Genre and music expectations
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The document outlines genre expectations for pop, hip-hop, rock, and dance music videos. Pop videos typically feature bright colors, close-ups of innocent artists, and cheesy dances set in happy locations to appeal to teenagers. Hip-hop videos usually take place in clubs or parties and feature skimpy outfits, jewelry, money and luxury items. Rock videos have dark colors and show the band performing on stage with profanity and uneasy camera movements. Dance videos focus on dance routines with narratives in clubs or parties using bright colors and lights.
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Evaluation of music video
Arash is an Iranian-Swedish singer and producer who has found great success in both Western and European music industries. While he sings in his native Farsi to connect to his Persian culture and Iran, his music spans many genres including pop, reggaeton, and dancehall. The music video described analyzes Arash's song "Dasa Bala" featuring Timbuktu, Aylar and Yag. Through creative editing techniques like dissolving scenes together with colorful smoke and zooming between shots, the video tells no clear story but keeps the audience entertained with its visual style.
Tom 5
This document analyzes the conventions of music videos across different genres. It discusses common camera shots, movements and editing techniques used, such as long shots, close-ups, pans and cuts. It also examines genre-specific conventions, such as R&B videos focusing on the artist's lifestyle, rock videos primarily featuring on-stage performances, and house/dance videos including choreographed dancing under bright, colorful lighting. The purpose is generally to promote the artist and their music through creative visuals that relate to the song's theme, narrative or meaning.
Ed Sheeran Music Video Analysis
Ed Sheeran: Thinking Out Loud music video depicts Ed Sheeran and a woman dancing intimately together in an empty ballroom. Through their close proximity, romantic gestures like touching and lying together, the video represents their relationship as intimate and loving. Iconography like the woman's white dress symbolizing purity enhances the portrayal of their romance. Low lighting and a spotlight that forms a heart over the couple further accentuate the romantic and dramatic tone of their dancing in the empty private setting of the ballroom.
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and house/electro music. The video needs to reflect youth culture and appeal to their desire to party wildly and freely. It must match the tempo of the song, building from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property depict the audience as "animals" and match their rebellious culture. Rapid editing between close-ups captures the fast pace and excitement to engage viewers.
Red 1
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful culture of being wild and free. It must match the tempo of the song, which builds from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property appeal to the rebellious nature of the target audience. Camera techniques like close-ups, rapid cuts, and slow motion are used to match the fast pace of the music. Digital effects are minimal to maintain focus on the excitement of dancing and partying.
Just dance lady gaga
This document analyzes the music video for Lady Gaga's song "Just Dance" through several lenses:
1. It demonstrates conventions of the dance pop genre through use of props like a boom box and vinyl records that signify music and partying.
2. The visuals in the video closely illustrate Lady Gaga's lyrics at first but become less literal as the party scene becomes more intoxicated.
3. Shots synchronize with the upbeat music, exaggerating the beat and tempo to amplify the music.
4. Close ups of Lady Gaga's outfits promote her brand and style, fulfilling demands from her record label to create an identity around her fashion.
5. Lady G
Assignment 26 atempt 2
The document proposes ideas for music videos for three songs. For "Young Dumb and Broke" by Khalid, it suggests a narrative video following the singer as he walks through streets after a fight with his girlfriend about rent and sings in bars to earn money. For "I Fall Apart" by Post Malone, it pitches a black and white narrative/performance video cutting between him recording the emotional song and flashbacks of time with his girlfriend. Finally, for "Feel so Close" by Calvin Harris, it recommends a performance/narrative video following a group of close friends partying at a carnival then walking home together at night.
Red
The music video for "Animals" by Martin Garrix effectively appeals to its target audience of 16-25 year olds who enjoy clubbing and electronic music. It matches the fast tempo and climactic buildup of the song through rapid editing between shots of a group dancing wildly and destroying property. Close-up shots of excited faces and bodies establish the rebellious "animal" spirit of youth culture that the lyrics and genre aim to portray.
