Khushi is submitting samples of various knitting techniques for a class project. The document provides details on different types of knitting needles, yarns, and techniques such as casting on, binding off, and various stitches. Examples of knitting needles include single-pointed, double-pointed, and circular needles which come in various materials, lengths, and sizes. Common knitting techniques like stockinette, garter, and rib stitches are explained.
Fashion Design student work (Dezyne E' cole College)dezyneecole
This document provides step-by-step instructions for draping a basic bodice block and princess panels on a dress form. It describes how to prepare the fabric by measuring and marking grain lines. It then details the draping process for the front bodice, back bodice, center front panel, side panels and more. Key steps include centering pattern lines on the form, clipping darts and hemlines, smoothing fabric over seams, and marking construction notches. The goal is to create a custom block that can be adjusted as needed for patternmaking.
This document provides information about the draping process in fashion design. It defines draping as positioning and pinning fabric onto a dress form to develop the structure of a garment. Draping allows designers to sculpt one-of-a-kind designs through direct manipulation of the fabric. It is commonly used for couture and high-end pieces. The document also outlines various draping techniques, terms, tools used, and the steps involved in draping.
Profesional sewing techniques_for_designersNhu Anh Diep
This document provides an introduction and table of contents for a book titled "Sewing Techniques for Designers" by Julie Cole and Sharon Czachor. The book contains 18 chapters that cover various sewing techniques organized in the order they would be used to construct a garment, from the design process to finishing touches. Each chapter provides illustrations and details on how to execute the techniques. The authors have extensive experience in fashion design, sewing, and teaching, and wrote the book to help share their knowledge and inspire readers to improve their sewing skills.
This document provides an overview of Bina Abling's sixth edition of the Fashion Sketchbook. Key details include that it is a fully revised introductory text explaining how to draw figures, fashion heads and faces, garments, and accessories. It contains step-by-step instructions and images throughout. New features include additional focus on drawing men, children, luxury details, and flats and specs. The book aims to demystify the fashion drawing process for students and professionals.
1) The document provides instructions and diagrams for creating patterns for unique garment designs using a technique called "close, cut and open out."
2) Various design elements are shown that can be added to a basic bodice pattern through this pattern manipulation technique, including circular design lines, protruding accents called "deppari," and gathered holes.
3) Instructions are provided for patterns featuring a deppari protrusion on the back or chest, a dress with a gathered hole, and a camisole design with a gathered hole and frilled details.
The dressmaker-s-handbook-of-couture-sewing-techniques-gnv64taller BIOarq
This document provides an introduction to the book "Couture: The Dressmaker's Handbook Sewing Techniques" by Lynda Maynard. It discusses the author's early interest in sewing and focus on technique and details, which elevate a garment to couture status. It also previews some of the couture techniques that are covered in the book, including bindings, hems, trims, and hidden details. The book aims to share the author's collection of techniques and designer details that she has studied from vintage clothing to help the reader develop couture level skills.
Fashion draping is the process of positioning and pinning fabric on a dress form to understand what creates a great fit and how to achieve it. Designers no longer use draping as part of the design process but instead experiment with fabrics on a dress form so they can immediately see the results of how their design will look.
The design is the first step in creation of a pattern for textile or home textile. The image is always drawn in a way it can be repeated on an entire layout. the preliminary step in this is creating a design by reducing its size of increasing its proportion which is explained in the presentation,
Fashion Design student work (Dezyne E' cole College)dezyneecole
This document provides step-by-step instructions for draping a basic bodice block and princess panels on a dress form. It describes how to prepare the fabric by measuring and marking grain lines. It then details the draping process for the front bodice, back bodice, center front panel, side panels and more. Key steps include centering pattern lines on the form, clipping darts and hemlines, smoothing fabric over seams, and marking construction notches. The goal is to create a custom block that can be adjusted as needed for patternmaking.
This document provides information about the draping process in fashion design. It defines draping as positioning and pinning fabric onto a dress form to develop the structure of a garment. Draping allows designers to sculpt one-of-a-kind designs through direct manipulation of the fabric. It is commonly used for couture and high-end pieces. The document also outlines various draping techniques, terms, tools used, and the steps involved in draping.
Profesional sewing techniques_for_designersNhu Anh Diep
This document provides an introduction and table of contents for a book titled "Sewing Techniques for Designers" by Julie Cole and Sharon Czachor. The book contains 18 chapters that cover various sewing techniques organized in the order they would be used to construct a garment, from the design process to finishing touches. Each chapter provides illustrations and details on how to execute the techniques. The authors have extensive experience in fashion design, sewing, and teaching, and wrote the book to help share their knowledge and inspire readers to improve their sewing skills.
This document provides an overview of Bina Abling's sixth edition of the Fashion Sketchbook. Key details include that it is a fully revised introductory text explaining how to draw figures, fashion heads and faces, garments, and accessories. It contains step-by-step instructions and images throughout. New features include additional focus on drawing men, children, luxury details, and flats and specs. The book aims to demystify the fashion drawing process for students and professionals.
