Floor plans
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The document outlines floor plans and camera positions for filming a short film. It describes where the main character will be located in different scenes, including leaning over a table at work, storming out of an exit, lying in bed on his phone, and packing a bag. It also provides instructions on camera placements and shots, such as panning to follow the character and zooming in on a clock or zooming out to frame the character on a road below with houses in the background.
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1. The document outlines three scenes from a film featuring the character Karl.
2. The first scene takes place in Karl's bedroom and will use two cameras, one for a long shot of the messy room and another for a close-up of Karl's face as he sleeps. Natural light from a window means no extra lighting is needed.
3. The second scene is set in the kitchen, where three cameras will capture interactions between Karl and his mother, including close-ups of their faces and an over-the-shoulder shot from Karl's perspective. Natural light from a window will provide most of the lighting.
4. The third scene follows Karl leaving the house, with one camera showing his movement
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Script for short film
1) Character 1 arrives at Character 2's house after being invited over. Character 1 asks for a coffee but Character 2 checks his cupboards and finds they are out of coffee.
2) Character 1 gets upset that there is no coffee and decides to leave. However, before leaving he discovers a jar of coffee in the cupboard that Character 2 had missed.
3) Character 1 then sneaks up on a stranger holding a coffee and steals it from them. He takes a sip and finds it disgusting, spitting it out in surprise. The scene then cuts to black with credits rolling and music playing.
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The production schedule outlines four filming dates between the 19th of December and 3rd of January at various locations including a restaurant, a house, and a mount. It also schedules post-production work between the 5th and 8th of January to be done by Matthew Raybould using Adobe software.
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Media recce
The document discusses the filming locations for a music video that will be shot at night. It plans to film in brightly lit areas that will give a psychedelic feel. Locations mentioned include Times Square for its huge billboards and flashing neon lights that make one feel tiny, Broadway for its lights on both sides of the street and busy traffic, and the quiet streets and pier in Bournemouth to contrast with the busy streets of New York. The contrasting locations of New York and Bournemouth are intended to emphasize the craziness of New York and isolate the main character in both settings.
Production schedule
The document outlines a production schedule, listing dates, tasks, responsible parties, locations, and equipment needed. It includes pre-production in September 2016, filming in Bournemouth in January 2017 and New York in February 2017, and plans to have all editing completed by March 2017. Matthew Raybould is responsible for pre-production, editing the Bournemouth footage in February 2017, and completing all post-production by March 2017, assisted during filming by Liam White. Locations include a school for pre-production and editing, and Bournemouth and New York for filming. Equipment includes a Canon 700D camera and Velbon tripod for filming.
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The document describes 7 scenes from a film sequence. Scene 1 begins with a close-up of a pond and uses shallow depth of field and panning shots. Scene 2 introduces a character sleeping with a cat and uses continuity editing. Scene 3 uses panning from right to left with shallow depth of field. Scene 4 returns to the pond scene. Scene 5 uses a high angle tracking shot. Scene 6 introduces a new setting with panning and establishes characters. Scene 7 uses various shots including medium close-ups, establishing shots, and breaks the 180 degree rule.
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The document provides an analysis of the short film "Frankie" focusing on its mise-en-scene, sound, camerawork, and editing techniques. The setting is a suburban area as shown in background images. Diegetic sounds like the main character's Irish accent are prominent, along with a calm soundtrack abruptly interrupted by a train horn to shift the mood. The first shot establishes the cluttered bedroom from a bird's eye view. Frequent jump cuts are used to quickly show aspects of the main character's lifestyle within the short film's limited time.
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The document analyzes various technical elements of the short film "Frankie". It summarizes that the film is set in a suburban area, as shown in the background images. Diegetic sounds are prominent, particularly the main character's Irish accent. Non-diegetic sounds like a train horn are used abruptly to shift moods. The first shot establishes the cluttered setting of the main character's bedroom through a bird's eye view. Jump cuts are used to quickly show aspects of the character's lifestyle within the short runtime of the film.
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Shot list
The document contains a shot list for a film with 25 shots detailing the camera movements, locations, sounds, and brief details for each shot. The shots follow a character named Anna through her morning routine at home, starting with establishing shots of the town and her waking up in her bedroom. The shots then show her getting ready in the bathroom and bedroom, including showering, applying makeup, and getting dressed. Later shots depict her in the kitchen pouring milk and going back upstairs before crashing onto her bed in frustration.
