Form research title sequences
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The document discusses how production and distribution company logos are typically displayed at the beginning of films, taking up only a small portion of the screen. Voiceovers or soundtracks often accompany these logos. The film title is then introduced, followed by text listing key production roles and credits, as well as any source material the film is based on. This provides context to the audience before the film begins.
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Conclusion of film openings
The document discusses common elements found in film openings, including idents, titles, credits, an opening scene, and sound. Idents inform viewers of studios involved and set the standard, while titles establish the tone through bold typography and sound effects. Credits are usually presented individually or in small groups and may include sound or animation. Most openings also include a scene to introduce key characters and locations. Sound is important for creating mood and atmosphere that sets the overall tone for the film. Film openings are technically constructed to convey the right tone, narrative, and location through combining these various elements.
Title sequences
The document discusses title sequences in films and television. It defines a title sequence as using conceptual visuals and sound to present the title, production details, and cast members to establish the setting and tone. Title sequences can show small parts of the film to generate interest. For example, the Goodfellas title sequence is fast-paced, shows exciting car noises as the text moves off screen, flashes up the cast names quickly, and gives the date and location to make it feel realistic. Title sequences can involve the director and cast names, production company names, contrasting colors, hints of the film's content, shots of the cast, music, and animation or film clips to provide context.
The Fimr Vs Angels & Demons
The homepage for the film "The Firm" has a simple white background with a faded establishing shot of the film's setting merged with a color medium shot of the main characters. The baby blue sans-serif title takes up much of the top of the page. Additional information includes quotes, ratings, and easy to find sections for synopsis, stills, video, downloads, description of clothes/brands, and interviews with cast/directors. At the bottom is a navigational bar to access these sections. Similarly, the film "Angels and Demons" has a navigational bar to access information about the film, locations, gallery, video, and downloads. Both websites aim to promote the films and encourage social media following
Points drawn from moving image analysis
Through analyzing moving images, the author has identified several techniques commonly used in horror film trailers to appeal to audiences. These include establishing shots of production companies and age ratings at the start. A variety of shots are used to introduce characters and settings. Edits like fade-to-black and jump cuts set the pace and flow while creating an unsettling feeling. Eerie sounds, diegetic effects like breathing, and non-diegetic music add to the fear and suspense. Lighting uses high-key and low-key contrasts to emphasize scenes, while enigma codes and cliffhangers intrigue viewers. The trailer usually ends by displaying the film title and release date.
Analysis of credit and title sequence
The document discusses different techniques used in the opening of short films, including:
1) Featuring the director holding a clapboard with his name to introduce him to the audience.
2) Having the film title appear letter by letter on screen with background music.
3) Using an establishing shot to set the scene and location for the narrative with transparent text.
4) Listing cast names on a black screen for quick reading before separating music credits in the next frame.
Video game
The document discusses the production of a video game cover prop for a short film about a misplaced package. It will feature the name of the video game and film, "Tempus Viator", which translates to time travel, with a stopwatch in the center to signify its importance in the story. Drafts were created before choosing a final cover design incorporating a stopwatch, name, and production details to resemble an actual video game referenced in the film's storyboards.
Designing a movie trailer
The document provides guidance on designing an effective movie trailer, recommending that the trailer follows a narrative structure by showing part of the rising action and climax from the first act of the movie. It suggests selecting clips that introduce the main characters and conflicts, as well as dramatic or humorous moments from the primary action. Additionally, it advises keeping the trailer under 1 minute and 30 seconds and choosing clips that will entice the target audience to want to see the full movie.
Conclusion of Film Openings
The document discusses common elements found in film openings, including idents, titles, credits, an opening scene, and sound. It notes that idents establish the studios involved and set the standard for the film. Titles are usually enhanced with sound effects and bold typography to be easily seen and communicate what viewers are watching. Credits are typically presented individually or in small groups to be noticeable. Most openings include an initial scene to introduce key characters and locations. Sound is used to set the mood and atmosphere through music and effects accompanying visual elements. Overall, technical construction of these components aims to successfully convey tone, narrative, and context to viewers from the start.
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Conclusion of film openings
The document discusses common elements found in film openings, including idents, titles, credits, an opening scene, and sound. Idents inform viewers of studios involved and set the standard, while titles establish the tone through bold typography and sound effects. Credits are usually presented individually or in small groups and may include sound or animation. Most openings also include a scene to introduce key characters and locations. Sound is important for creating mood and atmosphere that sets the overall tone for the film. Film openings are technically constructed to convey the right tone, narrative, and location through combining these various elements.
