Essay On This Be The Verse By Philip Larkin

Essay on This Be the Verse by Philip Larkin
This Be the Verse by Philip Larkin
They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.
But they were fucked up in their turn
By fools in old–style hats and coats,
Who half the time were sloppy–stern
And half at one another's throats.
Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself.
Lately, I have read a good deal of poems by Philip Larkin, and one unifying factor that I have noticed is that Larkin never seems to use a filler. Every
word in every one of his poems seems to be carefully crafted and placed, to the point where the flow and rhythm of ... Show more content on
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church meetings) where such words are considered unacceptable, further narrowing the audience for this poem. That brings me to my third point:
that the people who read such a poem know, whether consciously or not, that they are in a distinct group, and that this poem was written for them.
This allows Larkin to establish a closeness with his readers, now that they know that he is writing for them. This also implies to the reader that
Larkin is one of them, that he knows the reader well, because he is in the same social class. To sum it up, by using a word considered to be socially
incorrect, Larkin has managed to establish more credibility with the reader, which inherently forces the reader listen up, and pay attention to what
Larkin has to say. Lately, "modern" art and poetry are showing more and more "unacceptable" words. This is because such words have become
synonymous with "truth." In other words, the general public seems to feel that if an artist is using curse words, then he must be "telling it like it is."

Thus, using such words helps Larkin's credibility as a man who has seen and will now tell.
Larkin's poem is divided into three stanzas, each with it's own meaning and objectives. The first stanza is the introduction. As discussed above, the first
stanza singles out a select group of people and builds Larkin's credibility with them. But beyond that, the first stanza also inspires several
... Get more on HelpWriting.net ...

Compcompare the Ways in Which Larkin and Abse Write About...
Compare the ways in which Larkin and Abse write about place. You must include detailed critical discussion of at least two poems by Larkin in your
response.
In timed conditions
Gemma N
Larkin and Abse both write about places in a very different, very unique style. One the one hand Larkin talks about the places of his past and how they
are no longer accessible; the changing of a beautiful, unspoilt place to something short of an eyesore; a pace he is in but does not feel he belongs and
even places within his mind. Alternatively Abse talks longingly of the places he once lived in, and how upsetting it is to find they are no longer the
same. Some examples of the copious amount to choose from include Here, Mr Bleaney and Sunny Prestalyn, ... Show more content on Helpwriting.net
...
Moreover, in the first stanza when describing the rural area he repeatedly uses assonance. "Skies and scarecrows, haystacks, hares and pheasants"–
these soft consonant sounds make you slow down as the repeated "s" sounds become hard to say, slowing you down and not allowing you to rush past
these, in Larkin's case, beautiful little details of the countryside.
Furthermore, Larkin's poem Mr Bleaney refers to a place that the persona does not wish to be in, yet has ended up having surrendering and suffers
the consequences. Mr Bleaney is essentially a poem about a circumstantial situation that is given as a dramatic monologue, and rather like a drama,
tells a story that is full of lucid mystery. The first half of the poem is slow and deliberate and helps to create a macabre feel to the poem. A change
of pace occurs in the second half of the poem, though is not immediately apparent. It then seems to be despairingly urgent, as Mr Bleaney subtly
moves from a recollected past to an observed present, through his mediation with the new tenant. In addition Larkin's use of listing creates a dull and
monotonous feel to the place, giving the reader the feel that no one, unless in a dire situation, would want to suffer living in such an undesirable place.
One may argue the most symbolic thing in the room is the "sixty watt bulb". Light is a commonly used symbol to portray

What Is The Poem Poetry Of Metaphors
'Poetry of Departures' by Philip Larkin is a poem that bears uncanny semblance to life today – especially that of the current–day youth. The poem, apart
from being a good read, is a very apt description of how young people tend to go about their lives these days – mostly bored, slightly mechanical in
outlook, wanting to do more but failing to go noticed as more than a mere cog in the machine that's life.
The poem bases itself on the themes of escape, boredom, and restlessness – and in doing so it quite aptly portrays how dissatisfying out general attitude
towards life is, and how it is quite obvious why we seem to crave for more meaning in our daily routines.
The poem however does this in a clever way – through the dialogue. The feeling ... Show more content on Helpwriting.net ...
And this tendency towards escapism is exactly what this poem describes. The attitude that we can have toward our duties or our work because we are
doing it not out of love, but out of some weird obligation we feel towards satisfying the expectations of our societies; the attitude where we just want to
throw up our hands at times and take a moment away from the hustle and bustle of our fast–paces lives and do something for ourselves in the selfish
interest of happiness is something that the poem very poignantly points out.
The sense of all pervasive boredom is also something that comes across to the reader very effectively. The fact that today's youth "all hate home" (not
because we actually hate it, but because we take the comfort we get for granted) is something that cannot be ignored. And this is not just true for our
homes but for everything that has been made available to us. In being enabled with most things, we often forget the true value of the objects that make
up our known surroundings, and this unfortunately is the bitter truth that the poem subtly comments

MusГ©e des Beaux Arts by W. H. Auden Essay
Suffering is embedded in our daily lives. There are devastating things going on in our daily environments and yet, people seldom realize this as they
occupy themselves with other tasks. W.H. Auden's, MusГ©e des Beaux Arts, is a statement on human perceptions and how we use them to observe, or
block out human suffering. While we are doing ordinary things like eating, or opening a window, bad things can be happening to others and it is as
easy as looking up, to see what is actually going on. Auden illustrates societies' indifference to human suffering through the form of his poem and by
alluding to artwork that compares human perceptions and juxtaposes ordinary images with images of suffering and tragedy. The form of MusГ©e des
Beaux Arts ... Show more content on Helpwriting.net ...
The lines are enjambed with phrases stopping in the middle of new lines and lines spilling into other lines. The lines do not pause to acknowledge
the end of sentences like people seldom pause their daily lives to acknowledge the suffering of those around them. Auden also uses bad syntax in
the last line of the poem, "had somewhere to get to and sailed calmly on." Auden may have chosen to write in this free form to demonstrate that
people are so indifferent to what is going on around them that it does not make any difference what form the poem is written in, as it will only be
overlooked and not given any attention. The form of the poem allows the reader to consider the ways in which suffering is masked by the frenzy of
everyday life and that even the acknowledged suffering of others does not seem to be of any concern to anybody but the sufferer. Auden's poem is a
criticism of human perceptions and how we use them to detect, or suppress human suffering. In the first half of the poem Auden "compares versions of
indifference by portraying youth and age, animals, and humans" (Shmoop, 2014). In the first few lines of the poem, Auden comments on the
perceptions of the "Old Masters" and how they were never wrong in their discernment of suffering. He then compares the old masters perceptions to the
perceptions of children and animals and how they are unaware of,

Analysis Of The Poem Of Departures By Philip Larkin
Often times we hear people say, "Whenever I _____, I'm going to leave this town and go somewhere new". In fact, sometimes we are the ones saying
this. This promise is especially heard in high school, when students discuss their college plans. But how many people actually end up leaving the state
they live in? How many dare to venture out to different states and countries far away from home? In Poetry of Departures, Philip Larkin (the poet)
states that there are only two types of people– those who leave, and those who stay. From the very start of this poem, he declares "We all hate home
And having to be there..". Most people would say that this is a false statement; not all of us hate home.On the contrary, most of us have been the
ones saying that we are anxious to leave. So from the beginning, the poet has us questioning if we truly do hate home enough to leave it. Next, he
makes a personal statement, "I detest my room...And my life, in perfect order..". Here, Larkin sounds ungrateful and unsatisfied with the simple
luxuries he has, which are things we often take for granted. The sudden use of negativity in the first stanza is very important. He could have said
"I have good books, a good bed, and a nice house, but I am unhappy", however, this would lead the reader into believing that he is unhappy despite
having these things. But because he makes it clear that he is unhappy before he lists all of the good things he has, it gives off the impression that he
is unhappy because of these things, which is Larkin's intention. In the next stanza, he starts to compare his life to other's. He mentions how he heard
that one man "walked out on the whole crowd", and this leaves him feeling uncomfortable. It is not normal for someone to go against the majority,
and Larkin acknowledges that. However, the author later says "Surely I can, if he did?". Now we know that the anxious feeling Larkin had was
actually restlessness, and maybe jealousy too. He wants to defy the norm, and do things his own way, yet something is holding him back. He knows
that he could do it if he tried, but he fails to take action. Perhaps, just the reassuring thought of "I am capable of doing my own thing" is enough for him;
just like how we

