The document provides information about the geographical regions of Mindanao island in the Philippines. It discusses the key provinces and cities in each region, including Zamboanga Peninsula, Northern Mindanao, Davao Region, SOCCSKSARGEN Region, Caraga Region, and ARMM Region. For each area, it summarizes the political divisions, history, culture, festivals, and important facts. It also provides background on the indigenous groups like the Subanon people and details on major cities like Zamboanga City, Cagayan de Oro, and Davao City.
The document summarizes the arts and crafts of various regions in the Philippines, including Luzon and the Cordillera Administrative Region. In Ilocos, notable arts include calle crisologo architecture with large roofs and adobe construction. Inabel weaving and burnay pottery are also described. The Cordillera region is known for Kalinga textiles like the kain skirt, basketry like the labba bowl, and Wang-Od as the last traditional Kalinga tattoo artist. Ifugao arts feature bul'ul rice spirits and lingling-o amulets. Central Luzon areas are noted for parol lanterns, singkaban bamboo designs, and architectural
The Visayas region is divided into three administrative regions and is home to several languages. Panay Island is composed of several provinces and is known for its weaving traditions, particularly of piรฑa and patadyong textiles. Several other islands and areas such as Negros, Bohol, Basey and Kalibo are also known for their distinctive weaving and basketry traditions using indigenous materials. Major festivals celebrated in the Visayas include the colorful Ati-Atihan festival in Kalibo and the Masskara festival in Bacolod.
The document summarizes the arts and crafts of the Philippine region of Luzon, including textiles, fabrics, tapestries, clothing, accessories, body ornamentation, and crafts from different ethnic groups. Some key textiles discussed include inabel from Ilocos, kain from the Cordillera region, and wanes and lufid from Mountain Province. Body ornamentation examined includes batok tattoos from Kalinga and tattoos found on Kabayan mummies. A wide variety of crafts are also outlined from regions across Luzon.
The indigenous people of Luzon, Philippines have a rich artistic tradition that is reflected in their everyday items. They wove fiber from plants like abaca, pineapple, and cotton into cloth, rugs, baskets, and hats. Different tribal groups had distinct weaving styles. The people also crafted mats, backpacks, and ceramic jars. The arts demonstrated the tribes' backgrounds and were used for purposes like food storage, hunting, transporting grain, catching fish, and storing the dead. The Cordillera region of Northern Luzon was especially known for its weavers, pottery makers, and skilled craftspeople.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
ย
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
The folk songs of the Luzon lowlands in the Philippines were traditionally passed down orally and accompanied daily activities. They were performed in native languages like Ilocano, Pangasinense, and Tagalog. Characteristics include being passed down orally, learned through repetition, sung in dialect, having simple melodies and lyrics based on nature or work. Examples of folk songs mentioned are "Pamulinawen" and "Magtanim ay 'Di Biro." Religious music was also influenced by Spanish colonization, incorporating indigenous forms into Christian rituals like Salubong and Flores de Mayo. Secular music includes harana serenades, kumintang love songs, and pandanggo court
Folk Arts and Crafts of the Caraga and ARMM RegionsJaneAira1
ย
CARAGA is a region in the Philippines named after the word "Kalag" meaning "Spirit of the Soul". It is also known as the "Region de Gentle Animosa" or "Region of Spirited men". Traditional artifacts from the region include death masks, sacred threads, gold sashes, and dagger handles.
The document provides information about the geographical regions of Mindanao island in the Philippines. It discusses the key provinces and cities in each region, including Zamboanga Peninsula, Northern Mindanao, Davao Region, SOCCSKSARGEN Region, Caraga Region, and ARMM Region. For each area, it summarizes the political divisions, history, culture, festivals, and important facts. It also provides background on the indigenous groups like the Subanon people and details on major cities like Zamboanga City, Cagayan de Oro, and Davao City.
