Genre research, thriller
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Thrillers are a genre defined by their use of suspense, tension, and excitement. Alfred Hitchcock helped shape the modern thriller genre beginning with his 1926 silent film The Lodger. Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase. Michael Powell's 1960 film Peeping Tom was initially denounced but later gained a cult following despite its gruesome story about a psychopathic killer. Thrillers often take place in exotic settings and involve heroes thwarting enemies while accustomed to danger.
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Genre research, thriller
1) Thrillers are a genre that uses suspense, tension, and excitement to engage the audience. Alfred Hitchcock helped shape the modern thriller genre with films like The Lodger in the 1920s.
2) Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase, about a serial killer targeting a young mute woman.
3) Michael Powell shocked audiences in the 1960s with Peeping Tom, about a psychopathic killer who photographs his victims before murdering them.
AS Media: Thriller Genre Research
The document discusses the history and evolution of the thriller genre from its origins in the 1920s to modern times. It explores how thrillers first focused on creating feelings of emotion and suspense through films like The Lodger in the 1920s. During the 1960s-1980s, thrillers became bolder and more violent with films like Psycho and Frenzy. In the 1990s, common thriller themes involved obsession and detectives hunting serial killers, as seen in films like The Silence of the Lambs. Modern thrillers continue to draw from different eras while also focusing on crime and terrorism.
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Film Noir refers to dark Hollywood crime dramas from the 1940s-1950s that featured cynical attitudes and sexual motivations. They were influenced by crime fiction and typically involved convoluted storylines told through flashbacks. The male protagonist usually wished to escape his mysterious past and had to choose between different paths. Some quintessential examples include Laura (1944), The Maltese Falcon (1941), and Double Indemnity (1949). Film Noir explored tensions of the post-war era through themes of melancholy, alienation, and disillusionment. Central characters were often flawed detectives and the femme fatale, a mysterious and manipulative woman.
Typical Characters Within A Horror Film
The document discusses the typical characters found in horror films from the 1930s to the 2000s. In the 1930s and 1940s, characters included vampires, werewolves, and madmen featured in films like Dracula and The Wolf Man. In the 1950s-1960s, new subgenres emerged featuring characters like survivors of war or nuclear holocaust in armageddon films and people possessed by demonic forces in films like Rosemary's Baby. The 1970s-1980s saw the rise of occult-focused films with characters portrayed as possessed or reincarnated. Slasher films dominated the 1990s with madmen killer characters, while remakes and sequels in the 2000s often involved teenagers as vulnerable
Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
Genre research mas
The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
4. the history of the genre of murder mystery
The history of the murder mystery genre in film has evolved over the decades from the 1900s to present day. Early silent films featured simplistic mysteries, while 1940s-50s films grew darker and more violent. The 1960s-70s saw updates of classic novels and period pieces set in the 1930s-40s. From the 1980s on, neo-noir and psycho-thriller styles emerged, with more complex plots, international settings, and fast-paced action sequences. The changing nature of audiences required more intricate mysteries to avoid predictability.
Thriller genre historical research
This document provides an overview of the thriller genre in film. It discusses how thrillers promote suspense and tension by placing characters in dangerous situations. It also notes that thrillers come in many forms and hybridize with other genres. The document then highlights some influential early thrillers and discusses Alfred Hitchcock's significant contributions as the master of suspense thrillers through his innovative techniques and themes. It concludes by briefly mentioning some notable modern thrillers.
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Genre research, thriller
1) Thrillers are a genre that uses suspense, tension, and excitement to engage the audience. Alfred Hitchcock helped shape the modern thriller genre with films like The Lodger in the 1920s.
2) Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase, about a serial killer targeting a young mute woman.
3) Michael Powell shocked audiences in the 1960s with Peeping Tom, about a psychopathic killer who photographs his victims before murdering them.
AS Media: Thriller Genre Research
The document discusses the history and evolution of the thriller genre from its origins in the 1920s to modern times. It explores how thrillers first focused on creating feelings of emotion and suspense through films like The Lodger in the 1920s. During the 1960s-1980s, thrillers became bolder and more violent with films like Psycho and Frenzy. In the 1990s, common thriller themes involved obsession and detectives hunting serial killers, as seen in films like The Silence of the Lambs. Modern thrillers continue to draw from different eras while also focusing on crime and terrorism.
5472 Film Noir Pp
Film Noir refers to dark Hollywood crime dramas from the 1940s-1950s that featured cynical attitudes and sexual motivations. They were influenced by crime fiction and typically involved convoluted storylines told through flashbacks. The male protagonist usually wished to escape his mysterious past and had to choose between different paths. Some quintessential examples include Laura (1944), The Maltese Falcon (1941), and Double Indemnity (1949). Film Noir explored tensions of the post-war era through themes of melancholy, alienation, and disillusionment. Central characters were often flawed detectives and the femme fatale, a mysterious and manipulative woman.