Larkin Is Misogynist
Larkin is a misogynist who hates marriage and children. Discuss how far you agree. I agree with this statement to some extend but not fully. I think
Larkin can come across in these ways however to put a definite label on him would be an assumption. Also I think that by saying he hates children and
marriage is too much of a strong statement and perhaps he personally never chose to do these particular things in life or couldn't understand them.
Larkin comes across as a misogynist from the way he presents women as just objects for the purpose of men. For example in the poem 'For Sidney
Bechet' he writes "sporting–house girls like circus tigers (priced far above rubies)" which is perhaps referring to wild prostitute women who have been
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He describes the dresses and the cheep fabrics of "nylon" and fake colours "lemons mauves and olives" and from the way he uses foods can be
interpreted to have a significant symbolic meaning in the sense that these organic foods become out of date in time, which could be suggesting he
has a bitter opinion on marriage that it will soon become dull over time and never last. In the penultimate stanza he writes how "none thought of
the others they would never meet or how their lives would all contain this hour" he really expresses Larkin's view on marriage and commitment, as
he appears to feel that marriage limits chances and options it also raises the question as to whether he feared marriage and the change it could
have on his life and freedom. This would suggest that as opposed to hating marriage Larkin merely feared it. The line " sun destroys the interest of
what's happening in the shade" metaphorically could be interpreted to show how fabulous display of a wedding can "destroy" or distract what
happened out of view from the public like the stress, disputes and reality of faults in the relationship. The imagery of the sun also creates a bright
beautiful link with weddings that people see on the surface juxtaposed with the reality of dullness as the years go on. In the poem "Self's the Man" he
portrays Man to be more superior to women. His opinion of love's initial excitement contrasted with the

Summary Of The Poem Analysis Of Philip Larkin
In the event that Rudyard Kipling, an English columnist, short–story author, writer, and writer, is the verse of the domain, at that point Philip Larkin's
verse will take after ideal in the strides. Philip Larkin, however an extremely capable and venerated writer, composed the majority of his verse on
his discontent with life. He appears to dependably be yearning for affection, sex, and satisfaction. Larkin reliably expounds on his own despondency
and absence of social life and this makes a style of sonnet all his own. Larkin truly opens up in his verse and spills out his emotions on the peruser. In
the event that Larkin craves engaging in sexual relations he tells the peruser; if Larkin had an awful day he tells the peruser; if Larkin saw... Show more
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Larkin summons his own particular desire of individuals who are engaging in sexual relations upon his perusers. Larkin targets individuals who aren't
getting sexual satisfaction and influences them to feel a similar way he does: miserable with their present issue (not having intercourse) and having a
want to change this circumstance. Again Bruce Meyer, "[High Windows] is about the sexual opportunity that was clearing England in the 60's. These
ballads demonstrate a look at the paradise that Larkin needs to get to and indicate individuals what they're absent." Larkin gives a window in to what
life could be. From his lyric "High Windows," Separation and estrangement figure conspicuously in both of Larkin's books, also; yet it is in his ballads
that they get their fullest improvement. The speakers of his sonnets–and in the immense larger part of cases the speaker is simply the writer–appear to
be estranged from their environment, cut off from the two individuals and establishments. While that estrangement regularly shows itself as separation,
as incongruity and wry amusingness, it can at times show up as pomposity, carelessness, notwithstanding scoffing judgment. Larkin turns his feeling of
segregation, of being an untouchable or periphery eyewitness, into a place of centrality, in which the world from which he is estranged is by all
accounts moving extraneously to his own circle. In his best ballads, that separation works two ways, enabling the writer to watch the

The Recurring Theme of Death in the Poetry of Philip Larkin.
The Recurring Theme of Death in the Poetry of Philip Larkin. In reading the poetry of Philip Larkin for the first time, one is struck by the
characteristically glum atmosphere that pervades most of his poems. The vast majority of his verse is devoted to what is generally taken to be
negative aspects of life, such as loneliness and dejection, disappointments, loss, and the terrifying prospect of impending death. Evidently, there are
uplifting and humorous sides to his work as well, but for certain reasons Larkin is invariably identified with a downhearted, pessimistic temper and
tone of voice, conveying a constant sense of failure and of disappointment that underlies all the more specific emotions and reflections of individual...
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In 'Send No Money', this sense of having been cheated is voiced with embittered bluntness. Someone is kept from getting the best out of his life by a
false promise of knowledge: while in his youth his mates went to enjoy themselves, the persona kept himself apart, aspiring to wisdom: Tell me the
truth, I said, Teach me the way things go. (146) But his sacrifice earned him nothing, and after the initial enthusiasm is vanished it begins to dawn on
him that he has been cheated: Oh thank you, I said, Oh yes please, And I sat down to wait Half life is over now Sod all. In this way I spent youth
Tracing the trite untransferable Truss–advertisement, truth. (146) Larkin thus gives the impression that the reality of life as it presents itself to him
falls blatantly short of what he expected. This disillusionment is particularly prominent when it comes to an assessment of what he has, or rather has
not, achieved so far in life. More than once Larkin indicates the feeling that his lifetime passes unused. He talks about 'time/ Torn off unused'
('Aubade', 208) and asks: 'Where has it gone, the lifetime?' ('The View', 195). The reader gets the sense that Larkin's life was unfulfilled; his only
outlet to express this

Philip Larkin Next Please
Philip Larkin's poem next, please is a criticism of human expectancy. Larkin addresses our passive nature on how we live our lives; always looking
for what is next but never enjoying what we have in the moment. Larkin emerges the reader into the poem by placing them on the cliff watching with
the narrator by writing the poem in first a first person narrative. He presents the idea of life's event being a line of approaching ships and the last ship
being death. through the use of rhyme scheme, vivid language, and extended metaphor and sentence structure Larkin places emphasis on the problems
in the way we live.
Larkin presents the idea that instead of living in the moment we constantly look forward for something new, this is first presented in the title "Next,
please." The title has a dismissive and habitual tone, and sounds like a doctor or shop keeper asking for the ... Show more content on Helpwriting.net ...
"Watching from a bluff," Larkin uses the word "bluff" to give a physical example of what expectancy is, this makes it easier for the reader to grass
what he is trying to suggest. Larkin is makes the point that our hopes are never fulfilled, and we are always met with disappointment, "holding
wretched stalks – Of disappointment." Using hard syllables like in "wretched" makes the message stand out more and emphasis the feeling
disappointment when our expectations are nor realised. he attempts to dissolve our expectations of undeserved lavishes, straight forward transition
from the 3rd to 4th stanza, "but we are wrong." Larkin uses this to transition form our hopes to a desolate and inevitable future. The "black sailed
unfamiliar" ship's arrival shows how no matter how you look at life ad what we expect we all end up dead. The "black sailed" ship is not anticipated
but is the only one that

