An overview of the Camberwell, Chelsea and Wimbledon Foundation Diploma in Art & Design. Including information on course delivery, examples of student work and portfolio advice.
Foundation Diploma in Art & Design - Student LifeCamberwellual
An insight into student life on the Foundation Diploma in Art and Design at Camberwell College of Arts. Including information on the local area, student support services and our careers and employability service.
Foundation Diploma in Art and Design Explained Camberwellual
An overview of the Camberwell, Chelsea and Wimbledon Foundation Diploma in Art and Design. Covering: course delivery, units, assessments and portfolio guidance.
UAL: Foundation Diploma in Art and Design Camberwellual
An introduction to the Camberwell, Chelsea and Wimbledon Foundation Diploma in Art and Design 2018. This presentation covers resources and facilities, the application process, fees and funding.
The Arts MRes course offers you the opportunity to undertake a closely-supervised piece of original research within the broad spectrum of visual and material culture, including historical or theoretical studies in art, design, architecture, fashion, film, television, visual digital media or performance.
Foundation Diploma in Art & Design - Student LifeCamberwellual
An insight into student life on the Foundation Diploma in Art and Design at Camberwell College of Arts. Including information on the local area, student support services and our careers and employability service.
Foundation Diploma in Art and Design Explained Camberwellual
An overview of the Camberwell, Chelsea and Wimbledon Foundation Diploma in Art and Design. Covering: course delivery, units, assessments and portfolio guidance.
UAL: Foundation Diploma in Art and Design Camberwellual
An introduction to the Camberwell, Chelsea and Wimbledon Foundation Diploma in Art and Design 2018. This presentation covers resources and facilities, the application process, fees and funding.
The Arts MRes course offers you the opportunity to undertake a closely-supervised piece of original research within the broad spectrum of visual and material culture, including historical or theoretical studies in art, design, architecture, fashion, film, television, visual digital media or performance.
Teaching:one way to your academic career
Jaye McIsaac
Educational Developer
University of Salford
22 June 2010
*Copyright rests with authors. Please use and cite appropriately .
Presentation delivered by Jamie McIntryre, Campus Library Manager, Borders College. How Borders College came to the decision to drop the CLA licence and what measures the College takes to comply with copyright law.
Presented at the College Development Network event, 'Drop the Dead Licence: Going CLA Free' on 7th December 2018.
Teaching History in the Middle Years is just about the most fun a grown adult could possibly have. In this session you will discover a range of tips, tricks and learning activities you can use immediately to develop a culture of enthusiasm for History. Make History class the BEST part of a student's day!
Stephen White is the Head of Humanities at Oxley Christian College, an HTAV presenter and contributing author to HTAV's Senior History textbook series. He teaches all year levels from 7-12.
Mr. Wright's presentation on the changing face of higher education, the meaning of progression to us as a sixth form, and how this impacts us as an institution.
Learning to Experiment – workshops and activities for key transition pointslucubrat
A session given by Anna Seabourne and Anika Easy at the Student Education Conference “The Leeds Graduate - the distinctive journey”, The University of Leeds on Friday 9 January, Parallel Session 3, 14.10-14.40
Paper abstract:
Skills@Library provides a core programme of workshops on particular topics. Last year (2014) we ran two additional weeks of workshops targeting specific groups of students to provide dedicated help at key transition points: Experimental Week and Postgraduate Week. Sessions included: lunch-time referencing drop-in clinic located in the Library foyer; using Twitter to support academic learning; active writing sessions for postgraduate students during their dissertation-writing stage; drawing for review and learning at exam and project revision stages. This meant that practical support was available and tailored to students at times and places when they needed it, showing understanding of and empathy for the transitions within their University development.
This session gives a brief overview of the activities, highlighting what helped students (and ourselves) reach those ‘A-ha!’moments, and shows how the exercises can be replicated within modules or as additional sessions when required.
Transferability: The applications of these initiatives are University-wide.
Teaching:one way to your academic career
Jaye McIsaac
Educational Developer
University of Salford
22 June 2010
*Copyright rests with authors. Please use and cite appropriately .
Presentation delivered by Jamie McIntryre, Campus Library Manager, Borders College. How Borders College came to the decision to drop the CLA licence and what measures the College takes to comply with copyright law.
Presented at the College Development Network event, 'Drop the Dead Licence: Going CLA Free' on 7th December 2018.
Teaching History in the Middle Years is just about the most fun a grown adult could possibly have. In this session you will discover a range of tips, tricks and learning activities you can use immediately to develop a culture of enthusiasm for History. Make History class the BEST part of a student's day!
