The document is a statement of intent by a student named Holly Waller for a media studies assignment. It discusses two media products the student intends to create: 1) a music video for a love song targeting 16-25 year olds, using locations, lighting, shots and editing to emotionally engage the audience, representing sexuality and gender. 2) A website to promote fictional artist Eden Rhodes, including behind-the-scenes photos, interviews, and social media links to enable audience interaction, following the model of successful artists signed to Universal Music Group. The student explains they will link the products through shared branding elements like logo, font and color scheme, and by including a link and behind-the-scenes video from the music video on
The document provides details about a music video project for a punk band called Middle Finger Salute. It discusses:
1) The original group members and changes made when one member left.
2) The target audience of white British males aged 16-25 and genre research informing the project.
3) Conventions used in the music video like a focus on the lead singer and mixing black and white and color footage.
4) Ancillary tasks like the CD cover and advertisement that maintained the brand's black and white with color theme.
The document discusses how various musical artists, including The 1975, Ed Sheeran, and Passenger, employ consistent conventions in the visual design of their album packaging and promotional materials like tour posters. This helps develop a clear, recognizable identity and brand. Common techniques mentioned include using consistent color schemes, fonts, and imagery that tie the different materials together and convey the tone and style of the artist. Simplistic, retro-inspired designs are often employed to match the intended aesthetics and target audiences.
This advertisement for a pop artist's album uses bold imagery, styling, and positioning to promote the artist's brand and appeal to fans. The artist is heavily made up and airbrushed, positioned intimately with the audience as a confident and attractive performer. Popular songs from the album are highlighted using the album's color scheme. Key information stands out clearly to allow audiences to easily identify the artist, album name, record label, and other important details to encourage sales.
The focus group viewed and discussed three music videos: Arctic Monkeys' "I bet that you look good on the dance floor" featuring only live performance; Bastille's "Things we lost in the fire" containing only narrative; and OneRepublic's "Counting stars" with a mixture of both. Participants generally favored OneRepublic's video for its variety, but found its storylines difficult to follow at times. Bastille's video was praised for its atmosphere and themes, though some elements were deemed irrelevant. Arctic Monkeys' live-only video was straightforward but could have benefited from additional visual elements. Overall, the group agreed the best videos include both narrative and live performance.
1) The document discusses conventions used on various indie rock band websites, including Nothing to Kings, Oasis, and Death Cab for Cutie.
2) It analyzes the use of group photos, merchandising, touring pages, typography, social media links, and photo galleries on the band websites.
3) Key conventions discussed include promoting the music over the artists' appearances, having modest online shops if the band is well established, and using grid layouts without cropping images to seem less predictable.
The document discusses the design choices for the packaging of an album. It describes how the colors red and blue were used to represent the two artists, and how the label's logo helped portray the group's independent background. It also discusses the use of a yellow background to signify the genre of RnB with African influences, and how plain white t-shirts were chosen to show the artists as ordinary people. Additional details provided on the back cover include institutional information and the extended label logo to further indicate the group's independent status.
The document discusses how various artists use consistent conventions and design elements across their album packaging and promotional materials to develop and reinforce their artistic brand identity. It provides examples of The 1975, Ed Sheeran, Passenger, and Paolo Nutini using similar color schemes, fonts, imagery, and retro/vintage aesthetics in both their album artwork and tour posters. This allows their audiences to easily associate and identify all of the artist's work under a single recognizable style.
The document is a statement of intent by a student named Holly Waller for a media studies assignment. It discusses two media products the student intends to create: 1) a music video for a love song targeting 16-25 year olds, using locations, lighting, shots and editing to emotionally engage the audience, representing sexuality and gender. 2) A website to promote fictional artist Eden Rhodes, including behind-the-scenes photos, interviews, and social media links to enable audience interaction, following the model of successful artists signed to Universal Music Group. The student explains they will link the products through shared branding elements like logo, font and color scheme, and by including a link and behind-the-scenes video from the music video on
The document provides details about a music video project for a punk band called Middle Finger Salute. It discusses:
1) The original group members and changes made when one member left.
2) The target audience of white British males aged 16-25 and genre research informing the project.
3) Conventions used in the music video like a focus on the lead singer and mixing black and white and color footage.
4) Ancillary tasks like the CD cover and advertisement that maintained the brand's black and white with color theme.
The document discusses how various musical artists, including The 1975, Ed Sheeran, and Passenger, employ consistent conventions in the visual design of their album packaging and promotional materials like tour posters. This helps develop a clear, recognizable identity and brand. Common techniques mentioned include using consistent color schemes, fonts, and imagery that tie the different materials together and convey the tone and style of the artist. Simplistic, retro-inspired designs are often employed to match the intended aesthetics and target audiences.