1) The document provides instructions and diagrams for creating patterns for unique garment designs using a technique called "close, cut and open out."
2) Various design elements are shown that can be added to a basic bodice pattern through this pattern manipulation technique, including circular design lines, protruding accents called "deppari," and gathered holes.
3) Instructions are provided for patterns featuring a deppari protrusion on the back or chest, a dress with a gathered hole, and a camisole design with a gathered hole and frilled details.
The dressmaker-s-handbook-of-couture-sewing-techniques-gnv64taller BIOarq
This document provides an introduction to the book "Couture: The Dressmaker's Handbook Sewing Techniques" by Lynda Maynard. It discusses the author's early interest in sewing and focus on technique and details, which elevate a garment to couture status. It also previews some of the couture techniques that are covered in the book, including bindings, hems, trims, and hidden details. The book aims to share the author's collection of techniques and designer details that she has studied from vintage clothing to help the reader develop couture level skills.
Fashion draping is the process of positioning and pinning fabric on a dress form to understand what creates a great fit and how to achieve it. Designers no longer use draping as part of the design process but instead experiment with fabrics on a dress form so they can immediately see the results of how their design will look.
The design is the first step in creation of a pattern for textile or home textile. The image is always drawn in a way it can be repeated on an entire layout. the preliminary step in this is creating a design by reducing its size of increasing its proportion which is explained in the presentation,
Knitting is a process of fabric manufacturing that involves converting yarn into loops that interlock together to form a structure. There are different types of knitted fabrics produced using various knitting techniques like weft knitting and warp knitting. Weft knitting involves interlocking loops in the widthwise direction to form rows or courses, while warp knitting interlocks loops in the lengthwise direction. Common knitted fabrics include jersey, rib, and purl fabrics. Knitting can incorporate designs like color stripes, jacquard patterns, and constructions that use different stitch types.
The portfolio contains 14 fashion design projects by Nahdin Sabla including collections of dresses inspired by 1950s styles and Peruvian culture, techniques for origami dressmaking, embroidery, and patternmaking. It also documents her work overseeing sewing workshops in Peruvian jungle communities and modifying a traditional pollera skirt. The projects showcase her skills and range from garment construction to cultural influences on her designs.
Draping is the process of positioning and pinning fabric on a dress form to develop a garment's structure before creating a sewing pattern. It teaches designers how darts and seams shape garments and give proper fit. Draping allows designers to experiment with different designs easily by changing fabric drapes and placements of darts. The main advantage is that designers can see the 3D form of a design before cutting and sewing, and adjustments are simpler than working with paper patterns. However, draping requires an accurate dress form and sense of the design's shape, and tracing the draped fabric takes more time than traditional pattern making.
textile world is a most popular blog all over the internet. all types of textile information are available here.
visit my website -http://textileworldbds.blogspot.com
This document discusses the art of fabric embellishment through embroidery in India. It provides background on the origins and techniques of Indian embroidery. Specific embroidery styles that are discussed include Mughal court embroideries from the 17th-18th centuries, various types of zari embroideries including zardozi and kalabutta, regional styles like applique and ralli from Rajasthan, Chamba rumals, Lucknow chikankari, and Sindhi ajrak cloth. The document emphasizes that Indian embroidery reflects diverse cultural influences and traditions across regions.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document appears to be a workflow or process chart for garment production at a textile engineering department. It outlines the major steps involved from design/sketching to final despatching including pattern making, grading, cutting, sewing, inspection and packing. It also includes a section on fabric costing and profit calculations. The document was prepared by Amit Biswas at the Green University of Bangladesh's Department of Textile Engineering.
Zoë Taylor develops her own visual language in her fashion illustrations. She frequently uses pastels to create contrast with light strokes and stronger lines. Unlike other illustrators who draw silhouettes on blank backgrounds, Taylor always sets a scene with detailed background drawings. This gives her work a sense of drama and narrative, capturing a scene like a fashion photograph and suggesting something beyond the clothing. Taylor sees fashion illustration as just another form of illustration, and builds each drawing like a painter by adding elements together.
The document provides technical specifications for several styles of women's fall/winter clothing, including skirts, jackets, pants, and tops. It includes fabric details, cost breakdowns, wholesale pricing, and measurements for patterns. Specific styles described are a pencil skirt, roll collar jacket, high-waisted pants with peepholes, kimono wrap sweater, and kimono sleeve top.
The document discusses the history and development of the internet over the past 50 years, from its origins as a US military program called ARPANET to the commercialization of the world wide web in the 1990s. It led to an explosion of new technologies and services that have transformed how people work, play, and communicate globally. The internet has become virtually ubiquitous and an essential part of modern life.
This presentation reflects on the mood board and inspiration board which is the foundation of designing process.
Presented by The students of BA Degree in Jewellery Design & Manufacturing Techniques batch 13.
