Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
Follow us on: Pinterest
Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
1. Media Rina Bansal
‘Underage Binge Drinking’
Evaluation
1) In what ways does your media product use, develop or challenge forms
and conventions of real media products?
The Documentary:
Once given the task to create the opening 5 minutes of an hour long documentary,
alongside a radio trail and double page spread in a listings magazine to support it, we
discussed topics which we could base our documentary on. We researched different genres
of documentaries that we could include, along with any recent situations in the news, as
well as facts and figures which would become a useful to the documentary opening.
We concluded with basing the documentary on ‘Underage Binge Drinking’, as it was a
neglected problem in the UK which was highly increasing.
We researched what is needed to create a documentary further, looking at different
categories: optimistic, pessimistic, serious, ironic etc. As well as the conventions: voiceover
(the commentary/ narrator), actuality (filming real life events, places, people), expositions
(theme is revealed in the start), reconstructions (to reconstruct an event/ act it out) and
archival footage (secondary or stock footage). In our documentary, it has many serious yet
optimistic aspects, as it sets the tone for our target audience, allowing them to know what
type of documentary they are viewing.
We began looking at different types and styles of documentaries which support Bill
Nicholstheories of Documentary Modes (2001). Documentary modes are a kind of
conceptual scheme, similar to genres. Six of which were very important to Nichols: Poetic-
artistic and creative/ soviet montage theory at the start, Expository- way to expose the
social problem, persuading the viewer on a viewpoint through an omniscient narrator and
cutaways to illustrate points further, Reflexive- demystifying the art of making the
documentary, Observational- way to observe people in everyday life- usually done by a ‘fly
on the wall’ style, Participatory- when the film maker appears as subjects in their own work
and Performative- the maker of the documentary is the subject of the film/programme,
making it autobiographical.
In order for our documentary to follow the conventions of a real media product, we watched
a variety of documentaries that were aired on well-known channels such as: Channel 4, BBC
and ITV1. The documentary ‘Supersize Me’ (2004) is an excellent example portraying both
performative and participatory modes, as Morgan Spurlock (the presenter) makes himself
the subject to the programme, by carrying out an investigation they call a ‘McDiet’, to
2. Media Rina Bansal
portray his argument to the audience of obesity in America.
As well as this, a lot of hand held camera is used which
creates actuality and an autobiographical style to the
production, which makes it more personal for the audience.
Instead of this, we use a voiceover in our documentary, an
omniscient narrator, a narrative structure. We have done
this as it persuades our argument across to the audience by
repetition, and more suitable for our documentary on
‘Underage Binge Drinking’.
This is similar to ITV1’s documentary ‘Fire and Rescue’ (2003),
which seemed to be an educational, investigative type of
documentary, profiling fire-fighters and their work. They
utilised a particular narrator- Allister Stuart, a news reader. By
using a news reader’s voice as the voiceover, it creates a more
serious tone which is very factual, more believable and
appropriate for the target audience.
Furthermore, as our documentary is on ‘Underage Binge
Drinking’, we decided that it would be an investigative, informative and expository
documentary, however consisting of an ‘enigmatic code’ structure, as the investigation of
the causes and effects of underage binge drinking cannot be solved- likewise to ‘supersize
me’.
From watching other documentaries, we analysed the features and ideas and thought of
how we could incorporate them into our own documentary. Many of these conventions
were used through camera. Involving many different types of shots and angles such as:
establishing shots, medium close-ups, long shots, extreme close-ups, high angle, low angle
etc. Many of our shots are done by using a Tripod, so then the picture is both steady and
level and also enabling us to pan the camera while filming an establishing shot to make it
more professional. We used this in our establishing shots of the college, the college canteen
and of Touchwood high street.
Camera:
Tripod:
3. Media Rina Bansal
One particular feature would be the montage used at the start of the documentary, as it was
similar to a real media product. This exposes the theme and subject of the documentary as well
as making it more dramatic for the viewer.
