SlideShare a Scribd company logo
1 of 15
Horror
Storylines
At the beginning of many horror films it’s never really apparent that
anything sinister is happening to the characters. As the film develops, a
certain character may begin to display signs and behave oddly in order to
convey to the audience that something bad will happen. An example of a
film that does this is The Babadook as Amelia’s troubled child Sam, begins
displaying erratic behaviour and acting out of character. Soon after, the
storyline begins to unfold at a pace keeping the audience interested and
on the edge of their seats.
The film is based around a mother’s paranoia and it’s up to the viewer to
make the decision whether or not The Babadook is in the mother’s mind
or whether it is actually real. Similar to this, our film Psychosis will be
based around a girl’s paranoia and her obscure view of the world.
Shots
There are often a select few camera movements and shots that are used in
horror films in order to create the intended effect e.g. fear, tension, horror.
These are:
• Close up - This is when there is very little background within the shot and
a character or object will take up most of the mise-en-scene. This is done
in the film Mama in order to show the audience what she looks like. This
shot allows the audience to feel emotions e.g. terror
• Hand held camera shot – This when the when the camera is taken of the
tripod and is shot using the camera mans hand. This often used within
horror especially, through out the theme fake documentary as it makes
the film seem more realistic and also influences the audience into thinking
‘could this happen to me?’
Close up shot
Handheld camera shot
Shots (continued)
• Establishing shot - An establishing shot captures everything within the scene this is often used to
introduce the setting
• Point of view shot - The point of view shot is when the shot is taken from the point of view of the
character. The audience is able to see what the character is feeling and therefore become more
emotionally invested in the film
• Zoom –This is a popular camera movement used in horror films. Zooming in on a character, object or
setting creates tension and mystery in the audience as they may be unsure of what they are about to
see
Establishing shot ZoomPOV shot
Characters
There are quite a few stereotypical characters that appear in horror films. In our own film, Psychosis, the only
stereotypical character we will portray is an evil one. However, it is to be decided if said character is actually real or
not.
Here are some examples of certain types of characters that are easily recognisable in horror films:
• Female victim – The vast majority of horror films will almost undoubtedly feature a female victim. They are
often important characters in this genre as they help build up suspense and tension in the audience due to
their jumpy movements and audible panic when something happens e.g. screaming. The female victim
tends to be young and attractive as this appeals to a wider male audience
• Hero – In most horror films, the hero tends to be a strong and masculine male character who protects and
helps everyone who is suffering. It’s apparent in this genre that good doesn’t always win over evil, so, to
create high emotion within the audience the hero of the film tends to get severely injured or even killed. As
horror films continue to develop and gender stereotypes are becoming less apparent, some modern day
films feature women as the hero, for example Amelia from The Babadook is a strong female protagonist
Characters (continued)
• Non-believer – This character can be of either gender, however is often male. Portrayed as being cocky and at
ease, the non-believer tends to convince other characters that nothing is wrong and they are over reacting.
Typically over confident, this character ends up coming to a bloody end due to their own fault. After this, all
other characters will be in full panic mode and this is often when mass killings start to happen. Without the non-
believer’s presence, all safety is gone
• Evil character – There are several forms this character can take; serial killer, demonic possession, ghost, monster,
vampire, werewolf, zombie etc. If the character takes a human form they will often disguise themselves by
wearing a mask, covering their appearance and therefore cutting off any emotions. Wearing a mask also plays
on the unknown as neither the audience nor characters can identify who it is. To hint towards the idea of them
being inhuman, they usually end up unharmed when stabbed or shot
• Hysterical character – This character is usually female and is typically known to go into hysterics after witnessing
the murder of one of her friends so will refuse to leave the building they are in. After other characters trying to
help and support her, the likelihood of the hysterical character surviving is small as she will refuse to move and
therefore end up killed
Characters (continued)
• Loved up couple – Generally between a male and female character who will often be killed together as a couple.