Jane Holland's Pulse Poem Meaning
psychological and emotional tension involved in the persona of the 'woman poet' energizes the imaginative and linguistic fabric of their compositions.
Jane Holland's "Pulse" shows the gender–negotiation and pluralism we emphasize: "I am not a woman poet./ I am a woman and a pot,/ The
difference is in the eyes".In the 'difference' on which Holland retorts the female 'eye'/'I' overwrites the disempowering effect of the male gaze
traditionally inscribed in lyric poetry. Jackie Kay enforces the point: "What women poets need is to be able to come together on the basis of our
differences and non–differences and not on the basis of our similarities" (Kay 124).
The dynamic of 'difference' has much relation with our decision to include non–British poets who have settled, or have simply been published, in
Britain, and whose work can be shown to have particular significance in their contemporary literary critical environment. This helps us to record the
ways in which women's poetry contributes to the porosity and pluralism of ... Show more content on Helpwriting.net ...
Her poem "The Island" looks into the relationship between place and individual, and the conjunction of strange and familiar; in this self sufficient
place visitors become: "Seekers who are their own discovery"(Jennings, TCP 28). The disruptive force of desire can be contained with the help of
formal discipline. In the poem "The Climber" she says: "Every man /Tied to the rope constructs himself alone" (28) and the poem "The Fisherman"
"Learning themselves in this uncertainty" (28) individual endeavor is given shape by shared desire. For Jennings, poetry is a valve; utterance
requires an order of language which clarifies and validates the search for answers. While gender does not always signify, both "The Climber" and "The
Fisherman" are located outside the female – plainly domestic –

Analysis Of Social Life By Philip Larkin
In the first stanza of the poem, Larkin sets us in the middle of mundane middle class English social life. He notes that we involve ourselves in all
sorts of socializing; but even though we fill up our time with such social activities, Larkin suggests that such a life is empty and that although we
disguise it from ourselves, underneath we really want to be alone. In the second stanza he extends the wish to be alone to its logical terminus, death.
He suggests, then, that in spite of our social involvement we all have a death–wish within us and that immersing ourselves in the social round is
harmful because it is a mechanism we use to prevent ourselves from coming to terms with death and our desire for it; i.e. we kill our natural
awareness towards death and the temporal nature of life through indulgence in social traps. In the poem images are conjured up by the use of... Show
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To have an aversion to something means that you have a strong dislike for it. And there is also an idiomatic expression in English, 'to avert one's
eyes', which means "to turn one's eyes away from something one feels one should not see for some reason or other". Aversion of the eyes from death,
then, expresses neatly the idea of turning away from death. In addition, aversion is here modified by 'costly'. So it means here that aversion of the eyes
from death is disadvantageous to the individual

Toad As An Extended Metaphors In Toads By Philip Larkin
In the poem "Toads" by Philip Larkin, the title announces a metaphor, specifically an extended metaphor which dominates the poem, which is Larkin
utilizing a toad as an extended metaphor for work and obligation, in order to communicate his idea that individuals have a difficult time living a
fulfilling life, due to one's personal obligation, as well social expectations. Furthermore, the toad is compared to his obligations in life, as well the life
of others who do not work, in order to convey the idea that individuals feel they are living an unfulfilling life, as a result of personal sense of
obligation, as well social expectations. In addition, the use of figurative language helps to communicate the idea with greater vividness, being it
emphasizes that the speaker is questioning if his work, is worth his time, being it takes a vast majority of it, in addition, it is just to get by. Altogether,
Larkin's utilizes an extended metaphor, comparing a toad to work and obligations, in order to bolster his idea with greater force than a prosaic
description would have achieved.
Firstly, the usage of a toad as an the extended metaphor, for work and obligation, upholds
Larkin's idea of work being difficult for individuals as a result of one's personal sense of obligation, as well social expectations, as illustrated by
comparing the speaker to the lives of others. As evident, in the excerpt "Are skinny as whippets–and yet/ No one actually starves" (Lines 19–20), the
speaker, the hard working "toad" is comparing himself to the lives of other, in order to reveal that others are living without working as a result of
being able to handle not living up to the social expectations. Moreover, the citation "Losels, loblolly–men, louts–They don't end as paupers" (Lines
11–12), bolsters Larkins idea of work being difficult as a result of one's personal sense of obligation, by comparing the "toads" sense of self
obligation to work, to the absence of it for people, thus revealing they are all able to live the same way, due to they avoid work, however the speaker
does not chose to follow that route. Altogether, Larkins, usage of a toad as an extended metaphor for work and obligation, helps convey his idea with
more force than

Theme Of The Arundel Tomb By Philip Larkins
The Arundel Tomb is a poem warren by Philip Larkins, published in 1964 alongside other poems entitled the Whitsun wedding. The poem consists of
several stylistic devices and illustrates a tomb for two married people in love. Individuals in love are members of the Arundel loyal family buried in
the cathedral. Notably, the stylistic devices in the poem are aimed at developing a sustainable and a sensitive explanation of the scripture, which is
followed by a gloomy and a sardonic reflection aimed at revealing the real situation and truthfully. The poem discusses the relationships between two
relationships found in the tomb to illustrate lies that are developed from love and how the relationship is portrayed in a false manner. On the image, ...
In the first stanza, the first line it states that 'their faces blurred' to explain and give the reader an oversight of the age of the tomb. The period in
which the couple lived together and how they expressed love towards each other is revealed through corrosion of stone. Corroded stones are also
used as a metaphor to show how their love and feeling had eroded just as the tombstone. The couple lay on each other's side to denote equality
between the couple, with their faces being blurred and have become unrecognizable as the time passes, striping off their identical nature. The attire is
also barely visible where the woman is wearing stiff folded dress while the man wears a jointed armor suit. Two little dog's layat their feet to represent
loyalty, faithfulness and companionship which are the main theme that the tomb attempt to illustrate about the couple. The tomb is barely plain and it's
hard to catch the attention of the observer, unless he/ she focus on the duke left hand holding the right hand of the right hand glove. The right hand
holds the right hand of the princess to show the sign of eternal faithfulness and love even after their death. The author of the poem is astonished by the
artwork that displays the tender of affection and eternal love as long as their tomb, live love with continue to endure between them (Larkin 158) The
author of the poem points out that the aim of the

How can Philip Larkin's poetry be used to address the...
The marginal or neglected can be seen to refer to individuals, a class or nation, to ideas that have been marginalised, to neglected forms such as
poetry, and to the marginalised self. Philip Larkin is renowned for his use of the colloquial in his poetry, and he renews the importance of everyday
language and words, that have been neglected and marginalised in forms of expression. His poems have the tone of the ordinary day. Through this use
of language, he reflects on the loss of identity and to the neglected state of England due to modernisation and industrialisation. Poetry itself is a
specialist form; however Larkins poetry can be seen as homely and less dramatic. He brought back poetry as a relevant and accessible medium, as it is
In the fourth stanza, he describes what he feels now (l.18), and the use of mass images suggests a loss of identity. For example the plural images of
the crowd, kids (ll.19–21), More houses, more parking allowed, / More caravan sites, more pay (ll.22–3). England is becoming meaningless, having no
individual identity, where greeds / And garbage are too thick–strewn (ll.51–2). The spectacled grins (l.25) represent the blandness of businessmen as
they contemplate a commercial manoeuvre without taking account of the possible human consequences. Yet they are still mere grins, and not people.
Modern industrial images are contrasted with the images of nature, such as the M1 cafГ© (l.20) and concrete and tyres (l.49). Industry is marginalising
the countryside, neglecting it. In the third stanza he expresses the fairly naГЇve belief that nature is stronger and more resilient than man and it will be
able to recover. Later in the poem however, the strength of nature, how the earth will always respond (l.14), is trapped. The only parts that will be
bricked in are the tourist parts (ll.39–40), yet the reason for the tourism is suggested to be because we will become the first slum of Europe (l.41). The
marginalisation of the importance of the countryside is unnecessary, as the dales are

The 12 Basic Principles Of Motion Graphics
Motion graphic is consist of two words. Motion is the action or process of moving or of changing place or position; movement. power of movement,
as of a living body. A bodily movement or change of posture; gesture. ("the definition of motion," n.d.). Graphics is the art of drawing, Movies,
Television. the titles, credits, subtitles, announcements, etc., shown on the screen before, or as part of, a film or television program. ("the definition of
graphic," n.d.)
The term "motion graphics" was first posed by John Withney, the well–known animator, in 1960. Saul Bass was the first one who outstandingly took
advantage of motion graphics in his works (Yu, Li, 2008).
But, there is no universally accepted definition of the term Motion Graphics. It generally refers to the movement or animation of words, letters, shapes,
or artistic elements, sometimes within three–dimensional space.
II.1.3.1 Principle of Motion Graphic
There are 12 basic principles in motion graphic based on The Illusion of Life: Disney Animation book (Thomas, F., & Johnston, O. 1995), which are
fellows :
Squash and Stretch
Defining the rigidity and mass of an object by distorting its shape during an action. (Thomas & Johnston, 1981; Lasseter, 1987). Basic principle that
used to display the effects of gravity, weight, mass and flexibility.
Anticipation
The preparation for an ... Show more content on Helpwriting.net ...
Index card match is one of the fun strategies that will invite students to be active in the learning process. Index card match is one of the instructional
techniques of active learning included in strategic reviewing (repetition strategy). This type of index card match is related to the ways of learning so
that students remember the lesson material learned well by the technique of looking for a card partner which is the answer or question while learning
about a concept or topic in a fun atmosphere (Silberman, 2006,

