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Korean film has grown significantly since the first screening in 1897. The golden age of Korean film began in the 1980s when directors produced films with diverse stories. Blockbuster films in the late 1990s like Swiri and Joint Security Area boosted the industry. Korean films now have great prospects of continued success with awards at international festivals and interest from foreign filmmakers and audiences globally. The future remains bright as long as audiences support diverse, high quality Korean films.
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The document summarizes the history and development of South Korean cinema over several eras:
1) The post-WWII era saw an initial burst of creative freedom, but production slowed during the Korean War.
2) The "Golden Age" of the 1950s-1970s saw government support that helped the industry grow, with many popular films.
3) The 1970s was a difficult period but recovery began in the 1980s as the government gained more control over film selection.
4) From the late 1990s, South Korean films found greater box office success at home and abroad through limits on foreign films and festivals.
South Korean Cinema (Finalized Presentation)
South Korean cinema has a long history dating back to the early 1900s during Japanese occupation. It experienced a golden age in the post-war decades but declined in the 1970s. A renaissance began in the late 1990s, sparked by films like Shiri that had higher production values. This period saw Korean films overtake American films at the box office. Hybridity theory holds that South Korean cinema incorporated techniques from other countries like the US while highlighting local culture. Major hits during this time dealt with Korea's relations with other nations.
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Post New Korean Cinema emerged in the mid-1990s and emphasized imaginative genres over realism. There were three main types: Park Chan-wook's provocative violence and negative imagination seen in Sympathy for Mr. Vengeance, Oldboy, and Sympathy for Lady Vengeance; Hong Sang-soo's experimental films that exposed the hypocrisy of daily life like Day a Pig Fell into the Well; and Jang Joon-hwan's uniquely expressed films such as Save the Green Planet that used confusing visuals beyond normality and were critically successful despite box office failures.
History 17 Presentation
1. After World War 2, American films reflected the nation's post-war fears and anxieties through "social problem films" that examined issues like veterans' economic and social readjustment or racism.
2. As suspicions grew about the Soviets, the HUAC accused Hollywood of producing "un-American" films and blacklisted those who refused questioning, causing fear in the film industry.
3. Science fiction films of the era explored the paranoia of communist subversion through themes of infiltration and invasion, while other films reinforced traditional American values to appease audiences.
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1. The transition to sound film in the late 1920s dramatically increased production costs for Hollywood studios and made the industry reliant on major financial backers in New York.
2. Warner Bros. was an early adopter of sound and saw huge profits as a result, allowing it to acquire theaters. Increased profits during this period helped the film industry survive the Great Depression.
3. In response to scandals and calls for censorship in the early 1920s, Hollywood established the Motion Picture Producers and Distributors of America to self-regulate and introduce the Production Code in 1934 to restrict depictions of sex, profanity, and other controversial topics.
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The document summarizes the history and development of South Korean cinema over several eras:
1) The post-WWII era saw an initial burst of creative freedom, but production slowed during the Korean War.
2) The "Golden Age" of the 1950s-1970s saw government support that helped the industry grow, with many popular films.
3) The 1970s was a difficult period but recovery began in the 1980s as the government gained more control over film selection.
4) From the late 1990s, South Korean films found greater box office success at home and abroad through limits on foreign films and festivals.
South Korean Cinema (Finalized Presentation)
South Korean cinema has a long history dating back to the early 1900s during Japanese occupation. It experienced a golden age in the post-war decades but declined in the 1970s. A renaissance began in the late 1990s, sparked by films like Shiri that had higher production values. This period saw Korean films overtake American films at the box office. Hybridity theory holds that South Korean cinema incorporated techniques from other countries like the US while highlighting local culture. Major hits during this time dealt with Korea's relations with other nations.
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Post New Korean Cinema emerged in the mid-1990s and emphasized imaginative genres over realism. There were three main types: Park Chan-wook's provocative violence and negative imagination seen in Sympathy for Mr. Vengeance, Oldboy, and Sympathy for Lady Vengeance; Hong Sang-soo's experimental films that exposed the hypocrisy of daily life like Day a Pig Fell into the Well; and Jang Joon-hwan's uniquely expressed films such as Save the Green Planet that used confusing visuals beyond normality and were critically successful despite box office failures.