Title sequences
The document discusses title sequences in films and television. It defines a title sequence as using conceptual visuals and sound to present the title, production details, and cast members to establish the setting and tone. Title sequences can show small parts of the film to generate interest. For example, the Goodfellas title sequence is fast-paced, shows exciting car noises as the text moves off screen, flashes up the cast names quickly, and gives the date and location to make it feel realistic. Title sequences can involve the director and cast names, production company names, contrasting colors, hints of the film's content, shots of the cast, music, and animation or film clips to provide context.
The Fimr Vs Angels & Demons
The homepage for the film "The Firm" has a simple white background with a faded establishing shot of the film's setting merged with a color medium shot of the main characters. The baby blue sans-serif title takes up much of the top of the page. Additional information includes quotes, ratings, and easy to find sections for synopsis, stills, video, downloads, description of clothes/brands, and interviews with cast/directors. At the bottom is a navigational bar to access these sections. Similarly, the film "Angels and Demons" has a navigational bar to access information about the film, locations, gallery, video, and downloads. Both websites aim to promote the films and encourage social media following
Points drawn from moving image analysis
Through analyzing moving images, the author has identified several techniques commonly used in horror film trailers to appeal to audiences. These include establishing shots of production companies and age ratings at the start. A variety of shots are used to introduce characters and settings. Edits like fade-to-black and jump cuts set the pace and flow while creating an unsettling feeling. Eerie sounds, diegetic effects like breathing, and non-diegetic music add to the fear and suspense. Lighting uses high-key and low-key contrasts to emphasize scenes, while enigma codes and cliffhangers intrigue viewers. The trailer usually ends by displaying the film title and release date.
Analysis of credit and title sequence
The document discusses different techniques used in the opening of short films, including:
1) Featuring the director holding a clapboard with his name to introduce him to the audience.
2) Having the film title appear letter by letter on screen with background music.
3) Using an establishing shot to set the scene and location for the narrative with transparent text.
4) Listing cast names on a black screen for quick reading before separating music credits in the next frame.
Video game
The document discusses the production of a video game cover prop for a short film about a misplaced package. It will feature the name of the video game and film, "Tempus Viator", which translates to time travel, with a stopwatch in the center to signify its importance in the story. Drafts were created before choosing a final cover design incorporating a stopwatch, name, and production details to resemble an actual video game referenced in the film's storyboards.
Designing a movie trailer
The document provides guidance on designing an effective movie trailer, recommending that the trailer follows a narrative structure by showing part of the rising action and climax from the first act of the movie. It suggests selecting clips that introduce the main characters and conflicts, as well as dramatic or humorous moments from the primary action. Additionally, it advises keeping the trailer under 1 minute and 30 seconds and choosing clips that will entice the target audience to want to see the full movie.
Conclusion of Film Openings
The document discusses common elements found in film openings, including idents, titles, credits, an opening scene, and sound. It notes that idents establish the studios involved and set the standard for the film. Titles are usually enhanced with sound effects and bold typography to be easily seen and communicate what viewers are watching. Credits are typically presented individually or in small groups to be noticeable. Most openings include an initial scene to introduce key characters and locations. Sound is used to set the mood and atmosphere through music and effects accompanying visual elements. Overall, technical construction of these components aims to successfully convey tone, narrative, and context to viewers from the start.
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There are five key stages of film production: development, pre-production, production, post-production, and distribution. Development involves finding financing, script development, and hiring key crew. Pre-production consists of finalizing scripts, scheduling, budgeting, casting, and location scouting. During production, the raw film elements are recorded, including cinematography, sound, costumes, and special effects. Post-production includes editing, adding visual effects and sound mixing. Distribution involves releasing the film in theaters, home video, and television markets over 1-3 years to maximize revenue.
5. production reflection sf 2017
1) The document describes the production process for a short film, including planning with PowerPoints, filming with a camera, and editing in Premier and After Effects.
2) Special effects like wings were added in After Effects using masks and puppet pins.
3) Diegetic and non-diegetic sounds were used to enhance the silent film, including sad music during bullying and victory music at the end when the main character stands up to the bullies.