The Mower By Philip Larkin
The Mower Analysis Essay The poem "The Mower" by Philip Larkin is short a yet complex poem that addresses a large and important theme in a
simple and beautiful way. This poem has a main theme of kindness and carefulness; a central theme that occurs in many of Larkin's poems. Philip
Larkin was an english poet born in august of 1922 and rose to fame in 1955 with his second book of poems. Larkin utilizes literary devices and
pauses to explain how we should be kind, friendly and careful of a all living things while we have the chance. The inspiration behind this poem came
to Larkin when he had the the very same experience as described in the poem; he killed a hedgehog with his lawnmower. This poem is the product of
that experience and it shares Larkins thoughts on how each and every person should act. By understanding the context in which the poem was written
it is much easier to understand the meaning and theme that the poet was trying to get across. With the knowledge of when and how Larkin wrote this
poem we can infer that that the central theme really is being kind and friendly to all creature before we run out of time.... Show more content on
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It explains the circumstances in which the hedgehog is found "jammed up against the blades, / Killed. It had been in the long grass," showing the
reader that the death had been an accident, while also painting a disturbing and sad picture of the dead creature cut up and pressed against the blades
of the mower (1–3). In the first three lines Larkins also uses many commas, periods, and semicolons which break up the lines into smaller chunks and
causes the reader to pause. The effect of this is huge because it forces the reader to focus on certain words such as "killed," making them stand out
more and have a larger effect on the overall

Analysis Of The Poem ' Oboe Concerto No '
In Oboe Concerto No. 3 in G minor HWV 287 by George Fredric Handel, the listener is subjected to a lengthy journey of sound, in which the mind is
stimulated with various parts of music. The four movements express a decent amount of change from the movement before it, which keeps the listener
engaged throughout the whole piece. The tempo, which is defined as the general speed of the music, starts off as a nice average speed. It's not too fast
or slow, though it does increase or decrease later in the piece. In the first movement, however, I would guess that the tempo is somewhere between 60
and 65. In the other movements, that number would change because the piece itself changes and the listener gets to experience a nice full range of
tempo. This piece also has a very strong beat throughout all four movements, though the meter, which provides the beat, of the last two movements is
more complex than it is in the first. In the first movement, the meter sounds like it is a 4/4 with a nice strong beat. The dynamics of the music vary in
the movements. The first movement is louder than the other three, while the second movement is quieter than other parts of the music. This provides
a great contrast that keeps the listener engaged. The modality (major or minor) is evident in the title; in this case, the piece is a G minor chord. While
I wouldn't say that the music makes me feel sad or stressed, it does make me feel like something very serious is happening. The harmonic tension of

Mr Bleaney
'Mr Bleaney''Mr Bleaney' by Philip Larkin is a poem which describes a person in an interesting way. The poem is about a man who rents a very small,
basic bed–sit. While living in this room, the persona learns about the previous tenant's, Mr Bleaney, life, and how the basic and empty room reflects
his personality. The persona's unspoken thoughts gives the reader a clear insight to Mr Bleaney's monotonous life and the sort of man he was. By the
end of the poem, the persona realises that by accepting these terrible living conditions, he is in fact becoming Mr Bleaney. Larkin uses many poetic
techniques in a way that makes Mr Bleaney seem interesting. From the beginning of the poem, the reader is intrigued by the character of Mr Bleaney...
The last line of the stanza hints to the reader that Bleaney's sister is obliged to take him in over Christmas because she is family. Mr Bleaney's 'yearly
frame' mentions nothing about him going out or doing anything with friends, conveying the idea that Bleaney has isolated himself from other people.
The reader finds this interesting as he did nothing to prevent himself being isolated and lonely, but instead accepted that this was his fate. The
persona's tone changes from contemptuous to reflective in the last two stanzas, showing that it is not only the reader that is intrigued by the character
of Mr Bleaney. He wonders if: "how we live measures our own nature," Here, the reader sees that the persona has realised that by renting this bed–sit,
he is stepping into Mr Bleaney's shoes. The persona fears that this has become his fate, and that he will accept this standard of living just like Mr
Bleaney did. The tone in this stanza differs from that of the first five as the persona's first thoughts was that Mr Bleaney was pathetic for living like
this and not striving for more, but here the persona has come to a self–realisation that Bleaney and himself are fellow sufferers. This interests the reader
as we wonder why anybody, in knowing about Mr Bleaney, would allow themselves to do the same thing as Bleaney did

Comparative Analysis of Ariel by Sylvia Plath and The...
Plath in Ariel and Larkin in The Whitsun Weddings both explore ideas about love and relationships. The Whitsun Weddings explores the theme of
love and relationships by capturing the journey that takes place prior to marriage; the poem was written about Larkin's observation of marriage
parties on whit Sunday (now known as May Day) which was a public holiday and was traditionally the day on which people would get married. The
Whitsun Weddings takes on a somewhat cynical tone which is emblematic of Larkin's negative views regardingmarriage and long term relationships.
The Applicant by Plath presents the reader with a critique of marriage by depicting the selection process that men and women alike have to go through
when it comes to marriage. ... Show more content on Helpwriting.net ...
This quote demonstrates the superficial nature of marriage and its lack of true meaning. The use of anatomical imagery gives the poem an eerie aspect
and leads the reader to wonder whether marriage is really about love or in fact about meeting a set criteria and conforming to society's view on
acceptable relationships which during the sixties was somewhat narrow, although it was post sexual revolution there was still a lot more work to be
done in terms of eradicating stigma. The use of the first person plural "our" in the first line suggests to the reader that the persona is not one entity but
perhaps, the voice and the collective conscience of society. In the Whitsun Weddings Larkin documents his observations whilst aboard a train on Whit
Sunday (a day on which it was common for people to get married). Larkin conveys his ideas about relationships from the poem's inception; "That
Whitsun I was late getting away". The use of the first person pronoun "I" suggests that Larkin was planning a get–away by himself and is happy in his
own company, which may be viewed as somewhat strange considering that bank holidays are often times to go away with family or significant others;
this ties into his lack of interest in marriage and traditional family structures

Sequence In Hospital By Elizabeth Jennings
Thus the early 60s proved to be a very difficult period for Jennings mentally. Her experience left her sensitive women who had triumphed over her
weaker style. However her struggle to develop her craft and to endure the mental pressures had now resulted in producing a positive force that is a
renewed interest in religion.
Many poems of this volume were not included in the Collected Poems. The reason could be that there was much controversy about whether these
poems were confessional or not. Elizabeth Jennings does not think so and does not want to be thought of in relation to Anne Sexton's poetry.
(Interview).The most important reason she states is that most of the poems in the book are about other people and not about herself. This is true but
she also writes about suicide, suffering and madness. At least some of the experiences she made during her mental breakdown seem to be reflected in
a few poems of this volume. This collection of poems won the Richard Hillary Award in 1966.
The poems in the "Sequence in Hospital" attain a prominent place in this collection which forms their own enclosure like the hospital walls. These
poems objectify Jennings' relationship to the enclosed condition of an unhealthy world. Within this world, Jennings brings in representative aspects of a
She describes her social obligations in an impersonal tone:"They visit me, and I attempt to keep/ A social smile upon my face." But she is
experiencing very different emotions underneath. "When they are gone,/ I shall be limp and faint"(193).But the poems themselves are direct and there
are no symbols of meaning hidden in the images and language. The bare style also adds to the general mood of sickness and exhaustion. The only
indirectness that Jennings brings is perhaps the conscious intellectual sing of emotions; this again is related to her poetic style rather than an