Typical Characters Within A Horror Film
The document discusses the typical characters found in horror films from the 1930s to the 2000s. In the 1930s and 1940s, characters included vampires, werewolves, and madmen featured in films like Dracula and The Wolf Man. In the 1950s-1960s, new subgenres emerged featuring characters like survivors of war or nuclear holocaust in armageddon films and people possessed by demonic forces in films like Rosemary's Baby. The 1970s-1980s saw the rise of occult-focused films with characters portrayed as possessed or reincarnated. Slasher films dominated the 1990s with madmen killer characters, while remakes and sequels in the 2000s often involved teenagers as vulnerable
Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
Genre research mas
The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
4. the history of the genre of murder mystery
The history of the murder mystery genre in film has evolved over the decades from the 1900s to present day. Early silent films featured simplistic mysteries, while 1940s-50s films grew darker and more violent. The 1960s-70s saw updates of classic novels and period pieces set in the 1930s-40s. From the 1980s on, neo-noir and psycho-thriller styles emerged, with more complex plots, international settings, and fast-paced action sequences. The changing nature of audiences required more intricate mysteries to avoid predictability.
Thriller genre historical research
This document provides an overview of the thriller genre in film. It discusses how thrillers promote suspense and tension by placing characters in dangerous situations. It also notes that thrillers come in many forms and hybridize with other genres. The document then highlights some influential early thrillers and discusses Alfred Hitchcock's significant contributions as the master of suspense thrillers through his innovative techniques and themes. It concludes by briefly mentioning some notable modern thrillers.
History Of Thriller Films
Alfred Hitchcock directed many notable thrillers beginning in the 1920s, including The Lodger, Blackmail, and Rear Window. Other influential thriller directors from this era included Fritz Lang, who made the early spy film Spies, and George Cukor, who directed Gaslight. Thrillers continued to evolve throughout the mid-20th century with works by Hitchcock, as well as films noir and psychological thrillers from other directors. By the 1990s and 2000s, the thriller genre had expanded to include sub-genres like psychological thrillers, torture porn, and survival thrillers.
History of film noir
Film noir emerged in the 1940s as a style of black-and-white American crime and detective films that reflected the post-war era of anxiety, pessimism, and suspicion. The genre took advantage of the mood of the times to tell dark stories of anti-heroes embroiled in crime, violence, and moral corruption. Classic film noir developed between the 1940s-1960s and featured convoluted, nonlinear plots and foreboding music that kept viewers on edge. Common elements included corrupt characters like detectives, gangsters, and sociopaths in bleak stories that rarely had happy endings.
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This document provides an overview and comparison of the themes and styles in Tarantino's films Django Unchained and Inglorious Basterds. Both films incorporate high levels of violence and are set in historical periods of slavery and Nazi Germany, though the events are not entirely historically accurate. The films explore themes of violence, racism, and oppression of minority groups, with the oppressed minorities ultimately overcoming their oppressors.
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Film noir
Film noir refers to stylish crime dramas produced in Hollywood from the 1940s to 1950s. These films are characterized by low-key lighting, depth of field camera work, and urban night scenes shot in gloomy tones. They often feature morally ambiguous protagonists and femme fatales who manipulate men and lead them into dangerous situations. Film noir was influenced by German Expressionism and adapted American literary works. The genre is known for its moods of melancholy, alienation, and moral corruption. Famous noir directors include Orson Welles, John Huston, Billy Wilder, and Fritz Lang.
Story board
The document discusses several common conventions and tropes found in slasher films. It notes that there is usually a sole female survivor called the "final girl" who is less promiscuous than her peers. It also describes the presence of an ineffective male authority figure and how locations can create fear for the audience. Common character archetypes seen in slasher films are also outlined.
Thriller And Suspense Films
The document discusses the genres of thriller and suspense films. It defines thrillers as films that pursue the single-minded goal of providing thrills and keeping audiences on the edge of their seats through tension and anticipation of danger or mystery. Thrillers often involve characters in conflict with each other or outside forces. The document then provides examples of different types of thriller hybrids and discusses some of the earliest thriller films and the master of suspense, Alfred Hitchcock, known for his innovative techniques that manipulated audiences' fears.
Thrillers
The document discusses different types of thriller genres including crime thrillers, psychological thrillers, and spy thrillers. It provides characteristics and examples for each genre. Crime thrillers focus on solving mysteries and use techniques like red herrings to mislead the audience. Psychological thrillers explore unstable mental states and topics such as perception and identity. Spy thrillers involve espionage and solving crimes with the protagonist in danger. The document also discusses the career and films of Alfred Hitchcock as an example of a director who mastered suspense techniques.
Film noir
Film noir refers to stylish crime dramas produced in Hollywood from the 1940s to 1950s. These films are characterized by gloomy lighting, shadowy urban settings, and morally ambiguous protagonists. A defining element is the femme fatale - a mysterious and deceptive woman who often leads the protagonist into danger through her beauty and manipulation. Film noir was influenced by German Expressionism and adapted from American literary works, featuring themes of paranoia, guilt, and moral corruption. Famous noir directors included Orson Welles, John Huston, Billy Wilder, and Fritz Lang.
Film noir
Film noir is a film genre that depicts cynical crime dramas through dark themes of fear, mistrust, and despair. It was influenced by German expressionism and American crime fiction of the early 20th century. The term "film noir" was coined by French film critic Nino Frank in 1946 to describe the dark visual style and themes present in many American films being released in France at the time. A femme fatale is a common stock character - a mysterious and seductive woman who ensnares her lovers and often leads them into dangerous or deadly situations through her hidden motives and feminine wiles.