Recommended
Evaluation of music video
Arash is an Iranian-Swedish singer and producer who has found great success in both Western and European music industries. While he sings in his native Farsi to connect to his Persian culture and Iran, his music spans many genres including pop, reggaeton, and dancehall. The music video described analyzes Arash's song "Dasa Bala" featuring Timbuktu, Aylar and Yag. Through creative editing techniques like dissolving scenes together with colorful smoke and zooming between shots, the video tells no clear story but keeps the audience entertained with its visual style.
Tom 5
This document analyzes the conventions of music videos across different genres. It discusses common camera shots, movements and editing techniques used, such as long shots, close-ups, pans and cuts. It also examines genre-specific conventions, such as R&B videos focusing on the artist's lifestyle, rock videos primarily featuring on-stage performances, and house/dance videos including choreographed dancing under bright, colorful lighting. The purpose is generally to promote the artist and their music through creative visuals that relate to the song's theme, narrative or meaning.
Ed Sheeran Music Video Analysis
Ed Sheeran: Thinking Out Loud music video depicts Ed Sheeran and a woman dancing intimately together in an empty ballroom. Through their close proximity, romantic gestures like touching and lying together, the video represents their relationship as intimate and loving. Iconography like the woman's white dress symbolizing purity enhances the portrayal of their romance. Low lighting and a spotlight that forms a heart over the couple further accentuate the romantic and dramatic tone of their dancing in the empty private setting of the ballroom.
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and house/electro music. The video needs to reflect youth culture and appeal to their desire to party wildly and freely. It must match the tempo of the song, building from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property depict the audience as "animals" and match their rebellious culture. Rapid editing between close-ups captures the fast pace and excitement to engage viewers.
Red 1
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful culture of being wild and free. It must match the tempo of the song, which builds from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property appeal to the rebellious nature of the target audience. Camera techniques like close-ups, rapid cuts, and slow motion are used to match the fast pace of the music. Digital effects are minimal to maintain focus on the excitement of dancing and partying.
Just dance lady gaga
This document analyzes the music video for Lady Gaga's song "Just Dance" through several lenses:
1. It demonstrates conventions of the dance pop genre through use of props like a boom box and vinyl records that signify music and partying.
2. The visuals in the video closely illustrate Lady Gaga's lyrics at first but become less literal as the party scene becomes more intoxicated.
3. Shots synchronize with the upbeat music, exaggerating the beat and tempo to amplify the music.
4. Close ups of Lady Gaga's outfits promote her brand and style, fulfilling demands from her record label to create an identity around her fashion.
5. Lady G
Assignment 26 atempt 2
The document proposes ideas for music videos for three songs. For "Young Dumb and Broke" by Khalid, it suggests a narrative video following the singer as he walks through streets after a fight with his girlfriend about rent and sings in bars to earn money. For "I Fall Apart" by Post Malone, it pitches a black and white narrative/performance video cutting between him recording the emotional song and flashbacks of time with his girlfriend. Finally, for "Feel so Close" by Calvin Harris, it recommends a performance/narrative video following a group of close friends partying at a carnival then walking home together at night.
Red
The music video for "Animals" by Martin Garrix effectively appeals to its target audience of 16-25 year olds who enjoy clubbing and electronic music. It matches the fast tempo and climactic buildup of the song through rapid editing between shots of a group dancing wildly and destroying property. Close-up shots of excited faces and bodies establish the rebellious "animal" spirit of youth culture that the lyrics and genre aim to portray.
Red
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to reflect youth culture and appeal to their desire to be wild and free. It must match the tempo of the song, building from slow to fast beats and climaxes. While the lyrics are minimal, the video depicts a group of people in animal masks dancing and later destroying a car to represent being "animals". The fast-paced video uses various shots and rapid editing to match the tempo changes in the song and create excitement for the young audience.
Red
The target audience of the music video "Animals" by Martin Garrix are people aged 16-25 who enjoy clubbing and electronic music like house and electro. The video needs to match the fast tempo and climactic beats of the song. It features people dancing wildly and acting like "animals" through behaviors like kissing, breakdancing, and destroying a car, appealing to the rebellious nature of young audiences. The video uses rapid editing and close-up shots to keep up with the changing pace of the instrumental song and create an exciting, chaotic vibe that mimics a lively party environment.