Fashion draping is an important process in fashion design where fabric is positioned and pinned on a dress form to develop a garment's structure. Muslin fabric is commonly used for draping as it is inexpensive and comes in various weights. The draping process involves selecting initial fabric, tearing it to shape, blocking and pressing it to form, and adding seam allowances. Draping allows designers to visualize how a dress will look and make adjustments before cutting, while reducing fabric waste. It is considered an important process used by many top fashion brands.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
Kantha is a type of embroidered quilt that originated in Bengal as a way to reuse old cloth. It has evolved into an art form where women embroider motifs like trees, lotuses, and fish onto fabrics using running stitch. There are many types of Kantha distinguished by the stitch used - types include Lep Kantha, Sujni Kantha, and Baytan Kantha. Traditionally made by village women, Kantha is now being incorporated into high fashion. It remains an important folk art of Bengal representing the lives and traditions of Bengali women.
The document provides information about 4-H, including their motto "Learn to do by doing", pledge, and grace. It also outlines the contents of a fashion and style reference guide, which includes sections on fashion and style, the design process, textiles, clothing creation, fashion marketing, and careers in fashion. The guide was developed through Canadian Agricultural Adaptation Program funds and may not be reproduced without permission from the Saskatchewan 4-H Council.
Consumer refers to individuals who purchase merchandise for personal use. Costume describes clothing worn for a specific purpose such as historical reenactment, theatrical performances, or fancy dress parties. Visual merchandising involves artistic product display and arrangement using elements like color, lighting, and space to encourage sales.
The document discusses various types of decorative woven fabrics including plain weave, twill weave, fancy weaves, pile fabrics, leno weave, crepe weave, double cloth weaves, and slack tension weaves. It provides examples of each type of weave and describes their distinguishing characteristics and production methods. Complex weaves like jacquard, brocade, and damask use additional warp or filling yarns to create intricate patterns in the fabric structure.
This document provides step-by-step instructions for draping a basic bodice block and princess panels on a dress form. It details how to prepare the fabric by measuring and marking grain lines. It then outlines the draping process for the front bodice, back bodice, center front panel, side panels and more. Key steps include centering pattern lines on the form, clipping darts and hemlines, smoothing fabric over seams, and marking construction notches. The goal is to create a custom block that can be adjusted as needed for patternmaking.
The document discusses the process of fabric spreading in garment manufacturing. It explains that fabric spreading involves the smooth laying out of fabric layers of a specific length, which can be done through flat or stepped spreading. There are 10 key requirements for proper fabric spreading, including maintaining the fabric's flatness, applying uniform tension, aligning fabric layers, and matching patterns like checks and stripes. The document also outlines different manual and mechanical methods for fabric spreading.
This document summarizes information about sewing needles. It discusses the different parts of a sewing needle including the butt, shank, shoulder, blade, grooves, eye, scarf, point and tip. It describes the function of a sewing needle in making holes in fabric and passing thread. Different types of needles are outlined for various purposes like straight needles, blind stitch needles, pick stitch needles, and hand sewing needles. The document also covers needle size, selection of the proper needle for different fabrics, and the effects of using the wrong needle. It defines cutting point, cloth point, and set point needles and provides examples of each.
Sewing Machine Needle A to Z
written by
Md. Masudur Rahman
Department of Textile Engineering
4th Batch
National Institute of Textile Engineering and Research (NITER)
Contents…… . . .
The basic functions of a needle
Needle Parts
Needle Selection
Types of needle
Needle Size / Thickness
Various effects of wrong sewing needle selection in apparel industry has mentioned in the below:
1. When the needle is finer than sewing thread
2. When the thread is finer than needle
3. When the needle is coarser than required fabric
4. When the needle is finer than required fabric
Needle Parts:
1. Butt
The starting part of bottom edge of needle. Helps for easily attaching of needle with the needle bar or clamp
2. Shank
The bottom thicker part of the needle which is tied in the needle clamp or the needle set screw. It may be cylindrical or flat in size. It supports the needle as a whole by providing additional strength
3. Shoulder
The intermediate section between the shank and the blade of needle. When the needle penetrate through the fabric to reach its lower position, then the shoulder also penetrates through the fabric. As a result it reduces the friction between needle & fabrics by producing a wider hole on fabric.
4. Blade
The needle portion extends from the shank to the eye. This is subjected to the greatest amount of friction and hence heat when it passes through the material. Blade is gradually tapered to tip
5. Long groove(s)
It is a long and thin groove, presents in one side of the needle blade . During up and down of needle through sewing, the sewing thread take place in this groove and reduce the frictions between fabric, needle and thread. It provides a protective channel and reduce possibility of damaging thread due to frictions.
6. Short groove
It is formed on the other side of long groove, towards the shuttle, hook, or looper and it assists in throwing the loop of needle thread
7. Eye
The eye of the needle is present in the bottom end of the blade. Needle thread allowed through this eye is taken to the bottom area. It helps to create loop
8. Scarf (Clearance)
It is a curved slot, a clearance cut in the needle blade just above the eye to permit a closer setting of the shuttle, hook, or looper to the needle. As a result, it is easy to catch the needle loop by the looper hook.