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This document summarizes the evolution of cinematography techniques in psychological horror films over the decades from the 1920s to the 2000s. It traces how the genres explored different psychological themes and fears prevalent in each era, from madness and the unknown in the 1920s, to questions of science and religion in the 1930s, the impact of war in the 1940s-1950s, fears of new technologies and social changes in the 1960s-1970s, the rise of gore and special effects in the 1980s-1990s, and predictions of the future and the paranormal in the 2000s. Key films that pushed boundaries or represented themes of their time are mentioned for each decade.
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Film noir developed after World War II, featuring dark themes that reflected postwar anxiety and pessimism. These films often told stories of antiheroes like hardboiled detectives encountering manipulative "femme fatales." While not technically a genre, film noir describes a style and tone of black-and-white American crime films from the 1940s-1960s that portrayed a bleak worldview where characters faced themes of betrayal, violence, and despair.
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Film noir
Film noir refers to crime dramas from the 1940s-1950s known for their black-and-white visual style and complex plots involving crime investigations, archetypal characters like detectives and femmes fatales, and themes of moral ambiguity. Key influences included hardboiled crime fiction of the time as well as German Expressionist cinema. Famous noirs include The Maltese Falcon, Double Indemnity, and Sunset Boulevard, while iconic actors like Humphrey Bogart and Lauren Bacall featured prominently. The genre continues to influence modern directors like the Coen Brothers, Quentin Tarantino, and David Fincher.
Noir films
This document defines and provides examples of film noir and neo-noir. It states that film noir refers to dark Hollywood thriller films from the 1940s-1950s that captured a pessimistic view of post-WW2 American society. It lists influential noir directors and their films, and notes the influence of German Expressionist films on the noir genre. Key elements of noir discussed include night scenes, blurred lines between heroes and villains, and "femme fatales". Neo-noir expanded noir's dark themes to reflect 1960s-present pessimism, while still using the visual style of classic noir films.
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Presentacion corporativa anglo gold ashanti
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Alfred Hitchcock directed many notable thrillers beginning in the 1920s, including The Lodger, Blackmail, and Rear Window. Other influential thriller directors from this era included Fritz Lang, who made the early spy film Spies, and George Cukor, who directed Gaslight. Thrillers continued to evolve throughout the mid-20th century with works by Hitchcock, as well as films noir and psychological thrillers from other directors. By the 1990s and 2000s, the thriller genre had expanded to include sub-genres like psychological thrillers, torture porn, and survival thrillers.
History of film noir
Film noir emerged in the 1940s as a style of black-and-white American crime and detective films that reflected the post-war era of anxiety, pessimism, and suspicion. The genre took advantage of the mood of the times to tell dark stories of anti-heroes embroiled in crime, violence, and moral corruption. Classic film noir developed between the 1940s-1960s and featured convoluted, nonlinear plots and foreboding music that kept viewers on edge. Common elements included corrupt characters like detectives, gangsters, and sociopaths in bleak stories that rarely had happy endings.
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Film noir
Film noir refers to stylish crime dramas produced in Hollywood from the 1940s to 1950s. Characteristics include low-key lighting, depth of field camera work, and urban night scenes shot in gloomy tones. These films often featured a morally ambiguous protagonist and a mysterious femme fatale who leads them into danger. Film noir was influenced by German Expressionism and adapted American literary works. It explored themes of melancholy, alienation, and moral corruption through complex characters like detectives, gangsters, and killers. Famous directors of the genre included Orson Welles, John Huston, Billy Wilder, and Fritz Lang. Well-known films include The Big Sleep, In a Lonely Place, and The Lady
Film noir
Film noir refers to stylish crime dramas produced in Hollywood from the 1940s to 1950s. These films are characterized by low-key lighting, depth of field camera work, and urban night scenes shot in gloomy tones. They often feature morally ambiguous protagonists and femme fatales who manipulate men and lead them into dangerous situations. Film noir was influenced by German Expressionism and adapted American literary works. The genre is known for its moods of melancholy, alienation, and moral corruption. Famous noir directors include Orson Welles, John Huston, Billy Wilder, and Fritz Lang.
Story board
The document discusses several common conventions and tropes found in slasher films. It notes that there is usually a sole female survivor called the "final girl" who is less promiscuous than her peers. It also describes the presence of an ineffective male authority figure and how locations can create fear for the audience. Common character archetypes seen in slasher films are also outlined.
Thriller And Suspense Films
The document discusses the genres of thriller and suspense films. It defines thrillers as films that pursue the single-minded goal of providing thrills and keeping audiences on the edge of their seats through tension and anticipation of danger or mystery. Thrillers often involve characters in conflict with each other or outside forces. The document then provides examples of different types of thriller hybrids and discusses some of the earliest thriller films and the master of suspense, Alfred Hitchcock, known for his innovative techniques that manipulated audiences' fears.
Thrillers
The document discusses different types of thriller genres including crime thrillers, psychological thrillers, and spy thrillers. It provides characteristics and examples for each genre. Crime thrillers focus on solving mysteries and use techniques like red herrings to mislead the audience. Psychological thrillers explore unstable mental states and topics such as perception and identity. Spy thrillers involve espionage and solving crimes with the protagonist in danger. The document also discusses the career and films of Alfred Hitchcock as an example of a director who mastered suspense techniques.