The document summarizes the arts and crafts of various regions in the Philippines, including Luzon and the Cordillera Administrative Region. In Ilocos, notable arts include calle crisologo architecture with large roofs and adobe construction. Inabel weaving and burnay pottery are also described. The Cordillera region is known for Kalinga textiles like the kain skirt, basketry like the labba bowl, and Wang-Od as the last traditional Kalinga tattoo artist. Ifugao arts feature bul'ul rice spirits and lingling-o amulets. Central Luzon areas are noted for parol lanterns, singkaban bamboo designs, and architectural
The Visayas region is divided into three administrative regions and is home to several languages. Panay Island is composed of several provinces and is known for its weaving traditions, particularly of piรฑa and patadyong textiles. Several other islands and areas such as Negros, Bohol, Basey and Kalibo are also known for their distinctive weaving and basketry traditions using indigenous materials. Major festivals celebrated in the Visayas include the colorful Ati-Atihan festival in Kalibo and the Masskara festival in Bacolod.
The document summarizes the arts and crafts of the Philippine region of Luzon, including textiles, fabrics, tapestries, clothing, accessories, body ornamentation, and crafts from different ethnic groups. Some key textiles discussed include inabel from Ilocos, kain from the Cordillera region, and wanes and lufid from Mountain Province. Body ornamentation examined includes batok tattoos from Kalinga and tattoos found on Kabayan mummies. A wide variety of crafts are also outlined from regions across Luzon.
The indigenous people of Luzon, Philippines have a rich artistic tradition that is reflected in their everyday items. They wove fiber from plants like abaca, pineapple, and cotton into cloth, rugs, baskets, and hats. Different tribal groups had distinct weaving styles. The people also crafted mats, backpacks, and ceramic jars. The arts demonstrated the tribes' backgrounds and were used for purposes like food storage, hunting, transporting grain, catching fish, and storing the dead. The Cordillera region of Northern Luzon was especially known for its weavers, pottery makers, and skilled craftspeople.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
ย
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
The folk songs of the Luzon lowlands in the Philippines were traditionally passed down orally and accompanied daily activities. They were performed in native languages like Ilocano, Pangasinense, and Tagalog. Characteristics include being passed down orally, learned through repetition, sung in dialect, having simple melodies and lyrics based on nature or work. Examples of folk songs mentioned are "Pamulinawen" and "Magtanim ay 'Di Biro." Religious music was also influenced by Spanish colonization, incorporating indigenous forms into Christian rituals like Salubong and Flores de Mayo. Secular music includes harana serenades, kumintang love songs, and pandanggo court
Folk Arts and Crafts of the Caraga and ARMM RegionsJaneAira1
ย
CARAGA is a region in the Philippines named after the word "Kalag" meaning "Spirit of the Soul". It is also known as the "Region de Gentle Animosa" or "Region of Spirited men". Traditional artifacts from the region include death masks, sacred threads, gold sashes, and dagger handles.
This document provides an overview of the arts and crafts of the MIMAROPA and Visayas regions of the Philippines. Some highlights include the Moriones Festival on Marinduque, woven bags and mats from Romblon, Tingkop jars from Palawan, raffia crafts in the Visayas, and piรฑa weaving and festivals like Ati-Atihan and MassKara in various islands of the Visayas. The architecture of churches like Molokai and Miag-Ao is also mentioned.
Folk Arts and Crafts of Northern Mindanao and SoccsksargenJaneAira1
ย
The T'boli people of Mindanao are known for their weaving traditions, where they create intricate patterns and designs in their woven fabrics that represent their dreams and culture. Their name comes from the word tau-bili, which means "small human creature" and references fruit from a wild vine. They are a indigenous group located in South Cotabato province known for their skill and artistry in weaving.
The document summarizes various arts and crafts from the highlands and lowlands of Luzon in the Philippines. In the highlands, the Ifugao people are known for wood carving figures called bulul to protect crops, as well as basket weaving and textile weaving. Their architecture includes native houses built on stilts and the famous Banaue Rice Terraces. In the lowlands, wood carving and textile weaving are prominent, such as the wood carvings of Paete, Laguna and the woven fabrics and embroidery of Batangas and Nueva Vizcaya. Paper cutting is also practiced, particularly the pastillas wrapper art of Bulacan.
