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Format assessment  stimulates creativity How to appreciate and assess non-verbal or visual reflection in e-portfolios ePIC 2011, London, Lise Agerbæk
ePIC 2011, London, Lise Agerbæk
Lise Agerbæk ,[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
Agenda ,[object Object],[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
E-portfolio at the  Multimedia Designer Programme ,[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
Examples of 4 portfolios  ePIC 2011, London, Lise Agerbæk
Obviously very different ,[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
No portfolio tool ,[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
But how to assess this? ePIC 2011, London, Lise Agerbæk
Allow me a philosopical ePIC 2011, London, Lise Agerbæk
Lars Qvortrup ,[object Object],[object Object],[object Object]
Support system ,[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
There is always someone else present ,[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
Ricoeur ,[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
Do we only communicate in words? Kress and van Leuwen in the 1996 book  Reading Images  disagrees – and argues that using images is a meaningfull practice – that is open for interpretation as much, if not in the same way as words. ePIC 2011, London, Lise Agerbæk
Our students are visually eloquent. Maybe as the first generation they express themselves visually on  a daily basis  ePIC 2011, London, Lise Agerbæk
Extension of the rubric 2 out of 9 criteria in the rubric ePIC 2011, London, Lise Agerbæk
This one is not expressing anything in relation to the curriculum. And the design is traditionel – interaction banal ePIC 2011, London, Lise Agerbæk
This one on the other hand expresses the sketching process – and the interaction (green post-it in the top) is innovative ePIC 2011, London, Lise Agerbæk
ePIC 2011, London, Lise Agerbæk This one on lets the eye  of the figure create a playfull univers – a comment on that we are learning students to ”see”
So not just a matter of taste ePIC 2011, London, Lise Agerbæk
Reaction to the new rubric ,[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
What do the students think? ,[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
What do the teachers think ,[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
What does management think ,[object Object],[object Object],[object Object],[object Object],ePIC 2011, London, Lise Agerbæk
Thank you ,[object Object],[object Object],ePIC 2011, London, Lise Agerbæk

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Epic2011LiseAgerbaek

  • 1. Format assessment stimulates creativity How to appreciate and assess non-verbal or visual reflection in e-portfolios ePIC 2011, London, Lise Agerbæk
  • 2. ePIC 2011, London, Lise Agerbæk
  • 3.
  • 4.
  • 5.
  • 6. Examples of 4 portfolios ePIC 2011, London, Lise Agerbæk
  • 7.
  • 8.
  • 9. But how to assess this? ePIC 2011, London, Lise Agerbæk
  • 10. Allow me a philosopical ePIC 2011, London, Lise Agerbæk
  • 11.
  • 12.
  • 13.
  • 14.
  • 15. Do we only communicate in words? Kress and van Leuwen in the 1996 book Reading Images disagrees – and argues that using images is a meaningfull practice – that is open for interpretation as much, if not in the same way as words. ePIC 2011, London, Lise Agerbæk
  • 16. Our students are visually eloquent. Maybe as the first generation they express themselves visually on a daily basis ePIC 2011, London, Lise Agerbæk
  • 17. Extension of the rubric 2 out of 9 criteria in the rubric ePIC 2011, London, Lise Agerbæk
  • 18. This one is not expressing anything in relation to the curriculum. And the design is traditionel – interaction banal ePIC 2011, London, Lise Agerbæk
  • 19. This one on the other hand expresses the sketching process – and the interaction (green post-it in the top) is innovative ePIC 2011, London, Lise Agerbæk
  • 20. ePIC 2011, London, Lise Agerbæk This one on lets the eye of the figure create a playfull univers – a comment on that we are learning students to ”see”
  • 21. So not just a matter of taste ePIC 2011, London, Lise Agerbæk
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.