9. Point
It is the part from needle eye to the tip. The point of the needle is shaped to provide the most suitable penetration of the material being sewn according to its nature and the desired stitch effect
10. Tip
The ending edge pf needle is called tip. It helps to penetrate the needle into the fabric and create hole during sewing.
Knitting is a process of fabric manufacturing that involves converting yarn into loops that interlock together to form a structure. There are different types of knitted fabrics produced using various knitting techniques like weft knitting and warp knitting. Weft knitting involves interlocking loops in the widthwise direction to form rows or courses, while warp knitting interlocks loops in the lengthwise direction. Common knitted fabrics include jersey, rib, and purl fabrics. Knitting can incorporate designs like color stripes, jacquard patterns, and constructions that use different stitch types.
The portfolio contains 14 fashion design projects by Nahdin Sabla including collections of dresses inspired by 1950s styles and Peruvian culture, techniques for origami dressmaking, embroidery, and patternmaking. It also documents her work overseeing sewing workshops in Peruvian jungle communities and modifying a traditional pollera skirt. The projects showcase her skills and range from garment construction to cultural influences on her designs.
Draping is the process of positioning and pinning fabric on a dress form to develop a garment's structure before creating a sewing pattern. It teaches designers how darts and seams shape garments and give proper fit. Draping allows designers to experiment with different designs easily by changing fabric drapes and placements of darts. The main advantage is that designers can see the 3D form of a design before cutting and sewing, and adjustments are simpler than working with paper patterns. However, draping requires an accurate dress form and sense of the design's shape, and tracing the draped fabric takes more time than traditional pattern making.
textile world is a most popular blog all over the internet. all types of textile information are available here.
visit my website -http://textileworldbds.blogspot.com
This document discusses the art of fabric embellishment through embroidery in India. It provides background on the origins and techniques of Indian embroidery. Specific embroidery styles that are discussed include Mughal court embroideries from the 17th-18th centuries, various types of zari embroideries including zardozi and kalabutta, regional styles like applique and ralli from Rajasthan, Chamba rumals, Lucknow chikankari, and Sindhi ajrak cloth. The document emphasizes that Indian embroidery reflects diverse cultural influences and traditions across regions.
The document provides information about traditional woven textiles from India, including muslin and jamdani fabrics. It discusses the origins, history, production process, and characteristics of dhaka muslin and jamdani textiles. It also provides details about chanderi fabric, including that it is made from silk/cotton or pure silk threads woven with traditional cotton yarn and gold zari to create a luxurious sheer texture. Motifs are handwoven using needles and often feature nature-inspired designs coated in gold, silver, or copper.
This document appears to be a workflow or process chart for garment production at a textile engineering department. It outlines the major steps involved from design/sketching to final despatching including pattern making, grading, cutting, sewing, inspection and packing. It also includes a section on fabric costing and profit calculations. The document was prepared by Amit Biswas at the Green University of Bangladesh's Department of Textile Engineering.
Zoë Taylor develops her own visual language in her fashion illustrations. She frequently uses pastels to create contrast with light strokes and stronger lines. Unlike other illustrators who draw silhouettes on blank backgrounds, Taylor always sets a scene with detailed background drawings. This gives her work a sense of drama and narrative, capturing a scene like a fashion photograph and suggesting something beyond the clothing. Taylor sees fashion illustration as just another form of illustration, and builds each drawing like a painter by adding elements together.
The document provides technical specifications for several styles of women's fall/winter clothing, including skirts, jackets, pants, and tops. It includes fabric details, cost breakdowns, wholesale pricing, and measurements for patterns. Specific styles described are a pencil skirt, roll collar jacket, high-waisted pants with peepholes, kimono wrap sweater, and kimono sleeve top.
The document discusses the history and development of the internet over the past 50 years, from its origins as a US military program called ARPANET to the commercialization of the world wide web in the 1990s. It led to an explosion of new technologies and services that have transformed how people work, play, and communicate globally. The internet has become virtually ubiquitous and an essential part of modern life.
This presentation reflects on the mood board and inspiration board which is the foundation of designing process.
Presented by The students of BA Degree in Jewellery Design & Manufacturing Techniques batch 13.
Fashion draping is an important process in fashion design where fabric is positioned and pinned on a dress form to develop a garment's structure. Muslin fabric is commonly used for draping as it is inexpensive and comes in various weights. The draping process involves selecting initial fabric, tearing it to shape, blocking and pressing it to form, and adding seam allowances. Draping allows designers to visualize how a dress will look and make adjustments before cutting, while reducing fabric waste. It is considered an important process used by many top fashion brands.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
Kantha is a type of embroidered quilt that originated in Bengal as a way to reuse old cloth. It has evolved into an art form where women embroider motifs like trees, lotuses, and fish onto fabrics using running stitch. There are many types of Kantha distinguished by the stitch used - types include Lep Kantha, Sujni Kantha, and Baytan Kantha. Traditionally made by village women, Kantha is now being incorporated into high fashion. It remains an important folk art of Bengal representing the lives and traditions of Bengali women.
