Part 1
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The document provides commentary on the shots and scenes from a short horror film titled "Last Man Standing". It describes: 1) The opening scene which was filmed in low light to set a mysterious and spooky tone and immerse the audience without using titles. 2) The main character is introduced in the midst of a nightmare to portray him as mentally disturbed and vulnerable to gain audience sympathy. 3) Later scenes show the character trying to live normally but alone, raising questions about what drove him to isolation. 4) The character cautiously explores an abandoned building where the source of his isolation may be discovered, though he remains isolated at the end.
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Part 1
The document provides commentary on scenes from a horror film called "Last Man Standing". It summarizes each scene and explains the creative choices made regarding camera angles, shots, lighting, and how they further the plot and develop the main character. Specifically, it shows the character experiencing a nightmare, living alone, cautiously exploring an abandoned building where secrets may be revealed, and having a terrifying experience that isolates him further. The commentary aims to immerse the audience in the psychological thriller elements and generate fear, tension and sympathy for the vulnerable main character.
3 frame analysis
Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
Location recce 1
The document provides a location recce for filming a scene at 4 Linnet Close in Luton. The scene will be filmed in the living room and focus closely on one character. The lighting in the room is quite dark, which suits the character who is portrayed as dark. Some potential issues are that noise from children could interfere with filming, unless done when the children are absent. There are also potential trip hazards and shelves above the filming area that could pose risks if photos fell. Overall, the location is suitable for the thriller genre of the film despite some challenges.
Mise-en-scene
This document discusses the mise-en-scene elements for a scene from a spy/espionage film, including costumes, lighting, actors, makeup, and setting. The costumes would be casual to allow for movement during an escape. Low-key lighting would set the nighttime scene and build intrigue. The actors portraying Li and Rosaline would look exhausted, frightened, and in pain to depict their characters being hunted or tortured. Makeup would emphasize Rosaline's injuries and Li's struggle. The settings include an open field during the escape and a dark, unwelcoming room for interrogation.
Proposal Treatment
This is our proposal for our film trailer that I did with my partner. This is the proposal we took through "treatment" and improved.
Common Conventions in Horror Films
The document outlines common conventions found in horror films, including characters being isolated in remote locations like woods or abandoned buildings with no means of calling for help. It also describes how threats are often forgotten or ignored, lights and phones are disabled at crucial moments, and characters make poor decisions like investigating strange noises alone or running upstairs instead of outside to escape danger. Other conventions mentioned are vehicles that won't start, fake scares being mistaken for real threats, warnings going unheeded, early killings to set the mood, references to past events, and storms on nights of danger.
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
The opening scene of Once Upon a Time in America establishes the thriller genre through its use of lighting, location, sound, and characters. The scene begins with dim, chiaroscuro lighting that creates an unsettling atmosphere in the young woman's dark apartment. When she turns on a lamp, the mood lightens, but becomes dark again when she is murdered. The apartment feels enclosed and dangerous as the men surround her with no escape. Non-diegetic music plays over the credits, while diegetic sounds establish the setting. The characters - an innocent young woman and three criminal men in a gang - represent common thriller tropes of the damsel in distress and villains. Through these techniques, the director Sergio Le
Evaluation task 1
The document compares shots and techniques used in the filmmaker's thriller to those used in several well-known thriller films to effectively create suspense and tension. It discusses how shots from films like "The Lovely Bones" and "The Usual Suspects" that frame characters from below or show isolated rooms or feet were replicated to give villains presence and convey isolation. Similarly, the use of subtle unsettling music in key moments, like in "The Lovely Bones," helped build an ominous atmosphere in the filmmaker's work. The comparisons highlight how established thriller techniques can successfully generate mystery and suspense when adopted in new films.
Recommended
Part 1
The document provides commentary on scenes from a horror film called "Last Man Standing". It summarizes each scene and explains the creative choices made regarding camera angles, shots, lighting, and how they further the plot and develop the main character. Specifically, it shows the character experiencing a nightmare, living alone, cautiously exploring an abandoned building where secrets may be revealed, and having a terrifying experience that isolates him further. The commentary aims to immerse the audience in the psychological thriller elements and generate fear, tension and sympathy for the vulnerable main character.
3 frame analysis
Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
Location recce 1
The document provides a location recce for filming a scene at 4 Linnet Close in Luton. The scene will be filmed in the living room and focus closely on one character. The lighting in the room is quite dark, which suits the character who is portrayed as dark. Some potential issues are that noise from children could interfere with filming, unless done when the children are absent. There are also potential trip hazards and shelves above the filming area that could pose risks if photos fell. Overall, the location is suitable for the thriller genre of the film despite some challenges.
Mise-en-scene
This document discusses the mise-en-scene elements for a scene from a spy/espionage film, including costumes, lighting, actors, makeup, and setting. The costumes would be casual to allow for movement during an escape. Low-key lighting would set the nighttime scene and build intrigue. The actors portraying Li and Rosaline would look exhausted, frightened, and in pain to depict their characters being hunted or tortured. Makeup would emphasize Rosaline's injuries and Li's struggle. The settings include an open field during the escape and a dark, unwelcoming room for interrogation.