The document discusses several cultural communities in Luzon, Philippines and their traditional art forms. It describes the Ifugao people as living in the mountains of northern Luzon and being famous for their woodcarving, weaving, and construction of the Banaue Rice Terraces. Specifically, it notes the Ifugao create woodcarvings of bul-ul figures and hagabi benches, weave blankets, clothing and baskets using materials like rattan that are prevalent in their environment, and carved terraces into mountainsides to farm rice. The document also briefly outlines the visual art and crafts of the Ivatans such as stone houses and Vakul artworks, and the Gaddang
The document summarizes some of the traditional arts and crafts of the Ilocos Region, Cordillera Administrative Region (CAR), and surrounding areas of Luzon in the Philippines. In the Ilocos Region, important arts include the Spanish colonial architecture in Vigan, Inabel weaving techniques using traditional looms, and Burnay pottery jars. The Kalinga are known for their textiles featuring various cultural patterns, basket weaving, wood carving, and tattooing traditions. The Ifugao are renowned for their bul'ul rice granary sculptures and lingling-o amulets. Mountain Province is known for burial cloths and various indigenous textile traditions among different ethnic groups.
The document provides an overview of the diverse ethnic groups and cultures found in Mindanao, the southernmost major island of the Philippines. It discusses the traditional attire, textiles, crafts, architecture, and sculptures of several Mindanao groups including the B'laan, Bagobo, T'boli, Maranao, and Yakan. Some key aspects summarized include the ikat dyeing process used to create intricate patterns on abaca fabrics, importance of the malong skirt to Maranao culture, and wood carving and metalworking traditions of groups like the T'boli and Maranao that feature motifs inspired by local wildlife.
This document provides information on the arts and crafts of the indigenous peoples in the Cordillera region of Luzon in the Philippines. It describes various crafts like weaving, jewelry making, tattooing, and headwear that have cultural and symbolic significance. Tattoos among warrior tribes like the Kalinga and Bontoc represented a person's status and achievements in battle, with more elaborate designs indicating those who had killed multiple enemies. Traditional crafts continue to be an important part of cultural expression for many Filipino ethnic groups.
The document discusses the arts and crafts of the Cordillera Administrative Region in the Philippines. It describes various crafts from the region including baskets made of rattan, textiles featuring geometric patterns, wooden sculptures that represent rice spirits, amulets and hanging coffins. It also mentions the traditional attire of the different ethnic groups as well as weaving techniques used. The document then outlines a group activity where students will be assigned to different tasks related to promoting the arts and crafts of the Cordillera Administrative Region such as designing regional-inspired clothing or redesigning the Philippine 1000 peso bill.
Music of MIndanao (Islam and non-Islam).ppt 1 k-12Elmer Llames
ย
This document provides information on the diverse music cultures of Mindanao, Philippines. It discusses the various Islamic and non-Islamic ethnic groups of Mindanao and gives examples of their vocal and instrumental music traditions. Specific genres of music are mentioned for occasions like lullabies, weddings, and funerals. Musical instruments used by different groups are also described, including string instruments like the kudlung, wind instruments like the suling bamboo flute, and percussion instruments like the kulintang gong chimes and gandingan suspended gongs.
This document provides information on various aspects of Philippine culture, including:
- Artistic works produced by untrained anonymous artists that represent the identity of the country.
- The Ilocano people, the largest ethnolinguistic group in the Philippines, who are highly influenced by Christianity.
- Traditional crafts like piรฑa fabric, the beating of cotton balls, and threads made from black plum sap.
- Regions known for specific goods - Paoay for an occupational dance, Baguio for bamboo crafts, and Vigan for unglazed earthenware jars.
- Cultural practices like mummification in Kalinga and hanging coffins of the Ibaloi
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSONakosi Ma'am
ย
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSON
2ND QUARTER LESSON 1 MAPEH 7 LESSON IN ART
DISCLAIMER: NO COPYRIGHT INFRINGEMENT.
#JHSMAPEHTeacherandArt teacher
Arts and craft of mindanao attire textile and tapestriesDon San Diego
ย
1. The document discusses various traditional attires, textiles, and craft accessories from different ethnolinguistic groups in Mindanao such as the Bilaan, Bagobo, T'boli, Maranao, Yakan, and T'boli.
2. It describes traditional clothing materials like abaca, distinctive weaving techniques like ikat, and elaborate embroidery and beadwork incorporated in the designs.
3. Important accessories and body ornaments discussed include brass belts, necklaces, woven hats, and functional items carried for daily use that also hold cultural significance.
