Essay Cinema

Essay on Cinema's Role in Society
Cult. Change & Comm Tech Essay 1: Cinema/Film
Many young people today are learning about their world through electronic means – radio, television,
video movies, computer games, virtual reality games and the Internet. In particular the visual
environment of the electronic media is greatly attracting the print media in all its forms. How many
children read comic books these days? Most would rather watch cartoons, or play arcade games or
hand–held video games. We will be focusing on cinema and how it has culturally played a role in
society.
The 1990s have been a significant time for film and video. Nineteen ninety–five was the
one–hundredth birthday of the movies (Film theory and criticism, 1985). In 1996 the movie...show
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It is now understood how societal attitudes at the time of a film's making influenced its content.
The World of Apu, a 1958 film from India shows two young married couples that are clearly in love
but they never kiss. Censorship regulations in India at the time prohibited kissing, so they had to
show affection by other means (Readings, Cinema)
Audiences sometimes take the view that they are watching simply to be entertained. Many
children in particular take this approach with film, video and TV. Their approach is largely a
passive one where the viewer does not think about, and is not critical of, what is being viewed.
Once viewers understand that filmmakers work under forces that influence the shape and content of
the finished films, viewers are less likely to misjudge a film for not exploring a political, religious,
or sexual subject in greater depth when that may not have been an option (Understanding Movies,
1976). Viewers who know when and where a film was made and under what conditions are also more
likely to notice when filmmakers follow conventions and when they depart from them. They are
more likely to understand how the film's budget may leave out certain options and how the available
filmmaking technology and the audio and visual presentations of competing media and electronic
entertainment may influence the film (Understanding Movies, 1976).
Novels and other print forms of narrative are usually the work
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Essay Cinema of Attraction
When one contemplates the concepts of cinema and attractions, the ideas of the modern day
blockbuster film might come to mind. World disasters, car chases, and high profile police
investigations are just some of the story lines that attract people to theatres year round. The term
"cinema of attraction" introduced by Tom Gunning into the study of film is defined more precisely.
To quote Gunning, a cinema of attraction: "directly solicits spectator attention, inciting visual
curiosity, and supplying pleasure through an exciting spectacle" (p.230). This spectacle may be
demonstrated through dance, song or offscreen supplements, such as sound effects and spoken
commentary. Rather than a straightforward entertainment purpose, a film may seek to...show more
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The ending (or the beginning В– it was interchangeable) helped place the film in history books. The
scene involved one of the bandits shooting his pistol towards the audience creating a spectacle as
the viewers, seeing this for the first time, believed they were being shot at. Many audience
members were startled by this cinema tactic and the action shot became a great innovation in film
(Dirk, 2007). The Great Train Robbery used a number of inventive techniques; including parallel
editing, minor camera movement and location shooting. The director was one of the first to utilize
jump cuts or cross cuts which displayed two separate lines of action or events happening
continuously at identical times but in different places (Dirk, 2007). For instance, the film is
intercut from the bandits beating up the telegraph operator (scene one) to the operators daughter
discovering her father (scene ten), to the operators recruitment of a dance hall posse (scene
eleven), to the bandits being pursued and splitting up the booty and having a final shoot out (scene
thirteen) (Dirk, 2007). Furthermore, The Great Train Robbery was also the first film in which
gunshots forced someone to dance, which is now a clichГ©d action in many western cinemas.
Additionally, the use of colour was a spectacle seen in some of the women's attire, the gun shots
and the explosions in the train. Overall as the film worlds first linear narrative The Great Train
Robbery made way for several future filming