The document provides information about 4-H, including their motto "Learn to do by doing", pledge, and grace. It also outlines the contents of a fashion and style reference guide, which includes sections on fashion and style, the design process, textiles, clothing creation, fashion marketing, and careers in fashion. The guide was developed through Canadian Agricultural Adaptation Program funds and may not be reproduced without permission from the Saskatchewan 4-H Council.
Consumer refers to individuals who purchase merchandise for personal use. Costume describes clothing worn for a specific purpose such as historical reenactment, theatrical performances, or fancy dress parties. Visual merchandising involves artistic product display and arrangement using elements like color, lighting, and space to encourage sales.
The document discusses various types of decorative woven fabrics including plain weave, twill weave, fancy weaves, pile fabrics, leno weave, crepe weave, double cloth weaves, and slack tension weaves. It provides examples of each type of weave and describes their distinguishing characteristics and production methods. Complex weaves like jacquard, brocade, and damask use additional warp or filling yarns to create intricate patterns in the fabric structure.
This document provides step-by-step instructions for draping a basic bodice block and princess panels on a dress form. It details how to prepare the fabric by measuring and marking grain lines. It then outlines the draping process for the front bodice, back bodice, center front panel, side panels and more. Key steps include centering pattern lines on the form, clipping darts and hemlines, smoothing fabric over seams, and marking construction notches. The goal is to create a custom block that can be adjusted as needed for patternmaking.
The document discusses the process of fabric spreading in garment manufacturing. It explains that fabric spreading involves the smooth laying out of fabric layers of a specific length, which can be done through flat or stepped spreading. There are 10 key requirements for proper fabric spreading, including maintaining the fabric's flatness, applying uniform tension, aligning fabric layers, and matching patterns like checks and stripes. The document also outlines different manual and mechanical methods for fabric spreading.
This document summarizes information about sewing needles. It discusses the different parts of a sewing needle including the butt, shank, shoulder, blade, grooves, eye, scarf, point and tip. It describes the function of a sewing needle in making holes in fabric and passing thread. Different types of needles are outlined for various purposes like straight needles, blind stitch needles, pick stitch needles, and hand sewing needles. The document also covers needle size, selection of the proper needle for different fabrics, and the effects of using the wrong needle. It defines cutting point, cloth point, and set point needles and provides examples of each.
Sewing Machine Needle A to Z
written by
Md. Masudur Rahman
Department of Textile Engineering
4th Batch
National Institute of Textile Engineering and Research (NITER)
Contents…… . . .
The basic functions of a needle
Needle Parts
Needle Selection
Types of needle
Needle Size / Thickness
Various effects of wrong sewing needle selection in apparel industry has mentioned in the below:
1. When the needle is finer than sewing thread
2. When the thread is finer than needle
3. When the needle is coarser than required fabric
4. When the needle is finer than required fabric
Needle Parts:
1. Butt
The starting part of bottom edge of needle. Helps for easily attaching of needle with the needle bar or clamp
2. Shank
The bottom thicker part of the needle which is tied in the needle clamp or the needle set screw. It may be cylindrical or flat in size. It supports the needle as a whole by providing additional strength
3. Shoulder
The intermediate section between the shank and the blade of needle. When the needle penetrate through the fabric to reach its lower position, then the shoulder also penetrates through the fabric. As a result it reduces the friction between needle & fabrics by producing a wider hole on fabric.
4. Blade
The needle portion extends from the shank to the eye. This is subjected to the greatest amount of friction and hence heat when it passes through the material. Blade is gradually tapered to tip
5. Long groove(s)
It is a long and thin groove, presents in one side of the needle blade . During up and down of needle through sewing, the sewing thread take place in this groove and reduce the frictions between fabric, needle and thread. It provides a protective channel and reduce possibility of damaging thread due to frictions.
6. Short groove
It is formed on the other side of long groove, towards the shuttle, hook, or looper and it assists in throwing the loop of needle thread
7. Eye
The eye of the needle is present in the bottom end of the blade. Needle thread allowed through this eye is taken to the bottom area. It helps to create loop
8. Scarf (Clearance)
It is a curved slot, a clearance cut in the needle blade just above the eye to permit a closer setting of the shuttle, hook, or looper to the needle. As a result, it is easy to catch the needle loop by the looper hook.
9. Point
It is the part from needle eye to the tip. The point of the needle is shaped to provide the most suitable penetration of the material being sewn according to its nature and the desired stitch effect
10. Tip
The ending edge pf needle is called tip. It helps to penetrate the needle into the fabric and create hole during sewing.
The document discusses various tools and materials used in dressmaking and basic hand stitches. It provides descriptions of measuring tools like tape measures and sewing gauges. Cutting tools including shears, scissors and rotary cutters are outlined. Marking tools such as chalk pencils, liquid marking pens and tailor's chalk are described. Finally, it mentions pinning and sewing tools including pincushions, needles, threaders and thimbles, as well as common materials like fabric and thread.