Proposal Treatment
This is our proposal for our film trailer that I did with my partner. This is the proposal we took through "treatment" and improved.
Common Conventions in Horror Films
The document outlines common conventions found in horror films, including characters being isolated in remote locations like woods or abandoned buildings with no means of calling for help. It also describes how threats are often forgotten or ignored, lights and phones are disabled at crucial moments, and characters make poor decisions like investigating strange noises alone or running upstairs instead of outside to escape danger. Other conventions mentioned are vehicles that won't start, fake scares being mistaken for real threats, warnings going unheeded, early killings to set the mood, references to past events, and storms on nights of danger.
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
The opening scene of Once Upon a Time in America establishes the thriller genre through its use of lighting, location, sound, and characters. The scene begins with dim, chiaroscuro lighting that creates an unsettling atmosphere in the young woman's dark apartment. When she turns on a lamp, the mood lightens, but becomes dark again when she is murdered. The apartment feels enclosed and dangerous as the men surround her with no escape. Non-diegetic music plays over the credits, while diegetic sounds establish the setting. The characters - an innocent young woman and three criminal men in a gang - represent common thriller tropes of the damsel in distress and villains. Through these techniques, the director Sergio Le
Evaluation task 1
The document compares shots and techniques used in the filmmaker's thriller to those used in several well-known thriller films to effectively create suspense and tension. It discusses how shots from films like "The Lovely Bones" and "The Usual Suspects" that frame characters from below or show isolated rooms or feet were replicated to give villains presence and convey isolation. Similarly, the use of subtle unsettling music in key moments, like in "The Lovely Bones," helped build an ominous atmosphere in the filmmaker's work. The comparisons highlight how established thriller techniques can successfully generate mystery and suspense when adopted in new films.
Horror trailer pitch
The document discusses elements of horror films and two potential plot ideas for a student horror film project. It provides details on the plots, which involve teenagers discovering spirits in an attic or children being stalked by a serial killer while home alone. Recommendations are given for soundtracks, locations, directing techniques like editing, cinematography and mise-en-scene to create tension and scare audiences. Requirements like equipment, actors, props and location permission are also listed.
Lighting plan
This document outlines the lighting plan for three situations in a short horror film. In the first situation, the actor will be on the sofa when there is a knock at the door. A key light will be placed by the camera, a back light will provide atmospheric lighting, and an optional fill light from a desk lamp. In the second situation, the actor walks toward the door, with a back light casting a blue shadow and a key light creating shadows as the actor reaches for the door. In the third situation, the actor answers the door, and a back light may be used from outside to give a mysterious effect or make the actor stand out.
Horror Trailer Pitch
The document discusses elements that make horror films scary and effective. It provides two potential plot ideas for horror films. Plot 1 involves teenagers discovering spirits in an attic that put them on a timer to save themselves. Plot 2 involves children home alone hearing noises in their house and discovering someone is inside as one girl goes missing. The document also discusses soundtracks, locations, and directing and editing techniques that could make an effective horror film trailer for either plot, such as jumpy editing, low lighting, and close-ups of fearful expressions.
Short Story Unit Literary Terms
The document defines key literary terms used in short story analysis including: plot elements (exposition, rising action, climax, falling action, resolution), types of conflict (internal and external), character types (static, dynamic, round, flat, protagonist, antagonist), methods of characterization (direct and indirect), setting elements (place, time, weather), point of view perspectives (1st, 2nd, 3rd limited, 3rd omniscient), theme, and types of irony (situational, verbal, dramatic). It also discusses symbols, foreshadowing, suspense, and mood.
Zombie trailer pitch
The document outlines plans for a zombie film trailer including three filming locations: woods, abandoned railway, and a large park to represent isolation and a post-human world. It will target 15-18 year olds and include some violence and profanity. Four characters are described: the dumb, hero, tough, and smart characters. Casting ideas pair the filmmakers with those roles. The plot involves the filmmakers discovering the living dead in the woods and realizing humanity has fallen as they search for safety in an abandoned school.
Eval 2 final
The document summarizes key aspects of a film involving two main social groups: English detectives and members of the IRA. It focuses on the IRA character, Sally, describing her as an unconventional and highly intelligent woman who uses her appearance and demeanor to disguise her true role. Camera angles are used to portray her as powerful, such as low shots looking up at her during an interrogation scene. Lighting and typography in the film further enhance the mood.
And Then There Were None
This document provides a detailed summary and analysis of the narrative structure, cinematography, and techniques used in Episode One of the BBC series 'And Then There Were None'. Key points include: the nonlinear structure introduces the characters and foreshadows events; tense music and lighting establish mood; flashbacks provide backstory; and the episode ends with two deaths and clues pointing to a female killer, leaving viewers to speculate about future events.