The Evolution of Film Essay example
In the early times of narrative cinema there was litter pressure on the filmmakers for the evolution
of film forms before nickelodeons (Salt, 31) as cinema had not become a mass cultural product
and film was still just a novelty expected to die out like rock n roll. And so the demand was low
and so the supply could remain unoriginal. Mary Jane's Mishap was made in 1903 when
'multi–scene films were becoming popular' (Salt, 32). Mary Jane's Mishap is notable for its use of
experimental and inventive shot transitions. It used a vertical wipe to instead of 'separate
successive scenes' (Salt, 32) (as it cuts to a shot width a wider frame of the same locale) but to
change the zoom level. This frame is essentially an insert and borderline...show more content...
In big bold letter 'PARRAFIN' the flammable oil. Without this shot the viewer would be perplexed as
to why she exploded and allows the narrative to flow as it could be water or any other fluid for all
they know as cleverly Smith used this mise–en–scene to explain the narrative instead of an intertitle
before the explosion which would have removed all suspense, tension and mystery especially after
she moved to the cameras to show her gesturing a bright idea. Though this close–up could also be
argued by Gunning of being of the cinema of attractions as 'For a time [in cinema] close–ups were
only used as an attraction to see an images but larger than life but 'inciting visual curiosity' (Gunning,
pg 58) rather being evolutionary towards narrative cinema. The close–ups heighten the 'only [tool
they] they have at their disposal, a language of gestures' (Burch, 224) musser idea
Mary Jane's Mishap combined the cinema of attraction trick film with the viewers want for
narrative. 'The decline in their [trick films] commercial importance was already evident by 1906'
(Salt, 40) Smith used a jump cut to create the illusion of Mary Jane exploding into smoke by
subtracting her and adding smoke in the successive shot. He also uses superimposition to create a
ghost liken creature. Like an avatar for its day. This shows narratives cinema still being influenced
by the cinema of attractions as to make an entertaining film.
The acting

Reflection Of Cinema
Some of the important topics that are covered in the course are creativity and aesthetics, an overview
of major movements in literature and cinema, cinema & art; understanding fiction, drama, poetry,
narrative structures, understanding cinema, relationship between form and meaning, image
construction, shots, scenes, sequences, mise–en–scene, cinematography, codes, frames, signs, syntax,
diegetic & non–diegetic sound, silence, and various editing styles. The handout of the course (please
go to the Appendix) gives the complete course description. Both literature and cinema being
canvasses of immense depth, covering the topics mentioned above is a daunting task. There is the
possibility of it becoming demanding to the students too. Since the majority of the students opting
out for such a course have either a passion for or are keen to develop insights into the finer aspects
of these mediums, they do...show more content...
Slowly I have evolved a strategy in which we pay equal attention to reading/ studying the
cinematography, color, lighting, effects of editing etc. as can be seen from the above bulleted
points. My experiences in teaching the course and the knowledge gained by doing a four–week
Summer Course in Film Appreciation conducted jointly by National Film Archive of India, Pune
and Film & Television Institute of India, Pune two years back have been major reasons for this
evolution. Course Plan and

Essay on Cinema and the Digital Age
"Film has shaped the new media to accommodate it"
–David Bordwell, Kirsten Thompson, p.730.
Since the introduction of Digital Cinema in the late 90's, it is fair to say that we are well and truly
immersed in a new digital age for film. Despite some filmmaker's objection to the introduction of
digital cinema, and an overall wariness of the conversion from traditional films to digital, nowadays,
the majority of films that we see in the cinema are digitally made.
"The next ten years may witness the almost complete disappearance of celluloid film stock as a
recording, distribution, and exhibition medium." (Roderick. The Virtual Life of Film (2007))
Furthermore, many classic films such as Walt Disney's "Snow White and the Seven Dwarves"...show
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Bordwell and Thompson argue that "Far from killing movies, digital media have allowed them to
leave the theatre and our living rooms." (p730) and I completely agree. Why not avail of the
technology that is there and watch a movie on your commute to work. John Belton argues that
digital cinema lacks novelty value and that "it does not transform the experience that spectators
have of moving images and sound in the theatre the way sound, colour, 3D and widescreen did. It
merely duplicates the experience spectators always had with 35mm film." (Belton. Film History.
Vol.24. Issue 2 (2012) I however disagree with this statement. I believe that digital cinema truly has
revolutionised not only film quality and experience, but has also made 3D cinema much more
enjoyable and easier to watch. No longer do we encounter the blurriness of quick paced movement,
or feel the need to take off the 3D glasses to give our eyes a break. Furthermore, I feel that the
novelty which Belton thinks that digital cinema lacks is in fact there. The novelty is that we can
easily watch movies on our phones etc, something that would not have been possible without the
induction of digital cinema.
New media is defined as" products and services that provide information or entertainment using
computers or the internet, and not by traditional methods such as television and newspapers"
(Cambridge Dictionary (2012)) and I feel that Film has most certainly been reshaping the new media
in recent years.