Elizabeth Jennings Diversity
The present doctoral research project intends to analyze and study diversity in unity in the poetry of Elizabeth Jennings who is the only woman poet of
the 1950s –– The Movement. Unity is in a sense that the poets of the 1950s have been classified under the common grouping The Movement. Unity
implies the traits, themes, sensibilities, techniques these nine Movement poets have in common. Here diversity is in a sense that Jennings is the sole
female poetess with her 'conviction in the dignity of being human' one driven by her Roman Catholic outlook among the unity of male Movement
poets. Jennings being a woman poet differs from her male counterparts in terms of theme, language, sensibility, conventions, faith, outlook,
Confessionalism, Romanticism, and Mysticism and with the similar and diverse themes of Movement poetry.
The Movement as a whole is unified in a sense with its common traits, themes, techniques among the group members. Common traits and similarities
with the poets of the Movement group make Jennings a part of the Movement grouping and the uncommon features makes her diverse from the group.
The path Jennings' poetry took was acutely influenced ... Show more content on Helpwriting.net ...
Though she denies being a confessional poet there are some autobiographical elements in her poetry which find resemblance to her personal life and
there is a revaluing of new confessional poetry as an important progression in 20th century poetry. Therefore her poetry can be evaluated from feminist
and confessional point of view also. Jennings' poetry can be evaluated from diverse angles like the Movement Poetry, Catholicism, Feminism,
Romanticism and redefining poetry of new Confessionalism. Finally the project aims to bring into the fore what undercurrent of life she's been
successful in divulging and what not and exploring in depth her lesser known works and identifying them as vital to her

Stop All The Clocks Poem
Referring closely to the language of the poets, explain how loss is presented in "Stop All The Clocks" and "The Voice." "Stop All The Clocks" by
W. H. Auden expresses a dramatic, immediate response to the death of his partner. Thomas Hardy writes "The Voice" to profess the remorse he
feels, after his wife dies while their relationship was on bad terms and estranged. Both Poems are written in four stanzas of four lines. Each stanza in
"The Voice" highlights the different stages of grief. The first stanza introduces how he believes his estranged wife speaks to him "how you call to me."
He then continues to have flashbacks and remember her "Even to the original air–blue gown!" In the third stanza he questions whether it truly was her
calling... Show more content on Helpwriting.net ...
Hardy begins to forget how she was during the time they were estranged but before, "as at first when our day was fair" when they were in love.
Hardy assures himself with "yes, as I knew you then." Although the reader might believe this would make it harder for Hardy to move on, it could
possibly do the opposite– Hardy can continue his life without having regrets, on how their relationship was before she died. Hardy visualises her in an
"air–blue gown!" this is a romantic expression communicating how perfect she seemed to be. To convey how his loved one was everything to
him, Auden uses a contrast in language in the third stanza, "My North, my South, my East and West" demonstrates how Auden was directionless
once he died, how he was the entire world to him; all the coordinates. Auden wanted everyone to share his grief, "Prevent the dog from barking
with a juicy bone" "let the mourners come" as a response to death. I believe he wanted to inflict his pain on everyone else after the loss of a loved
one, because it's extremely painful to see others happy; he wants others to share his grief. Auden seen his loved one so perfect, he wished to
broadcast it to the world "Put crepe bows round the white necks of the public doves" "let aeroplanes circle moaning overhead." Because of the loss of
his partner, Auden wishes to erase romance. Romance is associated

Wires by Philip Larkin
WIRES
Wires by Philip Larkin is an analogy of a society trapped by rules and limits and a demonstration that fear prevents humankind from following their
desires. Larkin writes this poem in 1950 with the idea of showing his point of view of the world. In the poem the cattles are trapped by the wires
imposed, preventing them from ever reaching their search for purer water. He shows that the world offers no hope nor mercy whatsoever in their trial
for escape. What the poet is actually trying to express is the theme of youth against old and the boundaries that the world presents. Both mentioned have
no escape but the difference is that the young generation does not realize it and life disappoints them in their attempt of searching for ... Show more
content on Helpwriting.net ...
Senses are society's main boundaries and as we grow old we understand and try to cope with the life we carry. In addition, Larkin uses various literary
techniques to express this that he feels and thinks. to begin with, he uses a circular rhyme scheme to show how the young generations repeat the same
mistakes as the older generations, and how humans make the same mistake over and over again. The abcd dcba rhyme is a way of showing the
enclosure of the cattles

About These Things By Edvia Plath Analysis
stride against the strain/ Of complex rhythms. Separately/I lie and struggle to become/More than a centre to this room" (Jennings, TCP 64).
The difficulty of selfhood underpins the six–part succession "The Clown": 'gay/And terrible at once' (101) for his carnivalesque description of the
relation of performer and audience, conflating actual and enacted tragedy. A sense of social and emotional separation is conformed in the putrid
language of "About These Things", which seems to hint at the onset of the psychological difficulties which Jennings next collections show.
Jennings work is inclined to be dismissed by critics such as A. Alvarez from his recent collections of contemporary poets: The NewPoetry series, 1962
and 1966 , because of her ... Show more content on Helpwriting.net ...
New Poems 1954, and sometimes by Stevenson who suffered a breakdown in the 1960s. Jennings probes the short period of psychological illness
which is reflected in Recoveries (1964), The Mind Has Mountains (1966), The Animals' Arrival (1969) and Lucidities (1970). They make her 1960
assertion that: "Poetry has become a gesture of defiance, a plea for order in a universe of confession and manmade chaos"(Jennings, An Anthology of
Modern Verse 8) seem distressing. Jennings's nervous state seems to tell in her poems' formalities. In the withered world of Recoveries, childhood its
central reference points, simple stanza– forms are regulated by painstaking rhyme schemes, lineation holding disorder at bay. A more confessional
mode increases only slowly. In "Still Life and Observer", what might be self–scrutiny is deflected on to the male observer "whose gaze balances the
objects'/.../ Himself almost a still life"(Jennings, TCP 166). The Mind has Mountains is more female centered and overtly disempowered in spite of
the clear conversational idiom in poems such as "A Depression" and "One Flesh". Her voice remains self–distancing. This is the reason why, in the
context of psychiatric treatment, dialogue proves generative as in the poems like "The Interrogator", "Lisa", "Questions" and "Suicides". When
self–consciousness fall away with linguistic control,

Comparing the poems Neutral Tones and Absence Essay
Comparing the poems Neutral Tones and Absence
Both the poems 'Neutral Tones' by Thomas Hardy and 'Absence' by
Elizabeth Jennings mention and describe the poets' feelings about losing their partners. Even though the general theme, the loss of love, is the same,
many features such as tone, imagery, language and rhyme scheme differ from each other.
Hardy emphasises more on his feelings towards his break up. He doesn't actually mention how he feels, but instead, the imagery he uses and the way
he describes his ex–girlfriend shows that he feels broken and angry. The tone in this poem is very solemn and dull, though it is quite strong in some
areas like "The smile on your mouth was the deadest thing" and "your face, and the ... Show more content on Helpwriting.net ...
Hardy seems frustrated at the girl rather than sad that she is leaving him. The line "the smile on your mouth was the deadest thing" is a very forceful
line and implies that he is annoyed and not lamenting.
On the other hand, Jennings is angry because the environment she was in didn't share her devastation and loneliness. She called the birds
"thoughtless", which shows she was angry with them and it also gives the impression that she feels the birds were supposed to feel her pain with her,
but instead, was oblivious to her misery. The line, which suggests that she wants to feel happy, is "singing an ecstasy I could not share".
The two poets also use different imageries to convey their feelings.
The poems are set in two totally different backgrounds. 'Neutral
Tones' was set in a lifeless place but 'Absence' was set in a place that was merry.
Hardy uses 'dead' images in his poem such as a "winter day", which symbolises coldness and bitterness, "sun was white chidden of God" to symbolise
gloom and melancholy, "starving sod" and many more. All these images that Hardy use, emphasise the fact that they have broken up and how he feels
angry yet heart–broken at the same time. These
'dead' images are very appropriate to this poem because they show that even nature could sense the loss of passion and the death of a relationship.
Hardy uses colours like "white" and "grey" which are dull colours. I also imagine the colour brown even though it is