The document provides information about the MIMAROPA region of the Philippines and some of its cultural aspects. It discusses that MIMAROPA stands for Mindoro, Marinduque, Romblon, and Palawan provinces. Some key cultural aspects summarized are:
- The Mangyan people are eight indigenous groups living in Mindoro, each with their own language and customs. They practice art forms like ambahan poetry and nito weaving.
- Marinduque is known for the Moriones festival where masks made of wood or papier-mรขchรฉ are worn. Romblon is renowned for its marble products and woven mats and bags.
- Palawan is
Folk Arts and Crafts of Cagayan Valley and Central LuzonJaneAira1
ย
This document provides information about various places, peoples, and cultural aspects of the Philippines. It notes that Cagayan region is the second largest in the country and once dominated by now-extinct animals. It describes some of the traditional clothing, accessories, crafts, and other cultural items of Ivatan people from Batanes. It also briefly discusses the Gaddang people, cannon making in Pampanga, kabayo arches, and papercutting and lantern traditions from other regions.
The document summarizes information about the MIMAROPA region of the Philippines, which consists of Mindoro, Marinduque, Romblon, and Palawan provinces. It provides details about the native groups and cultures of each province, including the Hanunuo-Mangyan and Iraya-Mangyan peoples of Mindoro, the Moriones Festival celebrated in Marinduque, Romblon's fine marble handicrafts, and cultural items originating from Palawan like the Tingkop basket and Manunggul Jar.
The document discusses the folk arts and designs of various ethno-linguistic groups in Luzon, the largest island of the Philippines. It describes the textiles, weaving traditions, basketry, foods, and other artistic expressions of groups like the Ilocanos, Pangasinan, Kalinga, Ifugao, Mountain Province, Bontoc, and Abra. Key art forms mentioned include iloco fabric, dininding and pakbet dishes, Bolinao mats, bamboo crafts, Kalinga textiles, Ifugao ikat loincloths and amulets, Mountain Province mummies, tattoos, and different types of baskets across the
The document describes two Filipino festivals: the Ibalon Festival held every August where masked participants parade in the streets portraying legendary heroes to the accompaniment of music; and the Sublian Festival held on July 23 in Batangas for two weeks where participants wearing native attire and ornamented hats symbolizing local customs perform a combination of music, poetry, and movement while honoring their town's patron saint, The Holy Cross.
Arts and Crafts of Ilocos and The Cordillera Administrative RegionJetLee Cumbe
ย
My powerpoint presentation of Arts and Crafts of Ilocos and The Cordillera Administrative Region. Just like, comment, and download.
Reference: Music and Arts Learners Module. Credits: YouTube, Google Photo, GIF, etc.
The document provides an overview of different theatrical forms that originated and are still present in the Philippines. It discusses indigenous rituals that preceded Spanish colonization, including performances by the Tagbanuas and Cebuanos. When the Spaniards arrived, they introduced Christian plays. The document goes on to describe various theatrical forms like komedya, senakulo, sarswela, and bodabil. It notes that while theater is not as popular today, stage plays are still performed in schools and by professional groups. The learning objectives are to identify festivals and theatrical forms celebrated in the Philippines and analyze their uniqueness.
The document discusses the different types of face painting used in Peking opera to convey meaning about characters. Specific colors and designs signify traits like courage, intelligence, or villainy. They can also indicate supernatural beings or emotional states including fear, sadness, and tranquility. Peking opera incorporates singing, dancing, martial arts skills, and stylized face painting to communicate these aspects of characters to audiences.
The document discusses two traditional puppetry art forms from Southeast Asia: the Nang Yai and Wayang Kulit. The Nang Yai is a large leather puppet form performed in southern Thailand and Malaysia. Wayang Kulit is a form of shadow puppetry found in Indonesia where figures carved from leather are backlit and manipulated. Both art forms use hand-carved leather puppets and storytelling to share cultural history and traditions through performance.
This document provides an overview of the arts and crafts of the MIMAROPA and Visayas regions of the Philippines. Some highlights include the Moriones Festival on Marinduque, woven bags and mats from Romblon, Tingkop jars from Palawan, raffia crafts in the Visayas, and piรฑa weaving and festivals like Ati-Atihan and MassKara in various islands of the Visayas. The architecture of churches like Molokai and Miag-Ao is also mentioned.
