20108004
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The Chinese film industry began in the early 20th century and has gone through several periods of development. After the establishment of the People's Republic of China in 1949, the film industry entered a new period of development with state-owned film studios established in Shanghai, Beijing, and Changchun. Some of China's most famous films include Lifetimes Living from 1994 and The Dream Factory from 1997. The document provides a brief history of China's film industry and some of its most notable films.
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20108004
The document provides a brief history of the film industry in China. It discusses how the industry began in the early 20th century and developed through periods such as the left-wing film movement in the 1930s, films during the Anti-Japanese War from 1937 to 1945, and films during the War of Liberation from 1945 to 1949. It then summarizes that after the establishment of the People's Republic of China in 1949, the country's film industry entered a new period of development with feature films being produced in Shanghai, Beijing, and Changchun.
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20108004
The document provides a brief history of the film industry in China. It discusses how the industry began in the early 20th century and developed through periods such as the left-wing film movement in the 1930s, films during the Anti-Japanese War from 1937 to 1945, and films during the War of Liberation from 1945 to 1949. It then summarizes that after the establishment of the People's Republic of China in 1949, the country's film industry entered a new period of development with feature films being produced in Shanghai, Beijing, and Changchun.
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Japanese movies
Japan has a long history in film dating back to the 1890s and remains one of the largest film industries in the world. Some of Japan's most notable silent films were produced in the 1920s and included works by directors like Teinosuke Kinugasa. The 1930s saw more talkies produced including works by legendary director Kenji Mizoguchi. World War II impacted the industry but post-war films saw a resurgence led by Akira Kurosawa's works in the 1940s and 1950s, which marked a golden age of Japanese cinema. Horror films also rose to prominence starting in the late 1990s with the success of works like Ringu and Ju-on: The Grudge, which
Imphal1944Mediapack_amended
- "Imphal 1944" is a short film written, directed and produced by Japanese actor Junichi Kajioka about reconciliation between a Japanese veteran and British soldier who fought in the Battle of Imphal.
- It is based on the true story of Masao Hirakubo, a Japanese veteran who worked to promote reconciliation between British and Japanese veterans.
- The film shows Masao seeking out the British soldier he had encountered during the battle in order to make amends, highlighting the themes of reconciliation after war and the futility of conflict.
World cinema asian
This document provides an overview of Asian cinema, with a focus on Chinese cinema. It discusses the beginnings of cinema in China in the early 1900s, including the first Chinese films from 1905. It summarizes several important early Chinese silent films from the 1910s-1920s. It then covers the development of Chinese cinema through the 1930s-1940s, including the first Chinese sound film in 1931. The document concludes with brief biographies of Bruce Lee and Jackie Chan, two iconic figures in martial arts cinema.
History of editing
The document discusses the history and development of film editing. It begins with definitions of editing and its uses. Early films had single static shots without editing. The Lumiere brothers developed the Cinematographe which combined a camera, printer and projector. Edwin Porter directed early films that used continuity editing techniques. D.W. Griffith developed innovative techniques like close-ups and cross-cutting at Biograph Studios. Soviet filmmakers like Eisenstein developed montage editing theories based on Kuleshov's experiments. Sound editing developed with films like The Jazz Singer containing synchronized dialogue and singing. Technologies like Moviolas and flatbed editors enabled nonlinear editing.
History of editing
This document provides an overview of the history and development of film editing. It discusses early films from the Lumiere brothers that consisted of single static shots. Edwin Porter introduced continuity editing in films like The Great Train Robbery by combining multiple shots into a coherent narrative. D.W. Griffith further advanced editing techniques at Biograph, using cross-cutting between scenes. Soviet filmmakers like Eisenstein and Kuleshov developed montage editing, using juxtaposition of shots to imply meanings and condense time/space. Montage became a key technique in propaganda films to stimulate audiences.