Stephen White is the Head of Humanities at Oxley Christian College, an HTAV presenter and contributing author to HTAV's Senior History textbook series. He teaches all year levels from 7-12.
Mr. Wright's presentation on the changing face of higher education, the meaning of progression to us as a sixth form, and how this impacts us as an institution.
Learning to Experiment – workshops and activities for key transition pointslucubrat
A session given by Anna Seabourne and Anika Easy at the Student Education Conference “The Leeds Graduate - the distinctive journey”, The University of Leeds on Friday 9 January, Parallel Session 3, 14.10-14.40
Paper abstract:
Skills@Library provides a core programme of workshops on particular topics. Last year (2014) we ran two additional weeks of workshops targeting specific groups of students to provide dedicated help at key transition points: Experimental Week and Postgraduate Week. Sessions included: lunch-time referencing drop-in clinic located in the Library foyer; using Twitter to support academic learning; active writing sessions for postgraduate students during their dissertation-writing stage; drawing for review and learning at exam and project revision stages. This meant that practical support was available and tailored to students at times and places when they needed it, showing understanding of and empathy for the transitions within their University development.
This session gives a brief overview of the activities, highlighting what helped students (and ourselves) reach those ‘A-ha!’moments, and shows how the exercises can be replicated within modules or as additional sessions when required.
Transferability: The applications of these initiatives are University-wide.
There are 3 different classes of chaos that affect creativity: Universal, External, and Personal. Universal chaos is about finding the energy to create Something out of Nothing. External Chaos examines how life events shape us and connect us. Personal Chaos is about getting past our own doubts and fears and embracing what makes us different. This addendum to The Creative Method and Systems is meant to inspire creative-minded people to pursue what they love, with a little quantum physics thrown in for good measure.
Psychology Of Creativity - London IA 30.03.10Claire Rowland
A basic and pragmatic introduction to the psychology of creativity, from empirical research. PDF with notes: full academic references included in the notes.
A short lesson about the history of pop art and many examples to explain the techniques and themes seen in pop art. 2D pop art assignment on the end, geared towards middle to secondary education students.
We’re all trying to find that idea or spark that will turn a good project into a great project. Creativity plays a huge role in the outcome of our work. Harnessing the power of collaboration and open source, we can make great strides towards excellence. Not just for designers, this talk can be applicable to many different roles – even development. In this talk, Seasoned Creative Director Sara Cannon is going to share some secrets about creative methodology, collaboration, and the strong role that open source can play in our work.
VPSA62H3 Foundation Studies in Studio • Fall 2015 • Department.docxdickonsondorris
VPSA62H3 Foundation Studies in Studio • Fall 2015 • Department of Arts, Culture and Media | Studio
1 of 10
Course Outline
Course: FOUNDATION STUDIES in STUDIO
Course Number: VPSA62H3
Co-requisite: VPSA63H3 (But Why is it Art?)
Class Hours: Tuesday 2pm – 5pm
Lecturer: Professor Tanya Mars
Office: AA324
Office hours: Tuesday, 11am to 1pm or by appointment
Email: [email protected]
Foundation Studies in Studio is an introduction to the importance of content and context in the making of contemporary
art. You will be expected to draw on a variety of methods/practices and to mine your own experiences to create works.
Readings, presentations, gallery visits and class discussions will provide a foundation for your investigations.
Along with content/context and methods/practice, the goals of this course are to challenge your preconceptions about art;
to help you develop a rigorous, independent work ethic; and to teach you to develop a critical eye and a sophisticated art
vocabulary. You will be given a series of projects that are designed to challenge you and your imagination. Finding
creative solutions to these projects may take more time and thought than you are accustomed to putting into art projects.
You will not be given examples of how to solve assignments because the point is to learn how to find your own solutions
to the problems. Don’t panic. Open your mind. Learn to take chances. Learn to experiment. Be sure to remember to
use library resources, as well as the Internet to do research. Foundation Studies in Studio is intended to prepare you for
further study in Studio.
Important Dates
Project 1: Modular Material September 22
Project 2: Text as Image/Language as Art October 20
Project 3: Site-specific Art November 10
Project 4: Performance Art (For One) December 1
Quiz on the reading “Art and Difficulty” October 27
Field Trip October 6
Draft of Critical Response October 27
Critical Response November 17
Research Assignment 1 September 15
Research Assignment 2 October 20
Research Assignment 3 November 10
Research Assignment 4 November 24
Research Notebook December 1
Grading Scheme
Modular Material 15%
Text as Image/Language as Art 15%
Site 15%
Performance 15%
Quiz 5%
Critical Writing 10%
Research Notebook 10%
Fabrication Studio Lab Service 2%
Participation/Development 13%
100%
VPSA62H3 Foundation Studies in Studio • Fall 2015 • Department of Arts, Culture and Media | Studio
2 of 10
Grading Scale
For grading scales and an explanation of what grades mean, please refer to the Academic Handbook available on line at
the U of T website.