This advertisement for a pop artist's album uses bold imagery, styling, and positioning to promote the artist's brand and appeal to fans. The artist is heavily made up and airbrushed, positioned intimately with the audience as a confident and attractive performer. Popular songs from the album are highlighted using the album's color scheme. Key information stands out clearly to allow audiences to easily identify the artist, album name, record label, and other important details to encourage sales.
The focus group viewed and discussed three music videos: Arctic Monkeys' "I bet that you look good on the dance floor" featuring only live performance; Bastille's "Things we lost in the fire" containing only narrative; and OneRepublic's "Counting stars" with a mixture of both. Participants generally favored OneRepublic's video for its variety, but found its storylines difficult to follow at times. Bastille's video was praised for its atmosphere and themes, though some elements were deemed irrelevant. Arctic Monkeys' live-only video was straightforward but could have benefited from additional visual elements. Overall, the group agreed the best videos include both narrative and live performance.
1) The document discusses conventions used on various indie rock band websites, including Nothing to Kings, Oasis, and Death Cab for Cutie.
2) It analyzes the use of group photos, merchandising, touring pages, typography, social media links, and photo galleries on the band websites.
3) Key conventions discussed include promoting the music over the artists' appearances, having modest online shops if the band is well established, and using grid layouts without cropping images to seem less predictable.
The document discusses the design choices for the packaging of an album. It describes how the colors red and blue were used to represent the two artists, and how the label's logo helped portray the group's independent background. It also discusses the use of a yellow background to signify the genre of RnB with African influences, and how plain white t-shirts were chosen to show the artists as ordinary people. Additional details provided on the back cover include institutional information and the extended label logo to further indicate the group's independent status.
The document discusses how various artists use consistent conventions and design elements across their album packaging and promotional materials to develop and reinforce their artistic brand identity. It provides examples of The 1975, Ed Sheeran, Passenger, and Paolo Nutini using similar color schemes, fonts, imagery, and retro/vintage aesthetics in both their album artwork and tour posters. This allows their audiences to easily associate and identify all of the artist's work under a single recognizable style.
This document analyzes the cover of a Celine Dion DVD of a live performance. It summarizes that the cover promotes Celine Dion as a famous artist through images of her performing live in elegant outfits and a listing of songs. It targets a female audience by representing Dion as feminine and focusing on love themes. The cover conveys that the recording captures Dion's live performance and promotes her style of music and persona.
The document compares the album artwork of Nothing to Kings, Arctic Monkeys, and The Neighbourhood in terms of conventions used in indie rock album covers. It analyzes the use of monochromatic colour schemes, positioning of images and text, fonts, and inclusion or lack of band member faces across the three covers. The document aims to show how Nothing to Kings' cover design choices accept standard indie rock conventions to communicate the band's genre to audiences.
This document discusses how artists create synergy between different media to promote their brand. It analyzes several bands' album covers, music videos, and websites to see how they maintain a consistent style and atmosphere. Radiohead, for example, uses a cold, abstract aesthetic across their "OK Computer" album art and website. The Arctic Monkeys maintain a simple black-and-white style in their "AM" album art, music videos, and website. Creating this synergy helps artists establish a recognizable image and brand themselves consistently across different media.
The document discusses how the media product, an indie rock music video and album, uses and develops conventions of the indie rock genre. It compares elements of the media product to real indie rock music videos and albums by bands like The Kooks, The 1975, Kings of Leon and Arctic Monkeys. Key conventions discussed include natural locations, closeups, narrative elements, costumes, typography and minimalist designs that appeal to indie rock audiences.
The document discusses the album packaging and websites of three musical artists: The Last Shadow Puppets, Hozier, and Lana Del Rey. For each artist, it analyzes design elements like colors, fonts, images and layouts used in their album digipacks and websites. It notes similarities and conventions that help engage audiences and show synergy across the different media. Key elements like dominant colors, fonts, and types of photos are consistently used to clearly link the album and website identities for each artist.
The document summarizes and analyzes the album covers, layouts, colors, genres, and branding of four different albums:
1. The Black Keys - El Camino uses an orange-tinted photo of a car to represent the album's Spanish name and origins. It features the car centered in the frame with equal space above and below. The cover subverts genre conventions to brand the artist as unconventional.