Comparing Which Pinter And Larkin Show The Pressures Of...
Compare and contrast the ways in which Pinter and Larkin show the pressures of modern life on the individual
In both The Caretaker and Larkin's Collected Poems, Pinter and Larkin frequently paint their characters to live in a relentless state of fear and anguish
caused often by the pressures of the external world. In this critical understanding of both writers, I will explore how the variations of pressures from
modern life effecting and potentially harming individuals. The Caretaker and Collected Poems were both written in the 1960's. The 'Swinging Sixties'
was a revolutionary time, with the introduction to new influential music, the contraceptive pill and iconic fashion. These thriving characteristics
defined the hedonistic era we ... Show more content on Helpwriting.net ...
Mr Bleaney deals with a similar situation of characters residing in a fixed mind–set that leads to stagnant life. The speaker discusses similar physical
restrictions and issues that he and Mr Bleaney face living in the small cramped flat. The speaker reflects 'Where Mr Bleaney lay, and stub my fags on
the same saucer–souvenir'. Both men share the same dismal habits showing negligence they have for their futures. The concept of self–induced
entrapment within a safe sanctuary is brought upon both characters, showing no real desire to expand to the exterior world. In comparison, Aston in
The Caretaker resides in a safe sanctuary of his home and loyalty of 'the shed' concept. As a victim of electrotherapy, Aston is scared from the
dangers of society's pressures on him, so he constantly keeps himself busy with trivial tasks to keep his mind at rest. Pinter's stage directions support
Aston anxious habits, 'Aston crosses to the plug box to get another plug' during one of Davies' excessively bogus stories, then later goes back to the
bed just to fidget with the new plug. Critic here supporting Aston's nervous ticks and reasoning behind it
Towards the end of the Mr Bleaney, Larkin potentially acknowledges that living in fear is a life wasted. As the poem is retrospective, the speaker
proclaims, 'That how we live measures our own nature', as for Mr Bleaney who lived in trepidation of existence beyond his measly flat, has wasted his
life. The speaker reflects,

Summary Of Franz Kafka's Metamorphosis
ID # 3And it was like a confirmation of their new dreams and good intentions when at the end of their ride, their daughter stood up first and stretched
her young body. The last few lines of Franz Kafka's, "Metamorphosis," points out that Gregor is not the only one in the family that undergoes changes
of some kind. There are two other changes that have happened throughout the story. When Gregor turns into the bug, hisfamily realizes that he can no
longer support them. Here it seems to be like Gregor dying was an answer to their prayers. When it says, "And it was like a confirmation of their
new dreams and good intentions," they could now move on with their lives and start over. Since Gregor dies, his family realizes they would all
have to get jobs. This made them feel safe. His family went from being sad to being very happy with their new life. The other transformation that
happened was how Grete went from a little girl to a woman. When Grete starts to take care of Gregor, she slowly starts to become more mature. The
very last line of the story, "Their daughter stood up and stretched her young body," represents how she has a nice, young body and she is mature
enough to find a husband. She transformed into a woman, just as Gregor transformed into a beetle, and his family into a happier one.
ID #6Rather than words comes the thought of high windows:
The sun–comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless. The

Essay on Philip Larkin
Philip Larkin – A Voice of Pain for This Century
On August 9, 1922, the poet Philip Larkin was born in the town of Coventry in England (Thwaite, Letters xvii). After graduating St. John's College in
Oxford in 1943 with a First Class degree, he worked at both the University College of Leicester and Queen's College at Belfast before finally settling
down at the University of Hull as Librarian in 1955 (Thwaite, Letters xviii). That same year, with the publication of his collection The Less Decieved,
he "began to be recognized" (Thwaite, "Introduction" xv). His popularity continued to grow thereafter, and over the next twenty years amongst many
awards and honorary doctorates he published two more highly acclaimed books of poetry, The... Show more content on Helpwriting.net ...
As his writing progressed, the revelation of his anguish became more and more explicit while his emptiness, brought on by the struggle to understand
life, continued to deepen.
Larkin began writing poetry at an early age, with heavy influence from Keats, Auden, and, ultimately, Yeats (1974 (Thwaite, "Introduction" xviii
–xix).
In 1946, at the age of twenty–three, he began to "carry his own voice" and write poems that would thereafter "strike his characteristic note" (Thwaite,
"Introduction" xv). The 1946 poem "And the Wave Sings Because It Is Moving" is an early example of the simple diction and brooding contemplation
that came to characterize all of Larkin's great works. The poem parallels humanity with the "together, apart, together" movement of waves, personifying
the mortal need to "wish ourselves together, / Yet sue for solitude upon our meetings" (l. 3,6–7). The human heart itself is a wave, carrying "Laments,
tears, wreaths" and "rocks" in a deluge of anxiety and sorrow (l. 14). "Silver–tongued like a share," the heart–wave "ploughs up failure, / Carries the
night and day" and "fetches / Profit from sleep" (l. 17–19). In the face of death, however, "The wave falters and drowns"; for while the heart "takes
tithes" and "Finds marrow" to "feed and frame" us, "it cannot invoke" death (l. 20–22, 30). As a result, "Our hearts" must "Grow quiet in [death's]
shadow," because "There is nothing to grasp" and "Nothing to adapt the skill of the heart to," which is a

What Is The Theme Of Larkin And Abse
Both Larkin and Abse have composed verse which includes certain degrees of misery, be that as it may, it's reasonable that they have distinctive
perspectives on what causes the feeling. Charles Hall said that it was "ideal" in Larkin's perspective, "for everybody to leave themselves to their fates
and acknowledge the intractable void of their lives." Larkin appears to have the viewpoint that misery is for the most part and crucial part of the human
condition. Though Abse is for the most part hopeful, as a rule his misery in his verse is subjective, brought about by uncommon minutes in the family,
or attention to mortality.
Larkin for the most part trusts that despondency lies in the desires of life and reality. One of his most regular convictions ... Show more content on
Helpwriting.net ...
A good example of this is in his poem, "A scene from married life." Generally the title suggests an unremarkable and common place event, reluctant to
give any information of the overall content of the poem. Much like Larkin, Abse comments of the routine of his day, saying that "nothing" was
happening "until it happened," the uneventful day therefore acts as a surprise for the argument that follows. However, Abse writes about routine as a
comfort, something he can rely on. It seems that he prefers the routine over the uneventful occurrences. Although, Abse also has similar views to
Larkin when he mentions "stuffy office block" he seems to resent the idea of work and describes the commuters as "trapped", almost as though they are
imprisoned by their job and the routine which prevents the freedom of occasional spontaneous events. He uses the transferred epithet of "brooding" the
represent his own unhappiness as he thinks about the argument and the "dank confusion" of the grey clouds indicative of his troubled marriage. He
describes a marriage between the sea and the sky as a "resentful wedlock", possibly signifying the dominant verses the submissive in their relationship
much like the metaphor in the previous stanza where the "early worm" eats the "dead bird." Abse's method of rearranging a well known saying
allows the reader to take that Abse, who considered himself the dominant one of the pair, was in fact subjugated by his wife during this argument,
embarrassing him. Abse, in this poem, uses the method of self mockery in order to create an almost amusing scene of an actually very serious
moment. He describes his moment of despair similar to a "B movie," which was a poor quality movie known for its clichГ©d scenes and bad acting.
He pictures his "great climatic scene," of him killing himself in a very

