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The document outlines a crime drama film project called "The Stieber Project" that follows a detective investigating how a military plane carrying a captured German spy crashed in 1949. The synopsis describes the opening scene showing the inside and outside of planes with credits rolling. Key characters include Detective George Calzone and the German spy Stieber Reichen. If produced, the target audience would be males and females aged 15-40 who find crime dramas interesting, and it would likely film at the Imperial War Museum Duxford for its uniqueness.
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The conversation opening analysis
The opening scene of The Conversation begins with an aerial shot of Union Square in San Francisco that slowly zooms in. As it zooms, diegetic sounds of people talking in the park can be heard. The camera picks out the protagonist, Harry Caul, from the crowd and follows him. Caul is dressed professionally in a grey suit, suggesting he works in a legal profession. Strange screeching sounds are heard throughout the opening shot, disorienting the viewer. These sounds are revealed to be sound interference captured from a long-range microphone, showing that the camera is meant to represent surveillance technology that is a theme in the film.
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3) After hitting frustrations in his investigation, Foster aggressively clears his desk in a rage, shouting that he will catch the killer even if it kills him.
4) Foster eventually spots the killer in an alleyway and a physical confrontation ensues, with Foster pinning the killer against a wall by the throat before the screen suddenly cuts to black.
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1) Detective George Foster is investigating the Gripwell Killer, who is committing violent crimes with a crowbar.
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3) After hitting frustrations in his investigation, Foster aggressively clears his desk in a rage, shouting that he will catch the killer even if it kills him.
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This document lists different camera shots and the movies they are featured in, including aerial shots in Jumper, handheld camera shots in White House Down, crane shots in Harry Potter and the Deathly Hallows Part 2, close ups and fast zooms in Fast and Furious 6, point of view shots in Chronicle, low angled establishing long shots and a forward tracking followed by upward tilt in Chronicles of Riddick, panning in The Dark Knight, long shots in Twilight part 2, and close ups in 12 Angry Men.
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Past student work – analysis 2
The document provides an analysis of the opening scene of the film "Redemption". It summarizes:
1) The opening scene uses establishing shots of London to set the scene and introduces the protagonist searching for something important over the city skyline with suspenseful music playing.
2) A text message on the protagonist's phone gives coordinates for a meeting location, heightening anticipation about the important object and tension around the unknown location.
3) The protagonist travels to the meeting location, and the title "Redemption" is shown, implying he seeks to regain a lost possession.
4) Through its use of shots, lighting, and music, the opening establishes suspense and tension that leaves
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The document provides a summary of the opening scenes of a horror film titled "Sanctus". It describes shots of a family photo being burned, a protagonist walking through a graveyard at night while being watched by an unseen presence, and returning home to find the burned photo intact with a cryptic message. The summary establishes the creepy, mysterious atmosphere and hints that the protagonist may have awakened something supernatural in the graveyard.
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This document discusses motifs and shots in Alfred Hitchcock's 1954 film Rear Window. It provides background on Hitchcock and his directing style, including his use of point-of-view shots that force viewers into a voyeuristic perspective. It summarizes the plot of Rear Window, focusing on the character Jeff's suspicion that his neighbor murdered his wife. The document then analyzes Hitchcock's use of point-of-view shots to present events from Jeff's perspective and allow viewers to understand his opinions. It also discusses Hitchcock's objectification of women in the film through scenes of voyeurism and portraying the female lead as sexually servicing the male protagonist.
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This document provides a pitch for a slasher film that will take inspiration from famous films in the genre like Friday the 13th, Scream, and Cabin in the Woods. It aims to target a young adult and teen audience. The film will feature typical slasher tropes like the final girl, stereotypical high school characters, and a masked killer. It also discusses the influential directing styles of Stanley Kubrick and John Carpenter and how they will inspire the filming techniques for tense and scary scenes. Character archetypes and possible mise-en-scene ideas are briefly outlined.
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This document provides a pitch for a slasher film that will take inspiration from famous films in the genre like Friday the 13th, Scream, and Cabin in the Woods. It will target a young adult and teen audience around 15-25 years old. The film will feature typical slasher tropes like the final girl, masked killer with a bladed weapon, and stereotypical high school characters partaking in illicit activities. It will be influenced by the tense building of John Carpenter films and subtle creepy scenes from Halloween, making use of inspirational cinematography from directors like Stanley Kubrick.
Genre research, thriller
1) Thrillers are a genre that uses suspense, tension, and excitement to engage the audience. Alfred Hitchcock helped shape the modern thriller genre with films like The Lodger in the 1920s.
2) Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase, about a serial killer targeting a young mute woman.