Location
The document describes three potential locations for filming scenes in an assassin movie. The first location is a street where the assassin will drive up to and walk towards the victim's house. Filming here in the evening would create tension but weather could be an issue. The second location is inside the victim's house, where the assassin will sneak up and shoot the victim. This indoor location does not depend on time of day. The third location is a kitchen in the house, showing it is a family home, and the assassin must pass through it to reach the victim without being noticed.
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The document discusses 10 common camera shots used in filmmaking: 1) Over-the-shoulder shot shows conversation and establishes character relationships. 2) Two shot establishes relationships and shows equal prominence of subjects. 3) Closeup shows particular facial details and emotional states. 4) Long shot frames the whole body to show action and environment. 5) Extreme long shot provides wide scenic context. 6) Off-kilter shots are deliberately slanted for dramatic effect. 7) Tracking/panning shots follow movement to build suspense. 8) Low angles make subjects appear intimidating. 9) Point-of-view shots allow the audience to see through a character's eyes.
teaser trailer
The document discusses various film techniques used in a horror movie trailer, including low and high camera angles, POV shots, fast pacing during danger scenes and slow pacing to build tension in editing. For mise en scene, the creepy contact lenses and torn clothing of the main character fit the horror genre. The soundtrack "Darkness is Coming" creates an eerie atmosphere that contrasts with the scenes.
Analysis of film opening the shininh
The opening sequence of The Shining begins with haunting music playing over shots of a car driving through a remote, forested area towards an unknown destination. As the car continues down the road, the opening credits rapidly appear. The sequence then reveals the destination to be the isolated Overlook Hotel, shown in establishing shots. The main character, Jack Torrance, is introduced entering the lobby of the hotel to inquire about a job as the winter caretaker. The opening ends with shots of Jack's wife and son at home, discussing the family's planned move to the Overlook Hotel for the winter season.
Floor plan
1. The document outlines three scenes from a film featuring the character Karl.
2. The first scene takes place in Karl's bedroom and will use two cameras, one for a long shot of the messy room and another for a close-up of Karl's face as he sleeps. Natural light from a window means no extra lighting is needed.
3. The second scene is set in the kitchen, where three cameras will capture interactions between Karl and his mother, including close-ups of their faces and an over-the-shoulder shot from Karl's perspective. Natural light from a window will provide most of the lighting.
4. The third scene follows Karl leaving the house, with one camera showing his movement
Lighting plan
This document outlines the lighting plan for three situations in a short horror film. In the first situation, the actor will be on the sofa when there is a knock at the door. A key light will be placed by the camera, a back light will provide atmospheric lighting, and an optional fill light from a desk lamp. In the second situation, the actor walks toward the door, with a back light casting a blue shadow and a key light creating shadows as the actor reaches for the door. In the third situation, the actor answers the door, and a back light may be used from outside to give a mysterious effect or make the actor stand out.
Script for short film
1) Character 1 arrives at Character 2's house after being invited over. Character 1 asks for a coffee but Character 2 checks his cupboards and finds they are out of coffee.
2) Character 1 gets upset that there is no coffee and decides to leave. However, before leaving he discovers a jar of coffee in the cupboard that Character 2 had missed.
3) Character 1 then sneaks up on a stranger holding a coffee and steals it from them. He takes a sip and finds it disgusting, spitting it out in surprise. The scene then cuts to black with credits rolling and music playing.
Story board
The document outlines scenes 1-8 of a storyboard for a film titled "THE DAY OF RECKONING". Scene 1 introduces the main character with a tracking shot and voiceover. Scene 2 uses an extreme close-up of the character's eyes and a gunshot sound effect. Scene 3 cuts to an establishing shot of a library with soundtrack. Scene 4 shows a blurred note being read with continued soundtrack. Scene 5 uses a split screen of 3 characters walking with weapons from a low angle with voiceover and faint soundtrack. Scene 6 circles the characters in conversation until a gun is aimed at the viewer and the scene ends. Scene 7 zooms out to show the characters holding weapons with fire and dialogue. Scene 8 shows the
The Conjuring Textual Analysis
This document analyzes the opening title sequence of the film "The Conjuring" through its use of camera work, editing, sound, and mise-en-scene. It notes that the camera remains fixed on an overhead projector, allowing the audience to focus on disturbing images. Editing techniques like superimposition and fading are used to startle viewers and set a dark, gloomy tone. Unsettling sounds accompany the images, while the mise-en-scene of an old, creepy house with vintage costumes and frightening newspaper headlines further establishes the frightening atmosphere.