THE KIND AND CRUEL - 5 MIN SHORT FILM
Al is a popular college student who is kidnapped and held captive by Lenny, an outcast classmate. Lenny claims Al was cruel to him and voices in his head are telling him to kill Al. As Al tries to understand why he's been taken, the film flashes back to reveal moments where Al may not have been as nice as he seemed. The film will take place in the college setting and a dark room where Al is held, using lighting, music and some black and white scenes to build mystery, drama and tension as Al's fate remains unknown. The target audience is niche indie fans, young adults and teenagers who will engage with the dark themes and college setting.
The Pitch
Emma Duffield is pitching a short horror film set in the woods. She plans to film in an isolated location off the beaten path to create suspense. The film will include three characters - a blonde "first girl" who is not killed as expected, an unidentified killer in black clothing and balaclava, and an unexpected male victim. Props will include a gun, picnic items, and a phone to receive ominous texts. The narrative involves a couple receiving threatening texts during their picnic, with the male character investigating and being killed. Sound effects and music will be used to build tension and suspense.
Short film pitch
The document outlines a pitch for a short film called "The Gatekeeper". It describes the main character getting mugged and dying, finding himself in a plain white room with a gatekeeper who says he is in heaven. The gatekeeper goes through the man's bad deeds while he argues his good deeds, and the film ends with the gatekeeper deciding if he can enter heaven. It provides details on the main character being slightly clueless, the modernized heavenly setting, a dreamy comedic style with dark humor, ominous then calming music, and a target age group of 16-29 who enjoy dark humor.
Elements of-a-plot-diagram-with-3-little-pigs
The document discusses the key elements of a story, including plot, theme, characters, setting, and conflict. It explains that a basic plot involves an exposition, rising action, climax, falling action, and resolution. The exposition introduces the characters and setting. The rising action includes events that build toward the climax, which is the story's turning point. The falling action and resolution wrap up the conflict and conclude the story. It provides examples of how these plot elements are used in the classic story "The Three Little Pigs."
Narrative plot structure power point[1]
The document outlines the typical structure of a narrative story, including key elements like characters, setting, conflict, climax, and resolution. It also provides an example plot pyramid and retells the story of "The Princess and the Pea" to demonstrate how a narrative fits into the beginning, middle, and end structure.
Film analysis lyns assignment 2
The document provides an analysis of the 2004 horror film "The Grudge". It discusses the plot, which involves a curse that is created when a person dies and is repeatedly passed from victim to victim. Key scenes are examined, including the opening scene where characters express fear while being chased, and makeup is described that aims to make characters look dark and scary. Cinematography and sound design are also analyzed, with an unsettling high pitch sound used to alert viewers when the antagonist is near.
Film idea
Character 1 hears strange noises at home and believes their house is being invaded. They arm themselves with household items and search the house, finding their friend in one of the rooms. Relieved, they go outside and see an actual group of robbers approaching the house.
The short film is meant to be a tense thriller told from the perspective of Character 1, a paranoid and easily frightened person who works a boring office job. The realistic setting of their home is meant to heighten the suspense and make the threat of invasion feel relatable. Stylistic choices like dark colors, blue tinting, and diegetic sounds further the isolated and tense atmosphere. The target audience is teens and young adults who enjoy susp
Thriller pitch
The document outlines a pitch for a thriller film with the following key points:
1) The film will feature a female protagonist who is the victim, conforming to thriller conventions, and a mysterious antagonist dressed all in white who challenges conventions.
2) Scenes will be filmed in black and white with elements of red representing danger.
3) Key locations include an abandoned bomb shelter and a dark, confined school room for an interrogation scene.
4) The protagonist will wear red and white outfits symbolizing danger and victimization, while the antagonist wears all white challenging expectations.
5) The cast and crew will take on multiple roles in front of and behind the camera. Safety precautions are
Media Pitch
The document outlines a proposed thriller opening that will be filmed in the style of Alfred Hitchcock. It describes scenes where a man named Hugo frantically tells his girlfriend Mia to pack a bag without explanation. Hugo retrieves a knife from the kitchen as a car pulls up outside, increasing his visible fear. Camera shots like POV and close-ups will be used to build tension and mystery. The two-minute opening will be set entirely in the couple's home to suggest normalcy and safety before unease is introduced.
Thriller Pitch Presentation
The document outlines a thriller film pitch that focuses on subverting genre conventions. It will be filmed in black and white with occasional red elements representing danger. The antagonist will be dressed in white rather than dark colors. Key locations include an isolated bomb shelter and an eerie school room for an interrogation scene. The protagonist will wear red in the opening scene and a bloodied white shirt later. A production schedule and shot list are included to plan filming from November 27th to December 2nd. Improvements have been made to the pitch through increased organization and focus.