They are typically separated from other people whilst they are being targeted and are usually so preoccupied
with each other they don’t notice the approaching threat. These type of characters are normally used to anger
the audience and will often encourage them to shout at their stupidity and obliviousness of the situation.
Hero: Patrick Wilson
as Josh Lambert in
Insidious
Female victim:
Heather Graham as
‘stab’ Casey in Scream
2
Non-believer – Brian
Boland as Daniel Rey
in Paranormal Activity
2
Evil character –
Javier Botet as
Mama in Mama
Hysterical character –
Teri McMinn as Pam in
The Texas Chainsaw
Massacre
Loved up couple – Ansel Elgort
as Tommy Ross and Gabriella
Wilde as Sue Snell in Carrie
(2013)
Mise-en-scene
Mise-en-scene is everything that is part of a scene. It is made up of five factors which are:
• Settings and Props
• Costume, Hair and Make Up
• Facial Expressions and Body Language
• Positioning of characters/objects within the frame
• Lighting and colour
Settings and Props
Hair and Make Up
Facial Expressions
Positioning of characters within the
frame Lighting and colour
Mise-en-scene (Settings and Props)
Settings and locations play an important part in film making and aren’t necessarily just backgrounds. In all genres
of film, not just specifically horror, the sets are either carefully designed on paper and then built from scratch so it
fits exactly in with the specific film or a setting which already exists is sought out through lots of research and
visits to various locations in order to find the perfect setting. All in all, a great deal of time is put into finding a
suitable setting. Not only can settings set the mood and atmosphere of a scene, they are also useful to
manipulate an audience by building certain expectations and then often taking a different turn.
Examples of typical settings that can be used in horror films are:
• Abandoned house
• Woods
• Countryside
• Graveyard
• Rural locations
Abandoned house Woods
Countryside Graveyard Rural location
Mise-en-scene (Settings and Props)
The main reason for the use of props is to make the setting look more realistic, however, they can have other uses
such as:
• Adding to the narrative information
• They can be genre specific
• Inform the audience about the character/s
• Being the secret in the narrative or the goal for the narrative
Examples of typical props used in horror films are:
• Camera (hand held by the character to self-record some parts or
all of the film
• Ghosts
• Monsters
• Toys (e.g. dolls – often possessed)
• Zombies
Character using a hand held
camera
Ghost
Monster
Zombie
Toys (e.g. Annabelle doll)
Mise-en-scene (Costume, Hair and Make Up)
Costume, hair and make up has the ability to instantly portray a character’s personality, status and job to
the audience. It can immediately tell us what time period the film is set in and what society/culture it will
centre around.
Jigsaw
from Saw
Chucky
from the
Chucky
franchise
Scream from
the Scream
franchise
Piggy from Motel Hell
Mise-en-scene (Facial Expressions and
Body Language)
Facial expressions can be a clear indicator of how someone is feeling. For example, if a character is smiling
broadly we are lead to assume they are happy, however, this can be changed if the body language of the
character is different. They could be stood in a threatening manner and creepy music could be playing in
the background. This will change the audiences perception immediately, leading them to think that the
once cheerful character could now be the antagonist of the film.
Annabelle from
Annabelle
Smiley from Smiley Carrie from (Carrie 2013)
Mise-en-scene (Positioning of
Characters/Objects Within a Frame)
Positioning within a frame can draw the audience's attention to an important character/object. A
director/film-maker can use positioning to indicate relationships between people/characters.
It can also be used to draw attention to certain characters.
This framing allows us to clearly see that someone
has grabbed his arm and is pulling him down
The positioning of the character conveys to the audience how
small he is compared to the sea
This shot focuses the audience’s attention on
the character’s feet and where he is going
Lighting and Colour
Lighting and colour can be used to highlight important characters or objects within a frame. For
example, if certain sections of a character’s face and body are shaded it can influence the audience
into thinking the character is mysterious or dangerous.
It can also be used to reflect a character’s mental state or emotions e.g. bright colours portray a happy
and safe atmosphere while dark colours portray a dark and disturbing atmosphere
Bright lighting Dark lighting
Types of Lighting – Low Key Lighting &
High Key Lighting
Low Key Lighting:
• Created by using only the key and back lights
• Produces sharp contrasts of light and dark areas
• Formation of shadows and silhouettes
High Key Lighting:
• Increase in the use of filler lights. Makes the light natural
looking and realistic to our eyes
• Produces a brightly lit set or gives the impression that it
is a sunny day
Low key lighting
High key lighting