Another would be medium close-ups, which we used a lot in the expert interviews for our
documentary, so then we can see the persons reactions and expressions- like ‘supersize me’ has
done. We have used ‘rule of thirds’- having the interviewee looking into an empty space and a
third of the way in on the screen- this is to ensure that there is no ‘dead space’ behind the
interviewee, so the viewer will have their eyes on the expert. However, still portraying to the
viewer the expert interviewees’ work surroundings- similar to an expert interview in ‘supersize
me’:
Furthermore, we also incorporated the idea from ‘supersize me’ of using a low angle
medium shot. This shot had to be very precise in order to achieve the appropriate mis-en-
scene and focus of the bottles- ensuring that they would not look blurry- and pulling some
focus from the background to make the bottles stand out more- as they have done so in
‘supersize me’:
We also ensured that the bottles were in size order, to portray the units, like it has done so in
‘supersize me’ when conveying what the size portions for drinks are. This makes it more
Our Documentary: ‘Supersize me’ Documentary:
‘Supersize me’ Documentary:Our Documentary:
4. Media Rina Bansal
effective as the viewer will realise the shocking differences in unit size of alcohol.
Another convention our media project uses is through sound. In particular, our documentary
use a variety of diegetic and non-diegetic sounds, along with a presenter, background music
and a voiceover. ‘Supersize me’ uses both a presenter and a voiceover, which is done
effectively as it involves the audience in the whole investigation of the documentary,
therefore making it more personal for the viewer- both performative and expository in Bill
Nichol’s documentary codes. As our documentary was more informative than investigative,
we decided to only include a voiceover and no presenter, as it would have been more
appropriate for the topic and theme of the documentary. A voiceover was also only used in
both ‘Fire and Rescue’ (ITV1) and ‘A Good Smack’ (BBC) to narrate to the viewers what is
going on, as well as the cause and effects of these situations.
Background music we had made using the software ‘Garage Band’, where we created
instrumental sounds to fit the theme and make it parallel to the scenes of our documentary.
In all the documentaries we researched and studied used background music. However, a
majority of the music was copyrighted from bands and song artists.
In ‘A Good Smack’, a lot of chaotic music is played when portraying the misbehaving
children, the choice of band was ‘Madness’, and the song choice did not overpower the
recording of the misbehaving children.
In ‘Fire and Rescue’, the music was parallel to the scenes, which does grab the viewers’
attention however, the music was over the top and over powering of the clips which made
the extract look not as professional as it could have.
The background music which we created on Garage Band was not overpowering the
voiceover or the clips and was not over the top in the scenes we utilised it in. The music was
appropriate and parallel to the scene as it was simple beats; however the sound levels were
a bit sketchy as it went back and forth from high to low therefore slightly overpowering the
voiceover at certain points. This is something that would be improved in our documentary.
This is part of the voiceover script introducing
Neil Attewell, which we had made using
amicrophone recorder, headphones and editing
in final cut express
5. Media Rina Bansal
In order to support our documentary on ‘underage binge drinking’, we needed to acquire a
fair amount of reliable research which was relevant to the topic. This is to inform our
audience about the rising statisticsfacts and figures of the topic, to educate them that
underage binge drinking is an increasing problem in the UK, as well as educating them on
various causes and effects of young teens binge drinking. In order to get the correct statistics
we produced questionnaires which we handed out to students in our sixth form college. We
also researched the BBC News on the internet to find any articles or news mentions on
underage binge drinking- hoping to use it as a case study for the documentary, similar to
‘supersize me’ in their case study of the two girls who attempted to sue McDonalds.
Background music track was exported
from Garage Band and imported into Final
cut express
Case Studies (‘Supersize me’)
6. Media Rina Bansal
Special effects are also utilised in the conventions of real media products. One in particular
which we have used is speeding up the clip whilst the voiceover is explaining statistic facts
about underage binge drinking. We blurred the image as well as speeding up the clip, later
crowding it with images of alcohol bottles and cans.