9 frame film analysis- The Host
The opening sequence of the film "The Host" gradually zooms in from a shot of space to Earth, establishing the sci-fi setting of an invaded planet. The title appears in a simple, futuristic font over shots of Earth. The main character is introduced with an extreme close-up showing fear, as the voiceover explained the planet has been occupied. Other characters have futuristic white costumes, and surround the main character, who then jumps from a window to escape being converted by the invaders, intriguing the audience about the nature of this conversion. Special effects are used to make the invaders' eyes an unnatural blue and show a "soul" being placed in the main character, setting up the story of
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This document defines and explains the key elements of fiction, including setting, characters, plot, conflict, climax, and resolution. It uses the classic story "Goldilocks and the Three Bears" as an example to illustrate these concepts. The setting is a cottage in the woods long ago. The main characters are Goldilocks, Papa Bear, Mama Bear, and Baby Bear. The plot involves Goldilocks wandering into the bears' home while they are away. She faces the internal conflict of being hungry and tired, and the external conflict of the bears returning home. The climax occurs when Goldilocks discovers the bears approaching, and the resolution finds her running away at their arrival.
8-elements-of-a-story
This document discusses the eight elements of a story: setting, characters, conflict, theme, plot, point of view, tone, and style. It provides definitions and examples for each element. Students will be assigned to analyze a short novel of their choice by identifying how it incorporates these eight key story elements. They must submit their analysis as a Word document to the instructor's email by next Monday at 11:59pm in preparation for a presentation the following Thursday.
Media pitch(2) 2
Our protagonist, a teenage girl, suffers from sleep paralysis. In the opening scenes, she has a dream about a traumatic event from her past. She then wakes up but finds things amiss in her house, indicating she is not alone. During one of her paralysis episodes while trying to escape the intruder, she wakes and realizes it may not have been a dream after all. The key dramatic moment comes when she discovers someone is in her house trying to harm her.
Horror genre research
The document discusses several key elements of horror genre films. It begins by defining horror films as those meant to create negative emotions in viewers by playing on their fears of the unknown, such as ghosts, monsters, and serial killers. It then summarizes some common conventions like isolated settings, dark colors and lighting, point-of-view shots, and diegetic and non-diegetic sounds. The document also briefly touches on common narrative structures, character archetypes, and ideology present in many horror films.
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Horror trailer pitch
The document discusses elements of horror films and two potential plot ideas for a student horror film project. It provides details on the plots, which involve teenagers discovering spirits in an attic or children being stalked by a serial killer while home alone. Recommendations are given for soundtracks, locations, directing techniques like editing, cinematography and mise-en-scene to create tension and scare audiences. Requirements like equipment, actors, props and location permission are also listed.
Lighting plan
This document outlines the lighting plan for three situations in a short horror film. In the first situation, the actor will be on the sofa when there is a knock at the door. A key light will be placed by the camera, a back light will provide atmospheric lighting, and an optional fill light from a desk lamp. In the second situation, the actor walks toward the door, with a back light casting a blue shadow and a key light creating shadows as the actor reaches for the door. In the third situation, the actor answers the door, and a back light may be used from outside to give a mysterious effect or make the actor stand out.
Horror Trailer Pitch
The document discusses elements that make horror films scary and effective. It provides two potential plot ideas for horror films. Plot 1 involves teenagers discovering spirits in an attic that put them on a timer to save themselves. Plot 2 involves children home alone hearing noises in their house and discovering someone is inside as one girl goes missing. The document also discusses soundtracks, locations, and directing and editing techniques that could make an effective horror film trailer for either plot, such as jumpy editing, low lighting, and close-ups of fearful expressions.
Short Story Unit Literary Terms
The document defines key literary terms used in short story analysis including: plot elements (exposition, rising action, climax, falling action, resolution), types of conflict (internal and external), character types (static, dynamic, round, flat, protagonist, antagonist), methods of characterization (direct and indirect), setting elements (place, time, weather), point of view perspectives (1st, 2nd, 3rd limited, 3rd omniscient), theme, and types of irony (situational, verbal, dramatic). It also discusses symbols, foreshadowing, suspense, and mood.
Zombie trailer pitch
The document outlines plans for a zombie film trailer including three filming locations: woods, abandoned railway, and a large park to represent isolation and a post-human world. It will target 15-18 year olds and include some violence and profanity. Four characters are described: the dumb, hero, tough, and smart characters. Casting ideas pair the filmmakers with those roles. The plot involves the filmmakers discovering the living dead in the woods and realizing humanity has fallen as they search for safety in an abandoned school.
Eval 2 final
The document summarizes key aspects of a film involving two main social groups: English detectives and members of the IRA. It focuses on the IRA character, Sally, describing her as an unconventional and highly intelligent woman who uses her appearance and demeanor to disguise her true role. Camera angles are used to portray her as powerful, such as low shots looking up at her during an interrogation scene. Lighting and typography in the film further enhance the mood.