Cinema And Cinema
film is arguably the most ubiquitous art form. Since the very first motion pictures of the late
eighteen hundreds, a century and a half of time has elapsed and the world is still enthralled with
cinema. Perhaps it is the ways in which film has developed as the years have gone by. From the
black and white films telling stories in the absence of audio to the high–tech special effects that are
commonplace in modern day movies, film has grown to become the trillion dollar industry it is
today. The success of cinema is due to the fact that it is ingrained in the fabric of ourculture just as it
is interwoven into our own individual lives.
Film is introduced to us at day one the moment we become conscious of our surroundings. At first,
movies...show more content...
We all inherit a natural curiosity as human beings, and not all of us are given correct information
regarding the differences of skin colour or culture. From featuring characters hailing from cultures
that aren't apart of the majority, we can be broadening a child's perspective through film. As they
are exposed to new and alternative ways of life, their world view can increase drastically. Children's
television series seem to be doing much better than cinema. The long–running show Arthur
(mwahaha) is composed of an extensive cast of characters all of various religions, cultures,
socio–economic levels, and family structures. If kids' TV shows can be this diverse, why can't kids'
films? And why can't they be more explicitly ethnically diverse, with human people instead of
cartoon animals?
Through exposure to various types of people on screen, children will be also be educated on the
culture at hand. They will be given accurate portrayals of people of colour rather than the usual flat
character derived from stereotypes. The common tropes of a black character who is good at
basketball –– Chad of High School Musical –– or the intelligent, nerdy asian student –– Baljeet
Tjinder of Phineas and Ferb –– need to be demolished. All "token" characters need to. Stereotypes of
cultures like that of Native Americans –– being mystic, shaman people who are one with the spirits
and talk to the earth –– are still widely accepted as common knowledge. And while such stereotypes
may hold

Essay about Cinema and Religion
Cinema and Religion
Entertainment media are contributing to the emergence of new and novel forms of spiritual and
religious phenomena in our contemporary (and past) culture. The essays in this issue explore diverse
facets of the morphing relationship between entertainment, spirituality and culture. Over the last
century, the cinema has played a vital role in the expression and representation of Judeo–Christian
religious practices and beliefs. Early cinema told the life of Christ in the Passion Play and Cecil B
DeMille produced two spectacular versions of The Ten Commandments in 1923 and 1956. While
cinema represented religious themes and figures, religious institutions also shaped the emergence of
this moving image technology and its...show more content...
In our Post–Millennial era the Heavens are the home for satellites rather than angels and the New
Age emphasis upon the paranormal and extraterrestrial as alternative avenues for spiritual expression
and self–transformation melds with the prevalent sense of an impending apocalypse that was
reactivated by the spectacular disappearance of the Twin Towers on our television screens on 9–11,
2001. Where once God may have been a singular entity that designed the world in seven days, the
multi–dimensional relationship between new and existing media technologies now activates multiple
worlds and multiple entities. The God/s of the Multi–verse take many and multifarious forms from
Elvis to Lara Croft and the signs of the Heaven or Hell emerge in the shopping mall, the television
screen, the web site and the comic book panel. Our media heroes are worshipped and our creations
come to life.
The task of media research and theory is to articulate how these Post–Millennial forms of religiosity
– how the uncanny spaces and the gods in the multiverse – are shaped by the media. How are these
spaces of dread or icons of worship articulated? This issue provides a collection of original research
and writing on entertainment forms – past and present. It presents an interdisciplinary focus by
collating material from historians, theorists, philosophers and practitioners involved in the study and
teaching of art, cinema, literature and new media. However, the advantage of Gods in the

