The document analyzes scenes from the film The Graduate (1967) directed by Mike Nichols. It discusses how the camera follows the main character, showing him looking into the distance as if considering his uncertain future. He steps onto a conveyor belt that pushes him toward an uncontrollable future. While others rush by with purpose, he seems lost. His solemn facial expressions show he is unhappy returning home. Symbols like his plain gray suitcase and a fish tank representing confinement convey a sense of isolation and feeling trapped.