Film noir
Film noir refers to stylish crime dramas produced in Hollywood from the 1940s to 1950s. These films are characterized by gloomy lighting, shadowy urban settings, and morally ambiguous protagonists. A defining element is the femme fatale - a mysterious and deceptive woman who often leads the protagonist into danger through her beauty and manipulation. Film noir was influenced by German Expressionism and adapted from American literary works, featuring themes of paranoia, guilt, and moral corruption. Famous noir directors included Orson Welles, John Huston, Billy Wilder, and Fritz Lang.
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Film noir is a film genre that depicts cynical crime dramas through dark themes of fear, mistrust, and despair. It was influenced by German expressionism and American crime fiction of the early 20th century. The term "film noir" was coined by French film critic Nino Frank in 1946 to describe the dark visual style and themes present in many American films being released in France at the time. A femme fatale is a common stock character - a mysterious and seductive woman who ensnares her lovers and often leads them into dangerous or deadly situations through her hidden motives and feminine wiles.
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Cinematography in psychological horror films has evolved over the decades from the 1920s to the 2000s. Early 1920s films relied on expressionist techniques and focused on Gothic monsters and mad scientists. The 1930s introduced sound and questioned science versus religion. The 1940s saw fewer films due to WWII. Psychological horror emerged in the 1960s with films like Psycho. The 1970s explored family fears and the 1980s brought technological advances in special effects. Serial killer films became popular in the 1990s. Psychological and supernatural films of the 2000s played on future fears and the unknown.
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This document summarizes the evolution of cinematography techniques in psychological horror films over the decades from the 1920s to the 2000s. It traces how the genres explored different psychological themes and fears prevalent in each era, from madness and the unknown in the 1920s, to questions of science and religion in the 1930s, the impact of war in the 1940s-1950s, fears of new technologies and social changes in the 1960s-1970s, the rise of gore and special effects in the 1980s-1990s, and predictions of the future and the paranormal in the 2000s. Key films that pushed boundaries or represented themes of their time are mentioned for each decade.
Conventions
Film noir developed after World War II, featuring dark themes that reflected postwar anxiety and pessimism. These films often told stories of antiheroes like hardboiled detectives encountering manipulative "femme fatales." While not technically a genre, film noir describes a style and tone of black-and-white American crime films from the 1940s-1960s that portrayed a bleak worldview where characters faced themes of betrayal, violence, and despair.
Slasher Codes & Conventions
The document discusses several common tropes and conventions in horror/slasher films. It describes the characteristics of the final girl, monster, group of friends, and first girl. It also discusses common locations for these films such as suburban areas, schools, and houses. Additionally, it provides background information on the influences of German expressionism and film noir on the horror genre in terms of style and storytelling techniques used to create mood and atmosphere.
What is a thriller?
Thrillers are a genre of literature, film, and television that use suspense and excitement to stimulate the audience's emotions. They aim to create anticipation, uncertainty, and anxiety in viewers. Some key characteristics of thrillers include fast-paced and tense plots involving crime, espionage, or the paranormal. Famous thriller directors like Alfred Hitchcock are known for their use of techniques like shadows, lighting, and editing to build suspense. Hitchcock directed renowned thrillers such as Psycho, The Birds, and North by Northwest over his career.
Film noir
Film noir refers to crime dramas from the 1940s-1950s known for their black-and-white visual style and complex plots involving crime investigations, archetypal characters like detectives and femmes fatales, and themes of moral ambiguity. Key influences included hardboiled crime fiction of the time as well as German Expressionist cinema. Famous noirs include The Maltese Falcon, Double Indemnity, and Sunset Boulevard, while iconic actors like Humphrey Bogart and Lauren Bacall featured prominently. The genre continues to influence modern directors like the Coen Brothers, Quentin Tarantino, and David Fincher.
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This document defines and provides examples of film noir and neo-noir. It states that film noir refers to dark Hollywood thriller films from the 1940s-1950s that captured a pessimistic view of post-WW2 American society. It lists influential noir directors and their films, and notes the influence of German Expressionist films on the noir genre. Key elements of noir discussed include night scenes, blurred lines between heroes and villains, and "femme fatales". Neo-noir expanded noir's dark themes to reflect 1960s-present pessimism, while still using the visual style of classic noir films.
Horror genre histoty
The document provides a history of the horror genre in film from the late 1890s to the present. It notes that the first depictions of supernatural horror appeared in silent shorts produced by Georges Melies in the late 1890s. In the 1930s and 1940s, Universal Studios produced a successful series of Gothic horror films including Dracula and Frankenstein. As technology advanced, films explored fears of Armageddon and demons, exemplified by Godzilla. The 1960s saw the emergence of the slasher subgenre with films like Peeping Tom. Comedy-horror rose in popularity in the 1970s-1980s. In the 1990s, slasher films became self-referential and ironic, while the 2000s
Subgéneros del terror
This document discusses several subgenres of horror films. It describes slasher films as focusing on a killer hunting and murdering a group of teens with little adult intervention. Gore films emphasize graphic violence and blood effects to show the fragility of the human body. Found footage films present footage that supposedly documents real terrifying events. Home invasion films involve people being stalked or attacked in their own homes. Rape and revenge films depict the brutalization of a woman who then seeks vengeance against her attackers. Supernatural films deal with ghosts, demons, and paranormal events.
