Fairy tales typically follow a "hero" formula structure with 8 steps: (1) the hero leaves home, (2) is told not to do something but does it anyway, (3) is deceived by the villain, (4) is tested or helped, (5) reaches their prize, (6) combats the villain, (7) defeats the villain, and (8) heads home. They also commonly include motifs like the triumph of the poor, cleverness, human weaknesses, magic, and impossible tasks made possible. The document also describes several common heroine and villain archetypes seen in fairy tales, such as the crusader heroine, the damsel in distress, the evil stepmother
The title story focuses on the unlikely relationship of Leo Finkle, an unmarried rabbinical student, and Pinye Salzman, a colorful marriage broker. Finkle has spent most of life with his nose buried in books and therefore isn’t well-educated in life itself. However, Finkle has a greater interest – the art of romance. He engages the services of Salzman, who shows Finkle a number of potential brides from his "magic barrel" but with each picture Finkle grows more uninterested. After Salzman convinces him to meet Lily Hirschorn, Finkle realizes his life is truly empty and lacking the passion to love God or humanity. When Finkle discovers a picture of Salzman’s daughter and sees her suffering, he sets out on a new mission to save her.
Archetype Overview with brand examples & character compass Emily Hean
A brief overview of Archetypes from The Hero and the Outlaw by Margaret Mark and Carol S. Pearson. Demonstration of archetypes in classical and pop culture as well as brand examples and alternate names for each archetype.
The title story focuses on the unlikely relationship of Leo Finkle, an unmarried rabbinical student, and Pinye Salzman, a colorful marriage broker. Finkle has spent most of life with his nose buried in books and therefore isn’t well-educated in life itself. However, Finkle has a greater interest – the art of romance. He engages the services of Salzman, who shows Finkle a number of potential brides from his "magic barrel" but with each picture Finkle grows more uninterested. After Salzman convinces him to meet Lily Hirschorn, Finkle realizes his life is truly empty and lacking the passion to love God or humanity. When Finkle discovers a picture of Salzman’s daughter and sees her suffering, he sets out on a new mission to save her.
Archetype Overview with brand examples & character compass Emily Hean
A brief overview of Archetypes from The Hero and the Outlaw by Margaret Mark and Carol S. Pearson. Demonstration of archetypes in classical and pop culture as well as brand examples and alternate names for each archetype.
You don’t need a hero to have a story, but if you want to write about heroic deeds you’re going to end up with one somewhere along the lines. Here are 7 types of heroes that you can use to get you started with your story, or modify these archetypes to keep things fresh and original.
Read the full post at: http://www.jsmorin.com/2013/02/7-types-of-heroes/
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All of us have similar experiences. We share in the life journey of growth, development, and
transformation. We live the same stories, whether they involve the search for a perfect mate, coming
home, the search for fulfillment, going after an ideal, achieving the dream, or hunting for a precious
treasure. Whatever our culture, there are universal stories that form the basis for all our particular
stories. The trappings might be different, the twists and turns that create suspense might change
from culture to culture, the particular characters may take different forms, but underneath it all, it's
the same story, drawn from the same experiences.
Many of the most successful films are based on these universal stories. They deal with the
basic journey we take in life. We identify with the heroes because we were once heroic (descriptive)
or because we wish we could do what the hero does (prescriptive). When James Bond saves the
world, we identify with the character, and subconsciously recognize the story as having some
connection with our own lives. It’s the same story as the fairy tales about getting the three golden
hairs from the devil, or finding the treasure and winning the princess. And it’s not all that different a
story from the caveman killing the woolly beast or the Roman slave gaining his freedom through skill
and courage. These are our stories – personally and collectively – and the most successful films
contain these universal experiences.
Some of these stories are “search” stories. They address our desire to find some kind of rare
and wonderful treasure. This might include the search for outer values such as job, relationship, or
success; or for inner values such as respect, security, self-expression, love, or home. But it’s all a
similar search.
Some of these stories are “hero” stories. They come from our own experiences of overcoming
adversity, as well as our desire to do great and special acts. We root for the hero and celebrate when
he or she achieves the goal because we know that the hero's journey is in many ways similar to our
own.