What is your mark based on?
A mark will be given to you for each project after it is critiqued. Work not critiqued in class will not be graded. Critical
writing and quizzes will be marked in a timely fashion. Marks are based on adherence to project parameters, clarity of
concept and effect ...
CDRC Masters Research Dissertation ProgrammeGuy Lansley
The CDRC Masters Research Dissertation Programme gives Masters students from across the UK the opportunity to undertake dissertations using commerical data on a problem set by a large commerical organisation.
For details visit: https://www.cdrc.ac.uk/retail-masters
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Foundation Diploma in Art & Design - The Course Explained
1. Foundation Diploma in
Art & Design
Camberwell, Chelsea & Wimbledon College’s of Arts
Part of University of the Arts London
2. Modes of Study Explained
There are two modes of study available
• The diagnostic mode allows you to spend time within each of the 3 main pathways
before you specialise. This mode is the traditional Foundation course model and is
best suited to students who are not yet certain of a particular subject and want a
broad range of experience in part 1.
• The specialist mode is for students who are very confident of their future direction.
This mode allows you to apply directly to one of the 4 specialist part 1 groups and
applicants to this mode will therefore need an application portfolio that demonstrates
some understanding and aptitude for the specialist option chosen.
3. Pathways & Specialist Options
Art
• Drawing
• Painting
• Photography & Time-Based Media
• Sculpture
Communication
• Film and Animation
• Graphic Design
• Illustration
Design
• Design for Theatre, Stage and
Performance
• 3D Product and Spatial Design
You will choose your Pathway & Specialist Option
with support from academic staff before Christmas
4. How the course is delivered
•Studio Projects
•Group/Team projects
•Drawing/Research assignments on location
•Tutorials
•Group Crits
•Presentations/Performances
•Self-directed study
•Lectures
•Seminars/Discussions
•Blogs
7. Part 1: Weeks 1-10
Learning Skills and Context
This involves 4 units of study which are supported by a period of
induction:
• Unit 1 Research Methods (How to gather information)
• Unit 2 Ideas Development (How to develop ideas and themes)
• Unit 3 Materials and Methods (How to place your interests in
Professional Contexts)
• Unit 4 Evaluation and Reflection
8. Part 2: Weeks 10 - 23
Progressions and Development
This involves your next 2 units of study:
• Unit 5 Integrating research, ideas and methods
• Unit 6 Preparation for progression
(this includes portfolio preparation, UCAS and Internal UAL progression
activities)
9. Part 3: 6 Weeks
Final Major Project
• You will write a project proposal and then undertake the work.
• For the last 6 weeks you will complete your final major project,
culminating in a public exhibition of your work.
• Students who pass will be graded as Distinction, Merit or Pass.
46. Portfolio Advice
The work in your portfolio should show:
• Range of creative skills and techniques
• Your process for developing ideas including sketchbook work
• Evidence of evaluation and selection process
• Represent your personality and life experiences
• Show potential for future development
• Work that interests and represents you, not just what you think we
want to see.
47. Portfolio Advice
Think about the order you want to represent your work in:
• Start with a strong, current piece of work that you really like. Make a
strong first impression
• Bring in more developmental work and show how you reached the
stage you have got to.
• Finish with another strong piece of work which shows the direction you
are wanting to go to next.
• Work doesn’t have to be presented in chronological order but it can be
helpful to add dates of work to show how you have progressed.
48. Portfolio Advice
• Be selective – if you can’t think of a good reason for a piece being in
there then take it out. What is it telling the interviewer?
• Keep it relevant to you and the course you are applying for.
• Show someone else, a tutor, friend or parent. Ask them their opinion
on the work selected and the order.
• Allow yourself plenty of time! Build in time for reflection
• Don’t over complicate it, interviewers have limited time – make it
easy for them to look at and understand your work
• Annotate, title and date if appropriate.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.
Students are in taught sessions with tutors for 3 days per week.
E.g. Monday, Tuesday and Thursday in the Studio from 10.30 am - 4.30pm
Wednesday and Friday private study, open studios & workshops, self directed gallery and museum visits.