More Related Content

What's hot

Conventions and Codes of Horror Film Posters
Conventions and Codes of Horror Film PostersConventions and Codes of Horror Film Posters
Conventions and Codes of Horror Film Postersmootje2009
 
Still Shots - Bradley Gale
Still Shots - Bradley GaleStill Shots - Bradley Gale
Still Shots - Bradley GaleBradley Gale
 
The hunger games opening sequence analysis - Lauren Mo
The hunger games opening sequence analysis - Lauren MoThe hunger games opening sequence analysis - Lauren Mo
The hunger games opening sequence analysis - Lauren Morhsmediastudies
 
Evaluation q1,2,3,6
Evaluation q1,2,3,6Evaluation q1,2,3,6
Evaluation q1,2,3,6JoeyPease
 
Image board
Image boardImage board
Image boardrufus786
 
Evaluation - Question 1 DRAFT
Evaluation - Question 1 DRAFT Evaluation - Question 1 DRAFT
Evaluation - Question 1 DRAFT LivThomas
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film Girish Jeebodhun
 
Media assignment 9 abdullah
Media assignment 9 abdullahMedia assignment 9 abdullah
Media assignment 9 abdullahAbdullah Khan
 
Conventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisConventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisCissnei
 
Understanding Movies
Understanding MoviesUnderstanding Movies
Understanding MoviesTerry Wang
 
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...Barnsley College.
 
Macro features Film Studies
Macro features Film StudiesMacro features Film Studies
Macro features Film StudiesBen Atherton
 
The Shining trailer analysis
The Shining trailer analysisThe Shining trailer analysis
The Shining trailer analysisDylan Pimlott
 
Flm trailer analysis - Mise-en-scene
Flm trailer analysis - Mise-en-sceneFlm trailer analysis - Mise-en-scene
Flm trailer analysis - Mise-en-scenehollymaegruncell
 
Genre analysis
Genre analysisGenre analysis
Genre analysisfatimag321
 
Film researchmediacourseworkpiecetwo
Film researchmediacourseworkpiecetwoFilm researchmediacourseworkpiecetwo
Film researchmediacourseworkpiecetwoCharmaineMediaBlog
 

What's hot (20)

Conventions and Codes of Horror Film Posters
Conventions and Codes of Horror Film PostersConventions and Codes of Horror Film Posters
Conventions and Codes of Horror Film Posters
 
Still Shots - Bradley Gale
Still Shots - Bradley GaleStill Shots - Bradley Gale
Still Shots - Bradley Gale
 
The hunger games opening sequence analysis - Lauren Mo
The hunger games opening sequence analysis - Lauren MoThe hunger games opening sequence analysis - Lauren Mo
The hunger games opening sequence analysis - Lauren Mo
 
Evaluation q1,2,3,6
Evaluation q1,2,3,6Evaluation q1,2,3,6
Evaluation q1,2,3,6
 
Image board
Image boardImage board
Image board
 
Joe b eval 1
Joe b eval 1Joe b eval 1
Joe b eval 1
 
Evaluation - Question 1 DRAFT
Evaluation - Question 1 DRAFT Evaluation - Question 1 DRAFT
Evaluation - Question 1 DRAFT
 
Evaluation
EvaluationEvaluation
Evaluation
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film
 
Media assignment 9 abdullah
Media assignment 9 abdullahMedia assignment 9 abdullah
Media assignment 9 abdullah
 
Conventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisConventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of Analysis
 
Understanding Movies
Understanding MoviesUnderstanding Movies
Understanding Movies
 
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...
IN TERMS OF THE CONTENT, HOW DOES YOUR FILM REFLECT OR CHALLENGE CONVENTIONS ...
 
