusive, socially appreciated, self-rewarding,
passionate and higher social class (Dcdesign.co.in, 2012). The brand is private and enduring
in India (Knowledge@Wharton, 2008). Feelings in the UK would be retained adding pride to
the brand making the brand being more socially appreciated and passionate in the long run.
Relationship in the CBBE pyramid explores brand resonance as an attribute that includes
evaluating loyalty, attachments, sense of community and active engagement (Keller, 2001). In
India, DC Design provides strong cords of attachments with its customers when they are
associated to the brand. In the UK we propose to bring a sense of community to build loyalty
and a sense of community by introducing a privilege DC club.
Brand Identity Prism
Kapferer introduced the Brand Identity Prism in 1986. Brand Identity entails the customers’
perception of the brand, the name of the brand, the trademark of the brand, the graphic
representation of the brand, the uniqueness of the brand with respect to its competitors, and
the overall image of the brand (Andreea, 2013).
There exist six aspects of the Brand Identity Prism being Physique, Relation, Reflection,
Personality, Culture and Self Image. These aspects are further categorised into two facets
namely The Constructed Source versus The Constructed Receiver and Externalisation versus
Internalisation (Kapferer, 2009).
Comparison
Physique makes reference to the brand’s physical characteristics that are aroused in the minds
of the people when the brand name is talked about. In India, DC displays iconic design and
cutting edge innovation (Dcdesign.co.in, 2012). Its finesse indicates superior quality. DC
should aim at following the same suit whilst offering a diverse range of products. This is
because the brand identity of DC, as a well-established brand, will aid in the easy acceptance
of the other products being offered as brand extensions of the company (Viot, 2011).
Relationship implies the symbolism of a particular association between people (Kapferer,
2009). DC lounges provide a personalized and exclusive feel creating an emotional appeal
(BS Reporter, 2012). In UK, this feature would be duplicated to provide the similar unique
image.
Furthermore, DC would be working towards converting consumers, who merely prefer this
brand, to consumers who are brand loyalists by making them feel as a part of this distinctive
brand (Raj, 1985).
Reflection of the consumer refers to the stereotypical user of the brand (Kapferer, 2009). Any
automation enthusiast, regardless of age having a creative bent of mind in India would be
DC’s chief user (Dcdesign.co.in). DC, in UK, would aim to target successful people
preferring self-driven vehicles so as to enjoy the divine luxury and comfort offered by these
vehicles.
Personality suggests the brand’s appeal, which assists in the process of communication of the
brand with its customers (Kapferer, 2009). It may take the form a person having particular
traits used to visualize the brand. DC India appeals to the luxurious aspect of the car. In the
UK, DC would focus on converting it into ultra luxurious to take the brand to a higher
pedestal. It should transform from being merely a brand to being a celebrity itself. A celebrity
having a strong personality that immediately makes people develop a rare fondness and
preference towards the brand (Freling, Crosno and Henard, 2010) (Aaker and Fournier, 1995).
Culture is the organization of values and basic principles on the basis of which the brand has
to base its behavior (Kapferer, 2009). It establishes a direct relationship between the brand
and the organization. DC India is based on the values of creativity and innovation providing a
distinctive experience (Dcdesign.co.in, 2012). In UK, DC must work with the purpose of
providing award-winning services. By way of keeping intact the basic ideals of the
organization, dc will able to cater to its homogenous customers worldwide while projecting a
global culture overall (Holt, Quelch and Taylor, 2004).
Self Image indicates the mirror the audience in focus holds up to itself (Kapferer, 2009). In
India, people driving vehicles think of themselves as classy, flamboyant and elite. Replicating
the same in UK, DC is ought to create an overall luxurious experience to the driver of the
vehicle so that it gives him pride while driving. By providing DC consumers in India or the
UK with almost the same experience while driving a dc vehicle, we propose to create an
image of being an integral part of an international brand in the minds of the people (Holt,
Quelch and Taylor, 2004). By way of this, people wish to be associated and connected with
the brand, regarding themselves as global consumers (Steenkamp, Batra and Alden, 2003).
Brand Elements
A comparison of DCs brand elements was done using the six criteria as proposed by Keller
(2013). This also aided in providing a clearer picture of the usability of the existing brand
elements in the developed market. Overall the brand has accomplished a strong associations
and awareness in India’s automotive aftermarket that has provided a strong base to retain
most of the elements.
Comparison
DC Design and dcdesign.co.in as a brand name and URL respectively carries a lot of
meaningfulness and memorability, as “…DC Design is the world’s biggest independent car
design firm by volume…” (Knowledge@Wharton, 2008). DC Design creates a verbal imagery
through its successful positioning as a creator of “…avant-garde art…” (Majumdar, 2014)
that contributes to likability. The adaptability stands low due to the symbolization of Dilip
Chhabria in both the logo and the URL. On the other hand, name and URL are considered
protectable and legal because of its copyrights. Lastly, transferability is limited to geographic,
as the name is associated with automotive aftermarket products only.
In terms of UK, carrying the same brand name and URL would be an appropriate option to
adopt a uniform branding strategy globally. In order to build personalized association and
enhance memorability, a UK version of the same URL ‘dcdesign.co.uk’ is deemed suitable.
The remarkable works of Dilip Chhabria for high-end luxury brands such as Aston Martin,
Renault and GM (Dcdesign.co.in, 2012), while making the adaptability difficult, would
contribute to the likability and meaningfulness. The name and URL can be made protectable
by acquiring copyrights, and can also be used across different geographies including the UK
making them only geographically transferable.
The visual appeal contributes to its likeability due to the logo being highly eye-catching by its
classy font. In terms of India, logo is formed from the initials of the man behind the business
and the only company having “DC” as its logo, which contributes to its meaningfulness. Due
to an already established awareness and association in car customization market, the
adaptability is low. The logo has its copyrights and thus is highly protected. On the other
hand, the transferability is limited due to international existence of a brand name “DC” in
various industries globally such as DC comics, and DC footwear. The logo builds
recognizable traits of the brand resulting in high memorability.
Same brand logo is to be retained due to the already established image in automotive
aftermarket sector enhancing the meaningfulness and memorability. The legal procedures
would make it protected as well. The logo would also have a high likability for the same
reasons stated above. Furthermore, the same logo would still have limited transferability and
low adaptability for the UK market as well.
In India DC lacks a tagline for its brand but a tagline would be suitable for the UK market as
it communicates the brand promise, reminds the firm of their promise and lastly it is
"…customers’ indicator of a future experience…" (Ehret, 2009). The proposed tagline for UK
is “You dream: We Chase”. This tagline depicts the one of missions of Chhabria
(Knowledge@Wharton, 2008), which makes it memorable and meaningful. It also provides a
chance for the customers to attain their dream car through DC, which also coincides with the
brand’s specialty i.e. “…concepts and innovations well ahead of their time…” (Majumdar,
2014) making it likable and transferable. It can evolve as the company establishes itself in the
UK market, making it adaptable. There is no similar tagline for any automotive aftermarket
company making this protected as well.
In India, Dilip Chabbria, as its own brand character, is highly touted for DC designs
(Majumdar, 2014). He, as a brand character is memorable, meaningful, likable and
protectable for the brand as “…every DC creation is a signature extension of the artist’s
personality…” (Dcdesign.co.in, 2012). Further, transferability can be seen to be high as well
by the fact that the artist is not just associated with automobiles but is also known for
designing and refurbishing aircraft interiors. The adaptability stands limited because Chabbria
stands as a focal point of the brand and cannot be replaced. These factors, for a brand
character, would stand appropriate for the UK market as well which makes maintaining the
same brand character the most fitting option.
The packaging of DC cars comprises of the customized parts as well as the outlook of the car.
The packaging is recognized to be benchmark for the rest of the world (Autoportal.com,
2015), hence contributing to memorability, protectability and meaningfulness. The packaging
is focused on developing one-of-a-kind automotive beauties (Dcdesign.co.in, 2012), which
maintains high likability. With its portfolio of 600 products “…for innovative and latest car
models or other vehicles…” (Autoportal.com, 2015) the packaging is deemed adaptable. As
Chabbria is an acclaimed designer by many large automotive manufacturers, his designs are
taken to be transferable across geographic boundaries. The same packaging is also maintained
as the factors already stated hold true for the UK market as well. In addition, Dilip Chabbria
has managed to influence the automotive design market by making his designs accepted by
many different companies. This would make it quite obvious that same packaging should be
maintained, along the inclusion of backward integration due to existing ties with large
automotive manufacturers.
Generalizable Implications
According to the UK Government’s official website “…You must have motor insurance to
drive your vehicle on UK roads…” (Gov.uk, 2015). According to Pidgen (2015) an increased
risk of accidents and theft is caused by changes in vehicle performance and a possibility that
the “…vehicle is broken into or stolen…” (See Appendix). Companies dealing with car
accessories, such as DC design, may affect the insurance price up to 26% for body kits and
16% for interiors. This is an important consideration because in recent times UK automobile
insurance market has seen an overall increase in premiums (Jones and Sanders, 2015) that is
likely to affect the sales of such modifications. A good idea, to cater to this problem, would
be to include functional modifications such as driver aids to reduce the insurance prices (See
Appendix).
For any automotive aftermarket firm entering any fresh market it would be essential to know
which segment of the market buys what kind of modifications for their automobiles.
According to Pidgen (2015), this can be classified by age and gender. In the UK the major
buyers for car modifications is more inclined towards male while female also constitute to a
reasonable size of the market (See Appendix).
When viewing the industry in general, the block exemption regulation of 2010 has reasonably
reduced the power of buyers by inducing more buyers to opt for automotive aftermarket
products (MarketLine, 2010). As mentioned earlier, major entry barriers of this industry
include skilled engineers and designers that deters a lot of brands to enter into the market.
Lastly, one of the major consideration for any brand bringing their manufacturing in the UK
have to cater to strict environmental laws, which could add to their total cost and decrease in
overall efficiency (MarketLine, 2010). 	
  