3) Michael Powell shocked audiences in the 1960s with Peeping Tom, about a psychopathic killer who photographs his victims before murdering them.
Story board
This storyboard document outlines 40 shots planned for a detective thriller film. It begins with establishing shots of a house and detectives in a car to set up the opening scene. Later shots show the detectives kicking in a door, finding a bloody knife, and interrogating a victim. Additional shots depict the detectives walking together and one looking at something on his desk. The narrative escalates with a phone call from the killer and the detectives drawing guns and grabbing the victim aggressively. The final shots show one detective on the phone while the screen fades to black.
Sanctus script
- The document is an excerpt from the script of a 4Brothers Productions horror film titled "Sanctus" starring Liam Monks and directed by Zack Moore and Aaron Randall.
- The protagonist walks through an overgrown graveyard and is chased by a mysterious camera. He returns home out of breath only to discover a cryptic message left on a burnt family photo, implying that he cannot kill what is already dead.
- The excerpt builds tension as the protagonist is followed in the graveyard and ends on a frightening note with the discovery of the message.
And Then There Were None.
The three episode series "And Then There Were None" directed by Craig Viveiros tells the story of 10 strangers who are lured to Soldier Island and accused of murder. Narrative techniques like foreshadowing of future deaths and a poem about soldiers create tension. The episodes follow a classic story arc from exposition of characters' backgrounds to the climax of revelations and deaths. Technical elements like non-diegetic music, close-ups, point-of-view shots, montages and flashbacks are used to build mystery and tension throughout the crime drama.
Mass Communications Group Project
Photojournalism originated in the late 19th century with photographers like Hugo Jaeger documenting important events. It grew significantly during World War II when photographers captured impactful images from the front lines. Today, photojournalism continues to shape our understanding of history through iconic images of events like 9/11 and the death of Princess Diana, though now many people also contribute photos through camera phones.
Assignment 8: Synoptic Research of Thriller Genre
The thriller genre evolved from crime films developed by Alfred Hitchcock using techniques like tension from threats of violence. The Lodger (1926) was an early thriller that built tension, had elements of surprise, and an intelligent storyline. Most thrillers attract young adults who enjoy the rush of emotions and suspense. The purpose of thrillers is to create suspense and anticipation in audiences by emphasizing the danger faced by characters and building tension towards a nerve-racking climax. Classic thrillers mentioned are The 39 Steps (1935), The Third Man (1949), Rear Window (1954), and Frenzy (1972).
Ethnicity exemplar – 43 marks1
The document provides an analysis of how technical filmmaking elements are used to construct a negative representation of ethnicity in a prison setting. Shots of the prison establish a bleak and disturbing environment, with the white prisoner portrayed as confident and the Asian prisoner as vulnerable. Stereotypes are reinforced through the prisoners' personal items in their cell. The Asian prisoner, Hazad, endures further racism and is increasingly depicted through isolating close-ups as distressed and desperate due to his ethnicity.
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1) Cigarettes and Coffee tells three intersecting stories in a diner near Las Vegas over 23 minutes, slowly revealing details and never revealing too much too quickly to build suspense. This extension of plot and surprise twists make short films more interesting.
2) Alive in Joburg presents itself as a documentary about alien oppression in Johannesburg slums in the 1990s to communicate the theme of segregation, similar to a news report with interviews. It shows aliens living in poverty rather than with advanced technology.
3) Voice Over features an unnamed narrator describing three separate narratives involving struggles against time: an astronaut running to his ship, a soldier pulling himself to detonate mines, and a sailor caught
Research and planning yc
Lux Miller is an award-winning photographer who suffers an accident that leaves her in a coma. While comatose, she dreams of a mysterious man murdering her. When she recovers and develops photographs taken before the accident, the killer from her dreams is present in every photo. Forced to investigate, Lux embarks on a journey to discover the identity of the mysterious man appearing in her photos. Is he real or just a figment of her imagination resulting from the trauma of her accident?
And Then There Were None
This document provides a detailed summary and analysis of the narrative structure, cinematography, and techniques used in Episode One of the BBC series 'And Then There Were None'. Key points include: the nonlinear structure introduces the characters and foreshadows events; tense music and lighting establish mood; flashbacks provide backstory; and the episode ends with two deaths and clues pointing to a female killer, leaving viewers to speculate about future events.
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This document provides a pitch for a slasher film that draws inspiration from Friday the 13th, Scream, and Cabin in the Woods. It aims to target a 15-25 year old audience of thrill seekers and uses typical slasher tropes like the final girl, stereotypical high school characters, and a masked killer. The filmmakers cite Stanley Kubrick's use of extreme wide-angle lenses and John Carpenter's ability to build tension as inspirations. They also provide ideas for the film's characters and scenes.