2. Gorillaz - Gorillaz features a camouflaged car on a white background to catch attention. It is positioned as driving toward the viewer. The cover follows alternative hip hop conventions while subverting bright electronica styles. This brands the artists as curious and unseen.
The document discusses album covers and advertisements for indie rock bands. It notes that indie rock artists typically use simple images that do not focus on the artist themselves. The document also emphasizes using consistent branding across album covers and advertisements to create a recognizable identity for the artist. It examines how various indie bands, like Arctic Monkeys and Kodaline, utilize similar imagery and fonts to link their different promotional materials.
The document discusses the design choices for the packaging of an album. It was designed to portray the independent background of the artists and reinforce their identity. The front cover features the artists in plain white t-shirts to portray them as ordinary people and help audiences relate to them. The back provides institutional information and the extended logo to fully represent the independent record label. Color choices and font sizes were meant to represent the music genre and imply importance of different elements.
The student created a music video, album, and advertisement for an alternative rock band that all shared a consistent dark purple color theme. While the album cover was brighter than the video to stand out on store shelves, both used a purple color scheme and distorted imagery to match the genre. The advertisement also featured the band against a purple background to tie it to the video and album. Ensuring all ancillary materials worked together through shared visual elements was vital to effectively marketing the band and its music to the appropriate audience.
The digipak for Kasabian's album "Empire" uses a yellow color scheme to make it look old, representing the album's themes of older time periods and tradition. Red is used prominently for the album title "Empire" to represent conquest through war and blood. The digipak includes an additional DVD with music videos and unreleased tracks to provide extra value.
Rihanna's album "LOUD" features a close-up photo of her on the front cover to attract attention through her physical attractiveness, focused on her lips and hair which are bright red. The simple text is refined and placed at the top and bottom to maintain focus on her image.
The digipak
This document discusses the conventional elements used in the media product's album cover, poster, digipak, music video, and their relationship to conventions of the indie rock genre. Specifically, it notes the use of a minimalist black and white design on the album cover inspired by Royal Blood. Fonts, images, and information are consistently presented across materials. While many elements follow conventions like the band name, release date and barcode, the inside cover features a band member quote challenging conventions. Editing techniques in the music video like flash cuts and color schemes link to the lyrics and narrative in a way that expands on the story.
The document discusses and analyzes the album artwork and packaging (digipacks) for three indie rock albums:
1) Kings of Leon's "Only By The Night" uses an eagle symbolizing their American heritage and nighttime imagery relating to songs.
2) The 1975's self-titled album features low-key lighting and speakers emphasizing their focus on music over image.
3) Arctic Monkeys' debut "Whatever People Say I Am, That's What I'm Not" portrays a working-class man, implying their target audience and themes of real issues over fame.
The digipack for Kings of Leon's album Only By The Night features an eagle symbolizing their American heritage. The green and black colors reference the album title and songs about nightlife. The artwork aims to appeal to American audiences and promote the band's identity. The digipack design for The 1975's self-titled album uses low-key lighting and speakers to represent their indie rock genre. It emphasizes the band's name without images to create intrigue. Arctic Monkey's debut album features a working class man on the cover to portray themselves as down-to-earth and relatable to their target audience.
The document discusses creating continuity and synergy across various music products for a band called The Crystal Whites, including their magazine advert, digipak, CD, and lyric booklet. Some techniques used were selecting the same front and back cover image, using consistent fonts, including promotional elements like social media logos and a music video link. Photos of the band members were also consistently featured across products to connect their identity. The goal was to connect the different products and promote the band and their album.
For a music video project, the document discusses creating a CD digipack and magazine advertisement. The digipack would include a front cover featuring the title and artist, and a back panel listing the songs. Design software like Photoshop would be used to create hand-drawn images for the cover and ad. Examples of existing album covers and ads are analyzed for design techniques, such as effective positioning of images and use of color schemes, that could inspire the student's own designs.
The digipak design for David Guetta's 2009 album "One Love" reflects his EDM genre through its use of black, white, and pink colors along with typography, images, and Guetta's casual appearance. The messy, childlike design is meant to portray Guetta as laidback and fun, appealing to younger audiences. Key elements of the design include a close-up photo of Guetta on the front wearing sunglasses, handwritten text for the album title in purple, and a graffiti-style design carried over from the CD to the back cover.
The document evaluates the effectiveness of the media campaign for the fictional band Wonderland. It summarizes that the music video for the single "Mardy Bum," website, and CD digipak work together to portray the band as an organic indie rock group. The campaign effectively conveys the band's image and genre through these ancillary texts and the distribution of the album online and in stores helps promote the band globally. Overall, the combination of the main product and ancillary texts creates an effective media campaign for the band.