Appendix
Company Brief
These aims can also be looked according to the B2B and B2C markets. According to
Chhabria in an interview with India Knowledge@Wharton (2008), in B2B market, the
services provided by the firm include prototyping work or consultancy for various car
manufacturers such as GM and Ford. On the other hand, in B2C market DC builds special
vehicles. This is segment in which the firm believes that the revenue growth would be
highest. Building special, according to BS reporter (2012) includes “…transforming regular
cars into premium designer vehicles according to the customer's requirements…” for which
the company has a portfolio of 22 standard offerings for various popular models in India.
Generalizable Implications
Insurance Prices
When thinking about vehicle modifications, one has to consider that any changes, when
declared, in the automobile changes the premium charged by the insurance provider while not
declaring it would leave that modification not covered by the company (Petrolprices.com,
2015).
Driver aids such as parking sensors and installation of tow bars can bring down the insurance
prices by 13% and 8% respectively (Pidgen, 2015). This can bring down the overall impact
increased cost to the insurance and also provide added security for the vehicles.
Target Market
The modifications are categorized as functional, and performance and aesthetic where the
former constitutes of elements like engine bodywork and interior, and latter constitutes of fuel
economy and driver aids. Generally males aged 17 to 35 are more inclined towards
performance and aesthetics and 35+ prefer a mix of both types of modifications. On the other
hand, females aged 24+ opt for the same as 35+ males and younger females are more inclined
towards opting for performance and aesthetics.
References
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Perspectives on the Question of Brand Personality. Advances in Consumer Research, [online]
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[Accessed 2 Mar. 2015].
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2015].
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BS Reporter, (2012). DC Design eying partners for dealership in Gujarat. Business Standard.
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partners-for-dealership-in-gujarat-112100400078_1.html [Accessed 20 Feb. 2015].
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Emerging Markets. The Aftermarket in the Automotive Industry. [online] Capgemini
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access/resource/pdf/tl_The_Aftermarket_in_the_Automotive_Industry.pdf [Accessed 21 Feb.
2015].
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[Accessed 15 Feb. 2015].
Dcdesign.co.in, (2012). DC Design – Dilip Chhabria. [online] Available at:
http://www.dcdesign.co.in/Artist.aspx [Accessed 17 Feb. 2015].
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http://www.dcdesign.co.in/Heritage.aspx [Accessed 17 Feb. 2015].
Dcdesign.co.in, (2012). DC Design – Services. [online] Available at:
http://www.dcdesign.co.in/Services.aspx [Accessed 18 Feb. 2015].
Ehret, J. (2014). The Importance of Taglines in Branding. [Blog] The Marketing Blog.
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branding.html [Accessed 27 Feb. 2015].
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[Accessed 4 Mar. 2015].
Gov.uk, (2015). Vehicle insurance - GOV.UK. [online] Available at:
https://www.gov.uk/vehicle-insurance/overview [Accessed 5 Mar. 2015].
Holt, D., Quelch, J. and Taylor, E. (2004). How Global Brands Compete. Harvard Business
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compete [Accessed 3 Mar. 2015].
India Knowledge@Wharton, (2008). Dilip Chhabria: Tapping into India’s Promise as a
Global Hub for Car Design. [online] Knowledge@Wharton. Available at:
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global-hub-for-car-design/ [Accessed 23 Feb. 2015].
Jones, S. and Sanders, S. (2015). UK car insurance market hardens. TOWERS Watson & Co.,
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content/uploads/2014/08/CBBE.pdf [Accessed 12 Feb. 2015].
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[Accessed 2 Mar. 2015].
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2015].
Group	
  4	
  