Final coursework pitch
The document discusses elements common in film noir movies including low key lighting, femme fatales, voyeuristic camera shots, unusual angles, and events occurring at night. It lists several classic films that exemplify these elements such as North by Northwest, The Godfather, and Seven. Finally, it outlines a potential film noir scene involving a protagonist, femme fatale, and gangsters at a nightclub.
Film Noir Pitch
Mollie Gillard pitches a film noir project called "The Smoking Gun" that centers around a woman found dead in her room and a mysterious man. The film would feature conventions of the genre like a femme fatale, 1950s-style credits and music, nighttime filming, and a detective character. It would target 16-21 year old male or female audiences and leave them wondering who killed the woman and how the voiceover man and characters are linked. The credits would be influenced by the opening of the 1950s film noir "The Assassin".
Buscombe’s theory
Buscombe's theory states that films are differentiated by their use of icons associated with genres, such as locations, appearances, props, and other miscellaneous symbols. Semiotics involves associating signs with their meanings to convey location, genre, or theme through icons. The opening scenes of American Pie (1999 comedy) establish the modern setting and set up a comedic situation. Kingsman: The Secret Service (2014 action) begins with a violent helicopter attack in the Middle East, signaling an action genre. Sinister (2012 horror) starts with four people hanging from a tree, creating an unsettling atmosphere and indicating a horror film.
Textual Analysis on 'Victor Frankenstein' (2015)
This document analyzes two trailers for the 2015 film "Victor Frankenstein". The analysis compares how Trailer 1 portrays Frankenstein in a darker manner focused on his growing madness and obsession, while Trailer 2 shows a more comedic and lighthearted side to attract younger audiences. Both trailers establish the time period through iconic London shots and use lighting, music, and character portrayals to set differing tones. The document examines various film techniques used in the trailers to provide context and intrigue around the mad scientist character and his creations.
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In sociology, social community or actions are referred as the act, which includes actions as well as the reactions of the agents or individuals. Max Weber mentions that an action is considered as social, if all the acting individuals take account of others behavior and orient that in their course.
Case Studies Analysis Law of Financial Institutions and Securities
The regulatory framework in the country of Australian of monitoring and regulating financial institutions and banks lies essentially with multiple regulators in the Australian Prudential Regulation Authority (APRA), Australian Securities and Investments Commission (ASIC) , and the . The APRA is committed to promoting sound risk management practices among the banks and ensuring that the banks’ behavior is within the norms and limits that have been set out in their regulatory framework.
Business Model for Emerging Technologies
The organization is the GFI WebMonitor which lets its customer define the web filtering and policies of web browsing, helping to enforce an effective policy of Internet usage. The organization provides capability to administrators for either allowing or restricting access to several categories of websites along with setting time or threshold bandwidths with regard to particular user or regarding the basis of IP.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Social Media is Eating Retail- The $Trillion Trend You Can't Ignore.pdf
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Media pitch
- 1. THE STIEBER PROJECT BY GEORGIA BUTLER AND NATT JOHNSON. THE PITCH
- 2. GENRE? Crime We believe crime films are the most interesting. Our decision has been influenced by these films:
- 3. SYNOPSIS PART 1 Set; 1949 Military plane supposedly carrying ammo transporting a captured German spy back to London.
- 4. DETECTIVE INVESTIGATING HOW PLANE WENT DOWN 5 PEOPLE ON BOARD: PILOT/CO-PILOT, SPY, 2 GUARDS. SYNOPSIS PART 2
- 5. OPENING SCENE Inside and outside shots of planes. Credits rolling. Start seeing man’s boots, walking into plane.
- 6. Sequence draws to end. PoV shot of magnifying glass, focusing on control panel. OPENING SCENE PART 2
- 7. As ‘Directed By:’ comes on, shot zooms out back over his shoulder, showing the entire plane.
- 8. AGE RATING The certificate is 15 because crime dramas have moderate violence in
- 9. KEY CHARACTERS Main Character is Detective George Calzone German Spy is named Stieber Reichen
- 10. SIMILAR FILMS Sherlock Holmes Catch Me If You Can
- 11. TARGET AUDIENCE Male and female aged 15-40 years old, People who find crime drama’s interesting/intriguing.
- 12. LOCATION? IMPERIAL WAR MUSEUM DUXFORD. Why? Never been done before
- 13. CREATIVITY Not over complicated Establishing shots of planes Different angles We haven’t seen it done before