The document discusses different types of sewing machine needles, their uses, and sizing. It describes the parts of a needle, various point styles for different fabrics, and provides guidance on selecting the proper needle size based on the fabric weight. Recommendations are given for needles suited to tasks like denim, embroidery, quilting, and specialty fabrics.
EPP-SEWING AND THEIR TYPES AND DEFINITONS-copy.pptxJulieAnnMAlimento
This document provides information on sewing tools and basic sewing techniques. It identifies and describes common sewing tools categorized as measuring tools, drafting tools, cutting tools, marking tools, and sewing aids. Basic techniques covered include hand basting, machine basting, pin basting, and different types of seams like plain seams, double stitched seams, French seams, bound seams, and flat-felled seams. Health and safety measures for sewing are also outlined.
What Equipment Is Required To Learn Easy Knitting?woodwriter
The document discusses various types of knitting needles and equipment that are useful for knitting. It recommends precision-tapered knitting needles that have smooth points to avoid splitting yarn and are lightweight and flexible. It also describes different types of needles (straight, double-point, circular), as well as other useful tools like yarn needles, stitch holders, bobbins, and gauges. Basic supplies like scissors, rulers and notebooks are also recommended, along with tips for maintaining equipment.
This document discusses various types of seams and stitches used in garment construction. It begins by defining what a seam is and explaining factors to consider when choosing seams. It then provides details on 18 specific seam types, including plain seams, lapped seams, French seams, and flat felled seams. It also covers stitch per inch guidelines and 8 classes of seams as defined by British standards. In summary, the document serves as a guide to the different seams and stitches used in apparel manufacturing.
The three main points of the document are:
1) Sewing machine needles have various parts that allow them to function properly, including the butt, shank, blade, and eye.
2) Needles are identified by their system, point type, and size, with round and cutting points being most common.
3) Proper needle selection depends on factors like thread size and fabric thickness to avoid breakage and ensure good stitch quality.
This document discusses different types of knitting needles. It describes manual knitting needles, which include single-point, double-pointed, and circular needles. Single-point needles are the most common and are used for flat knitting. Double-pointed needles have tapered ends on both sides and are used in sets of 4 or more for circular knitting. Circular needles have a flexible cable connecting two tapered needle ends to allow for continuous circular knitting. The document provides details on the features and uses of each type of manual knitting needle.
1. The document discusses various tools used in sewing including measuring tools like tape measures and rulers, cutting tools like shears and scissors, marking tools like chalk and pencils, and sewing tools like needles, thread, and thimbles.
2. It also describes the major parts of a lockstitch sewing machine including the head, arm, bed, feed dog, needle, and bobbin as well as types of sewing machines for different tasks.
3. The lower parts that drive the machine include the treadle, band wheel, pitman rod, and belt.
This document provides information about knitting and crocheting including why people enjoy these hobbies and the basic techniques and materials needed. It discusses the calming effect and sense of accomplishment of knitting and crocheting as well as how to get started by taking classes that are offered in many locations or by buying materials from yarn shops, craft stores, or online retailers. The basics of knitting, crocheting, and needed tools like needles and hooks are explained in detail through step-by-step instructions for making practice swatches.
This document is a project report submitted by Geeta Kumari, a student of fashion design, on the topic of garment technology. The report provides information on different types of seams and stitches, including definitions and examples. It discusses plain seams, lapped seams, French seams, flat felled seams, and more. It also covers topics like stitch per inch, classes of stitches, types of seams including superimposed seams, lapped seams, and bound seams. The report was submitted to fulfill requirements for Geeta Kumari's two-year diploma in fashion design.
this presentation involves the name and discription of all the tools and equipments used in pattern making with suitable pictures which makes it easier for the beginners to study about the equipments.
terms and definitions of apparel manufacturing.pptxMehbubaManir
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2. index
Sr.
no
TITTLE DATE
1. Construction of samples of the
following
Hand knitting
a) Stocking stitch
b) Garter
c) Rib
d) Moss
e) Cables
f) Lace
g) Fair – isle
09/1/2021
2. Crocheting
a) Single crochet
b) Double crochet
12/1/2021
3. Knitting
Knitting is the second most important
method used in fabric construction by
turning yarn into cloth.
Knitting is the construction of the fabric
by farming the yarn into loops into loops
which having upon the other.
4. Knitting supplies
Needles
There are three basic types of knitting needles – single – pointed ,double
pointed , and circular samples are shown below : chart at right describe
available materials , lengths , and size .
Needle thickness is signified by number . The higher a number. The thicker
the needle and the larger the stitch while there are no precise roles for
needle and yarn relationship generally , thicker should be worked with large
needles ,thinner yarns with small ones . If a needle is to large for the yarn ,
knit structure will be flimsy , if too small texture will be too compact and
inelastic . Yarn labele often includes a recommended needle size ; a safe
approach is to stay with in two sizes of these number.