And Then There Were None
This document provides a detailed summary and analysis of the narrative structure, cinematography, and techniques used in Episode One of the BBC series 'And Then There Were None'. Key points include: the nonlinear structure introduces the characters and foreshadows events; tense music and lighting establish mood; flashbacks provide backstory; and the episode ends with two deaths and clues pointing to a female killer, leaving viewers to speculate about future events.
THE KIND AND CRUEL - 5 MIN SHORT FILM
Al is a popular college student who is kidnapped and held captive by Lenny, an outcast classmate. Lenny claims Al was cruel to him and voices in his head are telling him to kill Al. As Al tries to understand why he's been taken, the film flashes back to reveal moments where Al may not have been as nice as he seemed. The film will take place in the college setting and a dark room where Al is held, using lighting, music and some black and white scenes to build mystery, drama and tension as Al's fate remains unknown. The target audience is niche indie fans, young adults and teenagers who will engage with the dark themes and college setting.
The Pitch
Emma Duffield is pitching a short horror film set in the woods. She plans to film in an isolated location off the beaten path to create suspense. The film will include three characters - a blonde "first girl" who is not killed as expected, an unidentified killer in black clothing and balaclava, and an unexpected male victim. Props will include a gun, picnic items, and a phone to receive ominous texts. The narrative involves a couple receiving threatening texts during their picnic, with the male character investigating and being killed. Sound effects and music will be used to build tension and suspense.
Short film pitch
The document outlines a pitch for a short film called "The Gatekeeper". It describes the main character getting mugged and dying, finding himself in a plain white room with a gatekeeper who says he is in heaven. The gatekeeper goes through the man's bad deeds while he argues his good deeds, and the film ends with the gatekeeper deciding if he can enter heaven. It provides details on the main character being slightly clueless, the modernized heavenly setting, a dreamy comedic style with dark humor, ominous then calming music, and a target age group of 16-29 who enjoy dark humor.
Elements of-a-plot-diagram-with-3-little-pigs
The document discusses the key elements of a story, including plot, theme, characters, setting, and conflict. It explains that a basic plot involves an exposition, rising action, climax, falling action, and resolution. The exposition introduces the characters and setting. The rising action includes events that build toward the climax, which is the story's turning point. The falling action and resolution wrap up the conflict and conclude the story. It provides examples of how these plot elements are used in the classic story "The Three Little Pigs."
Narrative plot structure power point[1]
The document outlines the typical structure of a narrative story, including key elements like characters, setting, conflict, climax, and resolution. It also provides an example plot pyramid and retells the story of "The Princess and the Pea" to demonstrate how a narrative fits into the beginning, middle, and end structure.
Film analysis lyns assignment 2
The document provides an analysis of the 2004 horror film "The Grudge". It discusses the plot, which involves a curse that is created when a person dies and is repeatedly passed from victim to victim. Key scenes are examined, including the opening scene where characters express fear while being chased, and makeup is described that aims to make characters look dark and scary. Cinematography and sound design are also analyzed, with an unsettling high pitch sound used to alert viewers when the antagonist is near.
Film idea
Character 1 hears strange noises at home and believes their house is being invaded. They arm themselves with household items and search the house, finding their friend in one of the rooms. Relieved, they go outside and see an actual group of robbers approaching the house.
The short film is meant to be a tense thriller told from the perspective of Character 1, a paranoid and easily frightened person who works a boring office job. The realistic setting of their home is meant to heighten the suspense and make the threat of invasion feel relatable. Stylistic choices like dark colors, blue tinting, and diegetic sounds further the isolated and tense atmosphere. The target audience is teens and young adults who enjoy susp
Thriller pitch
The document outlines a pitch for a thriller film with the following key points:
1) The film will feature a female protagonist who is the victim, conforming to thriller conventions, and a mysterious antagonist dressed all in white who challenges conventions.
2) Scenes will be filmed in black and white with elements of red representing danger.
3) Key locations include an abandoned bomb shelter and a dark, confined school room for an interrogation scene.
4) The protagonist will wear red and white outfits symbolizing danger and victimization, while the antagonist wears all white challenging expectations.
5) The cast and crew will take on multiple roles in front of and behind the camera. Safety precautions are
Media Pitch
The document outlines a proposed thriller opening that will be filmed in the style of Alfred Hitchcock. It describes scenes where a man named Hugo frantically tells his girlfriend Mia to pack a bag without explanation. Hugo retrieves a knife from the kitchen as a car pulls up outside, increasing his visible fear. Camera shots like POV and close-ups will be used to build tension and mystery. The two-minute opening will be set entirely in the couple's home to suggest normalcy and safety before unease is introduced.
Thriller Pitch Presentation
The document outlines a thriller film pitch that focuses on subverting genre conventions. It will be filmed in black and white with occasional red elements representing danger. The antagonist will be dressed in white rather than dark colors. Key locations include an isolated bomb shelter and an eerie school room for an interrogation scene. The protagonist will wear red in the opening scene and a bloodied white shirt later. A production schedule and shot list are included to plan filming from November 27th to December 2nd. Improvements have been made to the pitch through increased organization and focus.