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This presentation compares the representation of Nazis in three films: Indiana Jones and the Raiders of the Lost Ark, Schindler's List, and Dead Snow. In Indiana Jones, Nazis are portrayed as purely evil villains for the protagonist to battle. Schindler's List aims for a more accurate historical portrayal, though some question how realistic some scenes are. Dead Snow depicts Nazis as unintelligent zombie monsters, moving further from reality. The presentation examines how Nazi representations have changed over time and become ingrained symbols in popular culture and society.
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The document discusses different options for distributing a film media product. It examines the "Big 4" major film studios (20th Century Fox, MGM, Paramount, Warner Bros.), but determines they are not suitable. Independent film companies are also considered but deemed not a good fit. Finally, Hammer Film Productions is selected as it specializes in horror and thriller genres matching the author's film, and is well-known while still being independent.
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The document discusses different types of batteries including primary batteries that are disposable and secondary batteries that can be recharged. It provides a timeline of battery history from 1748 when Benjamin Franklin coined the term "battery" to modern developments. Key events included Volta inventing the first battery in 1800, the first rechargeable lead-acid battery in 1859, and the invention of alkaline batteries in 1949 which last much longer than previous zinc-carbon batteries. The document covers the development of batteries over time and the different types that exist today.
Digipack decon 1
The album cover uses black and white imagery and a single splash of red to tell a story and intrigue the audience. The front cover features a black and white photo of the artists to establish their image. The inside cover contains a red apple against a white background, possibly suggesting something unexpected from Savage Garden and religious connotations. The disk is uniformly bright red, furthering the sense of mystery. The back cover reverts to black and white to maintain intrigue about the album's darker side. Color is strategically used on the inside covers to confuse audiences and make them analyze the meanings.
Review websites
Paloma Faith is well received by critics and appeals to a wide audience. She gives faultless live performances with winning charisma and leads fans through slower sections before rewarding them with an energetic encore. While reviews note similarities to other artists in her genre, critics also praise her smoky vocals and soulful covers.
Questionnaire results
The questionnaire results showed that:
1) Most respondents were male and 50+ years old.
2) Younger audiences listened to soul music more frequently and discovered new music on the radio or online, while older audiences read more and discovered music through posters.
3) Respondents had differing expectations of soul music videos based on gender and age stereotypes.
X.25
Packet switching is a digital networking method that groups transmitted data into blocks called packets. It began in the 1960s and was first developed by Paul Baran. There are two main types: datagram packet switching treats each packet independently while virtual circuit packet switching establishes a logical connection before sending packets along the same path. X.25 is a standard protocol for packet switched networks that provides reliable data transfer and error control. It defines the connection between a terminal and a packet switched network using three device types: DTE, DCE, and PSE.
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Andrew goodwin’s key characteristics of a music video
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History of horrors
The document provides a history of the horror genre from 1890 to the 2000s. It began with early silent films in the late 1890s and progressed through key eras and subgenres. During the 1930s-1940s, Universal Pictures popularized Gothic horror films like Dracula and Frankenstein. In the 1950s-1960s, themes shifted towards science fiction horrors involving aliens, mutations, and zombies. Major franchises like Halloween, Friday the 13th, and A Nightmare on Elm Street emerged in the 1970s-1980s. The 1990s saw a revival of slasher films and more self-aware parodies. Key horror subgenres and influential films and directors are also outlined.
Genre research
This document discusses the history of early thrillers and provides examples from the 1920s-1930s including Safety Last, M, and Murders in the Zoo. It also mentions psychological thriller subgenres that focus on the protagonist's mental state, giving examples like Along Came a Spider. The document then profiles Alfred Hitchcock as the "Master of Suspense" and lists some of his notable early films like The 39 Steps and The Lady Vanishes that helped establish the suspense-thriller genre.
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This document provides a history of horror films from the silent era to modern day. It discusses the origins of German Expressionist films in the 1910s and influential titles like The Cabinet of Dr. Caligari. Iconic 1930s films such as Frankenstein and Dracula brought sound and adapted classic novels. The 1940s saw the rise of werewolf, cat, and monster films. Horror evolved further in subsequent decades with mutant creatures in the 1950s, ghosts in the 1960-70s, zombies and satanism. The 1970s were a peak for British Hammer Horror films. Slasher movies emerged in the 1980s alongside fears around topics like terrorism. Gore and torture films became more extreme starting in the
The History of Thriller Genre
This is my in-depth analysis of the history of the Thriller Genre reaching back from the 1920s to the present day thrillers, here I've looked at how they've changed and evolved over time with thanks to well known directors such as Alfred Hitchcock.
Genre research mediaaaaaaaa
The document discusses the genre of thriller movies. It defines what a thriller is and notes they can be divided into categories like psychological thrillers. It provides examples of subgenres and then summarizes several famous thriller movies from different decades, highlighting their directors and key plot elements. Famous directors of thrillers like Hitchcock and Terence Young are also discussed. Finally, it outlines some key elements that make a successful thriller film, like gripping storylines and techniques to keep audiences on the edge of their seats.