Philip Larkin's Faith Healing Essay
How typical in terms of subject, theme, structure and versification is Faith Healing by Larkin? Philip Larkin's Faith Healing In 1964, Philip Larkin
published his third book of poetry, entitled 'The Whitsun Weddings'. One of the many critically acclaimed poems was 'Faith Healing'. In this essay, I
intend to explore how typical this poem is in terms of subject, theme, structure and versification. In Faith Healing, women flock to an American Faith
Healer for a blessing. The persona of the poem is written from an outsider's point of view, looking in at this sight. Faith Healing is divided into three
stanzas, each of ten lines. Iambic pentameter is used to give 5 major stresses to each of the 10 lines. The three stanzas... Show more content on
Helpwriting.net ...
By now, all's wrong'. It is interesting to note that with all 3 of these poems, Larkin adopts a personal persona. He is omniscient; in Mr Bleaney, it
is as though he is a man looking for accommodation; in Here, it is as though he is the one on a journey and in Faith Healing, he is present,
observing this spectacle. Therefore, I feel that Mr Bleaney and Here are closely linked to Faith Healing in terms of structure and versification.
Faith Healing is an ambiguous poem that seems critical of religion. At the start of the poem, many flock to the Faith Healer but by the third stanza,
the 20 seconds with the American seem to have ruined their lives. They have had their true feelings and emotions unlocked and have realised that
they have never really been loved. 'An immense slackening ache. Spreads slowly through them'. The Faith Healer 'thaws' these emotions and we
see the women suffer a sense of real loneliness and depression as this reality dawns. This strongly correlates with the theme in Mr Bleaney, a poem
exploring loneliness and the fear in which it evokes. In the poem, we are told of Mr Bleaney's old room that is cheap and not cared for. The persona
explores Bleaney's life. Ironically, he finds he can identify with him in some respects. 'So it happens

Music Analysis: Mars The Bringer Of War
PROGRAMMATIC MUSICOLOGY ANALYSIS– MARS: THE BRINGER OF WAR
Mars, the Bringer of War, is a programmatic composition by Gustavo Holst: British composer of orchestral pieces, operas and choral part–songs. Mars
is the first segment in a 7 movement programmatic piece by Holst, The Planets, in which the Roman astrological characteristics of Mars, Venus,
Mercury, Jupiter, Saturn, Uranus and Neptune are depicted. The movement, Mars, carries out three consistent themes: a brutally rhythmic figure of five
beats relentlessly hammered out in a 5/4 rhythm, a principal theme in triads moving by chromatic steps without any true harmonic purpose, and a
second theme consisting of a calling melody by the tenor tuba answered by an embellishment of trumpets. ... Show more content on Helpwriting.net ...
The piece makes use of an allegro tempo ('moderately fast'), setting the foundations for the relentlessly aggressive nature of the piece. This is supported
by the irregular aforementioned 5/4 time signature, which when combined with the allegro tempo, creates an intense, uneasy, and unnatural mood. A 5
/4 time signature will almost always 'place the listener on edge', as it is an irregular time signature, due to the odd number of beats (5) in each bar.
This manipulation of tempo and time signature was an ingenious decision by Holst, as it establishes the foundation of the piece through his portrayal of
the unnatural, uneasy atmosphere of war. However, the addition of a time signature change to 4/4 in bars 68–92 (C1 – see figure 2.1) would be
extremely effective in assisting the sections' 'military' atmosphere (as the act of military marching is typically rigid, regular, and constant), further
supporting Holsts' theme of unpredictability. The strings ostinato at the opening of the piece is coloured by a mechanical timbre, achieved through the
use of 'col legno battuto' (Italian for 'hit with the wood'). 'Col legno' is a technique which involves striking the strings with the wood of a bow, as
opposed to drawing the hair of the bow across. The obvious manipulation of this technique results in an extremely effective mechanically percussive

Afternoons by Philip Larkin Essays
Afternoons by Philip Larkin.
A poem which reflects on the subject of marriage is 'Afternoons' by
Philip Larkin. The poem deals with Larkin's view on young mothers watching their kids playing in a playground and on this he concludes that marrying
young and having children young, lead to the mothers losing their identity and destiny. The techniques used by the poet such as theme, imagery and
tone deepened my understanding of the issue. The structure of the poem is simple; there are three stanzas with eight lines in each. However, unlike
every other poem by Larkin this layout has no direct meaning. The lines are unrhymed. The first stanza deals with Larkin's rather cynical view of
marriage and deals with the idea that the ... Show more content on Helpwriting.net ...
By using the idea of wind in the poem, Larkin is able to add his own personal views. The wind acts as an idea of change. This is continued moreover
in the third stanza via the use of enjambement. This enables
Larkin to carry on and develop his point.
Larkin's use of imagery is very effective. The 'courting places' which were once used by the young mothers are changing but so are their children.
The 'courting places' are still being used, however, the people of whom should be using them now have the burden of children and can no longer have
the fun this place entails. The 'unripe acorns' as described by Larkin, are the children who are 'still in school'.
This implies Larkin, as an outsider observing and looking in, believes that as generations pass romance is lost further and that people have children far
to young. The children within the school are not mature enough to realise what 'courting' means. A grim humour is assumed when the reader realises
these children still have a future wereas the young mothers do not.The tone of the poem has become increasingly more cynical. Larkin refers to how
regimented the mothers lives are again when they are 'expected' to pick up their children from school. The women have changed immensely with the
pressures and responsibilities that the child has brought, they are putting on weight and losing their looks, probably due to having the children. 'Their
beauty has thickened'.

Dylan Thomas And The Poetry Of The 1940s
Further David Perkins asserts that: "Dylan Thomas was too relentlessly melodious and rhetorical, making the fifties poets' all the more conscious of
the morality of plainness. Moreover they could not recognize their world in the clichГ©s of Thomas' "Fern Hill" or "Under Milk Wood", and thus they
were motivated all the more toward an honest realism. That Thomas' archetypal symbols seemed vague and obscure to the point of self–indulgence
impelled them with stronger conviction toward lucid, rational discourse" (Perkins 423).
In Purity of Diction in English Verse, Davie says of the Movement that: " it represented an originally passionate rejection, by one generation of British
poets of all the values of Bohemia" (Davie, Purity of Diction 198–99).This ... Show more content on Helpwriting.net ...
Enright's introduction to the Poet's of the 1950s criticized Thomas's poetry on the familiar ground that it lacked thought: "Perhaps the kind of
admiration which Thomas received encouraged him to leave "thinking" to the New Verse Poets; but poetry is like a human body in needing bones
as well as flesh and blood"(Enright, Poet of the 1950s). A similar idea can be found in Davie's Articulate Energy published in 1955, which looks
back to a period in English history, the eighteenth century , where 'strong sense' was as common as terms as 'strong feelings'. Davie sees Romantic
and Modernist practice as having destroyed meaning and argument into poetry by over emphasizing the importance of images. He is able to admit
that in some poetry notably that of Ezra Pound such practice has had beneficial effects; but one poet whose pursuit of images he will not tolerate is
Dylan Thomas: 'a sonnet by Dylan Thomas is unacceptable even on Hulme's terms. When concrete images are crowded upon each other, they lose
their concreteness. The milk is soured by the magic, the bread has lost its tang, and the clod its volume. The things will not stand still, but fluctuate and
swim like weeds in a

This Be The Verse Essay
In Philip Larkin's "This Be the Verse", the speaker raises the underlying but hidden blame children put on their parents for the way they turn out. In
the first stanza of the poem, the speaker quickly puts blame on the parents, saying "They f*** you up, your mum and dad" (1). He then proceeds,
saying although your parents do not mean to "mess" you up, they still do. With this, he is saying that although parents do try their best to make their
children go on the right path or do what is best for them, they still ruin our lives, giving us their faults and some of our own too. He then continues to
say that it was not their fault, but their parents' fault (his grandparents) because they were stern and argued all the time. In the final stanza, he ... Show
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The impression I received from the title is that it was going to be absolutely true. There wasn't going to be any playing around, and that it was going
be some type of huge revelation. Following my reading from the poem, I realized that I was not correct. In fact, I couldn't have been further from the
truth that this poem provided. The speaker did not write about a huge revelation. He wrote about an obvious but controversial truth. In the poem, the
speaker is not hiding any of his feelings. It is straightforward as can be. He writes about how our faults are not really our faults, but our parents, and
that their faults are not really theirs, but their parents instead. He writes about the continuous cycle of misery that exists in our human nature. Larkin
uses this poem to show us that although we all try to correct the mistakes our parents passed on to us, we are doomed to negative turmoil. Our future
has already been decided because misery is passed