Planning CycleAudit this stage consists of taking stock of an.docx
Planning Cycle
Audit: this stage consists of taking stock of and analysing existing data, with research being used to identify issues as well as to create benchmarks. This stage is often also called formative research, which is the data on which practitioners will build their communication programme or campaign.
Objectives: this stage involves setting objectives that follow from the audit, and in line with the organization’s general business objectives. objectives are broken down by stakeholder audience and timescale and are specified in measurable terms. Objectives are often specified in terms of any change in awareness, attitude and behavior of stakeholders that an organization aims for.
Planning and execution: this stage involves deciding on the design and execution of the programme or campaign, which may involve a pre-testing of messages and of the choice of media channels and tactics.
Measurement and evaluation: this stage is the first of several possible types of programme or campaign measurement, or continuous measurement. During the programme or campaign communication practitioners can ask themselves whether they are getting the desire results, or whether the campaign needs to be adjusted. This may involve monitoring the execution and any costs associated with it as well as taking stock of the initial results achieved.
Results: the final stage involves an assessment of the overall post-programme or post-campaign results and identifying any potential issues or learning points that may inform the audit stage and a new cycle of activity.
The topic I chose is No.3
3. Discuss cinematic constructions of masculinity in two films of your own choosing. You may focus on how the films portray the main male character(s)’s bodies and actions and consider how the films’ formal and stylistic features contribute to your perception of their masculinity.
Movie you have to watch:
1. Shura 1971
2. Seven suMurai 1954
Please have clear thesis and citation
3 Articles you may use
1. Seven Samurai (Akira Kurosawa, Toho, 1954)Video Resource
2. Inuhiko Yomota "Two or Three Things I know about ATG"
3. Go Hirasawa "Underground Cinema and the Art Theatre Guild"
ART THEATRE GUILD
Unabhinge Jpronizhe Kin01962-1984
Ein letisestie derVIENMAl mi es Fimsams
N03museum
THE RISE OF UNDERGROUND CINEMA
| ANDTHE EARLY YEARS OF ATG
By Hirasawa Gc
An Experiment Called ATG for-Nothing.19`),TakahshiOsamu with Kmo dake arite
im(Only She Knows,19`), Tamura Isutomu withAkuimin bThe birth of ATG(Ar Thearre Guild of Japan) in 19a marke
an epoch in the distribution of experimental films and art films sonr (Dsire to Be a Bad Man,19).Peopleulked about them in
from all over the world, which hardly had a chance of being comparison to French directors who had made their debuts at
|shown in commerial theatrs.In April1962 ten Art Theatres young age,like Francois Tuffut.Jean-Luc Godard,Claude
were established natiopwid to sreen the fims ATG disribute Chabrol and Loui.
Planning CycleAudit this stage consists of taking stock of an.docx
Planning Cycle
Audit: this stage consists of taking stock of and analysing existing data, with research being used to identify issues as well as to create benchmarks. This stage is often also called formative research, which is the data on which practitioners will build their communication programme or campaign.
Objectives: this stage involves setting objectives that follow from the audit, and in line with the organization’s general business objectives. objectives are broken down by stakeholder audience and timescale and are specified in measurable terms. Objectives are often specified in terms of any change in awareness, attitude and behavior of stakeholders that an organization aims for.
Planning and execution: this stage involves deciding on the design and execution of the programme or campaign, which may involve a pre-testing of messages and of the choice of media channels and tactics.
Measurement and evaluation: this stage is the first of several possible types of programme or campaign measurement, or continuous measurement. During the programme or campaign communication practitioners can ask themselves whether they are getting the desire results, or whether the campaign needs to be adjusted. This may involve monitoring the execution and any costs associated with it as well as taking stock of the initial results achieved.
Results: the final stage involves an assessment of the overall post-programme or post-campaign results and identifying any potential issues or learning points that may inform the audit stage and a new cycle of activity.
The topic I chose is No.3
3. Discuss cinematic constructions of masculinity in two films of your own choosing. You may focus on how the films portray the main male character(s)’s bodies and actions and consider how the films’ formal and stylistic features contribute to your perception of their masculinity.