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1. After World War 2, American films reflected the nation's post-war fears and anxieties through "social problem films" that examined issues like veterans' economic and social readjustment or racism.
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1. The transition to sound film in the late 1920s dramatically increased production costs for Hollywood studios and made the industry reliant on major financial backers in New York.
2. Warner Bros. was an early adopter of sound and saw huge profits as a result, allowing it to acquire theaters. Increased profits during this period helped the film industry survive the Great Depression.
3. In response to scandals and calls for censorship in the early 1920s, Hollywood established the Motion Picture Producers and Distributors of America to self-regulate and introduce the Production Code in 1934 to restrict depictions of sex, profanity, and other controversial topics.
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France in the 1930s saw three waves of avant-garde cinema movements that experimented with narrative forms and visual styles, including Impressionism, Dadaism, and Surrealism. The third avant-garde was ended by the introduction of sound film which raised production costs. Poetic realism then emerged, combining lyricism and realism through techniques like deep focus shots and sequence shots. Films from this era also explored more complex human relations beyond good and bad guys. Renoir's 1937 film Grand Illusion addressed the senselessness of war and promoted humanism, but was banned in Germany as Goebbels viewed it as cinema's biggest enemy.
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The document provides information on the history of film, the Korean film industry, and two popular Korean movies from 2012. It notes that the first Korean film, "Chunhyangjeon", was released in 1922. The Korean film industry grew as more movie companies formed. Two successful Korean films from 2012 discussed are "The Thieves", an action drama about a heist, and "Pieta", a drama about a man who is confronted by his long-lost mother. Both films were critically acclaimed but had differing levels of commercial success.
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The document provides a historical overview of the film industry from the 1890s to the 1990s. It discusses the key developments and eras in three sentences:
The early history of film from the 1890s to the 1920s saw the invention of motion picture cameras, the establishment of film studios, and the rise of the film industry as mass entertainment before the introduction of sound. The 1950s saw the popularity of large-scale biblical and historical epics as well as the golden ages of cinema in India, Japan, and the Philippines. The 1990s saw major studios create independent production companies to finance non-mainstream films as audiences began increasingly watching films at home on VCRs.
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A film is a series of still or moving images that is produced by recording photographic images with cameras or through animation techniques. Films reflect and affect the cultures that create them and are considered an important art form as well as a means of popular entertainment and education. The history of film began in the late 1890s with the invention of the movie camera and motion pictures have since become a major form of communication, entertainment, and mass media in the 20th and 21st centuries.
How did early film develop into in the superhero films we know (1) (1)
Film has developed significantly since its origins in the late 19th century. The kinetoscope, invented by Thomas Edison in 1891, was the first device to display moving images but could only be viewed by one person at a time. In the 1890s, the Lumière brothers invented the cinematographe, the first film camera that could both record and project movies, allowing for public screenings. The first narrative film, The Great Train Robbery, was released in 1903 and helped establish cinema as a new art form. The addition of sound to films with The Jazz Singer in 1927 was another pivotal moment. Major technological advances like 3D and increased budgets have helped turn blockbuster franchises into global phenomena reaching billions of
20108004
The Chinese film industry began in the early 20th century and has gone through several periods of development. After the establishment of the People's Republic of China in 1949, the film industry entered a new period of development with state-owned film studios established in Shanghai, Beijing, and Changchun. Some of China's most famous films include Lifetimes Living from 1994 and The Dream Factory from 1997. The document provides a brief history of China's film industry and some of its most notable films.
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The document discusses the history and development of film editing. It begins with definitions of editing and its uses. Early films had single static shots without editing. The Lumiere brothers developed the Cinematographe which combined a camera, printer and projector. Edwin Porter directed early films that used continuity editing techniques. D.W. Griffith developed innovative techniques like close-ups and cross-cutting at Biograph Studios. Soviet filmmakers like Eisenstein developed montage editing theories based on Kuleshov's experiments. Sound editing developed with films like The Jazz Singer containing synchronized dialogue and singing. Technologies like Moviolas and flatbed editors enabled nonlinear editing.