Analytical analysis and comparism of an everyday text with...
Choose one every day and one literary text. Using at least two analytical techniques from E301, analyze and compare your two texts in terms of their
creativity and literariness, drawing on material from both parts of the module.
In this paper I will analyze and compare a literary text and an everyday text, in terms of their creativity and literariness. I chose Philip Larkin's (1964)
poem, 'Self's the man' (see Appendix, Text 1), as the literary text for analysis because it is not only smooth and pleasing to the eye and mind that it
seems effortless to read and contain within one's self but also because it arouses so many emotions which makes it ideal for analysis. In 'Self's the
man' Larkin (1964), is being cynical towards relationships ... Show more content on Helpwriting.net ...
In my analysis, I will first apply Jakobson's (1960) methodology, stylistics approach and Carter's (1997) criteria of literariness to the two texts and then
contrast them with illustrations in terms of interpretative schemata. My intention in doing so is to highlight some of the strengths and weaknesses of
these approaches and also modes in which they interact to better comprehend the nature of creativity and literariness.
On the graphological level, in Text 1, the noticeable attributes are the traditional lineation, stanza divisions ofpoetry, and the presence of standard
punctuation. The poem has 8 stanzas in all and each stanza consists of 4 lines. This creates a set rhythmic pattern, particularly in conjunction with the
rhyme scheme. Text 2, on the other hand, on a graphic level, uses full capitalization in order to emphasize every letter in the ad and make it look trim
and tidy. The headline uses larger, capital and bold letters to draw readers' attention and make them curious about what the advertisement mainly has to
say, leading them to continue on reading unconsciously by arousing their curiosity and desire to know more about the product and subsequently
persuading them to buy it. Moreover, Text 2, illustrates graphological deviation, by using solid background colors, and a brilliant diamond ring to focus
all the reader's attention to.
On the phonic level, Text 1 has little

'Toads' and 'Toads Revisited' Comparison (Philip Larkin)
Toads and Toads Revisited are poems in Philip Larkin's collection that describes both the perks and burdens of a work life. Larkin's view of work
in 'Toads' is seen as a heavy load whereas in 'Toads Revisited', it is seen as something that keeps him occupied and helps him though life. 'Toads
Revisited' was written after Larkin became a firmly established chief librarian of the Hull Library and he had no further to go because he had
already reached the top position. His attitude to work had undergone subtle changes from eight years ago to Toads Revisited. In this poem, Larkin has
managed to escape from the monotony of his desk, perhaps during lunch or break. He takes a walk around the park where he observes and sees more
than he expects... Show more content on Helpwriting.net ...
The word 'starves' between two underscores adds emphasis and that people go hungry but no one goes through starvation. Larkin also does not hide
the idea that his hard work goes to pensioners. The idea of shouting 'stuff your pension!' is a rather disrespectful thought towards elderly people,
enhanced by the exclamation marks. However, Larkin uses a quote from Shakespearean literature, 'the stuff that dreams are made on' from the
Tempest, Act 4, Scene 1 spoken as part of Prospero's 'resignation speech' refers to a scenario can only be fantasised and wished. "Stuff" refers to the
materials that go into creating an illusion, not to the object of a wish. Regardless of his complains, Larkin understands and knows that something
'toad–like' exists in him as well and 'squats' within himself. Larkin's play on the alliteration of 'h' suggests the sound of heaving and heaviness. The
toad in him will never allow him to 'blag' his way through getting all the things he wants in life. He is never going to be able to shake off work
because of this toad in him that drives him to continue doing mundane tasks every day. He knows he will be constantly discontent and dissatisfied with
his life. With one toad sitting on his life and the other sitting inside him, Larkin states that the 'spiritual' truth of either truth is embodied by the other
and that it is 'hard to lose either, when you have both.' In Larkin's case, it was

Here By Philip Larkin
Gerzog 1Jeff GerzogMs. Shaw AP LiteratureMarch 12, 2018"Here"In the poem "Here" by Philip Larkin, the author uses literary techniques to convey
his attitude towards the places he describes. Through techniques such as alternating rhyme schemes, diction, and imagery. These techniques are used to
show his attitude of feeling more like an isolated village than a large town.The first technique used by Larkin is alternating rhyme scheme. This
technique is used to add flow to the poem and to show his attitude towards the town. It also connects the view of the "fast paced town" to the reality of
the slow urban life that he is in.The next technique used by Larkin is diction. Diction is used throughout the poem and shows Larkin's attitude towards
the

Comparison of Philip LarkinВґs High Windows and Seamus...
Philip Larkin (1922–1895) was an English novelist and poet, in 1955 he became a Liberian at the University of Hull. He would stay on working at
the University until his death in 1895. During the first few months of his time working at the University he stayed in various bedsits, after this he
moved into a flat which appears to be the same flat in which he wrote his poem "High Windows" which was first published in 1974. Clive James
commented on this poem by saying: "The total impression of High Windows is of despair made beautiful."1 The speaker of "High Windows" is
most likely Larkin, although he is hiding behind a mask, not truly confirming his identity as he narrates on what he sees looking out of his window.
"High Windows" was written in London during the time known as 'The Summer of Love,' this is when Bands such as 'The Beatles' brought around
the craze of free thinkers, free love and drug use; no longer was the topic of sex whispered in the shadows. Seamus Heaney (1939–2013) was an Irish
poet and playwright. His poem "Punishment" was first published in 1975 in a collection of poems called "North." Heaney wrote this poem and
collection of poems after discovering several bog bodies which dated back to the 1500s. The particular women he is describing in the poem, Windeby,
is thought to have died of unnatural causes. Heaney compares the circumstances to that of the IRA against the British in Ulster. Heaney talks about the
injustice and brutality of the crimes committed to

Larkin vs Abse on Relationships Essay
Larkin and abse discussing relationships
Philip Larkin and Dannie Abse have very different and contrating attitudes to relationships. On the whole, Larkin presents the concepts of love and
marriage as very superficial and meaningless, whereas Abse appears to be less such nihilistic and more open and positive about such topics. The essay
will discuss this contrast by examing Larkin's "Whitsun Weddings", "Wild Oats" and "Arundel Tomb", andDannie Abse's "Imitations" and "Sons". The
poem entitled `The Whitsun Weddings` is an observational piece by Larkin when he was travelling from Hull to London by train. The poem has
seven stanzas and is is typical of Larkin. The words are simple, the emotions are blunted and the ... Show more content on Helpwriting.net ...
The heavy use of enjambment also carries this theory. Compare this to Dannie Abse's "Imitations". The poem centres on Abse's thoughts about
his son and how he has become an adolescent. Although the poem is rather negative, describing his son as a "chameleon" therefore suggesting his
son is changing. However unlike in "Whitsun Weddings" is less pessimistic, saying that although he will die like his son his family name will be
passed down the generations and expresses some affection for his offspring, whereas Larkin has no such optimism, he focuses on the fact that he
has no son and probably never will, much like in Larkin's "Dockery and Son" where he contemplates his lack of contribution to his species
existence of how his life when he dies will cease to have meaning. The poem 'An Arundel Tomb' written by Phillip Larkin illustrates the relationship
between two forms found on a tomb. This poem shows the 'lies' love can tell, and the falseness of how their relationship is portrayed. The fact that
their hands are clasped in one another's grip is seen to be symbolic of their undying and everlasting love for each other. Larkin uses humour, along
with sarcasm and irony to demonstrate that this is in fact symbolic of nothing and merely by 'a sculptor's sweet commissioned grace'. How can we
believe this evident lie, for it is

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Essay On This Be The Verse By Philip Larkin