Pe 2 midterm ballroom dances
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1990s dance
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Sound ideas
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the new and improved.
The music video is for the song "Helena" by the band My Chemical Romance. It shows the band performing at a funeral procession for a woman named Helena. Throughout the video, the lyrics and visuals illustrate the themes of death, mourning, and remembering Helena. Shots alternate between close-ups of the singer and the full band performing energetically. The dark colors, choreography, and editing help convey the somber yet powerful tone of the song.
Analysis of my music video
The document provides details on the mise-en-scene, camera work, and editing used in a music video. For mise-en-scene, bold clothing, makeup, and hairstyles were used to portray an urban and youthful image. Camera work included close-ups to emphasize the artist, pans to draw attention, and zooms to increase impact. Editing employed cuts, jumps cuts, and fades to maintain pace and professionalism while using effects and colored filters to make the video bold and representative of the dance genre.
Nature and background of social dances and dance mixers
Nature and background of social dances and dance mixers
*Social Dances
*Dance Mixers
*Dance Etiquette
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful, wild culture and match the tempo of the song as it builds up speed. Scenes of people dancing, partying, and acting like "animals" would appeal to this audience. The lyrics are minimal to match the genre and allow for dancing. Shots of people dancing and a climactic scene of "animals" destroying a car are used to engage the target audience and match the increasing tempo and energy of the song.
Our pitch
1. The group chose to recreate Amy Winehouse's music video for "You Know I'm No Good" because the song's lyrics about relationships and conflict provide a good narrative basis.
2. Their vision is for a dark, eerie video inspired by Rihanna's "Disturbia" that uses a split narrative to convey meaning.
3. They want to portray the artist as a young, promiscuous, and rebellious woman through revealing costumes and props like red lipstick and nails.
4. Locations include a bedroom, kitchen, bar, and stage to show where affairs start and where the artist eventually breaks down in isolation.
Timbaland - Hands in the Air
The document summarizes a music video for the song "Hands In The Air" by Timbaland featuring Ne-Yo. It was produced to promote the film "Step Up". The summary describes shots used in the video including mid-shots of the singer in a club, long shots showing the club, and close-ups when singers are performing. Slow motion is used to enhance the difficulty of dancing scenes. The video cuts between clips of the performers and clips from the film, and ends by fading to black.
Music vid decon 1
This music video for "110 Yard Dash" by Raphael Saadiq has several relationships between the visuals and music. There is a steady beat that the backing singers dance to throughout. When the rhythm changes to a faster pace at 1:36, the visuals also change, introducing different images and a new color. Some shots, like one at 0:34 of the artist running away, strongly relate to and amplify the lyrics. Close-up shots of the artist throughout, including very early at 0:21, cement his image in the viewer's mind. While there are no evident intertextual references, the video portrays the woman as sexy and promiscuous rather than utilizing voyeurism.
Ballroom dance
Ballroom dance involves partners dancing together either socially or competitively. There are two main styles - smooth dances like the waltz and foxtrot that are danced across the floor, and Latin dances like the cha cha and rumba that are usually performed in one spot. Some popular ballroom dances are the foxtrot, cha cha, tango, and swing dances which have energetic moves and originated in the early 20th century.
Different genres & Their Conventions
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Wiley can you hear me
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Research adele
The video summarizes key characteristics of Adele's music video for her song:
1) It focuses primarily on Adele as the singer/songwriter, showing her singing and playing the piano.
2) The themes of heartbreak and crying shown through her makeup and costume illustrate the genre.
3) There are relationships between the lyrics, visuals, and music - for example, shots of Adele holding herself as she sings about being "black and blue."
Chandelier Music Video
The document analyzes Sia's music video for the song "Chandelier", describing how the gloomy lyrics about a party girl's relationship with alcohol are represented visually through the dancer's moves. Specific lyrics are synchronized with the dancer dropping or grabbing to mirror the song's meaning. While Sia does not appear, the dancer wears a wig iconic to the singer, all filmed in the dark, muted color style common to Sia's videos.