•  Formed in 1993
•  Offers Design and Prototyping services
–  Indian Original Equipment Manufacturer industry
–  Customized one off solutions to Individual buyers
•  Cutting edge automotive design
•  Modifications include :
–  Luxury interiors
–  Attractive Exteriors
–  Technology options
DC	
  Design	
  
Source: Dcdesign.co.in (2012)
DC	
  Makes	
  An	
  Ambassador	
  	
  
An	
  Ambierod	
  
Current	
  Product	
  line	
  in	
  India	
  
•  Portfolio of 22 standard product offerings.
•  Most popular ones include Toyota Innova, Mahindra XUV500
and Volvo coaches.
•  DC also produces cars like Avanti, Gaia, Tia, Imperator and
Circa2020.
•  Also designs interiors for executive jets, helicopters and
luxury yachts.
Source: BS reporter (2012),
Dcdesign.co.in (2012)
•  Industry has observed growth due to liberalization and
introduction of Block Exemption Regulation (BER) 2010 in
the EU automotive aftermarket sector (Capgemini Consulting,
2010).
•  This has created opportunities for firms to experience up to
10% annual growth.
•  Highest margins in aftermarket sector are earned in accessories
and appearance products.
•  DC has the ability to break through EU entry barriers i.e. a
completely new company with skilled designers (MarketLine,
2012).	
  
Why	
  The	
  UK	
  Market?	
  
•  Catering to specific customer requirements and customization
services critical to operate in Western Europe; both of which
are offered by DC (Capgemini Consulting, 2010).
•  DC has already established ties with some of the top selling
brands in the UK such as Ford and GM (SMMT, 2014) which
would aid in collaboration.
Why	
  The	
  UK	
  Market?	
  
A	
  Rolls	
  Royce	
  Phantom	
  coupé	
  
Can	
  be	
  DC’ed	
  	
  	
  	
  in	
  the	
  UK	
  	
  
Brand	
  Building	
  Blocks	
  
Salience
•  Luxurious to Ultra
Luxurious
•  Collaborative
automotive
partnership
boosting awareness
•  Luxury automotive
customization
brand in India
•  High Awareness
•  More depth less
breadth
Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008), Capgemini Consulting (2010)
Performance
•  Fine tuned product
•  Upmarket interiors
and exteriors
•  State of the art
technology
•  Personalized
efficient
serviceability
•  First B2C
prototyping brand
in UK
•  Fine tuned product
•  Upmarket interiors
and exteriors
•  State of the art
technology
•  Personalized
efficient
serviceability
Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
Imagery
•  Stylish and Novel
•  Creating a celebrity
idealization
•  Classy Imagery
•  Elite
•  Stylish and Novel
•  Elite
•  Luxurious image
•  High style quotient
Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
•  Superior innovation
•  Benchmark designs
•  Quality excellence
•  Superior quality
•  Highly innovative
•  Benchmark for the
best designs in the
world
Judgements
Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
•  Exclusive
•  Divergent
•  Self – Rewarding
•  Passionate
•  Socially appreciated
•  Pride
•  Exclusive
•  Socially appreciated
•  Self – Rewarding
•  Passionate
•  Higher social status
Feelings
Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
•  Increased association
through privileged
DC club
•  Strong cords of
attachment
•  Strong cords of
attachment
Resonance
Source: Dcdesign.co.in (2012)
Concept	
  Land	
  Rovers	
  by	
  DC	
  
Brand	
  IdenIty	
  Prism	
  
PHYSIQUE	
   PERSONALITY	
  
RELATIONSHIP	
  
CULTURE	
  
REFLECTION	
   SELF	
  IMAGE	
  
•  Iconic	
  design	
  	
  
•  Finesse	
  
•  Stands	
  out	
  
•  CuRng	
  edge	
  
innovaIon	
  
•  Superior	
  quality	
  
•  Iconic	
  design	
  	
  
•  Finesse	
  
•  Stands	
  out	
  
•  CuRng	
  edge	
  
innovaIon	
  
•  Superior	
  
quality	
  
•  Diverse	
  range	
  
of	
  products	
  
PHYSIQUE	
  
•  DisIncIve	
  
•  Dynamic	
  
•  AmbiIous	
  
•  Luxurious	
  
•  DisIncIve	
  
•  AmbiIous	
  
•  Ultra	
  Luxurious	
  
•  Celebrity	
  
AssociaIon	
  
PERSONALITY	
  
•  PersonalizaIon	
  
•  Exclusivity	
  
•  EmoIonal	
  appeal	
  
•  Trustworthy	
  
•  PersonalizaIon	
  
•  Exclusivity	
  
•  EmoIonal	
  
appeal	
  
•  Trustworthy	
  
•  Sense	
  of	
  
superiority	
  
RELATIONSHIP	
  
CULTURE	
  
•  CreaIvity	
  	
  
•  InnovaIon	
  
•  Experience	
  
•  Modern	
  lifestyle	
  
•  Pioneer	
  
	
  
•  CreaIvity	
  	
  
•  InnovaIon	
  
•  Modern	
  lifestyle	
  
	
  
REFLECTION	
  
•  Youth,	
  Middle	
  
aged	
  
•  AutomaIon	
  
enthusiast	
  	
  
•  Stylish	
  
•  Youth,	
  Middle	
  
aged	
  
•  AutomaIon	
  
enthusiast	
  	
  
•  Stylish	
  
•  Self	
  driven	
  
vehicle	
  
•  Divine	
  luxury	
  
SELF IMAGE
•  High	
  standard	
  of	
  
living	
  
•  Classy	
  
•  Flamboyant	
  
•  Trendy	
  
•  PresIgious	
  
•  Symbol	
  of	
  being	
  
elite	
  
•  High	
  standard	
  of	
  
living	
  
•  Classy	
  
•  Flamboyant	
  
•  Trendy	
  
•  PresIgious	
  
	
  