Folk Arts and Crafts of Northern Mindanao and SoccsksargenJaneAira1
ย
The T'boli people of Mindanao are known for their weaving traditions, where they create intricate patterns and designs in their woven fabrics that represent their dreams and culture. Their name comes from the word tau-bili, which means "small human creature" and references fruit from a wild vine. They are a indigenous group located in South Cotabato province known for their skill and artistry in weaving.
The document summarizes various arts and crafts from the highlands and lowlands of Luzon in the Philippines. In the highlands, the Ifugao people are known for wood carving figures called bulul to protect crops, as well as basket weaving and textile weaving. Their architecture includes native houses built on stilts and the famous Banaue Rice Terraces. In the lowlands, wood carving and textile weaving are prominent, such as the wood carvings of Paete, Laguna and the woven fabrics and embroidery of Batangas and Nueva Vizcaya. Paper cutting is also practiced, particularly the pastillas wrapper art of Bulacan.
The document discusses several cultural communities in Luzon, Philippines and their traditional art forms. It describes the Ifugao people as living in the mountains of northern Luzon and being famous for their woodcarving, weaving, and construction of the Banaue Rice Terraces. Specifically, it notes the Ifugao create woodcarvings of bul-ul figures and hagabi benches, weave blankets, clothing and baskets using materials like rattan that are prevalent in their environment, and carved terraces into mountainsides to farm rice. The document also briefly outlines the visual art and crafts of the Ivatans such as stone houses and Vakul artworks, and the Gaddang
The document summarizes some of the traditional arts and crafts of the Ilocos Region, Cordillera Administrative Region (CAR), and surrounding areas of Luzon in the Philippines. In the Ilocos Region, important arts include the Spanish colonial architecture in Vigan, Inabel weaving techniques using traditional looms, and Burnay pottery jars. The Kalinga are known for their textiles featuring various cultural patterns, basket weaving, wood carving, and tattooing traditions. The Ifugao are renowned for their bul'ul rice granary sculptures and lingling-o amulets. Mountain Province is known for burial cloths and various indigenous textile traditions among different ethnic groups.
The document provides an overview of the diverse ethnic groups and cultures found in Mindanao, the southernmost major island of the Philippines. It discusses the traditional attire, textiles, crafts, architecture, and sculptures of several Mindanao groups including the B'laan, Bagobo, T'boli, Maranao, and Yakan. Some key aspects summarized include the ikat dyeing process used to create intricate patterns on abaca fabrics, importance of the malong skirt to Maranao culture, and wood carving and metalworking traditions of groups like the T'boli and Maranao that feature motifs inspired by local wildlife.
This document provides information on the arts and crafts of the indigenous peoples in the Cordillera region of Luzon in the Philippines. It describes various crafts like weaving, jewelry making, tattooing, and headwear that have cultural and symbolic significance. Tattoos among warrior tribes like the Kalinga and Bontoc represented a person's status and achievements in battle, with more elaborate designs indicating those who had killed multiple enemies. Traditional crafts continue to be an important part of cultural expression for many Filipino ethnic groups.
The document discusses the arts and crafts of the Cordillera Administrative Region in the Philippines. It describes various crafts from the region including baskets made of rattan, textiles featuring geometric patterns, wooden sculptures that represent rice spirits, amulets and hanging coffins. It also mentions the traditional attire of the different ethnic groups as well as weaving techniques used. The document then outlines a group activity where students will be assigned to different tasks related to promoting the arts and crafts of the Cordillera Administrative Region such as designing regional-inspired clothing or redesigning the Philippine 1000 peso bill.
Music of MIndanao (Islam and non-Islam).ppt 1 k-12Elmer Llames
ย
This document provides information on the diverse music cultures of Mindanao, Philippines. It discusses the various Islamic and non-Islamic ethnic groups of Mindanao and gives examples of their vocal and instrumental music traditions. Specific genres of music are mentioned for occasions like lullabies, weddings, and funerals. Musical instruments used by different groups are also described, including string instruments like the kudlung, wind instruments like the suling bamboo flute, and percussion instruments like the kulintang gong chimes and gandingan suspended gongs.
This document provides information on various aspects of Philippine culture, including:
- Artistic works produced by untrained anonymous artists that represent the identity of the country.
- The Ilocano people, the largest ethnolinguistic group in the Philippines, who are highly influenced by Christianity.