Setting
The document discusses potential settings for a thriller film. It examines settings used in films like The Strangers, The Silence of the Lambs, and House at the End of the Street. These include isolated houses surrounded by woods with no escape, or neighborhoods where unexpected violence could occur. The document concludes that the filmmaker will shoot their film in their own quiet, secluded neighborhood, as it can provide a false sense of security while also allowing the use of parallel editing between similar locations to mislead the audience.
Murdoch Mystery Screen Captures
The document discusses significant objects and camera shots in an episode of the TV show Murdoch Mysteries. It notes that close-ups of objects like a letter, purse contents, room key, and photograph are used to clue the audience into important clues. Facial close-ups convey characters' feelings and tension. Shots of a clock and elevator emphasize the passage of time and an impending crisis. The camera follows a character suspiciously entering a hotel room to investigate.
Shot list
The document describes 25 different shot angles and locations for filming a music video. Shot 1 will be a mid shot of the singer lip syncing from behind on a balcony. Shot 4 and 5 will be point of view shots of the singer sitting and holding hands with a partner in a park. Shot 22 will be a wide shot of the couple slow dancing together in Gulfidan's house.
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Production schedule
The production schedule outlines four filming dates between the 19th of December and 3rd of January at various locations including a restaurant, a house, and a mount. It also schedules post-production work between the 5th and 8th of January to be done by Matthew Raybould using Adobe software.
Equipment list
The document provides an equipment list for filming, including a Canon 700D camera and Velbon tripod. The Canon 700D is chosen because the school has them available and it is an all-round good camera, able to film in 1080p HD, shoot in low light with a wide ISO, and has both manual and auto focus options. The included 18-55mm lens has optical image stabilization and a large zoom range. The Velbon tripod is selected as it is accessible from the school and is of good quality, with stiff legs and shoe to keep the camera steady and a smooth pivot for easy panning shots.
Media recce
The document discusses the filming locations for a music video that will be shot at night. It plans to film in brightly lit areas that will give a psychedelic feel. Locations mentioned include Times Square for its huge billboards and flashing neon lights that make one feel tiny, Broadway for its lights on both sides of the street and busy traffic, and the quiet streets and pier in Bournemouth to contrast with the busy streets of New York. The contrasting locations of New York and Bournemouth are intended to emphasize the craziness of New York and isolate the main character in both settings.
Production schedule
The document outlines a production schedule, listing dates, tasks, responsible parties, locations, and equipment needed. It includes pre-production in September 2016, filming in Bournemouth in January 2017 and New York in February 2017, and plans to have all editing completed by March 2017. Matthew Raybould is responsible for pre-production, editing the Bournemouth footage in February 2017, and completing all post-production by March 2017, assisted during filming by Liam White. Locations include a school for pre-production and editing, and Bournemouth and New York for filming. Equipment includes a Canon 700D camera and Velbon tripod for filming.
Floor plan
The document describes several planned camera shots for a film. One shot will place the camera at the end of a pier to capture a character walking in a large, lonely setting with surrounding lights appearing dark and eerie. Another shot will place the camera on one side of the pier facing a bench to focus on the character's appearance and clothing in better lighting. Additional shots in New York will position the camera on the pavement at the corner of 7th Ave and West 46th St to capture the background of Times Square with its crowds, lights and constant traffic flow.
Shot list
The document provides a shot list for a film opening, outlining 17 shots ranging from close-ups to long shots that will tell the story of a character quitting his restaurant job and embarking on a journey of self-discovery with a video camera. The shots will show the character being yelled at by his supervisor, storming out of work, deciding to use his skills with a camera to pursue his dreams, packing his bag, and leaving his home on a skateboard to begin his adventure.