Brand	
  Elements
Brand	
  Elements	
  
Brand	
  Name	
   DC	
  Design	
   DC	
  Design	
  
URL	
   www.dcdesign.co.in	
   www.dcdesign.co.uk	
  
Logo	
  
Slogan	
   None	
  
You	
  Dream	
  We	
  
Chase	
  
Character	
   Dilip	
  Chhabria	
   Dilip	
  Chhabria	
  
Packaging	
  
CustomizaBon	
  
product	
  
Backward	
  
IntegraBon	
  
BRAND	
  ELEMENTS	
  
Criterion
Brand Name &
URLs
Logos &
Symbols
Slogan & Jingles Characters Packaging
Memorable
Highly Recalled
and recognized High N/A High
Unique and
Identifiable
Likability Verbal Imagery
Provokes visual
appeal
N/A High High
Adaptability Low Not adaptable N/A Limited
Updatable
Flexible
Meaningfulness Highly
meaningful
High N/A High High
Protectability Protected by
Copyrights
Excellent N/A Excellent Highly Protected
Transferability
Limited – Only
Geographica
lly
Limited N/A High High
BRAND	
  ELEMENTS	
  
Criterion
Brand Name &
URLs
Logos &
Symbols
Slogan & Jingles Characters Packaging
Memorable Enhanced High
Highly connected
in terms of DC
High
Unique and
Identifiable
Likability High
Highly appealing
to customers
High High High
Adaptability Limited Low
Can be somewhat
flexible
Limited
Updatable
Flexible
Meaningfulness High High High High High
Protectability By acquiring
copyrights
High High Excellent Highly Protected
Transferability Geographically
transferrable
Limited High High
High with
Backward
integration
Generalizable Implications
•  Product in the UK Market:
–  Car Insurance is mandatory in the UK (Gov.uk, 2015).
–  One of the major concern in the UK is the insurance price
of modified cars due to change in risk of accident and theft
(Pidgen, 2015).
–  Insurance price increase up to 26%with body work
modifications.
–  A useful solution would be inclusion of driver aids such as
parking sensors and tow bar that reduces the insurance
price 13% and 8 % respectively.
•  Target market:
–  Male 17 – 35 are more inclined towards performance and
aesthetic.
–  36+ adopt a mix of functional, performance and aesthetic
modifications.
–  Generally females more inclined towards functional
modifications such as parking sensors.
Generalizable Implications
Source: (Pidgen, 2015)
•  After the liberalization, buyer power in the automotive
aftermarket has significantly declined.
•  Highly skilled engineers and designers make up the major
entry barriers for the industry.
•  Environmental concerns also make entry more problematic.
Generalizable Implications
Source: (MarketLine, 2015)
THANK	
  YOU	
  	
  
References	
  	
  included	
  	
  in	
  the	
  report.	
  

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Global brand integration strategy for a Car Modifier