The document discusses conventions in music videos and how to challenge them. It describes developing the narrative of a music video to be less obvious and including bolder colors in the album design. It also challenges conventions by featuring a female artist who defies beauty standards and does not sexualize herself. The narrative does not specify the gender of the artist's love interest, allowing for open interpretation.
How effective is the combination of your main product and ancillary textsScott Barrass
The document discusses how ancillary materials like a CD cover and poster were created to complement a music video. The creator ensured the ancillary items featured imagery that matched the video, like including a picture of someone screaming to match a scene of the protagonist screaming. Later revisions made the CD cover and poster cohesive by using a dark red background and the same image of the band screaming. Connecting the ancillary materials in this way makes the overall product more successful for audiences.
The document summarizes a student's advanced portfolio project creating marketing materials for a fictional punk band called Middle Finger Salute. The student created a music video for the band along with other products like CD covers and advertisements. Throughout the products, they maintained a consistent punk brand image using techniques like a black and white/color theme, bright contrasting colors, and a cartoon-style pink gorilla logo. Audience feedback was gathered to help refine the materials and ensure they appealed to the target demographic of 16-25 year old punk fans.
The band achieved synergy across their main album, music video, and website by adopting a theme of chaos represented through a consistent color scheme, hand-drawn patterns, logos and fonts. This unified the products and strengthened the band's image of being young, energetic and appealing to teenagers and young adults. Marketing focused on promoting the band across different online platforms to engage their target audience.
Hassan Ahmed's A2 Media Coursework EvaluationSlappaDeBassMon
- The student created a music video for the song "Love Me Already" by Black Kids alongside three other students as a class project. They aimed to make a comedic music video that would appeal to the target 16-25 year old audience.
- They researched the indie pop genre and created a performance-based video with comedic elements. Feedback showed 77% found the comedy successful.
- Accompanying materials like album artwork, a magazine poster, and branding were created to match the video's style and appeal to the target demographic. Positive feedback was received on all pieces.
- Various software like Final Cut, Photoshop, and websites like YouTube and iTunes were used effectively in the project's construction
This document analyzes the cover of a Celine Dion DVD of a live performance. It summarizes that the cover promotes Celine Dion as a famous artist through images of her performing live in elegant outfits and a listing of songs. It targets a female audience by representing Dion as feminine and focusing on love themes. The cover conveys that the recording captures Dion's live performance and promotes her style of music and persona.
The document compares the album artwork of Nothing to Kings, Arctic Monkeys, and The Neighbourhood in terms of conventions used in indie rock album covers. It analyzes the use of monochromatic colour schemes, positioning of images and text, fonts, and inclusion or lack of band member faces across the three covers. The document aims to show how Nothing to Kings' cover design choices accept standard indie rock conventions to communicate the band's genre to audiences.
This document discusses how artists create synergy between different media to promote their brand. It analyzes several bands' album covers, music videos, and websites to see how they maintain a consistent style and atmosphere. Radiohead, for example, uses a cold, abstract aesthetic across their "OK Computer" album art and website. The Arctic Monkeys maintain a simple black-and-white style in their "AM" album art, music videos, and website. Creating this synergy helps artists establish a recognizable image and brand themselves consistently across different media.
The document discusses how the media product, an indie rock music video and album, uses and develops conventions of the indie rock genre. It compares elements of the media product to real indie rock music videos and albums by bands like The Kooks, The 1975, Kings of Leon and Arctic Monkeys. Key conventions discussed include natural locations, closeups, narrative elements, costumes, typography and minimalist designs that appeal to indie rock audiences.
The document discusses the album packaging and websites of three musical artists: The Last Shadow Puppets, Hozier, and Lana Del Rey. For each artist, it analyzes design elements like colors, fonts, images and layouts used in their album digipacks and websites. It notes similarities and conventions that help engage audiences and show synergy across the different media. Key elements like dominant colors, fonts, and types of photos are consistently used to clearly link the album and website identities for each artist.
The document summarizes and analyzes the album covers, layouts, colors, genres, and branding of four different albums:
1. The Black Keys - El Camino uses an orange-tinted photo of a car to represent the album's Spanish name and origins. It features the car centered in the frame with equal space above and below. The cover subverts genre conventions to brand the artist as unconventional.
2. Gorillaz - Gorillaz features a camouflaged car on a white background to catch attention. It is positioned as driving toward the viewer. The cover follows alternative hip hop conventions while subverting bright electronica styles. This brands the artists as curious and unseen.