Indie rock music videos analysis
The document compares and contrasts elements of four music videos: The Killers' "Mr. Brightside" features wide shots of the band in a dub wearing makeup and playing instruments under high pitch lighting with illustrative video content matching the lyrics. Arctic Monkeys' "R U Mine?" shows the band lip syncing while wearing sunglasses in a truck in black and white with low pitch lighting and hand held camera. Fun's "We Are Young" includes close ups and wide shots of the band singing and fighting in a club under low pitch lighting with use of slow motion. The Vamps' "Diane Young" has close ups of the band smoking while wearing casual clothing including a balaclava, playing instruments, and singing
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Horror Trailer research
The trailer provides information about the plot of the horror film Oculus. It establishes that the film involves a girl removing a cover from a mirror, and explores the mysterious and dangerous nature of the mirror which is said to have killed 40 people over the past 4 decades. Various filming and editing techniques are discussed to build suspense and tension, such as quick cuts, scenes fading to black, high and low camera angles, and the use of low lighting and unsteady music.
Bab 1
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2) Ethnic relations in Malaysia involve the interaction of major ethnic groups including the Malays, Chinese, Indians, and indigenous peoples. Tensions have occurred but overall relations have been stable.
3) Islam promotes unity and harmony between ethnic and religious groups. Scholars like Ibn Khaldun, Al-Ghazali, and Al-Farabi emphasized tolerance and understanding between communities.
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Red
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to reflect youth culture and appeal to their desire to be wild and free. It must match the tempo of the song, building from slow to fast beats and climaxes. While the lyrics are minimal, the video depicts a group of people in animal masks dancing and later destroying a car to represent being "animals". The fast-paced video uses various shots and rapid editing to match the tempo changes in the song and create excitement for the young audience.
Red
The target audience of the music video "Animals" by Martin Garrix are people aged 16-25 who enjoy clubbing and electronic music like house and electro. The video needs to match the fast tempo and climactic beats of the song. It features people dancing wildly and acting like "animals" through behaviors like kissing, breakdancing, and destroying a car, appealing to the rebellious nature of young audiences. The video uses rapid editing and close-up shots to keep up with the changing pace of the instrumental song and create an exciting, chaotic vibe that mimics a lively party environment.
Pe 2 midterm ballroom dances
The document provides a history of ballroom dances such as the cha cha cha and jive. It discusses how these dances originated and their basic steps. Tips are also provided for ballroom dancing including proper technique, practice, costumes, shoes, and positions used in different dances.
ballroom dancing lessons
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1990s dance
Social dance in the 1990s was strongly influenced by hip hop culture. Popular dances included vogue, a solo dance incorporating model poses, and the butterfly. Country western dances also grew in popularity by drawing from earlier swing styles. Dance became pervasive in media such as music videos and Broadway musicals. Choreographers like Bob Fosse and Marlies Yearby helped develop new styles that incorporated influences from genres like burlesque, jazz, and hip hop.
Sound ideas
This document discusses potential music pieces for a psychological thriller film. It analyzes 4 pieces - "Classic Horror", "Dropplerette", "The Dance Begins", and "Redletter" - and evaluates whether each would help create the intended sinister and unsettling atmosphere through their use of low and high tones. "Redletter" is said to be most suitable with its low tones and occasional high strings and symbols to keep the audience on edge.
the new and improved.
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Analysis of my music video
The document provides details on the mise-en-scene, camera work, and editing used in a music video. For mise-en-scene, bold clothing, makeup, and hairstyles were used to portray an urban and youthful image. Camera work included close-ups to emphasize the artist, pans to draw attention, and zooms to increase impact. Editing employed cuts, jumps cuts, and fades to maintain pace and professionalism while using effects and colored filters to make the video bold and representative of the dance genre.
Nature and background of social dances and dance mixers
Nature and background of social dances and dance mixers
*Social Dances
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Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful, wild culture and match the tempo of the song as it builds up speed. Scenes of people dancing, partying, and acting like "animals" would appeal to this audience. The lyrics are minimal to match the genre and allow for dancing. Shots of people dancing and a climactic scene of "animals" destroying a car are used to engage the target audience and match the increasing tempo and energy of the song.