Movie you have to watch:
1. Shura 1971
2. Seven suMurai 1954
Please have clear thesis and citation
3 Articles you may use
1. Seven Samurai (Akira Kurosawa, Toho, 1954)Video Resource
2. Inuhiko Yomota "Two or Three Things I know about ATG"
3. Go Hirasawa "Underground Cinema and the Art Theatre Guild"
ART THEATRE GUILD
Unabhinge Jpronizhe Kin01962-1984
Ein letisestie derVIENMAl mi es Fimsams
N03museum
THE RISE OF UNDERGROUND CINEMA
| ANDTHE EARLY YEARS OF ATG
By Hirasawa Gc
An Experiment Called ATG for-Nothing.19`),TakahshiOsamu with Kmo dake arite
im(Only She Knows,19`), Tamura Isutomu withAkuimin bThe birth of ATG(Ar Thearre Guild of Japan) in 19a marke
an epoch in the distribution of experimental films and art films sonr (Dsire to Be a Bad Man,19).Peopleulked about them in
from all over the world, which hardly had a chance of being comparison to French directors who had made their debuts at
|shown in commerial theatrs.In April1962 ten Art Theatres young age,like Francois Tuffut.Jean-Luc Godard,Claude
were established natiopwid to sreen the fims ATG disribute Chabrol and Loui ...
Film (Introduction to Communication)
A film is a series of still or moving images that is produced by recording photographic images with cameras or through animation techniques. Films reflect and affect the cultures that create them and are considered an important art form as well as a means of popular entertainment and education. The history of film began in the late 1890s with the invention of the movie camera and motion pictures have since become a major form of communication, entertainment, and mass media in the 20th and 21st centuries.
The History of Anime.pdf
The History of Anime
Anime, or Japanese animation, has become a major part of global pop culture today.
However, its origins date back to the early 20th century.
In the pre-World War II era, Japan began experimenting with animation techniques as early as
1907. The first known Japanese animation was three short films by Oten Shimokawa. In 1917,
the first professional animated film called Namakura Gatana was released. During the 1920s
and 30s, animation was promoted by the government as propaganda. Artists were
commissioned to create animations that supported Japanese nationalism and militarism
leading up to WWII.
One major propaganda film was Momotaro's Divine Sea Warriors directed by Mitsuyo Seo in
1945. It featured Momotaro, a popular Japanese folk hero, on a mission to defeat British
forces. Such films aimed to inspire Japanese citizens to support the war effort.
After Japan's defeat in 1945, the occupying American forces introduced Disney cartoons and
Hollywood films to the country. This influenced Japanese animators to develop their own postwar style of animation.
A pioneer was Osamu Tezuka, known as the "Godfather" of anime. In 1963, he created Astro
Boy, about a powerful robot with superhuman powers. It was the first popular animated
Japanese TV series that embodied typical anime elements like large eyes and stylized art.
This marked the beginning of anime's rise to an international phenomenon.
The 1970s saw the exploration of more mature themes like environmental issues and
sexuality in anime films. One example is Nausicaa of the Valley of the Wind (1984) by Hayao
Miyazaki, co-founder of the famous Studio Ghibli. The film featured a brave young princess set
in a post-apocalyptic world.
Over the following decades, anime continued to grow in popularity globally thanks to
international distribution and fan subbing. Today, it has become mainstream in the West with
iconic series like Pokémon and Yu-Gi-Oh! Anime has come a long way from its wartime
propaganda origins to be celebrated worldwide as a vibrant Unique Art form reflecting
Japanese cultural trends.
The History of Anime.pdf
Anime has its origins in early 20th century Japan, where the first animated films were created in 1907-1917. During World War II, propaganda films featuring popular heroes were used to inspire support for the war effort. After the war, American films and Disney influenced Japanese animators to develop their own style. Pioneers like Osamu Tezuka popularized anime on television in the 1960s with shows like Astro Boy. Anime has since grown globally in popularity through iconic series like Pokémon and exploration of mature themes, becoming a celebrated art form reflecting Japanese culture.