  • 1. Masters Programmes Submitted by: Group 4 Module Title: Global Branding Module Code: IB846K Date/Year of Module: 2014-2015 Submission Deadline: March 24, 2015 Company: DC Designs India "I declare that this work is being submitted on behalf of my group, in accordance with the University's Regulation 11 and the WBS guidelines on plagiarism and collusion. All external references and sources are clearly acknowledged and identified within the contents. No substantial part(s) of the work submitted here has also been submitted in other assessments for accredited courses of study and if this has been done it may result in us being reported for self-plagiarism and an appropriate reduction in marks may be made when marking this piece of work."    
  • 2. Table of Contents COMPANY BRIEF................................................................................................................................3 SELECTION OF UNITED KINGDOM ..............................................................................................3 BRAND BUILDING BLOCKS.............................................................................................................4 COMPARISON........................................................................................................................................4 BRAND IDENTITY PRISM .................................................................................................................6 COMPARISON........................................................................................................................................6 BRAND ELEMENTS.............................................................................................................................8 COMPARISON........................................................................................................................................8 GENERALIZABLE IMPLICATIONS..............................................................................................10 APPENDIX ...........................................................................................................................................12 COMPANY BRIEF ................................................................................................................................12 GENERALIZABLE IMPLICATIONS ........................................................................................................12 Insurance Prices ............................................................................................................................12 Target Market ................................................................................................................................12 REFERENCES .....................................................................................................................................14    
  • 3. Company Brief DC design, founded in 1993 by Dilip Chhabria, is the largest automotive accessory manufacturer brand in India (Dcdesign.co.in, 2012). The company is well acclaimed in the market and “…has made more than 600 portfolios for innovative and latest car models or other vehicles…” that serves as “…a benchmark for the best designs in the world…” (autoportal.com, 2015). Chhabria launched this brand in the market to serve two purposes. According to Dcdesign.co.in, first purpose is “…redesigning and modifying mass market cars to create one-of-a-kind automotive beauties for…” automobile enthusiasts and second caters to the original equipment manufacturers need by “…offering design and prototyping services…” (See Appendix). Selection of United Kingdom Extending DC’s B2C business to the UK can be supported by various facts. According to a report on European automotive aftermarket by The Boston Consulting Group (2014), the industry has observed growth in recent years. This is mainly due to the liberalization of the automotive aftermarket in the EU in 2010 (Capgemini Consulting, 2010). The report further highlights that competitors utilizing the new block exemption regulation (BER) 2010 could achieve growth rates of 5% to 10%, and the highest margins earned are from accessories and appearance products creating additional opportunities for DC to exploit. Another industry analysis by MarketLine (2012) shows that one way to enter the EU market is as a completely new company with major entry barriers being skilled engineers and designers. DC caters both of these parts by being a completely new company and possessing extremely skilled designers. Another aspect this market, that favors DC, is that success in the Western Europe market is mainly attributed to “…high emphasis on specific customer requirements and customization of services…” (Capgemini Consulting, 2010) is critical to operate in
  • 4. automotive aftermarket sector around Western Europe. Additionally, a co-operative agreement with popular brands could be established. Top selling brands in the UK include Ford, Nissan, Vauxhall, and Volkswagen (SMMT, 2014), few of which have already worked with DC in B2B segment. Brand Building Blocks Brand building blocks ensure identification of the brand with the customers and an association of the brand in customers’ minds with a specific product class, product benefit, or customer need (Keller, 2001). The CBBE pyramid, as indicated by Keller, focuses on the four key aspects of the brand; identity, meaning, responses and relationships. DC as a brand has struck the right cords in the Indian automotive aftermarket and is one of the only product developers in the world to do such a modification. Comparison Brand Salience is the first building block, defining the identity of the brand. Salience focuses on the awareness of the brand, its recall, depth and breadth of the brand (Keller, 2001). DC design is a luxury automotive customizations brand with high awareness more depth in the product offering and lesser breadth in India. It has the close to 22 standard product offerings in India and is the most recalled brand in the country (Knowledge@Wharton, 2008). A higher level of awareness is proposed for the UK luxury market. With respect to India the luxury cars sale in the UK is higher, so the aim would be make luxurious cars into ultra luxurious vehicles (Capgemini Consulting, 2010). Collaborative automotive partnership with auto manufacturers like Ford and Land Rover who already share B2B relations with DC would help boost awareness in the market (Dcdesign.co.in, 2012).
  • 5. The next aspect of the CBBE pyramid is the ‘meaning’ of the brand. The pyramid covers two major aspects under meaning; one is the performance and imagery (Keller, 2001). The primary aspect of performance is upmarket interiors and exteriors and the supplementary feature is the state of the art technology (Dcdesign.co.in, 2012). DC Design in India is known for its specialized serviceability. In the UK, DC is to retain of its Indian performance qualities making it the first B2C prototyping brand in the UK. In context of imagery, people high on style, all in one car, elite people, celebrities, CEO’s wanting an all in one purpose vehicle (Knowledge@Wharton, 2008). In UK, DC would create a similar imagery as its home country because the target group, who it would cater to in the UK, should also see the brand as one that creates a stylish and novel imagery. Moving to the ‘responses’ part of the building blocks, the CBBE pyramid explores judgments and feelings (Keller, 2001). Brand judgments explores quality in India to be superior, credible with its benchmark designs (Knowledge@Wharton, 2008) and also known for its highly innovative designs (Dcdesign.co.in, 2012). In UK, these judgment attributes would be retained, as, for DC, the target audience in the UK would require similar brand judgments. In terms of feelings, DC design in India is an exclusive, socially appreciated, self-rewarding, passionate and higher social class (Dcdesign.co.in, 2012). The brand is private and enduring in India (Knowledge@Wharton, 2008). Feelings in the UK would be retained adding pride to the brand making the brand being more socially appreciated and passionate in the long run. Relationship in the CBBE pyramid explores brand resonance as an attribute that includes evaluating loyalty, attachments, sense of community and active engagement (Keller, 2001). In India, DC Design provides strong cords of attachments with its customers when they are associated to the brand. In the UK we propose to bring a sense of community to build loyalty and a sense of community by introducing a privilege DC club.