Macro features Film Studies
Macro features Film StudiesMacro features Film Studies
Macro features Film Studies
 
The Shining trailer analysis
The Shining trailer analysisThe Shining trailer analysis
The Shining trailer analysis
 
Spy Thriller Genre research
Spy Thriller Genre researchSpy Thriller Genre research
Spy Thriller Genre research
 
Evaluation task 1 [autosaved]
Evaluation task 1 [autosaved]Evaluation task 1 [autosaved]
Evaluation task 1 [autosaved]
 
Flm trailer analysis - Mise-en-scene
Flm trailer analysis - Mise-en-sceneFlm trailer analysis - Mise-en-scene
Flm trailer analysis - Mise-en-scene
 
Genre analysis
Genre analysisGenre analysis
Genre analysis
 
Film researchmediacourseworkpiecetwo
Film researchmediacourseworkpiecetwoFilm researchmediacourseworkpiecetwo
Film researchmediacourseworkpiecetwo
 

Viewers also liked (7)

Distributors
DistributorsDistributors
Distributors
 
Question 7
Question 7Question 7
Question 7
 
Preliminary task and progress
Preliminary task and progressPreliminary task and progress
Preliminary task and progress
 
Section 6
Section 6Section 6
Section 6
 
Section 3
Section 3Section 3
Section 3
 
Question 1
Question 1 Question 1
Question 1
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 

Similar to Horror Film Storylines and Techniques

Killer in horror
Killer in horrorKiller in horror
Killer in horrorrushelle016
 
Codes and conventions of horror
Codes and conventions of horrorCodes and conventions of horror
Codes and conventions of horrorkcmaher97
 
Horror Film initial Ideas
Horror Film initial IdeasHorror Film initial Ideas
Horror Film initial IdeasRobson Woodley
 
Horror Film Initial Ideas
Horror Film Initial IdeasHorror Film Initial Ideas
Horror Film Initial IdeasAdrian Kreft
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film ConventionsRobson Woodley
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventionsASgroup9
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventionsASgroup9
 
D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.Reece Evans
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research6415964862123
 
Horror film genre conversation reasearch
Horror film genre conversation reasearchHorror film genre conversation reasearch
Horror film genre conversation reasearchBai Xue
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film ConventionsAdrian Kreft
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film ConventionsRobson Woodley
 
Genre research
Genre researchGenre research
Genre researchcm160032
 
Iconography assignment 9
Iconography assignment 9Iconography assignment 9
Iconography assignment 9KellyMorales20
 
Codes and conventions and iconography of horror films
Codes and conventions and iconography of horror filmsCodes and conventions and iconography of horror films
Codes and conventions and iconography of horror filmsmagrethxx
 
Media research presentation
Media research presentationMedia research presentation
Media research presentationJordan Carter
 
Horror genre conventions
Horror genre conventionsHorror genre conventions
Horror genre conventionscharlieshaw123
 

Similar to Horror Film Storylines and Techniques (20)

Killer in horror
Killer in horrorKiller in horror
Killer in horror
 
Codes and conventions of horror
Codes and conventions of horrorCodes and conventions of horror
Codes and conventions of horror
 
Horror Film initial Ideas
Horror Film initial IdeasHorror Film initial Ideas
Horror Film initial Ideas
 
Horror Film Initial Ideas
Horror Film Initial IdeasHorror Film Initial Ideas
Horror Film Initial Ideas
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film Conventions
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research
 
Horror film genre conversation reasearch
Horror film genre conversation reasearchHorror film genre conversation reasearch
Horror film genre conversation reasearch
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film Conventions
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film Conventions
 
Genre research
Genre researchGenre research
Genre research
 
Genre research
Genre researchGenre research
Genre research
 
Genre research
Genre researchGenre research
Genre research
 
Iconography assignment 9
Iconography assignment 9Iconography assignment 9
Iconography assignment 9
 
Codes and conventions and iconography of horror films
Codes and conventions and iconography of horror filmsCodes and conventions and iconography of horror films
Codes and conventions and iconography of horror films
 
Media research presentation
Media research presentationMedia research presentation
Media research presentation
 
Horror genre conventions
Horror genre conventionsHorror genre conventions
Horror genre conventions
 

Recently uploaded

The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
The byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxThe byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxShobhayan Kirtania
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfJayanti Pande
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104misteraugie
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...Sapna Thakur
 
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...anjaliyadav012327
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpinRaunakKeshri1
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...fonyou31
 

Recently uploaded (20)