The document discusses album covers and advertisements for indie rock bands. It notes that indie rock artists typically use simple images that do not focus on the artist themselves. The document also emphasizes using consistent branding across album covers and advertisements to create a recognizable identity for the artist. It examines how various indie bands, like Arctic Monkeys and Kodaline, utilize similar imagery and fonts to link their different promotional materials.
The document discusses the design choices for the packaging of an album. It was designed to portray the independent background of the artists and reinforce their identity. The front cover features the artists in plain white t-shirts to portray them as ordinary people and help audiences relate to them. The back provides institutional information and the extended logo to fully represent the independent record label. Color choices and font sizes were meant to represent the music genre and imply importance of different elements.
The student created a music video, album, and advertisement for an alternative rock band that all shared a consistent dark purple color theme. While the album cover was brighter than the video to stand out on store shelves, both used a purple color scheme and distorted imagery to match the genre. The advertisement also featured the band against a purple background to tie it to the video and album. Ensuring all ancillary materials worked together through shared visual elements was vital to effectively marketing the band and its music to the appropriate audience.
The digipak for Kasabian's album "Empire" uses a yellow color scheme to make it look old, representing the album's themes of older time periods and tradition. Red is used prominently for the album title "Empire" to represent conquest through war and blood. The digipak includes an additional DVD with music videos and unreleased tracks to provide extra value.
Rihanna's album "LOUD" features a close-up photo of her on the front cover to attract attention through her physical attractiveness, focused on her lips and hair which are bright red. The simple text is refined and placed at the top and bottom to maintain focus on her image.
The digipak
This document discusses the conventional elements used in the media product's album cover, poster, digipak, music video, and their relationship to conventions of the indie rock genre. Specifically, it notes the use of a minimalist black and white design on the album cover inspired by Royal Blood. Fonts, images, and information are consistently presented across materials. While many elements follow conventions like the band name, release date and barcode, the inside cover features a band member quote challenging conventions. Editing techniques in the music video like flash cuts and color schemes link to the lyrics and narrative in a way that expands on the story.
The document discusses and analyzes the album artwork and packaging (digipacks) for three indie rock albums:
1) Kings of Leon's "Only By The Night" uses an eagle symbolizing their American heritage and nighttime imagery relating to songs.
2) The 1975's self-titled album features low-key lighting and speakers emphasizing their focus on music over image.
3) Arctic Monkeys' debut "Whatever People Say I Am, That's What I'm Not" portrays a working-class man, implying their target audience and themes of real issues over fame.
The digipack for Kings of Leon's album Only By The Night features an eagle symbolizing their American heritage. The green and black colors reference the album title and songs about nightlife. The artwork aims to appeal to American audiences and promote the band's identity. The digipack design for The 1975's self-titled album uses low-key lighting and speakers to represent their indie rock genre. It emphasizes the band's name without images to create intrigue. Arctic Monkey's debut album features a working class man on the cover to portray themselves as down-to-earth and relatable to their target audience.
The document discusses creating continuity and synergy across various music products for a band called The Crystal Whites, including their magazine advert, digipak, CD, and lyric booklet. Some techniques used were selecting the same front and back cover image, using consistent fonts, including promotional elements like social media logos and a music video link. Photos of the band members were also consistently featured across products to connect their identity. The goal was to connect the different products and promote the band and their album.
For a music video project, the document discusses creating a CD digipack and magazine advertisement. The digipack would include a front cover featuring the title and artist, and a back panel listing the songs. Design software like Photoshop would be used to create hand-drawn images for the cover and ad. Examples of existing album covers and ads are analyzed for design techniques, such as effective positioning of images and use of color schemes, that could inspire the student's own designs.
The digipak design for David Guetta's 2009 album "One Love" reflects his EDM genre through its use of black, white, and pink colors along with typography, images, and Guetta's casual appearance. The messy, childlike design is meant to portray Guetta as laidback and fun, appealing to younger audiences. Key elements of the design include a close-up photo of Guetta on the front wearing sunglasses, handwritten text for the album title in purple, and a graffiti-style design carried over from the CD to the back cover.
The document evaluates the effectiveness of the media campaign for the fictional band Wonderland. It summarizes that the music video for the single "Mardy Bum," website, and CD digipak work together to portray the band as an organic indie rock group. The campaign effectively conveys the band's image and genre through these ancillary texts and the distribution of the album online and in stores helps promote the band globally. Overall, the combination of the main product and ancillary texts creates an effective media campaign for the band.