  • 6. Brand Identity Prism Kapferer introduced the Brand Identity Prism in 1986. Brand Identity entails the customers’ perception of the brand, the name of the brand, the trademark of the brand, the graphic representation of the brand, the uniqueness of the brand with respect to its competitors, and the overall image of the brand (Andreea, 2013). There exist six aspects of the Brand Identity Prism being Physique, Relation, Reflection, Personality, Culture and Self Image. These aspects are further categorised into two facets namely The Constructed Source versus The Constructed Receiver and Externalisation versus Internalisation (Kapferer, 2009). Comparison Physique makes reference to the brand’s physical characteristics that are aroused in the minds of the people when the brand name is talked about. In India, DC displays iconic design and cutting edge innovation (Dcdesign.co.in, 2012). Its finesse indicates superior quality. DC should aim at following the same suit whilst offering a diverse range of products. This is because the brand identity of DC, as a well-established brand, will aid in the easy acceptance of the other products being offered as brand extensions of the company (Viot, 2011). Relationship implies the symbolism of a particular association between people (Kapferer, 2009). DC lounges provide a personalized and exclusive feel creating an emotional appeal (BS Reporter, 2012). In UK, this feature would be duplicated to provide the similar unique image. Furthermore, DC would be working towards converting consumers, who merely prefer this brand, to consumers who are brand loyalists by making them feel as a part of this distinctive brand (Raj, 1985). Reflection of the consumer refers to the stereotypical user of the brand (Kapferer, 2009). Any automation enthusiast, regardless of age having a creative bent of mind in India would be
  • 7. DC’s chief user (Dcdesign.co.in). DC, in UK, would aim to target successful people preferring self-driven vehicles so as to enjoy the divine luxury and comfort offered by these vehicles. Personality suggests the brand’s appeal, which assists in the process of communication of the brand with its customers (Kapferer, 2009). It may take the form a person having particular traits used to visualize the brand. DC India appeals to the luxurious aspect of the car. In the UK, DC would focus on converting it into ultra luxurious to take the brand to a higher pedestal. It should transform from being merely a brand to being a celebrity itself. A celebrity having a strong personality that immediately makes people develop a rare fondness and preference towards the brand (Freling, Crosno and Henard, 2010) (Aaker and Fournier, 1995). Culture is the organization of values and basic principles on the basis of which the brand has to base its behavior (Kapferer, 2009). It establishes a direct relationship between the brand and the organization. DC India is based on the values of creativity and innovation providing a distinctive experience (Dcdesign.co.in, 2012). In UK, DC must work with the purpose of providing award-winning services. By way of keeping intact the basic ideals of the organization, dc will able to cater to its homogenous customers worldwide while projecting a global culture overall (Holt, Quelch and Taylor, 2004). Self Image indicates the mirror the audience in focus holds up to itself (Kapferer, 2009). In India, people driving vehicles think of themselves as classy, flamboyant and elite. Replicating the same in UK, DC is ought to create an overall luxurious experience to the driver of the vehicle so that it gives him pride while driving. By providing DC consumers in India or the UK with almost the same experience while driving a dc vehicle, we propose to create an image of being an integral part of an international brand in the minds of the people (Holt, Quelch and Taylor, 2004). By way of this, people wish to be associated and connected with the brand, regarding themselves as global consumers (Steenkamp, Batra and Alden, 2003).
  • 8. Brand Elements A comparison of DCs brand elements was done using the six criteria as proposed by Keller (2013). This also aided in providing a clearer picture of the usability of the existing brand elements in the developed market. Overall the brand has accomplished a strong associations and awareness in India’s automotive aftermarket that has provided a strong base to retain most of the elements. Comparison DC Design and dcdesign.co.in as a brand name and URL respectively carries a lot of meaningfulness and memorability, as “…DC Design is the world’s biggest independent car design firm by volume…” (Knowledge@Wharton, 2008). DC Design creates a verbal imagery through its successful positioning as a creator of “…avant-garde art…” (Majumdar, 2014) that contributes to likability. The adaptability stands low due to the symbolization of Dilip Chhabria in both the logo and the URL. On the other hand, name and URL are considered protectable and legal because of its copyrights. Lastly, transferability is limited to geographic, as the name is associated with automotive aftermarket products only. In terms of UK, carrying the same brand name and URL would be an appropriate option to adopt a uniform branding strategy globally. In order to build personalized association and enhance memorability, a UK version of the same URL ‘dcdesign.co.uk’ is deemed suitable. The remarkable works of Dilip Chhabria for high-end luxury brands such as Aston Martin, Renault and GM (Dcdesign.co.in, 2012), while making the adaptability difficult, would contribute to the likability and meaningfulness. The name and URL can be made protectable by acquiring copyrights, and can also be used across different geographies including the UK making them only geographically transferable.
  • 9. The visual appeal contributes to its likeability due to the logo being highly eye-catching by its classy font. In terms of India, logo is formed from the initials of the man behind the business and the only company having “DC” as its logo, which contributes to its meaningfulness. Due to an already established awareness and association in car customization market, the adaptability is low. The logo has its copyrights and thus is highly protected. On the other hand, the transferability is limited due to international existence of a brand name “DC” in various industries globally such as DC comics, and DC footwear. The logo builds recognizable traits of the brand resulting in high memorability. Same brand logo is to be retained due to the already established image in automotive aftermarket sector enhancing the meaningfulness and memorability. The legal procedures would make it protected as well. The logo would also have a high likability for the same reasons stated above. Furthermore, the same logo would still have limited transferability and low adaptability for the UK market as well. In India DC lacks a tagline for its brand but a tagline would be suitable for the UK market as it communicates the brand promise, reminds the firm of their promise and lastly it is "…customers’ indicator of a future experience…" (Ehret, 2009). The proposed tagline for UK is “You dream: We Chase”. This tagline depicts the one of missions of Chhabria (Knowledge@Wharton, 2008), which makes it memorable and meaningful. It also provides a chance for the customers to attain their dream car through DC, which also coincides with the brand’s specialty i.e. “…concepts and innovations well ahead of their time…” (Majumdar, 2014) making it likable and transferable. It can evolve as the company establishes itself in the UK market, making it adaptable. There is no similar tagline for any automotive aftermarket company making this protected as well. In India, Dilip Chabbria, as its own brand character, is highly touted for DC designs (Majumdar, 2014). He, as a brand character is memorable, meaningful, likable and