Genre analysis
Thriller films aim to stimulate the audience's emotions through suspense, excitement, and anxiety. They keep audiences on the edge of their seats through plots that build to a climax. Psychological thrillers emphasize the unstable psychology of characters. They follow themes of death, reality, identity, and purpose. Psychological thrillers also use common techniques like mirrors, shadows, flashbacks, and tension music to portray characters' inner darkness and add suspense. They tend to include character types like criminals, psychotic individuals, and people in twisted relationships.
History of the genre
Thrillers are films or stories that keep audiences on the edge of their seats through suspense, mystery, and tension. Common thriller plots involve life-threatening situations, mysteries, or traps that seem impossible to escape. During the 1960s-1980s, influential thrillers like Psycho and Alien used techniques like minimal lighting and music to create suspenseful atmospheres. In the 1990s-2000s, popular thrillers focused on obsessed characters and detectives hunting serial killers, as seen in films like The Silence of the Lambs. More recent thrillers sometimes incorporate more horror elements like gore and violence to distinguish themselves. Throughout, the thriller genre has aimed to excite and entice audiences until the climactic ending.
Disaster and Thriller Films
This document provides an overview of disaster and thriller movies. It discusses common types of disasters portrayed in films such as natural disasters, accidents, alien invasions, and nuclear incidents. It notes that disaster films were especially popular in the 1970s due to events like Watergate and Three Mile Island. Examples that helped revive the genre included Airport, The Poseidon Adventure, and The Towering Inferno. More recent disaster films have featured viruses, asteroids, and ecological threats. The document also outlines characteristics of thriller films like mystery, suspense, and danger. It provides examples of classic thrillers like Psycho and The Silence of the Lambs and more recent films like Black Swan, The Rite, and Limitless
History of the horror genre
The document provides a detailed history of the horror genre from its origins in German Expressionism in the early 1900s through its developments in various decades up to the 1990s. Some key points include: German Expressionist films of the 1910s-1920s used expressionist sets and plots about madness in response to World War 1 and inflation; these films influenced later genres like horror and film noir. Horror films in the 1930s-1940s featured monsters and mad scientists, while the 1950s associated the genre with fears of communism. Psychological horror became popular in the 1960s-1970s depicting human evil, and slasher films emerged in the 1980s along with concerns over "video nasties". Horror in the
The Horror Genre An Overview - visit my site www.subversive-horror-films.com
A brief history of the horror film by Jon Towlson, the author of Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present (McFarland & Co, 2014)
History and examples
Alfred Hitchcock was a pioneering English director and producer who developed the thriller genre in film. He used innovative camera techniques and shot framing to maximize fear and suspense. One of his most famous films, Psycho, defined the horror thriller genre with its shocking violence and murder of the main character. In more recent decades, directors like David Fincher brought darker tones and violent content to thrillers like Se7en and Panic Room. Christopher Nolan is known for unconventional narratives and redefining the thriller genre with films like Memento and Inception.
History of the Horror Genre
German expressionist films of the early 1900s, such as The Cabinet of Dr. Caligari, featured expressionistic sets and stories of madness and insanity that influenced the horror genre. Expressionism declined in the 1920s but reemerged in Hollywood, influencing genres like horror and film noir. Classic horror literature from the 18th-19th centuries also influenced early horror films. Horror films in subsequent decades represented the social fears of their time through monster and human villains. Psychological horror became popular in the 1990s.
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Genre research (Thrillers)
The document discusses the genre of thriller films. It provides definitions and conventions of thrillers, including that they create suspense and excitement in audiences. Examples are given of early influential thrillers from the 1920s-1950s and how the genre has evolved over time, influenced by societal fears. Modern examples from 2000-2014 are listed and it's noted that many modern thrillers include unexpected twist endings. Box office statistics for thriller films from 1995-2016 are provided, and the target audience for thrillers is discussed.
History of thriller
Thriller films use suspense, tension, and excitement to stimulate viewers' emotions. One of the earliest thrillers was 1927's "Safety Last," while Alfred Hitchcock pioneered the genre in the 1920s-1960s with films like "Psycho" and "The Birds" that featured twist endings and depictions of crime. The protagonist is typically an ordinary person who must overcome physical and mental obstacles posed by the villainous antagonist to prevail by the end.
Genre research
A psychological thriller focuses on the protagonist's fragile mental state and paranoia, with suspense coming from their mind rather than physical threats. Typically, the protagonist struggles with a psychological issue and displays cynicism. As technology advanced, psychological thrillers became more disturbing through the use of editing techniques like fast camera shots. Significant directors of the genre include Darren Afronofsky, David Cronenberg, David Fincher, and Alfred Hitchcock, with common themes being reality, perception, mind, identity, and death.
History of horror
This document provides a history of horror films from the 19th century to modern day, covering major works, trends, and innovations within the genre. It discusses how early horror literature influenced silent films and German expressionism in the late 19th/early 20th century. The introduction of sound in the 1930s boosted the popularity of Universal monster films starring Bela Lugosi and Boris Karloff. Trends from this era like mad scientists and Gothic settings continued influencing horror through the following decades.