9 frame film analysis- The Host
The opening sequence of the film "The Host" gradually zooms in from a shot of space to Earth, establishing the sci-fi setting of an invaded planet. The title appears in a simple, futuristic font over shots of Earth. The main character is introduced with an extreme close-up showing fear, as the voiceover explained the planet has been occupied. Other characters have futuristic white costumes, and surround the main character, who then jumps from a window to escape being converted by the invaders, intriguing the audience about the nature of this conversion. Special effects are used to make the invaders' eyes an unnatural blue and show a "soul" being placed in the main character, setting up the story of
Unit 11.4 Elements of Fiction
This document defines and explains the key elements of fiction, including setting, characters, plot, conflict, climax, and resolution. It uses the classic story "Goldilocks and the Three Bears" as an example to illustrate these concepts. The setting is a cottage in the woods long ago. The main characters are Goldilocks, Papa Bear, Mama Bear, and Baby Bear. The plot involves Goldilocks wandering into the bears' home while they are away. She faces the internal conflict of being hungry and tired, and the external conflict of the bears returning home. The climax occurs when Goldilocks discovers the bears approaching, and the resolution finds her running away at their arrival.
8-elements-of-a-story
This document discusses the eight elements of a story: setting, characters, conflict, theme, plot, point of view, tone, and style. It provides definitions and examples for each element. Students will be assigned to analyze a short novel of their choice by identifying how it incorporates these eight key story elements. They must submit their analysis as a Word document to the instructor's email by next Monday at 11:59pm in preparation for a presentation the following Thursday.
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Similar to Part 1
Media pitch(2) 2
Our protagonist, a teenage girl, suffers from sleep paralysis. In the opening scenes, she has a dream about a traumatic event from her past. She then wakes up but finds things amiss in her house, indicating she is not alone. During one of her paralysis episodes while trying to escape the intruder, she wakes and realizes it may not have been a dream after all. The key dramatic moment comes when she discovers someone is in her house trying to harm her.
Horror genre research
The document discusses several key elements of horror genre films. It begins by defining horror films as those meant to create negative emotions in viewers by playing on their fears of the unknown, such as ghosts, monsters, and serial killers. It then summarizes some common conventions like isolated settings, dark colors and lighting, point-of-view shots, and diegetic and non-diegetic sounds. The document also briefly touches on common narrative structures, character archetypes, and ideology present in many horror films.
AS Media Pitch
The document provides a pitch for a 2-minute opening sequence for a psychological thriller film called Paralysis. The sequence will introduce the main character, a teenage girl who suffers from sleep paralysis. It will show her experiencing an episode of sleep paralysis in her dreams. Upon waking, she will notice strange changes in her home and realize someone else is in the house. The climax will see her having another paralysis episode while trying to escape, waking to find it may not have been a dream after all. The pitch discusses the planned locations, story structure, representations, filming techniques, and influences to set up the psychological elements of the genre.
OUR PITCH.
The opening scene of the psychological thriller takes place in an unknown dark room. A girl wakes up with amnesia and sees pictures of crossed-out people on the wall, including her own. She discovers a matching body on the floor, realizing she has killed people who have hurt her. A ghost helps guide her as she works to uncover her identity and past betrayals through flashbacks. Her journey leads her to burn the helper's body, resolving the ritual and gaining understanding.
AS Media pitch
The document provides a pitch for a 2-minute opening sequence for a psychological thriller film called "Paralysis". The sequence will introduce the main character, a teenage girl who suffers from sleep paralysis. It will show her experiencing an episode of sleep paralysis in which she dreams an intruder is in her house. Upon waking, she will discover things have been moved, hinting someone may actually be there. The sequence aims to set up the plot and leave the audience wondering if it was just a dream or reality. Locations, characters, camerawork, editing and other cinematic techniques are discussed to effectively portray the genre.
As Media pitch(2) 8
The document provides a pitch for a 2-minute opening sequence for a psychological thriller film called "Paralysis". The sequence will introduce the main character, a teenage girl who suffers from sleep paralysis. It will show her experiencing an episode of sleep paralysis in which she dreams an intruder is in her house. Upon waking, she will discover things have been moved, hinting someone may actually be there. The sequence aims to set up the plot and leave the audience wondering if it was just a dream or reality. Locations, characters, camerawork, editing and other cinematic techniques are discussed to effectively portray the genre.
As Media Studies Pitch
The document provides a pitch for a 2-minute opening sequence for a psychological thriller film called "Paralysis". The sequence will introduce the main character, a teenage girl who suffers from sleep paralysis. It will show her experiencing an episode of sleep paralysis in which she dreams an intruder is in her house. Upon waking, she will discover things have been moved, hinting someone may actually be there. The sequence aims to set up the plot and leave the audience wondering if it was just a dream or reality. Locations, characters, genre conventions, and creative choices for filming and editing are discussed to bring this sequence to life convincingly.