  • 10. protectable for the brand as “…every DC creation is a signature extension of the artist’s personality…” (Dcdesign.co.in, 2012). Further, transferability can be seen to be high as well by the fact that the artist is not just associated with automobiles but is also known for designing and refurbishing aircraft interiors. The adaptability stands limited because Chabbria stands as a focal point of the brand and cannot be replaced. These factors, for a brand character, would stand appropriate for the UK market as well which makes maintaining the same brand character the most fitting option. The packaging of DC cars comprises of the customized parts as well as the outlook of the car. The packaging is recognized to be benchmark for the rest of the world (Autoportal.com, 2015), hence contributing to memorability, protectability and meaningfulness. The packaging is focused on developing one-of-a-kind automotive beauties (Dcdesign.co.in, 2012), which maintains high likability. With its portfolio of 600 products “…for innovative and latest car models or other vehicles…” (Autoportal.com, 2015) the packaging is deemed adaptable. As Chabbria is an acclaimed designer by many large automotive manufacturers, his designs are taken to be transferable across geographic boundaries. The same packaging is also maintained as the factors already stated hold true for the UK market as well. In addition, Dilip Chabbria has managed to influence the automotive design market by making his designs accepted by many different companies. This would make it quite obvious that same packaging should be maintained, along the inclusion of backward integration due to existing ties with large automotive manufacturers. Generalizable Implications According to the UK Government’s official website “…You must have motor insurance to drive your vehicle on UK roads…” (Gov.uk, 2015). According to Pidgen (2015) an increased risk of accidents and theft is caused by changes in vehicle performance and a possibility that
  • 11. the “…vehicle is broken into or stolen…” (See Appendix). Companies dealing with car accessories, such as DC design, may affect the insurance price up to 26% for body kits and 16% for interiors. This is an important consideration because in recent times UK automobile insurance market has seen an overall increase in premiums (Jones and Sanders, 2015) that is likely to affect the sales of such modifications. A good idea, to cater to this problem, would be to include functional modifications such as driver aids to reduce the insurance prices (See Appendix). For any automotive aftermarket firm entering any fresh market it would be essential to know which segment of the market buys what kind of modifications for their automobiles. According to Pidgen (2015), this can be classified by age and gender. In the UK the major buyers for car modifications is more inclined towards male while female also constitute to a reasonable size of the market (See Appendix). When viewing the industry in general, the block exemption regulation of 2010 has reasonably reduced the power of buyers by inducing more buyers to opt for automotive aftermarket products (MarketLine, 2010). As mentioned earlier, major entry barriers of this industry include skilled engineers and designers that deters a lot of brands to enter into the market. Lastly, one of the major consideration for any brand bringing their manufacturing in the UK have to cater to strict environmental laws, which could add to their total cost and decrease in overall efficiency (MarketLine, 2010).  
  • 12. Appendix Company Brief These aims can also be looked according to the B2B and B2C markets. According to Chhabria in an interview with India Knowledge@Wharton (2008), in B2B market, the services provided by the firm include prototyping work or consultancy for various car manufacturers such as GM and Ford. On the other hand, in B2C market DC builds special vehicles. This is segment in which the firm believes that the revenue growth would be highest. Building special, according to BS reporter (2012) includes “…transforming regular cars into premium designer vehicles according to the customer's requirements…” for which the company has a portfolio of 22 standard offerings for various popular models in India. Generalizable Implications Insurance Prices When thinking about vehicle modifications, one has to consider that any changes, when declared, in the automobile changes the premium charged by the insurance provider while not declaring it would leave that modification not covered by the company (Petrolprices.com, 2015). Driver aids such as parking sensors and installation of tow bars can bring down the insurance prices by 13% and 8% respectively (Pidgen, 2015). This can bring down the overall impact increased cost to the insurance and also provide added security for the vehicles. Target Market The modifications are categorized as functional, and performance and aesthetic where the former constitutes of elements like engine bodywork and interior, and latter constitutes of fuel economy and driver aids. Generally males aged 17 to 35 are more inclined towards performance and aesthetics and 35+ prefer a mix of both types of modifications. On the other
  • 13. hand, females aged 24+ opt for the same as 35+ males and younger females are more inclined towards opting for performance and aesthetics.
  • 14. References Aaker, J. and Fournier, S. (1995). A Brand As a Character, a Partner and a Person: Three Perspectives on the Question of Brand Personality. Advances in Consumer Research, [online] 22, pp.391-395. Available at: http://acrwebsite.org/volumes/7775/volumes/v22/NA-22 [Accessed 2 Mar. 2015]. Andreea, C. (2013). Exploring Kapferer’s Brand Identity Prism Applicability in Theatre. International Journal of Advances in Management and Economics, [online] 2(2). Available at: http://www.managementjournal.info/download1.php?f=02022013.pdf [Accessed 22 Feb. 2015]. autoportal.com, (2015). DC / Brands / AutoPortal India. [online] Available at: http://autoportal.com/newcars/dc/about.html [Accessed 20 Feb. 2015]. BS Reporter, (2012). DC Design eying partners for dealership in Gujarat. Business Standard. [online] Available at: http://www.business-standard.com/article/companies/dc-design-eying- partners-for-dealership-in-gujarat-112100400078_1.html [Accessed 20 Feb. 2015]. Capgemini Consulting, (2010). How to Optimize Aftermarket Performance in Established and Emerging Markets. The Aftermarket in the Automotive Industry. [online] Capgemini Consulting. Available at: http://www.capgemini.com/resource-file- access/resource/pdf/tl_The_Aftermarket_in_the_Automotive_Industry.pdf [Accessed 21 Feb. 2015].
  • 15. Dcdesign.co.in, (2012). DC Design. [online] Available at: http://www.dcdesign.co.in/ [Accessed 15 Feb. 2015]. Dcdesign.co.in, (2012). DC Design – Dilip Chhabria. [online] Available at: http://www.dcdesign.co.in/Artist.aspx [Accessed 17 Feb. 2015]. Dcdesign.co.in, (2012). DC Design – Heritage. [online] Available at: http://www.dcdesign.co.in/Heritage.aspx [Accessed 17 Feb. 2015]. Dcdesign.co.in, (2012). DC Design – Services. [online] Available at: http://www.dcdesign.co.in/Services.aspx [Accessed 18 Feb. 2015]. Ehret, J. (2014). The Importance of Taglines in Branding. [Blog] The Marketing Blog. Available at: http://themarketingspot.com/2009/03/classic-spot-importance-of-taglines- branding.html [Accessed 27 Feb. 2015]. Freling, T., Crosno, J. and Henard, D. (2010). Brand personality appeal: conceptualization and empirical validation. Journal of the Academy of Marketing Science, [online] 39(3), pp.392-406. Available at: http://link.springer.com/article/10.1007/s11747-010-0208-3# [Accessed 4 Mar. 2015]. Gov.uk, (2015). Vehicle insurance - GOV.UK. [online] Available at: https://www.gov.uk/vehicle-insurance/overview [Accessed 5 Mar. 2015].
  • 16. Holt, D., Quelch, J. and Taylor, E. (2004). How Global Brands Compete. Harvard Business Review, [online] (September 2004). Available at: https://hbr.org/2004/09/how-global-brands- compete [Accessed 3 Mar. 2015]. India Knowledge@Wharton, (2008). Dilip Chhabria: Tapping into India’s Promise as a Global Hub for Car Design. [online] Knowledge@Wharton. Available at: http://knowledge.wharton.upenn.edu/article/dilip-chhabria-tapping-into-indias-promise-as-a- global-hub-for-car-design/ [Accessed 23 Feb. 2015]. Jones, S. and Sanders, S. (2015). UK car insurance market hardens. TOWERS Watson & Co., [online] p.p.92. Available at: http://0- eds.a.ebscohost.com.pugwash.lib.warwick.ac.uk/eds/detail/detail?sid=7d0e3f0d-f8a9-4646- 89bb- ab49ab3b8c73%40sessionmgr4005&vid=0&hid=4113&bdata=JnNpdGU9ZWRzLWxpdmU %3d#db=buh&AN=100304375 [Accessed 24 Feb. 2015]. Kapferer, J. (2009). Kapferer's Brand-Identity Prism Model. European Institute of Brand Management. Keller, K.L. (2003). Strategic brand management. 4th ed. Upper Saddle River, N.J.: Prentice Hall. Keller, K.L., 2001. Building Customer Based Brand Equity: A Blueprint for creating strong brands. Marketing Science Institute, 01(107). Availalbe at: http://www.effentiicorp.com/wp- content/uploads/2014/08/CBBE.pdf [Accessed 12 Feb. 2015].