- Traditional crafts like piรฑa fabric, the beating of cotton balls, and threads made from black plum sap.
- Regions known for specific goods - Paoay for an occupational dance, Baguio for bamboo crafts, and Vigan for unglazed earthenware jars.
- Cultural practices like mummification in Kalinga and hanging coffins of the Ibaloi
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSONakosi Ma'am
ย
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSON
2ND QUARTER LESSON 1 MAPEH 7 LESSON IN ART
DISCLAIMER: NO COPYRIGHT INFRINGEMENT.
#JHSMAPEHTeacherandArt teacher
Arts and craft of mindanao attire textile and tapestriesDon San Diego
ย
1. The document discusses various traditional attires, textiles, and craft accessories from different ethnolinguistic groups in Mindanao such as the Bilaan, Bagobo, T'boli, Maranao, Yakan, and T'boli.
2. It describes traditional clothing materials like abaca, distinctive weaving techniques like ikat, and elaborate embroidery and beadwork incorporated in the designs.
3. Important accessories and body ornaments discussed include brass belts, necklaces, woven hats, and functional items carried for daily use that also hold cultural significance.
The document provides information about the MIMAROPA region of the Philippines and some of its cultural aspects. It discusses that MIMAROPA stands for Mindoro, Marinduque, Romblon, and Palawan provinces. Some key cultural aspects summarized are:
- The Mangyan people are eight indigenous groups living in Mindoro, each with their own language and customs. They practice art forms like ambahan poetry and nito weaving.
- Marinduque is known for the Moriones festival where masks made of wood or papier-mรขchรฉ are worn. Romblon is renowned for its marble products and woven mats and bags.
- Palawan is
Folk Arts and Crafts of Cagayan Valley and Central LuzonJaneAira1
ย
This document provides information about various places, peoples, and cultural aspects of the Philippines. It notes that Cagayan region is the second largest in the country and once dominated by now-extinct animals. It describes some of the traditional clothing, accessories, crafts, and other cultural items of Ivatan people from Batanes. It also briefly discusses the Gaddang people, cannon making in Pampanga, kabayo arches, and papercutting and lantern traditions from other regions.
The document summarizes information about the MIMAROPA region of the Philippines, which consists of Mindoro, Marinduque, Romblon, and Palawan provinces. It provides details about the native groups and cultures of each province, including the Hanunuo-Mangyan and Iraya-Mangyan peoples of Mindoro, the Moriones Festival celebrated in Marinduque, Romblon's fine marble handicrafts, and cultural items originating from Palawan like the Tingkop basket and Manunggul Jar.
The document discusses the folk arts and designs of various ethno-linguistic groups in Luzon, the largest island of the Philippines. It describes the textiles, weaving traditions, basketry, foods, and other artistic expressions of groups like the Ilocanos, Pangasinan, Kalinga, Ifugao, Mountain Province, Bontoc, and Abra. Key art forms mentioned include iloco fabric, dininding and pakbet dishes, Bolinao mats, bamboo crafts, Kalinga textiles, Ifugao ikat loincloths and amulets, Mountain Province mummies, tattoos, and different types of baskets across the
The document describes two Filipino festivals: the Ibalon Festival held every August where masked participants parade in the streets portraying legendary heroes to the accompaniment of music; and the Sublian Festival held on July 23 in Batangas for two weeks where participants wearing native attire and ornamented hats symbolizing local customs perform a combination of music, poetry, and movement while honoring their town's patron saint, The Holy Cross.
Arts and Crafts of Ilocos and The Cordillera Administrative RegionJetLee Cumbe
ย
My powerpoint presentation of Arts and Crafts of Ilocos and The Cordillera Administrative Region. Just like, comment, and download.
Reference: Music and Arts Learners Module. Credits: YouTube, Google Photo, GIF, etc.
The document provides an overview of different theatrical forms that originated and are still present in the Philippines. It discusses indigenous rituals that preceded Spanish colonization, including performances by the Tagbanuas and Cebuanos. When the Spaniards arrived, they introduced Christian plays. The document goes on to describe various theatrical forms like komedya, senakulo, sarswela, and bodabil. It notes that while theater is not as popular today, stage plays are still performed in schools and by professional groups. The learning objectives are to identify festivals and theatrical forms celebrated in the Philippines and analyze their uniqueness.