As Media pitch(2) 5
The document provides a pitch for a 2-minute opening sequence for a psychological thriller film called "Paralysis". The sequence will introduce the main character, a teenage girl who suffers from sleep paralysis. It will show her experiencing an episode of sleep paralysis in which she dreams an intruder is in her house. Upon waking, she will discover things have been moved, hinting someone may actually be there. The sequence aims to set up the plot and leave the audience wondering if it was just a dream or reality.
Evaluation question 1
victim. The antagonist stalks and attacks the protagonist, disrupting the equilibrium. A note and police reports further the mystery and intrigue, creating an enigma per Barthes' code. The opening establishes the typical thriller characters and binary oppositions between the protagonist and antagonist using Strauss and Propp's theories.
Analysis of 5 similar films
The document provides an analysis of the openings of 5 similar horror films: The Conjuring, Insidious, Paranormal Activity 4, The Possession, and Ouija. It discusses how each film establishes characters, settings, and a sense of unease through their use of titles, music, camera work, lighting, costumes, and other technical elements in the opening scenes. Characteristics like dark and ominous logos, scary dolls or shadows, isolated settings, and unsettling music and editing help set the tone and imply the genre of each film from the very beginning.
Evaluation questions 1 and 2 - AS Media Studies
This document analyzes how the opening sequence of a student film project uses and develops conventions of the horror genre. It discusses various visual, audio, and narrative elements that conform to audience expectations, such as the use of iconography like a rocking horse and pentagram, low key lighting, diegetic sound effects, a "haunted house" location, and a young female ghost character. However, it also notes some ways the sequence challenges conventions, like presenting the ghost character as trying to help rather than being the antagonist. The document considers how the sequence represents social groups through its exclusively young, white cast of two male protagonists and a female ghost.
Evaluation questions 1 and 2
The document analyzes how the opening sequence of a supernatural horror film product uses and develops genre conventions. It discusses elements like visual signifiers, costumes, lighting, editing, sound, locations, characters and plot that conform to audience expectations of the genre. Some conventions are directly replicated from films like The Conjuring and Insidious, while others like an atypical protagonist challenge conventions to create mystery and intrigue. Overall the sequence aims to immerse the audience in the genre through iconic visual and technical elements.
Fmp initial plans 2
The document provides an initial reaction and plans for a creative brief that allows the creator to develop whatever project they want without limitations on time or format. Some initial ideas mentioned are a trailer, poster, and psychological horror or parody documentary. The creator recognizes being ambitious with ideas but challenges with execution. A mind map is then shown outlining potential plot ideas involving a sociopath named Arthur whose routine is disrupted by another character named Jack. Colors, styles, and moods from films like American Psycho, We Need to Talk About Kevin, Silence of the Lambs, and Bronson are analyzed in a mood board for how they convey characters and influence the creator's final product.
No connection film pitch
The document is a pitch for a horror film titled "No Connection". It begins by defining common film genres and subgenres. The pitch then discusses why the author chose to focus on the horror genre. conventions of horror films are explored, with examples given of how to effectively use conventions like lighting, music, and gore. Inspiration is drawn from psychological horror and paranormal subgenres. A narrative overview is provided, focusing on a teenage girl who gets lost in a quarry while walking her dog. Character analyses describe the main character and her mother, with the dog also playing a key role in the story.
Evaluation Question One
The document analyzes how the media product uses and challenges conventions of real media forms. It summarizes that the protagonist is an unconventional character that blends genres. Both the protagonist and antagonist begin vulnerable but become terrified. The antagonist uses intellect over strength, which is conventional of thriller and psychological genres. The plot involves conventional elements like a goal to retrieve memory, and the antagonist removing it. The lighting, sound, and editing styles aim for realism to relate to the character, while the credits, subtitles and colors subliminally reinforce themes.
Cam pitch as film opening
The document pitches a psychological thriller film titled "Snakes and Ladders" about a mentally ill man who believes he is being pursued by an unknown entity. He flees to his home for safety but grows paranoid of his roommate. Themes include paranoia, uncertainty, and fear/death. Character research describes the protagonist as wearing mismatched colors due to his fractured mind and the antagonist wearing dark clothing to portray intention to harm. The target audience is 24-25 year olds who enjoy mysteries. The opening sequence aims to create an unsettling sensation through unclear titles and the protagonist being chased by an ambiguous figure.
Horror genre research
The document discusses elements of horror genre films. It begins by stating that the film genre is psychological horror. It then provides examples of shots and angles commonly used in horror films to create tension, including close-ups, tracking shots, and point-of-view shots. Typical horror film characters are described, such as the final girl, the non-believer who is often the first killed, and the evil antagonist. Elements of mise-en-scene that contribute to the horror genre are also outlined, such as haunted house settings, mask props, and costumes indicating otherworldly characters.