The document discusses conventions in music videos and how to challenge them. It describes developing the narrative of a music video to be less obvious and including bolder colors in the album design. It also challenges conventions by featuring a female artist who defies beauty standards and does not sexualize herself. The narrative does not specify the gender of the artist's love interest, allowing for open interpretation.
How effective is the combination of your main product and ancillary textsScott Barrass
The document discusses how ancillary materials like a CD cover and poster were created to complement a music video. The creator ensured the ancillary items featured imagery that matched the video, like including a picture of someone screaming to match a scene of the protagonist screaming. Later revisions made the CD cover and poster cohesive by using a dark red background and the same image of the band screaming. Connecting the ancillary materials in this way makes the overall product more successful for audiences.
The document summarizes a student's advanced portfolio project creating marketing materials for a fictional punk band called Middle Finger Salute. The student created a music video for the band along with other products like CD covers and advertisements. Throughout the products, they maintained a consistent punk brand image using techniques like a black and white/color theme, bright contrasting colors, and a cartoon-style pink gorilla logo. Audience feedback was gathered to help refine the materials and ensure they appealed to the target demographic of 16-25 year old punk fans.
The band achieved synergy across their main album, music video, and website by adopting a theme of chaos represented through a consistent color scheme, hand-drawn patterns, logos and fonts. This unified the products and strengthened the band's image of being young, energetic and appealing to teenagers and young adults. Marketing focused on promoting the band across different online platforms to engage their target audience.
Hassan Ahmed's A2 Media Coursework EvaluationSlappaDeBassMon
- The student created a music video for the song "Love Me Already" by Black Kids alongside three other students as a class project. They aimed to make a comedic music video that would appeal to the target 16-25 year old audience.
- They researched the indie pop genre and created a performance-based video with comedic elements. Feedback showed 77% found the comedy successful.
- Accompanying materials like album artwork, a magazine poster, and branding were created to match the video's style and appeal to the target demographic. Positive feedback was received on all pieces.
- Various software like Final Cut, Photoshop, and websites like YouTube and iTunes were used effectively in the project's construction
The document discusses a music video project for a soca band called "Kes the Band". It summarizes the feedback received from audience questionnaires, interviews, and throughout the production process. Questionnaires found that music is an important part of people's daily lives but does not strongly influence their fashion. Interviews suggested showing people having fun and dancing to match the music. Early feedback noted the original idea did not match the music style, so a new idea was developed. Additional shooting and editing improved the video to show more happiness and flavor. The final video received positive feedback when posted online.
The document discusses a music video created to promote a Soca band called "Kes the Band". It summarizes the various stages of production including planning, research, filming, editing, and evaluation. Feedback was gathered through questionnaires, interviews, and social media responses. The video was aimed to authentically capture the fun atmosphere of Soca music while challenging conventions around representations of women. Production challenges and improvements are also discussed.
The document discusses how the media product uses and develops genre conventions of real media products in the indie/alternative genre. It analyzes the conventions used in websites, digipaks, and music videos of similar artists like Nirvana, The Killers, Arctic Monkeys, and compares them to the media product. The product challenges some conventions like showing the band on the homepage, but develops most conventions like using simple color schemes, capitalized titles, and dark lighting to connote mystery and intrigue audiences.
The document discusses various forms and conventions used in media products like music videos. It analyzes the student's music video and compares elements to other well-known music videos. Key elements discussed include camera techniques like tracking shots and handheld shots, editing techniques like jump cuts, sets, lighting, costumes, and branding elements like the logo, website, and album packaging design. Many conventions from indie/rock genre music videos influenced the student's media project.
We created a music promo package for the song "Arctic Monkeys-Dancing shoes" that included a music video, six panel digipack, and promotional poster. To appeal to our intended indie/rock audience and be successful, we used consistent conventions across all elements including a black and white aesthetic, casual clothing styles, and simple designs. Feedback indicated our package successfully portrayed a commitment to music over glamour by representing the working class experience through both the video's setting and band's plain attire and graphics.
The document provides instructions for analyzing the website and album artwork for a rock band called Pierce the Veil. It summarizes the analysis of their website, which uses black, blue and white colors and features images of the band and their albums. Navigation is easy with drop down menus. The tone of language on the site is mostly formal. The album artwork for Collide with the Sky is also analyzed, noting the close-up image of the band and colors used.