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Final ppt
- 1. Korean Film growth & prospect 20101727 ye jin , Jung
- 2. 1. The beginning of Korean Film Contents 2. The growth of Korean Film 3. The golden age of Korean Film
- 3. 4. Film Festival Success Contents 5. The prospect of Korean Film
- 4. The beginning of Korean film According to the October 19, 1897 issue of The Times, "Motion pictures have finally been introduced into Joseon, a country located in the Far East. At the beginning of October 1897, motion pictures were screened for the public in Jingogae, Bukchon, in a shabby barrack that was borrowed from its Chinese owner for three days. The works screened included short films and actuality films produced by France's Pathe Pictures". There are reports of another showing of a film to the public in 1898 near Namdaemun in Seoul. Korea's first movie theater, Dongdaemun Motion Picture Studio, was opened in 1903. The Dansung-sa Theater opened in Seoul in November 1907. Before the creation of a domestic film industry, films imported from Europe and the United States were shown in Korean theaters. Not merely a theater-operator, as the first film producer in Korea, Dansung-sa's owner, Pak Sung-pil, took an active part in supporting early Korean cinema. He financed the first Korean domestic film, Loyal Revenge (Korean: 의리적 구토; Uirijeok Guto), as well as the first Korean documentary film, Scenes of Kyongsong City and showed both at his theater on October 27, 1919.
- 5. The growth of Korean film 1926-1945 : Korean film studios at this time were Japanese-operated. major work) Chunhyang-jeon <Korea first sound film>, Arirang, Jalitgeola ↑Jalitgeola ←Chunhyang-jeon
- 6. 1945-1953 : With the surrender of Japan in 1945, Korean cinema enjoyed a burst of liberty. During the Korean War, film production slowed; only five or six films were produced each year from 1950 to 1953. major work) Viva Freedom! Viva Freedom
- 7. 1953-1979 : With the armistice of 1953, Korean cinema enjoyed a brief period of freedom. 1970, South Korean had a very authoritarian political system that was led by Park Chung-hee. Although The "Korean Motion Picture Promotion Corporation" was created in April 1973, this organization was primarily created to control the film industry and promote the "politically correct" films in order to support censorship and the government ideals. major work) Aimless Bullet , The march of fools, Mother and a guest Mother The march of and a fools guest
- 8. The golden age of Korean film In 1980s, Korea film had experienced political confusion. the audience for domestic films reached a low point. In early 1990s, many new directors with various materials and forms appeared, and gave a boost to the movies. Blockbuster movies which cost a lot to make have shown since 1999. For example, Swiri and Joint Security Area.
- 9. A memorable scene of Swiri http://www.youtube.com/watch ?v=Hfy4cydVbPg
- 10. Film Festival Success 1961 – “A Coach Man (by Daejin, Kang)” - Berlin Film Festival <The first win a prize by international film festival> . . . 2002 – “ Chiwhaseon (by Kwon taek, Im) – Cannes Film Festival 2002 – “ Oasis (by Chang dong, Lee)” – Venice Film Festival 2004 – “ Smaria (by Ki duk, Kim) “ – Berlin Film Festival 2004 – “ Old boy (by Chan wook, Park) – Cannes Film Festival 2004 – “ 3-Iron (by Ki duk, Kim) – Venice Film Festival
- 11. The prospect of Korean Film Korean films are growing every day. Some of them have been awarded in an overseas film festival. Also, many filmmakers abroad are getting interested more in Korean films. Above all, Korean love their movies and really enjoy watching them. The genres of films are getting various and the quality is also getting higher and higher in order to satisfy audiences. The future of Korean films will be promising and bright as long as our interests keep going on.
- 12. Source http://www.wikipedia.org/ http://www,naver.com http://www.youtube.co.kr
- 13. Thank you