As foundation portforlio presentation evlaulation
This document summarizes the media product "Dark Days" created by Franklin, Petros, and Ed. It discusses the conventions and influences from other films used in their opening titles, narrative structure, sound design, and editing. It also addresses the potential audiences and distributors for their film and what they learned about film technologies through the process.
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This document discusses different types of sounds that can be used in films and trailers to create emotion and atmosphere. It outlines diegetic sounds, which come from visible or implied sources, and non-diegetic sounds, which do not have a visible on-screen source. Examples of common sound elements discussed include dialogue, voiceovers, scores, soundtracks, sound bridges, sound effects, and ambient sounds. Different video examples are provided to illustrate how each type of sound can be effectively used.
Question 6
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The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
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The document discusses conventions in movie trailers. Trailers typically include a summary of the film's equilibrium, disequilibrium, and new equilibrium. They also feature positive reviews from critics. Trailers are usually less than 3 minutes to avoid revealing too much information. Titles and graphics in trailers aim to summarize the film and genre without giving too much away. Editing and sound work together in trailers to build suspense through techniques like starting slow and picking up pace or mixing non-diegetic sounds.
Research fmp 2
The document provides analysis of the trailer for the film IT. It notes that the trailer effectively builds tension through its use of changing music that gets more intense. It also discusses how the pacing of shots increases to build suspense as the trailer progresses. The remote small town setting is analyzed as adding to a suspenseful atmosphere with limited space to hide. Dark and emotionless post-production editing is highlighted as creating an eerie feel. The short length of the trailer is said to instantly grip the audience with suspense and fear.
AS Media Product Evaluation- Question 1
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Titling filmed and analysed
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Idents
Most teaser trailers keep idents (logos) brief, showing them for only 1-2 seconds at the beginning. While some idents have slight animated zoom transitions, most are static photographs. To draw viewers in, many teaser idents feature dark backgrounds with bright, high-contrast logos. For a film with a dark tone, the document recommends designing an ident with a dark grey, black, or white textured background to make it memorable within the teaser trailer.
Evaluation 6
From constructing a film opening using Panasonic HD cameras and Final Cut Pro editing software, the student learned:
- Panasonic cameras allow high-quality video and photo recording with a tripod for balanced shots at different heights and angles.
- Final Cut Pro makes editing easy through features like adding transitions, effects, cutting/pasting scenes, and precisely placing sounds.
- Various film techniques like different shot types, lighting adjustments, and effects help make the thriller more interesting and professional.
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The document discusses different methods for titling filmed content and analyzes titles from three films. It suggests titling a film can be done in bold colors or with animation to capture audience attention. The aim is to convey the film's title and give insight into the movie. Effects used should emphasize the film's genre. Titles were then analyzed from three films: durations were 20-30 seconds over imagery with readable fonts and color changes; production companies and lead actors were listed before titles; and music intensified as titles appeared before quieting for the film.
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The document outlines the resources and equipment that will be used for a film production. A Sony DSLR camera will be used along with a waterproof casing for underwater shots. Additional equipment includes a shoulder stabilizer, tripod, dolly, softbox lighting, studio lights, and reflectors. The school will provide the camera casing, stabilizer, lighting equipment, and editing software. Final Cut Pro X will be used for editing by Hannah Grinham, including jump cuts, fades, and slow motion shots. A recording studio at the school will be used for minimal dialogue.
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Form research FINAL with summary
The document discusses various film techniques for shot composition including close-up shots, medium shots, long shots, over-the-shoulder shots, lighting, filming dialogue, depth of frame, open and closed framing, point of view, and panning. It notes that these techniques can be used to convey specific meanings and influence audience perspective. It concludes that depth of frame, open and closed framing, panning, and over-the-shoulder shots may be particularly useful techniques to apply in their upcoming film production.
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The document discusses various film techniques for shot composition including close-up shots, medium shots, long shots, over-the-shoulder shots, lighting, filming dialogue, depth of frame, open and closed framing, point of view, and panning. It provides examples of when and how each technique is conventionally used. It concludes with noting some of these techniques that could be useful for the filmmakers' upcoming production, such as depth of frame, open and closed framing, panning, and over-the-shoulder shots.
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There are five key stages of film production: development, pre-production, production, post-production, and distribution. Development involves finding financing, script development, and hiring key crew. Pre-production consists of finalizing scripts, scheduling, budgeting, casting, and location scouting. During production, the raw film elements are recorded, including cinematography, sound, costumes, and special effects. Post-production includes editing, adding visual effects and sound mixing. Distribution involves releasing the film in theaters, home video, and television markets over 1-3 years to maximize revenue.