How effective is the combination of your mainemsteward
The document discusses how a band created synergy across a music video, magazine advert, and album packaging for their new single. Key elements like the band's logo, name, and song title were kept consistent in a graffiti font style to reinforce the band's UK hip hop genre. Colors like red, black, and white were also kept the same. Images and styles from the music video were translated to the magazine advert to create a cohesive link between the media texts and appeal to fans of the genre. The goal was to make the materials easily recognizable and help promote and sell the new album release.
The document discusses how the media product uses and develops conventions of the indie rock genre. It analyzes several elements of the music video, digipak, and website and compares them to real indie rock products. Some conventions that were followed include using midshots of the singer in the video, plain white backgrounds on the album art, and relaxed clothing in photos. Some conventions that were challenged include using a single color theme, editing faces together on the album art, and adding a moving graphic to the website homepage. Overall, it both accepts some genre norms but also puts its own spin to develop and challenge expectations.
The document discusses how the media product uses and develops conventions of the indie rock genre. It analyzes several elements of the music video, digipak, and website and compares them to real indie rock examples. Some conventions that were followed include using midshots of the singer in the music video, plain white backgrounds on the album art, and relaxed clothing on the website gallery. Some conventions that were challenged include using a single color theme, editing faces together on the album art, and adding a moving GIF to the website homepage. Overall, it both accepts some genre norms but also puts its own spin to develop and challenge expectations.
Personal Evaluation - The Assist - Hannah Owenhanspan123
The document discusses how the creator used various media technologies during the production of a music video for a band called The Assist. These included using editing software like Final Cut Pro X, cameras, tripods, green screens, and feedback from focus groups to plan, film, edit, and refine the music video and other promotional materials. The creator aimed to tie together themes, colors, and imagery between the music video and additional products like a website and album packaging.
This document discusses how the media product uses and develops conventions of real music videos. It analyzes the media forms, camera shots, editing techniques, lighting, costumes, performances, digipak design, and website design used in the media product and compares them to conventions in other music videos. Specifically, it examines the use of close-up and long shots of band members, editing to the beat of the song, contrasting lighting, dark costumes, performances facing the camera, simple black and white digipak design, and a basic band-focused website. The document demonstrates how the media product draws upon established conventions to portray the band and genre.
Our band's brand identity represents a fun and cheeky pop-rock genre. Throughout our music video and ancillary tasks like a magazine ad and digipak, we have maintained consistency in visual elements like costumes, props, and color palette to reinforce this brand image. Close-up shots of band members performing and having fun also convey the personality of our pop-rock group. Compared to a more serious band like The Killers, our products showcase our band members' lighthearted personalities through elements like a food fight narrative and casual costumes.
The band created a sense of branding through their album packaging and website. They designed a digipak with their band name and album title in matching colors and fonts. Research informed their design choices. Their website provides band information and uses consistent colors, fonts, and imagery to match the digipak. Both the digipak and website aim to promote the band name and album for increased recognition and sales.
The document discusses how a media product challenges or develops genre conventions. It analyzes the genre conventions of websites, digipaks, and music videos for the indie alternative genre. The analysis compares the creator's media products to those of artists like Nirvana, The Killers, Arctic Monkeys, and The Weeknd. It is shown that conventions for fonts, colors, layouts, and lighting are generally followed to attract audiences. Some conventions are challenged, such as by including unobscured band images, to further intrigue viewers.
The document summarizes a student's media production project creating an R&B music video and accompanying materials. The project draws on conventions from real R&B music videos such as Usher's "My Boo" video. Scenes, camera angles, and lip syncing were incorporated from the original video. The student created an album cover, advertisement, and filmed the music video outside to develop the story in a non-stereotypical way. Audience feedback was gathered through YouTube comments, questionnaires, and discussions to evaluate the project.
The document summarizes ways that music videos, album artwork, and advertisements establish genre and represent artists. It discusses how videos use shots that link to the music's genre. Album covers highlight band names and use colors associated with genres. Advertisements prominently display band names and use colors linked to genres. Photographs of bands playing rock instruments also help establish genre.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
Evaluation question 2
1. EVALUATION QUESTION 2
How do the elements of your production work together to create a
sense of "branding"?
2. Bring Me The Horizon
Bring Me the Horizon are a British rock band from Sheffield, South Yorkshire who formed in 2004.
They are signed to RCA Records globally and Columbia Records exclusively in the United States.
The style of their early work, is primarily described as deathcore, but they started to adopt a more
eclectic style of Metalcore on subsequent albums. Their latest album BMTH marked a shift in their
sound to less aggressive rock music styles
3. In order to assess our own production, I wanted to first look at examples
from other Metalcore bands and examine how typical it is to directly
link websites, music videos and digipak.