The evolution of anime
The document discusses the evolution of anime from its origins in early 20th century Japan to its current global popularity. It begins with some of the earliest anime works from 1907-1917, created through experimental cutout animation techniques. Major developments included influence from Disney films in the 1930s-40s, the growth of major studios like Toei Animation in the 1950s, anime propaganda during WWII, and Osamu Tezuka's influential work in the 1950s. Anime gained international popularity through strategic marketing and by drawing from a variety of sources including manga, novels, and video games.
Chinese cinema
The document provides an overview of the history and development of Chinese cinema. It discusses the three main threads of Chinese cinema from mainland China, Hong Kong and Taiwan. It notes that cinema was introduced in China in 1896 and the first films with sound and color were created in the 1930s and 1940s. Popular genres included historical dramas, comedies and action films. Box office sales in China have grown significantly in recent decades making it one of the largest film markets in the world. The document also examines characteristics of Chinese romance, comedy and action films.
Soviet montage 2019 new
This document discusses the technique of montage in film editing. It begins by defining montage as editing together short shots to compact space, time, and information. It then discusses the development of montage, particularly in Soviet films of the 1920s, where directors like Eisenstein and Vertov used montage to tell stories or illustrate ideas through juxtaposing images. The document outlines key aspects of Soviet montage theory and how it was shaped by the political context in Russia after the Bolshevik Revolution. It provides examples of famous Soviet montage sequences and discusses how the technique was later adapted by modern filmmakers.
Similar to 20108004 (20)
Globalization And Commodification Of Chinese Cinema
Globalization And Commodification Of Chinese Cinema
Planning CycleAudit this stage consists of taking stock of an.docx
Planning CycleAudit this stage consists of taking stock of an.docx
Planning CycleAudit this stage consists of taking stock of an.docx
Planning CycleAudit this stage consists of taking stock of an.docx
20108004
- 1. FILM China's film 20108004 Rui Zeng
- 2. Directory History of China's film New China's film industry China's famous film Reference
- 3. History Chinese film industry began in the early 20th century. In 1905, Beijing Fengtai studio founder Ren Feng shot by Tan Xinpei starring "Ding Junshan" fragment, which is produced by the Chinese themselves in the first film. Left-wing film movement(1931 ~ 1937) :In 1930, under the leadership of the Communist Party of China, Shanghai has set up a left-wing Writers Union, China and the Chinese Dramatists left-wing coalition.
- 4. History Anti-Japanese War of the Chinese film (1937 ~ 1945): KMT rule in the area, in 1938, Zhou Enlai, on behalf of the Communist Party of China Committee of the Political Department to participate in the military leadership, directly promoted the development of the film War of Resistance Against Japan. During the War of Liberation of Chinese film (1945 ~ 1949) :After the victory of the War of Resistance Against Japan, the Kuomintang and the Propaganda Department of the Ministry of National Defense were taken over Shanghai, Beijing, Changchun, Nanjing and other places of the film industry.
- 5. New China's film industry After the establishment of the People's Republic of China's film industry has entered a new period of development. in 1953 into the Shanghai Film Studio. In this way, feature film production by Changchun, Beijing, Shanghai 3 state-owned factory to bear.New China in 1949 produced the film from the first to the liberation of the working class as masters of the film "Bridge" began in a very short time, the film "White- Haired Girl" and "steel soldiers" and "concentration camp Shangrao," " Heroes of the sons and daughters of the new "," Tsui Po Kong Red Flag "and" my life "and" corrosive "and other outstanding feature films.
- 6. China's famous film Lifetimes Living Product time :1994
- 7. China's famous film The Dream Factory Product time :1997
- 8. Reference http://zhidao.baidu.com/question/79321997.html http://baike.baidu.com/view/3408.htm http://baike.baidu.com/view/310043.htm
- 9. THANK YOU @kingsoftwps