Our pitch
1. The group chose to recreate Amy Winehouse's music video for "You Know I'm No Good" because the song's lyrics about relationships and conflict provide a good narrative basis.
2. Their vision is for a dark, eerie video inspired by Rihanna's "Disturbia" that uses a split narrative to convey meaning.
3. They want to portray the artist as a young, promiscuous, and rebellious woman through revealing costumes and props like red lipstick and nails.
4. Locations include a bedroom, kitchen, bar, and stage to show where affairs start and where the artist eventually breaks down in isolation.
Timbaland - Hands in the Air
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Music vid decon 1
This music video for "110 Yard Dash" by Raphael Saadiq has several relationships between the visuals and music. There is a steady beat that the backing singers dance to throughout. When the rhythm changes to a faster pace at 1:36, the visuals also change, introducing different images and a new color. Some shots, like one at 0:34 of the artist running away, strongly relate to and amplify the lyrics. Close-up shots of the artist throughout, including very early at 0:21, cement his image in the viewer's mind. While there are no evident intertextual references, the video portrays the woman as sexy and promiscuous rather than utilizing voyeurism.
Ballroom dance
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Different genres & Their Conventions
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Wiley can you hear me
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1) It focuses primarily on Adele as the singer/songwriter, showing her singing and playing the piano.
2) The themes of heartbreak and crying shown through her makeup and costume illustrate the genre.
3) There are relationships between the lyrics, visuals, and music - for example, shots of Adele holding herself as she sings about being "black and blue."
Chandelier Music Video
The document analyzes Sia's music video for the song "Chandelier", describing how the gloomy lyrics about a party girl's relationship with alcohol are represented visually through the dancer's moves. Specific lyrics are synchronized with the dancer dropping or grabbing to mirror the song's meaning. While Sia does not appear, the dancer wears a wig iconic to the singer, all filmed in the dark, muted color style common to Sia's videos.
Indie rock music videos analysis
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Nature and background of social dances and dance mixers
Nature and background of social dances and dance mixers
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Horror Trailer research
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Bab 1
1) The document discusses ethnic relations in Malaysia and ethnic relations from an Islamic perspective. It outlines the image of ethnic relations in Malaysia and key Islamic views.
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Bab 3
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Rihanna posed for photos at the Sheikh Zayed Grand Mosque Center in the United Arab Emirates while visiting for a concert. The landmark mosque asked her to leave after her poses were deemed inappropriate on its grounds. In one photo posted to Instagram, Rihanna is lying on her back with the caption "no tan lines." Another shot shows her glancing over her shoulder with her arms akimbo. The mosque stated Rihanna broke rules around preserving the sacredness of the center by taking photos that did not fit within their regulations.
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The document discusses conventions and characteristics of different music video genres including pop, hip hop, R&B, indie, dance, and rock. Pop music videos typically feature close-ups of artists, fun narratives in colorful settings involving dance routines to appeal to younger audiences. Hip hop videos usually take place in clubs or parties and feature luxury items, while R&B videos commonly include alcohol, parties, and revealing clothing. Indie videos sometimes have narratives and may be black and white, and dance videos are upbeat and feature scantily clad women dancers. Rock videos tend to be eerie or weird, displaying bands performing on stage with dark colors and uneasy camera movements.
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This document outlines the typical codes and conventions of different genres of music videos, including dance music videos, R&B music videos, rock music videos, and hip-hop music videos. It provides examples of common visual elements for each genre, such as upbeat dancing in clubs for dance music videos, expensive clothing and luxury items surrounding artists for R&B videos, dark clothing and live performances for rock videos, and lavish displays of wealth featuring women for hip-hop videos. Examples of popular songs are given for each genre to illustrate the discussed conventions.
Research and Planning
The document provides guidance for a music video assignment, including templates for idea generation, research, and pre-production assessment. It suggests students select a song and develop 3 ideas for interpreting it in different styles or techniques seen in previous lessons. The pre-production section prompts students to assess the viability of their idea by investigating typical costs and the equipment or resources needed.