  • 17. Majumdar, N. (2014). DC Car Designs - The Future of Automation! - Yaabot. [online] Yaabot. Available at: http://www.yaabot.com/5940/dc-car-designs-the-future-of-automation/ [Accessed 2 Mar. 2015]. MarketLine, (2012). Automotive Aftermarket in Europe. MarketLine Industry Profile. [online] MarketLine. Available at: http://advantage.marketline.com/Product?pid=MLIP0103-0003 [Accessed 20 Feb. 2015]. Petrolprices.com, (2015). Insurance Pricing Factors - PetrolPrices.com. [online] Available at: http://www.petrolprices.com/insurance-pricing-factors.html [Accessed 1 Mar. 2015]. Pidgen, A. (2013). Impact of car modification on car insurance prices | MoneySupermarket. [online] The MoneySupermarket Blog. Available at: http://www.moneysupermarket.com/car- insurance/blog/car-modifications-car-insurance-prices/ [Accessed 27 Feb. 2015]. Raj, S. (1985). Striking a Balance between Brand "Popularity" and Brand Loyalty. Journal of Marketing, [online] 49(1), p.53. Available at: http://www.jstor.org/stable/1251175?seq=1#page_scan_tab_contents [Accessed 6 Mar. 2015]. SMMT, (2014). Motor Industry Facts 2014. [online] SMMT. Available at: http://www.smmt.co.uk/wp-content/uploads/sites/2/SMMT-Motor-Industry-Facts-2014.pdf [Accessed 21 Feb. 2015].
  • 18. Steenkamp, J., Batra, R. and Alden, D. (2003). How perceived brand globalness creates brand value. Journal of International Business Studies, 34(1), pp.53-65. The Boston Consulting Group, (2014). Returning to Growth. A Look at the European Automotive Aftermarket. [online] The Boston Consulting Group. Available at: http://www.acea.be/uploads/publications/BCG_Returning_to_Growth_Jul_2014.pdf [Accessed 18 Feb. 2015]. Viot, C. (2011). Can brand identity predict brand extensions' success or failure?. Jnl of Product & Brand Mgt, [online] 20(3), pp.216-227. Available at: http://www.emeraldinsight.com/doi/abs/10.1108/10610421111134941 [Accessed 5 Mar. 2015].
  • 20. •  Formed in 1993 •  Offers Design and Prototyping services –  Indian Original Equipment Manufacturer industry –  Customized one off solutions to Individual buyers •  Cutting edge automotive design •  Modifications include : –  Luxury interiors –  Attractive Exteriors –  Technology options DC  Design   Source: Dcdesign.co.in (2012)
  • 21. DC  Makes  An  Ambassador    
  • 23. Current  Product  line  in  India   •  Portfolio of 22 standard product offerings. •  Most popular ones include Toyota Innova, Mahindra XUV500 and Volvo coaches. •  DC also produces cars like Avanti, Gaia, Tia, Imperator and Circa2020. •  Also designs interiors for executive jets, helicopters and luxury yachts. Source: BS reporter (2012), Dcdesign.co.in (2012)
  • 24. •  Industry has observed growth due to liberalization and introduction of Block Exemption Regulation (BER) 2010 in the EU automotive aftermarket sector (Capgemini Consulting, 2010). •  This has created opportunities for firms to experience up to 10% annual growth. •  Highest margins in aftermarket sector are earned in accessories and appearance products. •  DC has the ability to break through EU entry barriers i.e. a completely new company with skilled designers (MarketLine, 2012).   Why  The  UK  Market?  
  • 25. •  Catering to specific customer requirements and customization services critical to operate in Western Europe; both of which are offered by DC (Capgemini Consulting, 2010). •  DC has already established ties with some of the top selling brands in the UK such as Ford and GM (SMMT, 2014) which would aid in collaboration. Why  The  UK  Market?  
  • 26. A  Rolls  Royce  Phantom  coupé  
  • 27. Can  be  DC’ed        in  the  UK    
  • 29. Salience •  Luxurious to Ultra Luxurious •  Collaborative automotive partnership boosting awareness •  Luxury automotive customization brand in India •  High Awareness •  More depth less breadth Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008), Capgemini Consulting (2010)
  • 30. Performance •  Fine tuned product •  Upmarket interiors and exteriors •  State of the art technology •  Personalized efficient serviceability •  First B2C prototyping brand in UK •  Fine tuned product •  Upmarket interiors and exteriors •  State of the art technology •  Personalized efficient serviceability Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
  • 31. Imagery •  Stylish and Novel •  Creating a celebrity idealization •  Classy Imagery •  Elite •  Stylish and Novel •  Elite •  Luxurious image •  High style quotient Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
  • 32. •  Superior innovation •  Benchmark designs •  Quality excellence •  Superior quality •  Highly innovative •  Benchmark for the best designs in the world Judgements Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
  • 33. •  Exclusive •  Divergent •  Self – Rewarding •  Passionate •  Socially appreciated •  Pride •  Exclusive •  Socially appreciated •  Self – Rewarding •  Passionate •  Higher social status Feelings Source: Dcdesign.co.in (2012), Knowledge@Wharton (2008)
  • 34. •  Increased association through privileged DC club •  Strong cords of attachment •  Strong cords of attachment Resonance Source: Dcdesign.co.in (2012)
  • 35. Concept  Land  Rovers  by  DC  
  • 37. PHYSIQUE   PERSONALITY   RELATIONSHIP   CULTURE   REFLECTION   SELF  IMAGE  
  • 38. •  Iconic  design     •  Finesse   •  Stands  out   •  CuRng  edge   innovaIon   •  Superior  quality   •  Iconic  design     •  Finesse   •  Stands  out   •  CuRng  edge   innovaIon   •  Superior   quality   •  Diverse  range   of  products   PHYSIQUE  
  • 39. •  DisIncIve   •  Dynamic   •  AmbiIous   •  Luxurious   •  DisIncIve   •  AmbiIous   •  Ultra  Luxurious   •  Celebrity   AssociaIon   PERSONALITY  
  • 40. •  PersonalizaIon   •  Exclusivity   •  EmoIonal  appeal   •  Trustworthy   •  PersonalizaIon   •  Exclusivity   •  EmoIonal   appeal   •  Trustworthy   •  Sense  of   superiority   RELATIONSHIP  
  • 41. CULTURE   •  CreaIvity     •  InnovaIon   •  Experience   •  Modern  lifestyle   •  Pioneer     •  CreaIvity     •  InnovaIon   •  Modern  lifestyle    
  • 42. REFLECTION   •  Youth,  Middle   aged   •  AutomaIon   enthusiast     •  Stylish   •  Youth,  Middle   aged   •  AutomaIon   enthusiast     •  Stylish   •  Self  driven   vehicle   •  Divine  luxury  
  • 43. SELF IMAGE •  High  standard  of   living   •  Classy   •  Flamboyant   •  Trendy   •  PresIgious   •  Symbol  of  being   elite   •  High  standard  of   living   •  Classy   •  Flamboyant   •  Trendy   •  PresIgious    
  • 45. Brand  Elements   Brand  Name   DC  Design   DC  Design   URL   www.dcdesign.co.in   www.dcdesign.co.uk   Logo   Slogan   None   You  Dream  We   Chase   Character   Dilip  Chhabria   Dilip  Chhabria   Packaging   CustomizaBon   product   Backward   IntegraBon  
  • 46. BRAND  ELEMENTS   Criterion Brand Name & URLs Logos & Symbols Slogan & Jingles Characters Packaging Memorable Highly Recalled and recognized High N/A High Unique and Identifiable Likability Verbal Imagery Provokes visual appeal N/A High High Adaptability Low Not adaptable N/A Limited Updatable Flexible Meaningfulness Highly meaningful High N/A High High Protectability Protected by Copyrights Excellent N/A Excellent Highly Protected Transferability Limited – Only Geographica lly Limited N/A High High
  • 47. BRAND  ELEMENTS   Criterion Brand Name & URLs Logos & Symbols Slogan & Jingles Characters Packaging Memorable Enhanced High Highly connected in terms of DC High Unique and Identifiable Likability High Highly appealing to customers High High High Adaptability Limited Low Can be somewhat flexible Limited Updatable Flexible Meaningfulness High High High High High Protectability By acquiring copyrights High High Excellent Highly Protected Transferability Geographically transferrable Limited High High High with Backward integration
  • 48. Generalizable Implications •  Product in the UK Market: –  Car Insurance is mandatory in the UK (Gov.uk, 2015). –  One of the major concern in the UK is the insurance price of modified cars due to change in risk of accident and theft (Pidgen, 2015). –  Insurance price increase up to 26%with body work modifications. –  A useful solution would be inclusion of driver aids such as parking sensors and tow bar that reduces the insurance price 13% and 8 % respectively.
  • 49. •  Target market: –  Male 17 – 35 are more inclined towards performance and aesthetic. –  36+ adopt a mix of functional, performance and aesthetic modifications. –  Generally females more inclined towards functional modifications such as parking sensors. Generalizable Implications Source: (Pidgen, 2015)
  • 50. •  After the liberalization, buyer power in the automotive aftermarket has significantly declined. •  Highly skilled engineers and designers make up the major entry barriers for the industry. •  Environmental concerns also make entry more problematic. Generalizable Implications Source: (MarketLine, 2015)
  • 51. THANK  YOU     References    included    in  the  report.