Research and planning shutter Island
The trailer for Shutter Island abides by the codes and conventions of the thriller genre. It builds tension and mystery through techniques like quick cuts, low key lighting, ominous music, and ambiguous dialogue. While no antagonist is clearly shown, the protagonist appears vulnerable and confused within the dark and isolated setting of a mysterious asylum. Hints are provided that he may himself be the source of the disruption. The trailer aims to draw in 14-22 year old audiences through its use of suspense, romance, and a seemingly powerless yet relatable main character trapped in a perilous situation.
Codes and conventions and iconography of horror films
This document summarizes common codes, conventions, and iconography used in horror films. It discusses camera angles, sound techniques, themes, settings, lighting, characters, costumes, symbols, and narrative theories that are typically employed to create tension, unease, and fear in viewers. Examples are provided to illustrate techniques like POV shots, isolated settings, low key lighting, innocent victims, and plot twists that subvert expectations. The document serves as a guide to visual and aural elements that establish conventions of the horror genre.
Satan's massacre
The document outlines the plot, genre, visual style, characters, and influences for a horror film called The Devil's Disciple. The plot involves a boy named Ray who starts behaving strangely after missing school. His friends realize he is ill and hasn't left his bed. Strange deaths then start occurring in the city. The genre is horror, which will be represented through music, typography, and intimidating characters. The visual style aims to use shadows, camera angles, and color schemes typical of horror films. The main characters discussed are Ray, the villain, Jackson the hero, and a group of superficial damsels in distress. Influences mentioned include Jake Gyllenhaal's performances, Scooby Doo, and
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Codes and conventions and iconography of horror films
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Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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The Gallery of Shadows, In the heart of a bustling city
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原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
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校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
The Enigmatic Portrait, In the heart of a sleepy town
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Part 1
- 2. • For the very start of my production I decided to follow a convention of some horror films where it jumps right into the action, usually set in a scary location. So I chose to film in the very early morning to achieve low-key lighting and film going down the alleyway mysteriously and spookily (hopefully). This also makes the film feel more real and takes the audience into it as I find titles break the fourth wall somewhat.
- 3. • I chose to do the titles like this because I am awful at making titles.
- 4. • The main character is introduced in the midst of a mare. This adds to the psychological thriller/ horror element of the film as it shows he is clearly mentally deranged, as anyone suffering even one nightmare should be locked up and the key be thrown away. Showing that he is vulnerable and a nutter helps the audience to instantly identify with the character and sympathise with his plight. • The high angle also shows how vulnerable he is. • Furthermore, in this scene jump cuts are used as our character thrashes in the throes of a thoroughly frightful night terror. This indicates his disturbed state even more.
- 5. • Our character is shown trying to live a normal life but by this point the audience should be wondering why he is completely alone? where is the rest of the world? • Doing ‘normal’ activities again means the audience can understand and identify with the character.
- 6. • Setting off into the big, wide world, my character sets a striking figure, alone but brave, fighting for the cause. However he does all this dressed like a mere peon, meaning that despite his plight and his will to fight, and the numerous frights he has endured he is just like you or I and as such is a top bloke who the audience will love.
- 7. • The body language of the character and positioning, slightly behind the door almost as though he is hiding from what might be in the house. And the body language with closed body, hunched up, and head peering round. Show how tentatively my character is venturing into the house and the fear and constant pressure and suspense he is under. • The medium shot is best for depicting this body language and keeping it detailed as from a LS for instance you wouldn’t be able to see facial expression and the sheer horror that the character is experiencing.
- 8. • As the character explores the derelict building, a high- angle long shot is used as he goes up the stairs to show his isolation. However as he traverses the steep, slippy, stairs, he comes closer into shot, connoting that possibly the secret to his isolation lies in this house and he’s coming ever closer to solving it and being not the last man standing. • The location, with mildewed walls, rusty metal staircase, boarded windows and peeling paint. Not to mention the heaps of rubbish at the foot of the stairs all contribute to setting the scene as a horror film as the setting is very destitute and, as anyone knows, death springs from dirt.
- 9. • Once inside the abandoned building our character appears terrified and the audience expects for a big jump moment to come. His features are shrouded in darkness showing how he is in the depths of one of his worst psychotic episodes and his twitchy, jerky movements make this clear as crystal to the audience. The blurred torch head as he whirls to find the foe he believes to be beside his body, shows realistically and in a more physical manner his fear and how on edge he is because this is a scary scary scary scary scary film.
- 10. • The final shot in my production I was instructed to use by my teacher however we were then marked down (by the same teacher) for using the shot, but that’s how the cookie crumbles I guess. It as a reverse zoom of an extreme long shot showing the opposite of the stair scene how the situation has just worsened considerably for the character and how he is as isolated now as he ever has been. The fade to black adds some finality to the sequence and just closes off the opening sequnce nicely.