Indie pop genre mindmap
Indie pop music videos typically have low budgets and are shot in urban locations to keep costs down and focus attention on the artist. They often adopt a retro, gritty aesthetic using black and white film and imagery of cigarettes and alcohol. Many indie pop videos simply feature a live performance of the song to prioritize the music over narrative elements. However, some newer indie pop videos tell stories that relate to the song's lyrics, using themes of love or friendship. Both diegetic and non-diegetic sounds are used, and editing employs straight cuts paced to the beat or visual filters that create a retro atmosphere.
Genre and music expectations
Rap/hip hop conventions include casual or gangster clothing, references to violence, sex, drugs and explicit language. Colors are typically black, grey or brown. Pop features young singers performing exaggerated love songs aimed at teens, with bright clothing, dance beats and imagery that is sexual or about parties. Rock features tattooed male artists with long or short hair, dark magazine covers with unglamorous photos, and lyrics about hate. Dance includes club/party scenes, short skirts, makeup, flashing lights and consistent beats that increase and decrease pace.
Conventions of music videos
This document discusses conventions, or common features, in different genres of music videos. Some conventions that appear across genres include a relationship between the lyrics and visuals, the use of middle and long shots with close ups, and lip syncing to the song. Conventions can also include the relationship between music, color, and narrative simplicity. Specific genres like indie, hip hop, pop, R&B, and rock each have their own conventions around concepts, locations, dancing, clothing, and performance styles.
Genre and music expectations
Rap/hip hop conventions include casual or gangster clothing, references to violence, sex, drugs, and explicit language. Colors are typically black, grey or brown. Pop features young singers performing exaggerated love songs aimed at teens, with happy imagery, dance beats, and occasional rap sections. Rock involves tattooed male artists with unusual hair and unposed, gritty magazine covers dealing with explicit but non-objectifying lyrics about hate. Dance features club/party scenes with short skirts, makeup, dancing, drinking, flashing lights, and DJs over consistent beats that increase and decrease in pace.
Final pitch media
- The target audience for the song "Friends Forever" is males aged 17-25 interested in grime and hip-hop genres, and females of the same age range.
- The genre is grime, and the song can be found at a provided YouTube link.
- Locations featured in the video include Brighton beach, a drama hall, and areas in south London like Bermondsey Square.
- The video will use contrasts of day and night lighting and locations to represent the positives and negatives of friendship.
Music Video Coursework Inspiration and Ideas (1).pptx
This document provides ideas and inspiration for a music video coursework project. It discusses potential ideas like a performance video or narrative music video. Example music videos are analyzed for their filming techniques, editing, lighting, locations, and representation. The document outlines plans for the project's mise-en-scene, casting, filming approach, editing, and messaging around representation. Key elements that will be incorporated include lighting effects, location changes, close-ups, and using female performers to challenge stereotypes in rock music genres.
initial Ideas - VEL
The document provides ideas for a rock music video, including costumes in dark colors to fit the genre, filming scenes at Camden Canal as it has fitting scenery, and shooting most scenes in a drama studio with black curtains to indicate the genre. The target audience is identified as 16-20 year olds, as it is a teen rock video.
Convention table
The document compares conventions across different music genres including rap, rock, pop, and indie. For rap, conventions that often occur include heavy jewelry, flashy displays of money, expensive cars, and casual baggy clothing. Rock conventions frequently involve live instrumentation and performances, as well as dark clothing and lighting. Pop music commonly uses colorful costumes, makeup, technology, and portrays a sexual or club-going lifestyle. Indie music tends to have a casual style and focus on live performances and low-budget settings that explore emotional themes.
Tom 1
This document provides summaries for various music videos. It includes the genre, type, purpose and inspiration for each video. It also outlines common conventions for music videos such as camera shots, movements and editing techniques. Genre-specific conventions are also discussed, such as the focus on lifestyle and narrative for R&B videos and emphasis on performance for rock videos. House and dance videos typically feature choreographed dancing by the artist and others.
Research and Planning
The document provides guidance for a music video production assignment, including templates and requirements for different stages of pre-production. It outlines sections to develop ideas, research conventions, choose a song to focus on, and assess the viability of production plans. Students are directed to customize the template by adding their own work and removing placeholder text and slides as they progress through pre-planning their music video.