The document discusses the different types of face painting used in Peking opera to convey meaning about characters. Specific colors and designs signify traits like courage, intelligence, or villainy. They can also indicate supernatural beings or emotional states including fear, sadness, and tranquility. Peking opera incorporates singing, dancing, martial arts skills, and stylized face painting to communicate these aspects of characters to audiences.
The document discusses two traditional puppetry art forms from Southeast Asia: the Nang Yai and Wayang Kulit. The Nang Yai is a large leather puppet form performed in southern Thailand and Malaysia. Wayang Kulit is a form of shadow puppetry found in Indonesia where figures carved from leather are backlit and manipulated. Both art forms use hand-carved leather puppets and storytelling to share cultural history and traditions through performance.
The document discusses arts and crafts. It likely contains information about different types of arts and crafts such as painting, drawing, sculpture, photography, and other creative activities. The document may provide instructions or ideas for arts and crafts projects that allow people to express their creativity and artistic abilities.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help regulate emotions and stress levels.
Mental discipline, wisdom, and ethical conduct are important life skills. Developing mental discipline helps improve focus and decision making. Cultivating wisdom aids in making thoughtful choices guided by experience and knowledge. Practicing ethical conduct leads to responsible behavior and positive interactions with others.
This document discusses various East Asian paper crafts including Chinese paper cutting, folding, kites, and knots. It also describes Japanese origami, focusing on some common origami models like the paper crane, which symbolizes peace. The document outlines basic origami techniques such as folds, bases, and categories of origami.
Southeast Asian Crafts, Accessories, and Everyday ObjectsJaneAira1
ย
The document discusses various traditional crafts and art forms from different Southeast Asian countries, including kites from Thailand and Indonesia, bark paper making in Cambodia, silk painting in Vietnam, shadow puppetry in Indonesia, and various types of headwear worn in Brunei, Malaysia, and West Asia.
This document summarizes traditional textile arts from several Southeast Asian countries. It discusses the history of silk weaving in Thailand and describes traditional Cambodian fabrics like ikat and uneven twill. Vietnamese textiles originated from Ha Dong and include fabrics like shantung taffeta. Batik is described as a common technique in Indonesia, Malaysia, and Singapore where patterns are made by hand painting melted wax onto fabric. Brunei batik features designs that symbolize the country. Myanmar is known for intricate silk weaves like Yakyaw Acheik that take a long time to produce. Students are assigned a project to design their own batik by the given deadline.
Theatrical forms are artistic works intended for live performance before an audience. Some common representative theatrical forms include plays, which are written works intended to be performed by actors on a stage; musicals, which combine songs, music, dance, and spoken dialogue to tell a story; and operas, which use singing and orchestral music to advance a dramatic storyline. These theatrical forms employ various techniques to convey character-driven narratives to spectators in a live, shared experience.
Many communities celebrate cultural traditions and coming of seasons through nonreligious regional festivals. These types of festivals honor regional heritage through folk performances, food, crafts and bringing communities together. Nonreligious regional festivals are a way for people to celebrate their cultural identities and enjoy local attractions without focusing on religious aspects.
Many major world religions celebrate important yearly festivals. For Christians, festivals include Christmas and Easter, which commemorate the birth and resurrection of Jesus Christ. For Hindus, Diwali is one of the most popular festivals, celebrating the victory of light over darkness.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
ย
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
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In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
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"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analyticsโ feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
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The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
How to Make a Field Mandatory in Odoo 17Celine George
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In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
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A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
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- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
๐๐ฑ๐ฉ๐ฅ๐๐ข๐ง ๐ญ๐ก๐ ๐๐๐ญ๐ฎ๐ซ๐ ๐๐ง๐ ๐๐๐จ๐ฉ๐ ๐จ๐ ๐๐ง ๐๐ง๐ญ๐ซ๐๐ฉ๐ซ๐๐ง๐๐ฎ๐ซ:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Communicating effectively and consistently with students can help them feel at ease during their learning experience and provide the instructor with a communication trail to track the course's progress. This workshop will take you through constructing an engaging course container to facilitate effective communication.
Main Java[All of the Base Concepts}.docxadhitya5119
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This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.