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EXPRESSIONISM
LESSON 3: ARTS
ANDREA JEAN M. BURRO
EXPRESSIONISM : A Bold New
Movement
 arose in the early 1900s in
the Western art world that
came to be known as
expressionism
 expressionist artist
created works with
more emotional
force, rather than
with realistic or
natural images
 used distorted outlines,
applied strong colors, and
exaggerated forms
 worked more with their
imagination and feelings,
rather than with what their
eyes saw in the physical
world.
NEOPRIMITIVISM
LESSON 4: ARTS
ANDREA JEAN M. BURRO
NEOPRIMITIVISM
 an art style that
incorporated elements from
the native arts of the South
Sea Islanders and the wood
carvings of African tribes that
surged popularity at that
time
Amedeo Modigliani
 Western artist who adapted
elements of the African Tribes
 used oval faces and
elongated shapes of African
art both in sculpture and
paintings
HEAD
Amadeo Modigliani
YELLOW SWEATER
Amadeo Modigliani
FAUVISM
 a style that used
bold, vibrant colors
and visual distortions
 its name derived from les
fauves (“wild beasts”),
referring to the group of
French expressionist
painters who painted in
this style
 most known among them
was Henri Matisse
BLUE WINDOW
Henri Matisse
WOMAN WITH HAT
Henri Matisse
Dadaism
 a style characterized by
dream fantasies, memory
images, and visual tricks
and surprises – as in
paintings of Giorgio de
Chirico
 a style characterized
by dream fantasies,
memory images, and
visual tricks and
surprises – as in
paintings of Giorgio de
Chirico
 although the works
appeared playful, the
movement arose from
the pain that a group
of European artists felt
after suffering brought
by World War I.
 artists rebelled
against established
norms and authorities,
and against the
traditional styles in art
 They chose the
child’s term for
hobbyhorse, dada, to
refer to their new
“nonstyle”
MELANCHOLY AND MYSTERY OF A STREET
Giorgio de Chirico, 1914
Surrealism
 a style depicted an
illogical, subsconcious
dream world that seemed
to exist beyond the
logical, conscious,
physical one
Surrealism
 its name came from the
term “super realism”,
with its artwork clearly
expressing a departure
from reality –
Surrealism
– as through the artists
were dreaming, seeing
illusions, or
experiencing an altered
mental state
I AND THE VILLAGE
Marc Chagall, 1911
PERSISTENCE OF
MEMORY
Salvador Dali, 1931
DIANA
Paul Klee, 1932
PERSONAGES WITH
STAR
Joan Miro, 1933
Social Realism
 expressed the artist’s role in
social reform
 used their works to protest
against the injustices,
inequalities, immorality, and
ugliness of the human
condition
Social Realism
 In different periods of
history, social realists have
addressed different issues
(war, poverty, corruption,
industrial and environmental
hazards etc.)
Social Realism
 hope of raising
people’s awareness
and pushing society
to seek reforms
Spoke out against the
hazardous conditions
faced by coal miners,
after a tragic incident
killed 111 workers in
Illinois in 1947, leaving
their wives and children
in mourning.
MINERS’ WIVES
Ben Shahn, 1948
GUERNICA
Pablo Picasso, 1937
GUERNICA
Pablo Picasso, 1937
Recognized as the most
monumental and
comprehensive
statement of social
realism against the
brutality of war.
 Filling one wall of the
Spanish Pavilion at the 1937
World’s Fair in Paris.
 Picasso’s outcry against the
German air raid of the town
of Guernica in his native
Spain.

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EXPRESSIONISM.pptx