5. production reflection sf 2017
1) The document describes the production process for a short film, including planning with PowerPoints, filming with a camera, and editing in Premier and After Effects.
2) Special effects like wings were added in After Effects using masks and puppet pins.
3) Diegetic and non-diegetic sounds were used to enhance the silent film, including sad music during bullying and victory music at the end when the main character stands up to the bullies.
As foundation portforlio presentation evlaulation
This document summarizes the media product "Dark Days" created by Franklin, Petros, and Ed. It discusses the conventions and influences from other films used in their opening titles, narrative structure, sound design, and editing. It also addresses the potential audiences and distributors for their film and what they learned about film technologies through the process.
Research - Sound
This document discusses different types of sounds that can be used in films and trailers to create emotion and atmosphere. It outlines diegetic sounds, which come from visible or implied sources, and non-diegetic sounds, which do not have a visible on-screen source. Examples of common sound elements discussed include dialogue, voiceovers, scores, soundtracks, sound bridges, sound effects, and ambient sounds. Different video examples are provided to illustrate how each type of sound can be effectively used.
Question 6
This document discusses the various technologies used to construct a thriller project, including Camtasia to record screen footage and import into Final Cut Pro for editing. Soundtrack Pro was used to compose soundtracks and Photoshop was used to crop logos. JVC camcorders were used for filming but additional equipment like tripods and a fig rig were also utilized. Finally, various social media sites like Tumblr were researched and fake accounts were created to make the thriller's portrayal of an online conversation realistic.
Understanding the soundtrack - Lights out
The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
Summary of trailers
The document discusses conventions in movie trailers. Trailers typically include a summary of the film's equilibrium, disequilibrium, and new equilibrium. They also feature positive reviews from critics. Trailers are usually less than 3 minutes to avoid revealing too much information. Titles and graphics in trailers aim to summarize the film and genre without giving too much away. Editing and sound work together in trailers to build suspense through techniques like starting slow and picking up pace or mixing non-diegetic sounds.
Research fmp 2
The document provides analysis of the trailer for the film IT. It notes that the trailer effectively builds tension through its use of changing music that gets more intense. It also discusses how the pacing of shots increases to build suspense as the trailer progresses. The remote small town setting is analyzed as adding to a suspenseful atmosphere with limited space to hide. Dark and emotionless post-production editing is highlighted as creating an eerie feel. The short length of the trailer is said to instantly grip the audience with suspense and fear.
AS Media Product Evaluation- Question 1
The document discusses how a student media product uses, develops, or challenges conventions of real supernatural thriller media. The narrative is nonlinear and open-ended, with the most significant event occurring before the credits. Various aspects of the film, like isolation and mysterious events, fit the chosen supernatural thriller genre. Cinematography, editing, lighting, sound, mise-en-scene, and typography were all intentionally manipulated to create feelings of tension, suspense, confusion, and isolation for the audience, as is common in the supernatural thriller genre.
Script to Screen- Fracture
The document discusses a short film titled "Jigsaw" based on a script. It analyzes different elements of the script including possible genres, mise-en-scene, editing, camerawork, soundtrack, and how well the narrative translates from the script. It notes some things that didn't work well in the short film such as sound effects being too loud and unsteady camera angles. It also discusses what could be done differently in production and post-production to improve realism and focus on story elements. The exercise will help the writers think about providing guidance for others involved and incorporating themes when writing their own scripts, as well as planning shots and staying organized during production and post-production.
Titling filmed and analysed
The document discusses different ways of titling a film and analyzes the titling of three films. It suggests titling options like bold colorful titles that change as the film begins or titles with animation. Effective titling captures the audience and sets the tone. The analysis found titles typically last 20-30 seconds over background images to set the scene. Font sizes are large and readable while colors change with the scene. Production companies are shown first typically followed by the title and actors/director. Titling transitions like fading and includes chilling intensifying music.
Idents
Most teaser trailers keep idents (logos) brief, showing them for only 1-2 seconds at the beginning. While some idents have slight animated zoom transitions, most are static photographs. To draw viewers in, many teaser idents feature dark backgrounds with bright, high-contrast logos. For a film with a dark tone, the document recommends designing an ident with a dark grey, black, or white textured background to make it memorable within the teaser trailer.