Needle length should chosen according to a projects dimension , and only
has to be sufficient to hold all stitches comfortably . In general, shorter ones
are easier to manipulate . A circular needle should be at least two inches less
than the circumference of knitting choice of needle material – plastic , metal
, wood – largely a matter of personal preference and availability. . Plastic is
quiet and some how easy for beginner to manage . Metal is noise but
stitches slice more readily , an advantage for the fast knitter .
5. Single – point needle
These are used in pair to knit flat pieces . Straight and rigid , they are used more
frequently than other types and are considered the standard needle . In fact , knitting
instructions usually not specify them by type . Simply indicated what size to use . The
jumbo sizes ( 17 and larger ) are some times referred to as jilly needles work
Double – point needles
These are used in sets of four or more , used to knit seamless , circular motion
such as socks . In some instruction , they are abbreviated as d p needle .
Wood is esthetically pleasing , but wood needle are more trouble to maintain.
In caring for needles, if is best to store them feat with their points protected .
An occasional rub with waxed paper helps retain a slick surface .
6. Circular needle
A circular needle is used to knit round, seamless garment and also large , flat pieces for
which straight needle might not be long enough . It consist of two nylon or aluminium
tips connected by a flexible nylon cord.
NEEDLE TYPES AND SIZES
Needle types material Length SIZE ( American )
Single -
pointed
Aluminium
plastic
10”
14”
10”
14”
0 to 10
0 to 15
2 to 15
7 to 50
Double - point Plastic
aluminium
7”
10”
7”
10”
2 to 8
6 to 15
0 to 8
0 to 15
Circular All nylon
Nylon body
with
aluminium tips
16”
24”
20”
36”
16”
24”
29”
36”
3 to 10
1
2
1 to 10
1
2
1 to 15
5 to 15
0 to 10
1
2
0 to 10
1
2
0 to 15
1
2
9 to 15
7. Knitting aids
There are many knitting aids available ,each one designed to make a
certain task easier . Sampling of such aids Is shown below .
Besides those items specifically meant for knitting , a few other craft
supplies are indispensable .
Example are the crochet hook and tapestry needle shown below,
also scissors for cutting yarn, and straight pins and tape measure for
blocking . In addition , graph paper and a note book are useful for
charting and keeping track of patterns , and a totable basket or bag
will help to keep your work organized and close at hand. The type
with a foldable stand is particularly useful and convenient .
crochet hook is the best for
recovering a dropped stitch
that has run several rows
and column . It can also be
used for binding off , and
some times for joining
knitting sections with a
SUP stitch .
Tapestry needle is best for sewing
knitted sections together.
Available in plastic and steel
plastic version is called yarn
needle .
8. Ring markers slip onto a needle
To indicate such points as the
Beginning of shaping of rows
Completed . There are two types .
Solid and open .
Stitch and row counters keep track
of work completed the type shown
slips on a needle : another type,
which is feat . Has go for counting.
A yarn – end weaver is useful
for concealing yarn end on a
Finished article.
A gauge ruler and knitting needle
measure has too function its is used to
measure the number of stitches and
rows , also the sizes needles and
crochet hooks for identification .
Point protestors present damage
Is needle points and keeps stiches
Form stiches from sliding off
When the work is set asides.
9. A stitch holder keeps in
reverse stiches . To be
worked later, operate like a
safety pins available in length
from 1
3
4
“ to 10”.
A cable stitch needle holds a group of
Stitches in waiting for a cable stitch pattern.
Available in two types shown , also in
regular and bulky knit size . The thickness
You choose should correspond as closely as
possible to that of the working needle .
Small scissor should be kept for cutting
yarn .
Bobbin hold yarn for knitting multi
coloured stiches pattern coms in
too size for thick or fine yarns.
10. CROSS 2RP
CROSS 2 LP
C4F
C4B
CC
MC
. .
( )
[ ]
Cross 2 stiches to the right ,
purling
Cross 2 stitches to the left ,
purling
Cable 4 front
Cable 4 back
Contrasting colour
Main colour
Instructions between asterisks
should be repeated as many
times as there ore stitches to
accommodate them.
Instructions enclosed by
parentheses should be repeated
the number of times indicated
after the parentheses .
For stitch patterns , instructions
within brackets explain the
method of work a particular
stitch of technique in garment
directions numbers between
brackets one for additional sizes .
11. “OR IN
00,000
GAUGE
MULTIPLE
PLACEMARKER ON NEEDLE
SELVAGE
WORK EVEN
inches
Bind yarn around the needle as
many times as there are zeroes .
Number of stitches and row per inch
that should be obtained using
designed yarn and needles.
The number of stitches required to
work one motif horizontally in a
pattern stitch.
Slip rings marker or a loop of
contrasting yarn on the needles.
A finished edge.
Continue work without
increasing or decreasing .
12. CASTING ON
CASTING ON:
Is the first step in knitting. It forms the first row of stiches and
one selvage of the finished article , usually the bottom , or have
edge .