The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
The byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptxThe byproduct of sericulture in different industries.pptx
The byproduct of sericulture in different industries.pptx
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdf
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
JAPAN: ORGANISATION OF PMDA, PHARMACEUTICAL LAWS & REGULATIONS, TYPES OF REGI...
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 

Horror Film Storylines and Techniques

  • 2. Storylines At the beginning of many horror films it’s never really apparent that anything sinister is happening to the characters. As the film develops, a certain character may begin to display signs and behave oddly in order to convey to the audience that something bad will happen. An example of a film that does this is The Babadook as Amelia’s troubled child Sam, begins displaying erratic behaviour and acting out of character. Soon after, the storyline begins to unfold at a pace keeping the audience interested and on the edge of their seats. The film is based around a mother’s paranoia and it’s up to the viewer to make the decision whether or not The Babadook is in the mother’s mind or whether it is actually real. Similar to this, our film Psychosis will be based around a girl’s paranoia and her obscure view of the world.
  • 3. Shots There are often a select few camera movements and shots that are used in horror films in order to create the intended effect e.g. fear, tension, horror. These are: • Close up - This is when there is very little background within the shot and a character or object will take up most of the mise-en-scene. This is done in the film Mama in order to show the audience what she looks like. This shot allows the audience to feel emotions e.g. terror • Hand held camera shot – This when the when the camera is taken of the tripod and is shot using the camera mans hand. This often used within horror especially, through out the theme fake documentary as it makes the film seem more realistic and also influences the audience into thinking ‘could this happen to me?’ Close up shot Handheld camera shot
  • 4. Shots (continued) • Establishing shot - An establishing shot captures everything within the scene this is often used to introduce the setting • Point of view shot - The point of view shot is when the shot is taken from the point of view of the character. The audience is able to see what the character is feeling and therefore become more emotionally invested in the film • Zoom –This is a popular camera movement used in horror films. Zooming in on a character, object or setting creates tension and mystery in the audience as they may be unsure of what they are about to see Establishing shot ZoomPOV shot
  • 5. Characters There are quite a few stereotypical characters that appear in horror films. In our own film, Psychosis, the only stereotypical character we will portray is an evil one. However, it is to be decided if said character is actually real or not. Here are some examples of certain types of characters that are easily recognisable in horror films: • Female victim – The vast majority of horror films will almost undoubtedly feature a female victim. They are often important characters in this genre as they help build up suspense and tension in the audience due to their jumpy movements and audible panic when something happens e.g. screaming. The female victim tends to be young and attractive as this appeals to a wider male audience • Hero – In most horror films, the hero tends to be a strong and masculine male character who protects and helps everyone who is suffering. It’s apparent in this genre that good doesn’t always win over evil, so, to create high emotion within the audience the hero of the film tends to get severely injured or even killed. As horror films continue to develop and gender stereotypes are becoming less apparent, some modern day films feature women as the hero, for example Amelia from The Babadook is a strong female protagonist
  • 6. Characters (continued) • Non-believer – This character can be of either gender, however is often male. Portrayed as being cocky and at ease, the non-believer tends to convince other characters that nothing is wrong and they are over reacting. Typically over confident, this character ends up coming to a bloody end due to their own fault. After this, all other characters will be in full panic mode and this is often when mass killings start to happen. Without the non- believer’s presence, all safety is gone • Evil character – There are several forms this character can take; serial killer, demonic possession, ghost, monster, vampire, werewolf, zombie etc. If the character takes a human form they will often disguise themselves by wearing a mask, covering their appearance and therefore cutting off any emotions. Wearing a mask also plays on the unknown as neither the audience nor characters can identify who it is. To hint towards the idea of them being inhuman, they usually end up unharmed when stabbed or shot • Hysterical character – This character is usually female and is typically known to go into hysterics after witnessing the murder of one of her friends so will refuse to leave the building they are in. After other characters trying to help and support her, the likelihood of the hysterical character surviving is small as she will refuse to move and therefore end up killed