Evaluation 6
From constructing a film opening using Panasonic HD cameras and Final Cut Pro editing software, the student learned:
- Panasonic cameras allow high-quality video and photo recording with a tripod for balanced shots at different heights and angles.
- Final Cut Pro makes editing easy through features like adding transitions, effects, cutting/pasting scenes, and precisely placing sounds.
- Various film techniques like different shot types, lighting adjustments, and effects help make the thriller more interesting and professional.
Critical review of dying night. media studeies
The document discusses conventions used in a film project, including having protagonists and antagonists to drive the story towards a climax and resolution. It describes using wide angle establishing shots in the beginning to set the scene. Key lighting and shadows were used to maximize dramatic effects, with low-key lighting to keep the drama darker. Subtitles were included to broaden the global audience. iMovie was used to edit the film and sound.
Titling filmed and analysed
The document discusses different methods for titling filmed content and analyzes titles from three films. It suggests titling a film can be done in bold colors or with animation to capture audience attention. The aim is to convey the film's title and give insight into the movie. Effects used should emphasize the film's genre. Titles were then analyzed from three films: durations were 20-30 seconds over imagery with readable fonts and color changes; production companies and lead actors were listed before titles; and music intensified as titles appeared before quieting for the film.
Equipment and resources
The document outlines the resources and equipment that will be used for a film production. A Sony DSLR camera will be used along with a waterproof casing for underwater shots. Additional equipment includes a shoulder stabilizer, tripod, dolly, softbox lighting, studio lights, and reflectors. The school will provide the camera casing, stabilizer, lighting equipment, and editing software. Final Cut Pro X will be used for editing by Hannah Grinham, including jump cuts, fades, and slow motion shots. A recording studio at the school will be used for minimal dialogue.
Cave mise on-scene
The document discusses lighting, sound, props, and location used in a film scene. For lighting, only helmet lights are used, creating a gloomy, dark atmosphere where the characters are vulnerable. Infrared footage shows what is happening and the surroundings. For sound, suspenseful music builds tension and horror. Props include helmet lights and bones on the ground. The location, a deep, cramped cave, traps the characters and increases the likelihood of death if anything happens.
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The document appears to be a shot list for a film depicting the events of a bride getting ready for her wedding. It begins with exterior shots of the house and evidence of the wedding (confetti, shoes, champagne) before cutting to interior shots showing the bride getting dressed and prepared for the wedding with the help of her bridesmaid and mother. It then flashes back one year earlier to show the bride filling out applications and posting them, hoping for her future.
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The document discusses different elements that are commonly seen in film title sequences, including music, lighting, iconography/symbols, text, and narrative. It provides examples of how each element is used to introduce characters and set the tone or context for the film's storylines. Elements like high-key lighting, catchy music without dialogue, and snapshots of characters' daily lives are described as typical approaches to setting the scene for the main plot.
Print Form Research
This document discusses conventions in music magazines and television shows. It contains magazine covers from Rolling Stone Australia from March 2011 and Q Magazine from May 2010. The Rolling Stone cover features the masthead and secondary headlines. The Q Magazine cover features the masthead, a headline about arousing curiosity, and secondary lines about two artists against each other appealing to masculinity and fighting. The document also references a case study about conventions in the music magazine NME and the television show Top of the Pops.
Taextual a nalysis double page spreads
This document analyzes and summarizes three double page spreads from magazines featuring musical artists. For Florence + the Machine in Vibe Magazine, the spread uses layered text and a photo of Florence Welch sitting on the American flag to portray her determination to succeed in the US. For Ben Lee in Rolling Stone Australia, the title references a film and the photo shows Lee with friends, conveying his lighthearted music. For Pink in Cash for Questions, the layout separates the photo from heavy text, risking readers will skim rather than thoroughly read the question and answer style article.
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Form research title sequences
- 4. Text comes up on screen – production and distribution companies. Usually doesn’t take up too much space with the whole frame. Usually set to either voice overs or a soundtrack
- 5. The title then appears on the screen, introducing the audience to the film.
- 7. Text comes up on screen – production and distribution companies. Usually doesn’t take up too much space with the whole frame. The Notebook has the actors names come up on the screen.
- 8. This is used to give the audience Background and context to the film, and all the credits are fitted into the same scene. Any relevant information regarding key editing and production roles are placed in, not forgetting to mention if the film is based on a particular book, or true events..