Genre research
Thrillers originated from ancient epic poems that used similar narrative techniques to modern thrillers. Alfred Hitchcock directed some of the earliest thriller films in the 1920s-1930s. Popular thriller film companies include Hammer Film Productions and Warner Bros, while directors like Hitchcock, Nolan, Spielberg, and Scorsese regularly make thrillers. The genre focuses on suspense, danger, and building tension to a climactic ending, exemplified in films like The Silence of the Lambs, North By Northwest, and The Great Escape. Thrillers often use plot twists and cliffhangers, and subgenres include action, comedy, crime, horror, psychological, and spy thrillers.
Thriller genre research
This document defines the thriller genre and provides a historical overview of its development. It traces the genre from Alfred Hitchcock's silent films in the 1920s-1940s which helped establish conventions of the genre. The thriller genre incorporated more violence and edged closer to horror in the 1970s-1980s and incorporated elements of action films and modern plots involving terrorism in the 21st century. It also notes the key difference between thrillers and horror is that thrillers aim to suspense and adventure while horror aims to disgust or scare audiences. Some notable thriller films, directors, and stars mentioned include Psycho (1980) directed by Alfred Hitchcock and The Silence of the Lambs (1991) directed by Jonathan Demme.
Conventions of a thriller
The document discusses the key conventions of thriller genres. It defines thrillers as involving fast pacing, action, heroes defeating villains through suspense and mystery. Common devices include red herrings, cliffhangers, and the protagonist being in danger. It then examines several subgenres of thrillers like spy, political, military, conspiracy, medical, psychological, and horror thrillers. Each subgenre explores the protagonist facing threats in different contexts like espionage, warfare, health issues, or psychological manipulation. Alfred Hitchcock is cited as directing some of the earliest thriller films in the 1920s-1930s.
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Digipack decon 2
The document summarizes the design elements of the album cover and packaging for Razorlight's "Digipack" album. The front cover features a collage of images in a scrapbook style reflecting a free spirit theme. The inside cover and disk feature a simple dotted pattern with minimal text. The back cover brings together both the dotted pattern and collage scrapbook themes to tie the overall album packaging design together in an understated color scheme.
Pitch
Palma Hope is an up-and-coming soul-pop artist looking to get her debut song "30 minute love affair" released on a mainstream record label. She appeals to audiences aged 16-30 with her unique yet relatable style. Unlike other artists in her genre, Palma Hope aims to maintain an innocent image and appeal to all audiences through individuality rather than sexualization.
Music video decon 3
The music video for Lionel Richie's "All Night Long" uses visuals that relate to the music and lyrics. Scenes of Caribbean dancers match the bongo and steel drum beat in the background. As the song picks up tempo, Lionel Richie and the crowd start dancing. During the lyrics "all my friends" he gestures to the crowd, and when singing "raise the roof" a dancer rises up with the lyrics. The video focuses on close ups of Lionel Richie, contrasting him with others in shadow, and shows an extreme close up of him dancing with another person. The video does not include any voyeurism of women or intertextual references.
Music vid decon 1
This music video for "110 Yard Dash" by Raphael Saadiq has several relationships between the visuals and music. There is a steady beat that the backing singers dance to throughout. When the rhythm changes to a faster pace at 1:36, the visuals also change, introducing different images and a new color. Some shots, like one at 0:34 of the artist running away, strongly relate to and amplify the lyrics. Close-up shots of the artist throughout, including very early at 0:21, cement his image in the viewer's mind. While there are no evident intertextual references, the video portrays the woman as sexy and promiscuous rather than utilizing voyeurism.
Buying patterns
The document discusses researching the target audiences of Paloma Faith's albums "Do You Want The Truth Or Something Beautiful" and "Fall To Grace" by analyzing other artists that customers of each album frequently purchased. For the first album, other popular purchases were from artists in similar genres like jazz or newer indie pop and soul artists. This showed that Paloma Faith's audiences explore different subgenres of pop. A similar pattern of other purchases was found for the second album, indicating the audiences' music tastes remain consistent over time though varying between artists.
Genre Research
Pop music originated in the 1950s from rock and roll. By the 1960s, pop was seen as more commercial and mainstream compared to rock. While rock music aimed for authenticity, pop music was more ephemeral and accessible to the general public. The American and British music industries dominated pop music globally and spread pop music trends, though most countries developed their own versions of pop styles. Some iconic pop artists mentioned from various decades include Bing Crosby, The Spice Girls, ABBA, Stevie Wonder, Michael Jackson, Britney Spears, and Katy Perry. The second half of the presentation focuses on the subgenre of soul music, discussing its origins from gospel and doo-wop and how it
Andrew Goodwin
Andrew Goodwin identified 6 key characteristics of music videos:
1) A relationship between the visuals and lyrics, illustrating, amplifying, or contradicting the lyrics.
2) A relationship between the music and visuals in the same way.
3) Different music genres have distinguishing video styles and symbols.
4) There is often voyeurism, especially in the portrayal of women.
5) Record companies demand many close-ups of the main artist.
6) Videos frequently reference other videos, films, TV shows, or texts through intertextuality.
Genre Research
This document provides an overview of the history and development of pop music and the subgenre of soul music. It discusses how pop music originated from rock and roll in the 1950s and was increasingly used to refer to more commercial music in opposition to rock music from the 1960s onward. Iconic pop artists from different decades are listed, from Bing Crosby and the Spice Girls to Michael Jackson and Katy Perry. For soul music, the document notes its origins from gospel and doo-wop and how social and political changes in the 1960s enabled the commercial success of soul artists, listing iconic soul artists like The Supremes and Diana Ross.