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Matthew Raybould received marks in four categories for his A2 coursework:
1) Planning (full comments in separate sheet) - mark out of 12/20
2) Construction of main task (full comments in separate sheet) - mark out of 28/40
3) Construction of ancillary task 1 (Digipak and poster) - Digipak 8/10, poster 10/10
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His total mark was 73 out of 100, earning him a grade of B.
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This document provides feedback from a teacher on a student's pre-production tasks for a music video project. The teacher comments that some areas like genre analysis, target audience, lyrics, and costumes were done well with research and details. However, other key areas like storyboards, shotlists, floor plans, locations, equipment, and production schedule were either missing or lacked sufficient details. The teacher recommends adding more analytical details, images, and sources. In response, the student adds or improves some areas but still needs to provide more technical details and planning in areas like storyboards, locations, and schedule. The final mark awarded is 12/20.
Raybould matthew evaluation and overall feedback sheet
Matthew Raybould received a grade of B for his overall coursework marks. For his planning work, he received a mark out of 12/20, and full comments are in a separate sheet. For his main construction task, he received a mark of 28/40, with details in another sheet. For his ancillary construction tasks, he received 8/10 for a digipak with proficient technical skills and design, and 10/10 for a poster with excellent skills and design. For his evaluation, he received 12/20. His answers showed good understanding of genre conventions, though one answer lacked evidence. Overall it was a proficient piece of work showing good understanding and use of technology.
Raybould, matthew cw feedback
Matthew Raybould completed the main task of creating a music video, showing proficiency in technical skills like camera work, editing, and sound synchronization. The narrative was confusing and some shots were too long. He also designed a digipak and poster at a proficient and excellent level respectively, demonstrating technical skills and understanding of conventions for the music genre and artist. Overall his work scored 46 out of 60, achieving a Level 3.
Media evaluation q4
The document provides feedback from the audience on the author's music video. The feedback was generally positive, praising elements like the lighting during performances and the use of slow motion and cuts. However, some criticisms noted the story and genre connections were unclear and some shots appeared amateurish. Based on this, the author recognizes needing to better convey the narrative and strengthen genre elements throughout. Overall, the target audience engaged as intended, but there is room for improvement, especially in storytelling and production quality.
Shot list
The document outlines a shot list for a film containing 17 shots that alternate between locations in Bournemouth, England and New York City, USA. The shots will match the character's actions between the two locations and include establishing shots of each setting, close-ups of the character's face and eyes to show emotion, medium and full body shots of the character walking in both places, and long shots of the character sitting on benches and walking along piers with people in the background. The shot list ends with establishing shots overlooking the New York skyline and English Channel.
Music video analysis
The document analyzes and compares two 1960s music videos:
- The video for "Penny Lane" by The Beatles is a mix of performance shots and conceptual scenes representing the lyrics. However, at the end they are shown singing in a field, going against genre expectations.
- In contrast, the video for "Good Vibrations" by The Beach Boys does not include any performance shots of the band singing. While it depicts the summer fun described in the song, the narrative is not clear and it lacks direct representations of the lyrics. It also avoids the "male gaze" typically featured in music videos.
Waves tame impala remix ideas
The video features psychedelic visuals and distorted shots that transition between scenes of nightlife including bars, clubs and concerts. It experiments with warped shots and different transitions as it tells a slow love story concept, featuring scenes at the beach and a funfair, ending with a man and woman together at the beach with a fire.
Raybould matthew
Matthew completed thorough pre-production research and planning for his film project including analyzing similar films, researching genre conventions and his target audience. He produced an excellent script, storyboard, shotlist, floor plans, and researched locations, costumes, props, actors and equipment. His production schedule showed careful planning. The teacher commended Matthew's clear, detailed planning and organization but noted he could have investigated his potential audience further.
Raybould matthew as cw production feedback sheet
The document provides a film studies assessment of a student's two minute film opening titled "Your I Can". The summary notes there is evidence of technical proficiency, with controlled camerawork using a variety shots and framing. Well-placed cuts and transitions in the editing draw the audience into the story. The sound design uses loud dialogue at times but fitting inspirational music. Overall, the assessor found it a proficient opening that successfully set the drama genre.