We call these stories myths. Myths are the common stories at the root of our universal
existence. They’re found in all cultures and in all literature, ranging from the Greek myths to fairy
tales, legends, and stories drawn from all of the world's religions.
A myth is a story that is “more than true.” Many stories are true because one person,
somewhere, at some time, lived it. It is based on fact. But a myth is more than true because it is lived
by all of us, at some level. It's a story that connects and speaks to us all.
Some myths are true stories that attain myth ...
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How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
3. THE BARE-BONES
STRUCTURE OF A FAIRY TALE
Fairytales have episodic structure, meaning that events are spread
out over different periods of time and a number of locales.
Episodic structure can take many forms, but most fairytales have what
is called a “Hero” formula.
4. THE BARE-BONES
STRUCTURE OF A FAIRY TALE
1. Hero leaves home.
2. Hero told NOT to do
something or go to a certain
place. Hero goes there
anyway and meets the villain.
3. Villain deceives the hero.
4. Hero is tested, helped or
attacked.
5. Hero reaches prize/treasure
he or she is seeking.
6. Combat between hero and
villain.
7. Villain defeated.
8. Hero heads for home.
6. COMMON MOTIFS IN
FAIRYTALES
All fairytales have unique motifs.
A ‘motif’ is any element, subject, idea or concept that is
constantly present through the entire body of work.
17. HEROINES IN FAIRY TALES
We always talk about heroes, but what
about HEROINES?
18. THE HEROINE ARCHETYPE
The Crusader Heroine
A thoroughly modern heroine is the
Crusader. No distressed damsel here. This
lady is on a mission, and she marches right
over anyone in her way. She’s tenacious and
headstrong. Don't try to calm her down,
and don't try to force her to take time off
from her mission. If you aren't part of the
solution, you are part of the problem, and
that makes you fair game.
19. THE HEROINE ARCHETYPE
The Survivor Heroine
The Survivor is a lady who is long
accustomed to sizing up everyone in a room
the minute she enters. Mysterious and
manipulative, she hides a streak of distrust
a mile wide and ten miles deep. Cynicism
guides her every action, and her tough
sense of survival gives her the means to do
whatever is necessary to come out ahead.
20. THE HEROINE ARCHETYPE
The Spunky Kid Heroine
She is a favorite of many writers, and for
good reason. You can't help but root for
her. She's the girl with moxie. She's not
looking to be at the top of the heap; she just
wants to be in her own little niche.
Supportive and reliable, she doesn’t have an
enemy in the world, but has plenty of
friends.
21. THE HEROINE ARCHETYPE
The Free Spirit Heroine
Playful and fun loving, this heroine travels
through life with a hop, skip and a jump,
always stopping to smell the flowers and
admire the pretty colors. She acts on a
whim and follows her heart, not her head.
22. THE HEROINE ARCHETYPE
The Damsel in Distress (and yet, a Heroine)
This is the original damsel in distress. She
was the star of many a Grimm's fairy tales.
She is one of the bravest heroines, but still
requires rescue. Her child-like innocence
evokes a protective urge in the beastliest of
heroes.
23. THE HEROINE ARCHETYPE
The Librarian Heroine
She's prim and proper, but underneath that
bun lurks a passionate woman. She's
learned or was told that her physical
charms shouldn't - or couldn't - help her get
ahead, so she leads with her brain, not her
body. She might be the know-it-all whose
hand is always up in class, or maybe she is
the shy mouse. She tends to think she has
all the answers and can be a bit stubborn
about considering other opinions.
24. THE HEROINE ARCHETYPE
The Nurturer Heroine
This lady takes care of everyone. She is a
wonderful listener, and a joy to have
around. She's serene, capable and
optimistic. She might be the laid-back
mother that always has fresh cookies in the
oven.
26. EXAMPLES OF VILLAIN ARCHETYPES
An archetypal villain is the manifestation of a
particular "kind" of villain. These characters display
stereotypical personalities, and are present in all
fairytales.
