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EmilyMorris – Pre production
Film Analysis – The Graduate(1967)Directed by
MikeNicholls
The camera constantlyfollowsthe charactersuggestinghe’sthe
maincharacter throughout.He’sshowntobe constantlylooking
intodistance whichsuggeststhathe couldbe consideringthe
future andwhat to do next.He’snevershowntobe looking
straightintocamera whichisindicative of the factthat he
possiblydoesn’tknow what’scomingnext.He stepsontoa
conveyerbeltwhichispushinghimtowardsmetaphorical future
withno falteringwhichsuggeststhathe isbeinghurtledintohis
future nomatter what.People rushpastasif theyknow what
theywantand where they’re goingbut he doesn’t.The bland
background makesthe entire scene seembleakandalmostasif
there’snohope.
The onlytime that he isn’tinframe is whenwe see hissuitcase.Thisisgreyandplainjustlike him.
There’sa flashof redon it whichcouldrepresentanelementof fearandsuggeststhathe’sscaredof
what’sto come next.Thisisshortlyfollowedbythe sign‘dotheymatch?’ whichcouldbe seenasa
relationshipsymbol,foreshadowingthe ideaof alove interestlaterinthe film.
Facial expressionremainssolemn –he’snothappyaboutbeinghome.Also,the factthathe’s
wearinga suitto go home suggestshe isnotcomfortable there.Outside the airport,everyone is
pairedwithpeople apartfromhimwhichemphasisesthe factthathe’salone andpossiblyfeeling
quite isolated.
Gets home andface still solemn,suggestingthathe’s unhappytobe there.Fish tankisindicative of
containment,asif he feelstrappedbyhispredicament.
Althoughthisfilmdoesn’tfall underthe genre of psychological thriller,Ireallylike how the actorhas
beenpositionedwithinthe shotsandthe use of symbolism(muchlike withthe fishtankwhichis
usedto representconfinement) toshowa sense of isolation.These are techniquesthatIwouldlike
to incorporate intomyfilm.

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Film analysis the graduate

  • 1. EmilyMorris – Pre production Film Analysis – The Graduate(1967)Directed by MikeNicholls The camera constantlyfollowsthe charactersuggestinghe’sthe maincharacter throughout.He’sshowntobe constantlylooking intodistance whichsuggeststhathe couldbe consideringthe future andwhat to do next.He’snevershowntobe looking straightintocamera whichisindicative of the factthat he possiblydoesn’tknow what’scomingnext.He stepsontoa conveyerbeltwhichispushinghimtowardsmetaphorical future withno falteringwhichsuggeststhathe isbeinghurtledintohis future nomatter what.People rushpastasif theyknow what theywantand where they’re goingbut he doesn’t.The bland background makesthe entire scene seembleakandalmostasif there’snohope. The onlytime that he isn’tinframe is whenwe see hissuitcase.Thisisgreyandplainjustlike him. There’sa flashof redon it whichcouldrepresentanelementof fearandsuggeststhathe’sscaredof what’sto come next.Thisisshortlyfollowedbythe sign‘dotheymatch?’ whichcouldbe seenasa relationshipsymbol,foreshadowingthe ideaof alove interestlaterinthe film. Facial expressionremainssolemn –he’snothappyaboutbeinghome.Also,the factthathe’s wearinga suitto go home suggestshe isnotcomfortable there.Outside the airport,everyone is pairedwithpeople apartfromhimwhichemphasisesthe factthathe’salone andpossiblyfeeling quite isolated. Gets home andface still solemn,suggestingthathe’s unhappytobe there.Fish tankisindicative of containment,asif he feelstrappedbyhispredicament. Althoughthisfilmdoesn’tfall underthe genre of psychological thriller,Ireallylike how the actorhas beenpositionedwithinthe shotsandthe use of symbolism(muchlike withthe fishtankwhichis usedto representconfinement) toshowa sense of isolation.These are techniquesthatIwouldlike to incorporate intomyfilm.