Mv assignment (not theory) pro forma copy
The music video will celebrate the 25th anniversary of Oasis' album "(What's the Story) Morning Glory?" by incorporating the number 25 throughout. It will include shots of a record being played and footage of someone/something matching the depressing lyrics about drugs and alcohol. The pace and tone of the fast-paced song will be reflected in the video by using quick transitions and a black and white filter to fit the mood.
Codes & Conventions of a Music Videos
This document outlines common codes and conventions found in music videos across different genres. It notes that male R&B videos often feature topless men wearing jeans or belts to appeal to young female audiences, along with tattoos and luxury items. Female R&B videos show minimal clothing to convey sexuality to male viewers, with dramatic hair and makeup. Hip hop and pop videos typically take place at parties or clubs and feature half-naked dancers, luxury cars and clothing. Rock videos focus on bands performing on stage without effects or narratives. Pop videos appeal to teens with narratives, locations like beaches, and dance routines. Indie rock sometimes includes narratives and black and white cinematography of bands. Dance videos contain dance routines in clubs
Codes & Conventions of Music Videos
This document summarizes common codes and conventions found in different genres of music videos. For R&B music videos featuring male artists, they often show the artist topless wearing slightly hanging jeans or a designer belt to appeal to young female audiences and advertise brands. Tattoos are also common. Locations include nightclubs and parties. For R&B videos featuring female artists, they wear minimal clothing to convey sexuality to male audiences and emphasize makeup, hair, and large jewelry. Hip hop and pop videos feature half naked dancers in party environments, alongside displays of jewelry, alcohol, and sports cars. Rock videos commonly show the band performing on stage in dark colors without special effects. Pop videos appeal to young audiences with narratives, dance routines
Technical Codes and conventions
This document outlines various technical codes and conventions commonly used in music videos. It provides examples of each convention from existing music videos to illustrate how they are employed. The conventions discussed include slow motion, camera movement, different locations, close-ups, rhythmic editing, diegetic/non-diegetic lighting, walking while singing, moving lights, and pulled focus. Specific music videos are analyzed such as "Slow Motion" by Trez Songs and "Hello" by Adele to demonstrate how the conventions enhance the themes and moods conveyed in the songs.
Codes and conventions
The document outlines codes and conventions for rock music videos. It states that rock videos are predominantly performance-based and focus on the band. They typically feature low-key lighting with a spotlight on band members. Editing is fast-paced to match the song. Costumes are dark and rebellious, like leather jackets. Settings are usually dark, like streets or studios. Facial expressions show passion for the music. Common camera shots include high angles, close-ups, and mid shots of instruments and movements.
No copyright track pitch
This document provides details about the song "Smile" by David Amber, including the lyrics, concept, and technical elements for a proposed music video. The lyrics describe a relationship from its passionate beginnings to drifting apart due to life changes, but maintaining fond memories. The video concept would show snippets of the couple's relationship through its stages using close-ups, slow motion, and color filters to convey emotion. Pop music was selected for the genre to appeal to its wide audience and create an emotionally impactful video.
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Different Conventions For Different Genres for Music Videos
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Music Video Coursework Inspiration and Ideas (1).pptx
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Genre and music expectations
- 2. POP It is usually has bright/neon colours and strobe lights are used. There is a close up of the artist – to show innocence. Fun and light hearted/ cheesy dances Appeals to younger target audience Teenage scenario (teenage crush) Happy mood – set in a good location eg. Beach, park, party etc.
- 3. HIP-HOP Normally set in a club or party environment Dancers/ models in skimpy clothing (short skirts, belly tops, short shorts) Features jewellery, money, cars, alcohol, mansions, branded clothing Artists wearing baggy clothes – urban dress code Slang words, swearing/profanity
- 4. ROCK Deep Dark colours Displays the band performing on the stage No narratives Some profanity Uneasy camera movements Usually wearing black, silver, grey, with piercings and tattoos, messy styled hair, black eyeliner
- 5. DANCE Dance routines Narratives Usually set in a club or a party Upbeat fun video Bright/neon colours, lights. All the dancers are wearing similar bright costumes