The document provides an analysis of how technical filmmaking elements are used to construct a negative representation of ethnicity in a prison setting. Shots of the prison establish a bleak and disturbing environment, with the white prisoner portrayed as confident and the Asian prisoner as vulnerable. Stereotypes are reinforced through the prisoners' personal items in their cell. The Asian prisoner, Hazad, endures further racism and is increasingly depicted through isolating close-ups as distressed and desperate due to his ethnicity.