There are many method for casting on : five of the most
representative are shown here . Each are best suited to a
particular type of knit or situation , depending on the elasticity
or firmness required. And the simplicity or elaborateness of
the appearance design.
The character of a casting – on edge is determined not only by
the way in which stiches are put on the needle, but also by the
way are worked off knitting into the stich fronts produce a
looser edge , into the backs a firmer edge .
When you are casting on a large number of stitches, keeping
count is easier if you slip a coil ring marker or yarn loops on the
needle every 10 or 20 stitches .
13. TWO NEEDLE METHOD OF
CASTING- ON
KNITTING ON :
Knitting on employ two needle and one yarn length each new
stitch is formed as in knitting then transferred to another left
needle . A versatile salvage , it is soft when worked through loop
front , firm if worked loop back suitable also for increasing
stitches at one side or completing a button hole.
CABLE-CAST ON :
It is produced the same way as knitting on but for each new stitch
, the needle inserted between the two previous stitches the
resulting edge decorative and elastic , nicely suited to rubbing
and attractive for the edge of socks or hats.
14. SINGLE CAST ON :
It is done with one needle and one length of yarn . It forms a delicate
salvage that is particularly good for a stitch edge or for lace . This is any
easy cast on method , but somewhat difficult to start off the needle evenly
in the first , for a beginner , the double cast on one easier to control.
DOUBLE CAST ON :
Employs one needle and double length of yarn. It has started to measure
distance from yarn and having per inch stitch. Firm , yet elastic, this
method is suitable for any pattern but does not require a delicate edge. It
is especially recommended for beginners. No experience is needed.
SHAPED CAST ON:
Employs one needle and two yarn lengths;1 yarn formed a foundation .
The edge is flexible , specially suited is cotton yarn , which have limited
elasticity is the foundation yarn is removed. Stitches can be picked up
knitting or crafting.
15. Binding off
BINDING OFF
Binding off (also called casting off) is the removal of stitches
from a needle in such a way that they will not ravel. It forms the
last row of finished work and sometimes is used to begin the
shaping of an armhole , or to produce one side of a horizontal
buttonhole. As in casting on , this produce form a salvage and
should be suitable for the type of knit and the purpose it must
serve. For several binding-off methods , the most versatile are
plain and suspended , shown below , unless instructions says
otherwise , these stitches are worked from the right side and in
the same sequence in which they were formed ( that is knitting
the knit and purling the part stitch ). On the bound-off row ,
stitches should be moderately loose and uniform , or the edge
may draw in or look distorted. If your stitch tend to be tight ,
bind-off on a needle one side larger than the size that was used
for knitting.
16. BINDING OFF TECHNIQUE
PLAIN BIND –OFF : Plain bind off is the simplest , most frequently
used method. It is suitable for any situation where an unadorned , firm
salvage is required , for example is a shoulder seam or button hole.
SUSPENDED BIND-OFF: It is similar to plain blind of (above),but
more flexible. Used this method to finish rubbing, or as a substitute for
the plain technique if your salvages tend to be tight.
17. STOCKING STITCH
• It is produced by knitting one row 2 the next row.
• It is smooth on one (knitting ) side 2 for on the other side (puled)
• Referred as reverse stocking stitch .
• Stretch more in cross wise direction than length wise.
• Used is jumpers , dress , accessories (grows & socks).
• Casting on 35 stitches .
Row 1 : Purl (0)
Row 2 : Knit (x)
19. Garter stitch
• It is produced by knitting each stitch of now is pulling each
stitch will give same result.
• Pebbly surface on both sides.
• Stich equally in both direction.
• Loose structure.
• Used in children jumpers , blankets and accessories.
• Casting on : 35 stitches .
21. 7 x 3 FLAT Rib
Less elastic than narrow rib pattern used for
making garment & fabric .
Casting on : Multiple of 10 stitches (40)
Row 1 : " K7 , P3 “
Row 2 : " K3 , P7 “.
22. Rib stitch
• It is produced by alternating knit & purl on one row and pursing this
knit & purl on the return row.
• Characteristics features is vertical ridge identical on both sides.
• Knit & purl stitch are interchanges in equal members & no variation
• in technique 1 x 1 , 2x2,3x3.
• Ratio of knit to purl stitch may be even of uneven 2x1,3x1……
• Considerable elasticity in cross – wise direction ( suitable for making
be rows or where snug fitting is required ).
• It is made using needle of one or two size small casting on multiple
of two (34 stiches ) 2x2 rib .
• Row 1: k2 ,p2 ,k2 ,p2………..
• Row 2 : p2 ,k2 ,p2 , k2 …..
24. MOSS STITCH
• The seed / moss stitch is produced
by alternating one knit and one
purl stitch within a row.
• Frim structure.
• Used in garment & blankets .
• Casting on : 35 .
• Row 1 : p1 ,k1,p1 k1….
• Row 2 : p1,k1,p1,k1…