As the clip was not long enough to cover the voiceover, we challenged the conventions of
real media products and reversed the clip- still quick paced- to make the clip cover the
voiceover. This had successfully worked as it was not noticeable to the viewer that it had
been reversed.
Our Documentary:‘Supersize me’ Documentary:
We have displayed percentages similarly to how ‘supersize me’ has done. This technique is
effective to the viewer as can clearly see the abnormally high or rising figures. By blurring out a
previously used image as the background fits well and appropriately into the scene.
Here the clip has been
speeded up, and pulled out of
focus.
During this part of the clip, the
video has been reversed, while out
of focus and is speeded up
This is how we changed both the speed and
how we reversed the clip to make it last
longer (tick the ‘reverse’ box)
7. Media Rina Bansal
The Magazine Article:
This is our magazine article which we had designed and produced for ‘More’ magazine. We had
researched a number of magazines to see how they used the conventions to make the article
more effective. Considering that our documentary was targeted for a younger audience, we
decided to keep the layout simple and to a colour scheme of red, black and white.
Double-Page Spread articles from ‘More’ Magazine:
Both of these double- page spreads consist
of colour schemes, main (powerful) image;
grab quotes, columns and captions etc.
These are some of the conventions we had
incorporated into our magazine article. We
had also used still images from our
documentary, one of which conveys the
intended target audience.
8. Media Rina Bansal
Some conventions we used on our article:
These are the still images that we used
in our magazine article as we thought
they were effective and portrayed our
documentary well as it gives an insight
to the reader on what is included in
our documentary:
I would definitely re-do the grab quotes in the article, as the text box outline is shown in the
page. As well as this, I would also include captions underneath the images to explain what is
going on the image, this can also make the documentary seem more appealing to the reader.
Included the date, time and
channel the documentary
would be showing on
Inserted page numbers, used martini glasses to
emphasise the topic of our documentary
Inserted a website in which the reader could
find out more on our documentary
We set the article in columns and
wrapped the text around the grab
quotes (which are important
quotes said in the documentary)
9. Media Rina Bansal
The Radio Trail:
In order to have an idea on what the conventions were on a radio trail, we had listened
to a variety of professional radio trails from stations such as ‘Capital FM’ and ‘BBC
Radio’. We had also filled in sheets to analyse other radio trails for documentaries which
involved analysing the voiceover, music, tone and other conventions of a radio trail.
Furthermore, we had also practiced making a radio trail, however using secondary
background music, earlier in the year so we had an idea on how to create and put
together a radio trail on ‘GarageBand’.
Our radio trail was produced for ‘BBC Radio One’, as they have a wide variety of our
target audience; therefore we needed to make our radio trail appealing and upbeat for
the young listeners, however still considering that our documentary consisted of a
serious topic.
We used extracts from our documentary which were effective and powerful quotes-
from both adults and students- quotes such as ‘…alcohol would be a sludge hammer’
and ‘13 year olds would be vulnerable…’
The background musicwe had made using ‘GarageBand’, we had to make sure that the
music did not overpower the voiceover script, we had done this by altering the sound
levels of both the voiceover and the background music:
The background music is also upbeat however serious in tone, this supported the quotes
and created a theme in the radio trail. As well as this, we included the date, time and
channel as a finish to the radio trail which created an effective ending as that important
information would stick to the listeners mind, intended to increase the views of our
documentary.
Our radio trail was approximately 40 seconds; this gave us enough time to include
powerful quotes, important rhetorical questions (used to include the listener) and more
information which almost summarised the topic of our documentary.
10. Media Rina Bansal
Overall, we have stuck to the main conventions used in a documentary, article and radio
trail in order to make our product and ancillary texts appeal to the target audience. We
have also challenged the conventions through the transitions.