Andrew Goodwin’s key characteristics of a music video
1. Andrew Goodwin identified six key characteristics of music videos: illustrating, amplifying, or contradicting the lyrics visually and through music; different styles for different genres; voyeurism especially of women; close-ups of the main artist; intertextual references to other videos or media.
2. Examples from videos discussed include visuals relating to lyrics about babies, weed, and money as well as genre styles of grime, emo, and punk.
3. Intertextual references included Shania Twain's video copying the all-male band from Robert Palmer's "Addicted to Love" video.
Genre Research - Pop and Soul
The document provides an overview of the genre of pop music, tracing its origins from rock and roll in the 1950s and how it diverged from rock music in the 1960s to become more commercial and accessible. It discusses some iconic pop artists from different decades and how the American and British music industries have influenced pop music globally. The second half focuses on the subgenre of soul music, outlining its origins from gospel and doo-wop and how social and political changes in the 1960s helped enable the popularity of soul music.
Evaluation: Question 7
In comparing his preliminary task to his final product, the student found improvements in several key areas:
1) The camerawork was more advanced with varied angles and shots that flowed better in the final product.
2) The editing was improved with fewer errors and smoother flowing action between shots.
3) More thought was given to mise en scene, costume, location, and plot in the final product to create atmosphere.
4) Background music and sound effects were added to the final product to build tension and make the conversation and story more interesting.
Evaluation: Question 4
The document discusses how the author attracted an audience to watch their film on YouTube. They targeted late teens as their audience and used Facebook/Twitter and posters around their school to promote the film. Facebook and Twitter were used because the author's friends and followers fit the target age group. Posters were also created and hung in school case the social media posts were missed, combining both methods to attract more viewers.
Question 1
The document discusses how the media product uses conventions of real thriller films. It describes choosing the horror thriller genre and analyzing the opening scenes of 4 films to identify common elements, such as suspense, tension, excitement, and plot twists. These elements informed the design of the media product, which incorporated 4 of the 5 elements except excitement to match the chosen subgenre of horror thriller.
Evaluation: Question 1
The document discusses how the media product uses conventions of real thriller films. It describes choosing the horror thriller genre and analyzing the opening scenes of 4 films to identify common elements, such as suspense, tension, excitement, and plot twists. These elements informed the design of the media product, which incorporated 4 of the 5 elements except excitement to match the chosen subgenre of horror thriller.
Survey monkey questionnaire results
This document contains the results of a survey with questions about a film. It asks whether background music added tension, whether a black and white effect worked well, if suspense was created effectively with stair shots, and if there was a variety of shots. Respondents could answer Yes, Partly, or No for each question.
Target audience questionnaire
The document appears to be a survey about preferences for different genres of thriller films. It asks respondents to select an age range, preferred thriller genre between psychological thriller, mystery thriller, crime thriller, disaster thriller, horror thriller, and supernatural thriller. It also asks whether the conclusion is revealed straight away or kept a mystery, whether the plot is complicated or simple, whether it involves a fight/chase, element of discovery, making an escape plan or other.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Genre research, thriller
- 2. DEFINITION OF A THRILLER Thrillers are a genre of literature, film, and television programming that uses suspense, tension, and excitement as the main elements. A common subgenre is psychological thrillers.
- 3. ALFRED HITCHCOCK (1920’s) The Lodger He has helped Hitchcock had clearly been watching to shape the contemporary films by Murnau and modern-day Lang, whose influence can be seen in the thriller genre, ominous camera angles and claustrophobic lighting, which are typical features of a thriller. beginning with his early silent film The Lodger (1926), a suspenseful Jack the Ripper story.
- 4. ROBERT The Spiral Suitcase SIODMAK (1940’s) He directed the American psychological thriller The Spiral Suitcase (1946). It is based on Ethel Lina White's novel Some Must Watch.
- 5. MICHAEL Peeping Tom POWELL The gruesome story is about a (1960’s) psychopathic killer (Karl Boehm) who photographs his victims immediately He directed the prior to murdering them–he gets his 1960 film kicks out of viewing the helpless terror Peeping Tom. on their faces. While this film was denounced when first shown, it now has a cult following.
- 6. 1980’s
- 7. 2000’s
- 8. SUB-GENRES These are sub-genres Psychological thriller of the thriller genre Mystery thriller which give more detail Crime thriller to how a thriller should be laid out, in addition Disaster thriller to giving specific Political thriller examples of specific Religious thriller films for each sub- Conspiracy thriller genre category Supernatural thriller
- 9. ELEMENTS THAT DEFINE A THRILLER OFTEN TAKE PLACE WHOLLY OR PARTLY IN EXOTIC SETTINGS THE HERO MUST THWART THE PLANS OF AN ENEMY THE HEROES IN MOST THRILLERS ARE FREQUENTLY "HARD MEN" ACCUSTOMED TO DANGER AN OMINOUS OR MONSTROUS ELEMENT IS COMMON TO HEIGHTEN TENSION
- 10. “ A THRILLER IS DEFINED NOT BY THEIR SUBJECT MATTER BUT BY THEIR APPROACH TO IT ”