I would also like to investigate how likely it is for bands to change in
order to reflect new releases.
How tightly integrated are other bands text’s?
4. I Looked at the music video, website and album
cover from A Day Remember. All of these are very
closely linked with the same artwork and colour
scheme. They are promoting their new album and
single. The same mood is created across all these
areas. The sketchiness of the words ‘Bad
Vibrations’ even directly features in the video.
(Their website and social media also changed in
order to promote their new album!)
WEBSITEALBUM COVER
MUSIC VIDEO
A Day To Remember
5. Bullet For My Valentine
Although the different elements of this band do not link quite
as directly as the previous example, there is still a colour theme
running throughout. The blacks, greys and whites are seen
throughout their album cover, website and music videos. The
website also has some red colouring that isn’t present in their
music video venom or album of the same name.
MUSIC VIDEO
WEBSITE
ALBUM COVER
6. Bring Me The Horizon’s
existing branding
The existing branding of Bring me the Horizon is very
uniform and very minimalistic. We wanted to take
inspiration from this and apply the black and white colour
scheme and simple font to our package. However, we did
want to add a more personal touch with more images of
the band. Much like the example of A Day To Remember,
they have changed their website and social media in
order to promote the release of new music.
MUSIC VIDEO
ALBUM FRONT
COVER WEBSITE
7. Bring me the horizon’s existing
audience consists approximately of
60% male and 40% females of
between the ages of 16-25. To try and
understand how they appealed to each
gender, I took a look at the
merchandise available on their
website, which you can see on the next
slide.
Bring Me The Horizon’s existing audience
8. GUYS CLOTHING
GIRLS CLOTHING
As you can see, on their website they have the same
amount of merchandise for both male and female fans.
They have separate pages for each. The men's t-shirts are
in a more loose fitted style with short t-shirt sleeves. The
designs are simplistic which fit the rest of their branding.
The girl’s t-shirts available are in a different, slightly
slimmer cut which rolled up sleeves, this adds a feminine
touch that would appeal to a lot of girls, however the
black and white colours and simplistic designs still keep
with the branding. In order to further appeal to a female
audience, there is underwear available along with sports
leggings and crop tops, which are all something that many
teenage girls would wear. To summarise, the merchandise
available on Bring Me The Horizon’s official website
appeals greatly and equally to both a male and female
audience.
9. Our Package for
Bring Me The Horizon
As you can see, we really stuck to the dark grungy minimalist colour
scheme and approach that is so often used by Metalcore bands. The
colour correction we used when editing the music videos allows it to
link even more with the overall dark theme of our package. The
website has a black background layered with white text, very similar
to the digipak. As I mentioned previously, we wanted a personal
touch and so added a slideshow with various picture of the band to
our website.
WEBSITE
MUSIC VIDEO
DIGIPAK
10. Who is our branding
aimed at? (Primary and
Secondary target audiences)
Primary Audience:
Males aged 16-25
Secondary Audience:
Females 16-25, Males and Females 25-60
Are we changing the
branding? If so, why?
We decided to update the branding by adding a more
personal touch through photos of the band (e.g. in the
inner panels of digipak) allowing us to engage with the
fans.
The uses and gratifications theory is a an approach to
understanding why and how people actively seek out
specific media to satisfy specific needs. One of these
needs is escapism. Being able to connect to the band
through photos and videos allows the audience to
escape from everyday life.
Therefore, we wanted to give the fans this opportunity
and as you can see, our website is full of candid, behind
the scenes images of the band members.
Behind the scenes photos on our website
11. What role did social media
play in binding these
elements together?
Social media was a really crucial aid in binding all of our package together.
We used it to share updates (such as the music video being ‘released’),
behind the scenes content but most of all to promote and share other
aspects of the package.
For example, On Instagram, I shared an image of the full digipak, and on
Facebook, the profile picture for our page is the front cover of the digipak.
On Instagram, I also uploaded screenshots taken directly from the music
video itself, telling fans to watch it, and to tweet us what their favourite part
of the video was.
Both the Facebook and Instagram accounts have links to the website on
them
SCREENSHOTS FROM
MUSIC VIDEO
DIGIPAK
On the right, you can see screenshots that I have
taken from our Facebook and Instagram accounts,
showing examples of how we used social media to
bind together the three elements of the website,
digipak and music video.
Something that I have found to be pretty common, is
bands updating their websites or social media accounts
in order to promote a new album or single. In order to
reflect this common occurrence, we changed our profile
picture on the band’s Facebook account to the front
cover of the digipak.