Lenny Lavers
   There is generally always a
    survivor. The survivor
    tends to be a girl that is
    less promiscuous and
    more masculine than the
    others. Also they are
    portrayed to be more
    motherly and caring. This
    is done to send a moral
    message to consumers.
   The Monster is a common
    convention in horror films.
    They are portrayed as very
    mainly to give the
    impression that they
    cannot be stopped. They
    are usually masked to hide
    their identity and make
    them scarier to the
    audience. The final girl
    usually kills the monster at
    the end.
    In all slasher films there is a group of friends that
     slowly get killed off one by one, excluding the final
     girl. This is generally because they fail to resist their
     temptations. The common existing characters within
     this group is:
1.   The Athlete
2.   The virgin
3.   The fool
4.   The Harlot
   There is always a
    figure of
    responsibility,
    (mainly a man) that
    aids the final girl
    with the knowledge
    of how to defeat the
    monster. Morally this
    person reflects a
    parental figure.
The ineffective authority figure
is meant to be ineffective.
This makes the audience feel
uneasy as not even the
authorities, our most
respected protection, cannot
help these pupils. Also this
leaves the audience
questioning the safety of the
real authorities, therefore
scaring them after the film is
shown.
In a slasher films there are generally two types of
locations; suburban and isolated:
•Suburban areas create fear as people see the
events happening in a location similar to theirs
which makes them feel un safe.
•Isolated areas create fear as the victims in that
location are isolated from help, making the chases
scarier
   German expressionism was created just after the German
    unification movement in 1871. It only started to get properly
    recognised until just before the first world war. The idea revolved
    around using the set to best describe characters psychological
    mind-set, for example they would use jagged shapes to show
    someone's broken psychological mind-set, and red backgrounds if
    they feel angry. Despite this in 1933 film directors fled to America
    due to World War two where they started making B movies. They
    still continued to use aspects of German expressionism and it can
    still be found in cinema today.
Film noir is a cinematic term to describe stylish Hollywood crime/detective movies.
They all consist of dark and light contrasting colour to create a mysterious
environment. The term film noir, French for "black film," first applied to Hollywood
films by French critic Nino Frank in 1946, was not recognized by most American
film industry professionals of that era.
Film noir is a cinematic term to describe stylish Hollywood crime/detective movies.
They all consist of dark and light contrasting colour to create a mysterious
environment. The term film noir, French for "black film," first applied to Hollywood
films by French critic Nino Frank in 1946, was not recognized by most American
film industry professionals of that era.

Story board

  • 1.
  • 2.
    There is generally always a survivor. The survivor tends to be a girl that is less promiscuous and more masculine than the others. Also they are portrayed to be more motherly and caring. This is done to send a moral message to consumers.
  • 3.
    The Monster is a common convention in horror films. They are portrayed as very mainly to give the impression that they cannot be stopped. They are usually masked to hide their identity and make them scarier to the audience. The final girl usually kills the monster at the end.
  • 4.
    In all slasher films there is a group of friends that slowly get killed off one by one, excluding the final girl. This is generally because they fail to resist their temptations. The common existing characters within this group is: 1. The Athlete 2. The virgin 3. The fool 4. The Harlot
  • 5.
    There is always a figure of responsibility, (mainly a man) that aids the final girl with the knowledge of how to defeat the monster. Morally this person reflects a parental figure.
  • 6.
    The ineffective authorityfigure is meant to be ineffective. This makes the audience feel uneasy as not even the authorities, our most respected protection, cannot help these pupils. Also this leaves the audience questioning the safety of the real authorities, therefore scaring them after the film is shown.
  • 7.
    In a slasherfilms there are generally two types of locations; suburban and isolated: •Suburban areas create fear as people see the events happening in a location similar to theirs which makes them feel un safe. •Isolated areas create fear as the victims in that location are isolated from help, making the chases scarier
  • 8.
    German expressionism was created just after the German unification movement in 1871. It only started to get properly recognised until just before the first world war. The idea revolved around using the set to best describe characters psychological mind-set, for example they would use jagged shapes to show someone's broken psychological mind-set, and red backgrounds if they feel angry. Despite this in 1933 film directors fled to America due to World War two where they started making B movies. They still continued to use aspects of German expressionism and it can still be found in cinema today.
  • 9.
    Film noir isa cinematic term to describe stylish Hollywood crime/detective movies. They all consist of dark and light contrasting colour to create a mysterious environment. The term film noir, French for "black film," first applied to Hollywood films by French critic Nino Frank in 1946, was not recognized by most American film industry professionals of that era.
  • 10.
    Film noir isa cinematic term to describe stylish Hollywood crime/detective movies. They all consist of dark and light contrasting colour to create a mysterious environment. The term film noir, French for "black film," first applied to Hollywood films by French critic Nino Frank in 1946, was not recognized by most American film industry professionals of that era.