Question 7
In my preliminary task, I had limited camera equipment and shot options. For my final product, I had access to multiple lenses allowing more creative shots. I also improved my framing and incorporated some camera movement and zooming shots. While my editing skills did not greatly improve, practicing in my preliminary task prepared me well. I also learned to add basic visual effects that enhanced my final product. Overall, having more equipment options and practicing key filmmaking skills allowed me to produce a higher quality final product.
Question 1
The document provides details about various aspects of the film opening, including:
1) The title font and placement sets up intrigue and mystery before clarifying the meaning.
2) The opening shot establishes the location/setting and follows conventions of similar films.
3) A favorite shot zooms out from the main character to a scenic view, though editing cuts were added for time.
4) Character names are introduced through a writing effect, suggesting the story will be like a diary.
Recce
Tom will be leaning over a table with his head in his hands at a restaurant where the first shot of the film will take place. The second shot will be of Tom riding a cruise board down a gentle sloping hill with the camera positioned at the top to capture a zooming out view over the landscape. The final shot will be of Tom either lying in bed or packing a bag on the floor of his small, messy room to portray his personality and financial situation.
Actors props costumes and equipment
The document lists the actors, props, costumes, and equipment needed for a film shoot. It identifies Tom Biggs-Rayner and Kirsty Pope as the actors for the characters Ben and The Supervisor. Props include a cruise board and hiking rucksack. Costumes are specified for scenes at a pub and restaurant based on the actual dress codes. Equipment includes a Canon EOS M3 camera, lenses, memory card, tripod, and Adobe software.
Similar product analysis
This document provides summaries of the openings of four films:
1) The Fugitive establishes itself as a crime/investigation film through its blue title cards and police sirens. Shots of the crime scene and the suspicious-looking main character build mystery.
2) Ferris Bueller's Day Off features upbeat music and breaking of conventions to signal it will be a lighthearted comedy, in contrast to The Fugitive.
3) Into the Wild uses nature shots and quotes to portray an adventure or travel story, with hints of sadness from a character.
4) 127 Hours builds excitement through music and shots of the main character preparing for an adventure, establishing the film will focus on his journey and
Recce
The document provides location recces for shooting different scenes of a film. The first scene will be filmed on top of a hill, with the main character skateboarding down the road and the camera panning out to show the view of Poulner. The second scene will take place in the main character's small, messy bedroom to portray his personality and financial situation. He will be lying in bed or packing a bag in front of the camera. The third scene will be shot at the Alice Lisle restaurant where the main character will be leaning on one of the tables with his head in his hands. The realistic setting was chosen because the filmmaker works there.
Actors props costumes and equipment
The document lists the actors, props, costumes, and equipment needed for a film shoot. Liam White and Kirsty Pope will play the lead roles of Ben and the Supervisor, respectively. Key props include a cruise board and hiking backpack. Costumes include the actual dress codes from the pub and restaurant where filming will take place. Required equipment comprises a Canon DSLR, lenses, memory cards, monopod, and Adobe software.
Production schedule
The production schedule outlines the filming of a short film over several dates in December and January. It lists the tasks, locations, people involved, and equipment needed for the pre-production, filming, and post-production stages including an opening scene shot at a restaurant on December 19th, a bedroom scene filmed at a house on December 21st, and the final shot of a character skating down a hill on January 3rd, with the post-production work taking place from January 5th to 8th.
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Floor plans
- 1. Floor Plans Alice Lisle Where he will be leaningoverwhen the supervisorcomesinandshouts at him The exitwhere he will stormoutof Positionof cameraforwhenhe is leantoverthe table andwhenhe stormsout as it will panandfollow himround.Alsowhenitisof the clock onthe wall asit will zoomin on the clock.
- 2. Bedroom Where he will be lyingreading throughhisphone Where he will packhisbag Camerawill be setup here sothat it capturesthe maincharacter in the centre of the shotwiththe restof the room still inshot.
- 3. The Mount Thisis where the maincharacterwill be positionsonthe cruise boardfor the final shotand will be going downthe road. The camera will be placedhere asit isup higherthanwhere the main character will be andhas a clear shotdownonto the road and when it zooms outyou will see overthe top of the majorityof housesin Poulner.