Cinema Paradiso
Film and Culture
27 September 2010
Cinema Paradiso: Feeling the Love Through Music and Sound Cinema Paradiso was made in
1988, and was written and directed by Giuseppe Tornatore. It won the Oscar for Best Foreign
Language Film in 1989. Cinema Paradiso follows the life of Salvatore Di Vita from the time he was
a boy to his successful career as a film director. Love truly is what the movie is about. Whether it
is to have a love of film, love of someone else, or having a love for what you do, it is the driving
force in this movie that causes everything to happen. The music and sound effects in Cinema Paradiso
enhance the emotions and plot of the movie. Two of the most important sound effects in the movie
deal with the use of bells and...show more content...
In a way, I think it was a way to help Salvatore let go of the memories that that building held for
him. The "Love Theme" of this movie is a turning point for many pivotal scenes. The first is when
Alfredo shows the movie the crowd wants to see in the piazza right before the film catches fire. It
was showing a time where everything was perfect in the movie before everything went wrong, at
least for the first half of the movie. The "Love Theme" also plays on New Year's Eve when
Salvatore is first rejected, then kissed by Elena. This was the point in the second half of the
movie where everything was right before life's troubles kicked back in for Salvatore. In terms of
moving the plot along, the last time the "Love Theme" is played to advance plot is when Salvatore
is considering going back to Rome. The song "Childhood and Manhood" is played as the young
Salvatore leaves Giancaldo, and as the adult Salvatore returns to Giancaldo at the end of the movie.
Not only does the music advance the plot, but it the source of feeling throughout the movie. The
music enhances the emotions felt by the characters and really allows the audience to feel the
emotions too. There were two main songs that were played throughout the film. The theme music,
called "Cinema Paradiso", has a sense of journey to it. It is the music that is played the most in the
film; it has a constant flow like a river.

Reflective Essay On Cinema
Every human being at a very young age is introduced to some type of cinema one way or another.
Whether it's a play or film we all experience these prescreened scripts early on. The types of
cinema that we seem to enjoy the most are ones in which give us the best memories and those that
seem to coincide with our personalities. For example, starting at a very young age I've always been
the jokester in the family. Therefore I seem to gravitate towards comedies on the big screen because
of my personality.
It never stops there, humans are a creature of habit and we tend to enjoy films that remind us of
events or people close to us. This is why films based off true events seem to always have the
biggest numbers behind them. I personally love viewing films about some historical significance
that I was not able to experience in real life. It's something about a true story that gives me the chills
when a director is recreating something with immense significance.
At the very beginning of my enrollment in this film analysis class I had no idea what to expect.
Other than knowing we would be analyzing films and likely writing reviews on them of some
sort. I was pretty much up in arms as to what kind of films we would be viewing and how the
class would pan out. After viewing "Imperial Dreams" the first day, it reassured me that this was
the correct class to be in. Like most young people around me, I have always enjoyed watching films
over reading the books before it. For the fact that

Cinema Paradiso Essay
Cinema Paradiso: Still Relevant Today
Released in 1988 by director Giuseppe Tomatore, "Cinema Paradiso" follows the life of a young
boy in Italy who dreams of being a filmmaker. The road the boy, who eventually becomes a famous
Italian film director named Salvatore Di Vita, takes to reach his goal is difficult and includes many
sacrifices and trade–offs. Today, thefilm is widely regarded as one of the most popular foreign
films ever to be released in the United States. Given that foreign films are fairly common in
America, it is fair to consider why "Cinema Paradiso" received such critical acclaim, as well as
relative mainstream popularity. "Cinema Paradiso" received critical and popular praise because the
film includes several timeless themes...show more content...
The importance a mentor can play in a person's life is something that many viewers will have
experienced, while the hard decision between love and ambition is another familiar feeling. Many
American viewers will see the scenes involving censorship and consider how the modern American
government is practicing authority overreach, just as the priest was doing in Salvatore's hometown.
These themes make "Cinema Paradiso" both insightful as well as entertaining, and help explain its
popularity

Essay Cinema

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