  • 7. Characters (continued) • Loved up couple – Generally between a male and female character who will often be killed together as a couple. They are typically separated from other people whilst they are being targeted and are usually so preoccupied with each other they don’t notice the approaching threat. These type of characters are normally used to anger the audience and will often encourage them to shout at their stupidity and obliviousness of the situation. Hero: Patrick Wilson as Josh Lambert in Insidious Female victim: Heather Graham as ‘stab’ Casey in Scream 2 Non-believer – Brian Boland as Daniel Rey in Paranormal Activity 2 Evil character – Javier Botet as Mama in Mama Hysterical character – Teri McMinn as Pam in The Texas Chainsaw Massacre Loved up couple – Ansel Elgort as Tommy Ross and Gabriella Wilde as Sue Snell in Carrie (2013)
  • 8. Mise-en-scene Mise-en-scene is everything that is part of a scene. It is made up of five factors which are: • Settings and Props • Costume, Hair and Make Up • Facial Expressions and Body Language • Positioning of characters/objects within the frame • Lighting and colour Settings and Props Hair and Make Up Facial Expressions Positioning of characters within the frame Lighting and colour
  • 9. Mise-en-scene (Settings and Props) Settings and locations play an important part in film making and aren’t necessarily just backgrounds. In all genres of film, not just specifically horror, the sets are either carefully designed on paper and then built from scratch so it fits exactly in with the specific film or a setting which already exists is sought out through lots of research and visits to various locations in order to find the perfect setting. All in all, a great deal of time is put into finding a suitable setting. Not only can settings set the mood and atmosphere of a scene, they are also useful to manipulate an audience by building certain expectations and then often taking a different turn. Examples of typical settings that can be used in horror films are: • Abandoned house • Woods • Countryside • Graveyard • Rural locations Abandoned house Woods Countryside Graveyard Rural location
  • 10. Mise-en-scene (Settings and Props) The main reason for the use of props is to make the setting look more realistic, however, they can have other uses such as: • Adding to the narrative information • They can be genre specific • Inform the audience about the character/s • Being the secret in the narrative or the goal for the narrative Examples of typical props used in horror films are: • Camera (hand held by the character to self-record some parts or all of the film • Ghosts • Monsters • Toys (e.g. dolls – often possessed) • Zombies Character using a hand held camera Ghost Monster Zombie Toys (e.g. Annabelle doll)
  • 11. Mise-en-scene (Costume, Hair and Make Up) Costume, hair and make up has the ability to instantly portray a character’s personality, status and job to the audience. It can immediately tell us what time period the film is set in and what society/culture it will centre around. Jigsaw from Saw Chucky from the Chucky franchise Scream from the Scream franchise Piggy from Motel Hell
  • 12. Mise-en-scene (Facial Expressions and Body Language) Facial expressions can be a clear indicator of how someone is feeling. For example, if a character is smiling broadly we are lead to assume they are happy, however, this can be changed if the body language of the character is different. They could be stood in a threatening manner and creepy music could be playing in the background. This will change the audiences perception immediately, leading them to think that the once cheerful character could now be the antagonist of the film. Annabelle from Annabelle Smiley from Smiley Carrie from (Carrie 2013)
  • 13. Mise-en-scene (Positioning of Characters/Objects Within a Frame) Positioning within a frame can draw the audience's attention to an important character/object. A director/film-maker can use positioning to indicate relationships between people/characters. It can also be used to draw attention to certain characters. This framing allows us to clearly see that someone has grabbed his arm and is pulling him down The positioning of the character conveys to the audience how small he is compared to the sea This shot focuses the audience’s attention on the character’s feet and where he is going
  • 14. Lighting and Colour Lighting and colour can be used to highlight important characters or objects within a frame. For example, if certain sections of a character’s face and body are shaded it can influence the audience into thinking the character is mysterious or dangerous. It can also be used to reflect a character’s mental state or emotions e.g. bright colours portray a happy and safe atmosphere while dark colours portray a dark and disturbing atmosphere Bright lighting Dark lighting
  • 15. Types of Lighting – Low Key Lighting & High Key Lighting Low Key Lighting: • Created by using only the key and back lights • Produces sharp contrasts of light and dark areas • Formation of shadows and silhouettes High Key Lighting: • Increase in the use of filler lights. Makes the light natural looking and realistic to our eyes • Produces a brightly lit set or gives the impression that it is a sunny day Low key lighting High key lighting