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Greene & Lidinsky
Chapter 1 Starting with Inquiry: Habits of Mind of
Academic Writers.
Chapter 2 From Reading as a Writer to Writing as a
Reader.
EN 106 10/25/2012
CHAPTER 1 STARTING WITH INQUIRY: HABITS OF
MIND OF ACADEMIC WRITERS
ACADEMIC WRITING
• Academic writing- when scholars communicate with other colleagues
in their disciplines.
• Argument- text crafted to persuade an audience, often in the service
of changing peoples’ minds and behaviors.
WHEN WRITING AN ACADEMIC ESSAY…
• (1) Define situation that calls for some response in writing.
• (2) Prove timeliness of argument.
• (3) Establish a personal investment.
• (4) Appeal to readers who you want to reach by understanding their
side.
• (5) Support your argument with good reasoning.
• (6) Know & recognize readers’ reasons for their opposition while
enticing them to take your side.
• DO NOT ATTACK THE OPPOSITION!
DEVELOPING SKILLS
• Habits of mind- ways of thinking or patterns of thought that lead a
person to question assumptions and opinions, explore alternate ones,
anticipate opposing arguments, compare one experience to another,
and identify the causes and consequences of ideas and events. This
equals:
• Critical thinking- the ways of thinking critically in academia. The
next step is:
• Analytical process- considering a variety of factors, which develops a
skeptical habit of mind.
• Skeptical habit of mind- not accepting obvious answers to find why
things are the way they are and how they could change.
ACADEMIC WRITERS & INQUIRY
• Inquiry- after looking over a body of information very closely & from
many perspectives, then be able to ask questions of others who are
just scanning the material. The need to seek and value complexity.
Eg: explore how the media works to influence our opinion.
• Proper steps to inquiry:
• (1) Observe- note things
• (2) Ask questions- consider why
• (3) Examine alternatives
• Avoid binary thinking- there are only two sides to every story.
• Remember an issue- is a subject to be explored and debated.
ACADEMIC WRITERS SEEK & VALUE COMPLEXITY
• To learn to value & seek complexity:
• (1) Reflect on what you observe.
• (2) Examine issues from multiple points of view.
• (3) Ask issue based questions- putting into words questions to help
you explore your inquiries.
ACADEMIC WRITERS SEE WRITING AS A
CONVERSATION
• Writers see writing as conversation:
• Empathy- ability to understand the perspectives that shape what
people think, believe, and value.
• Steps for joining an academic conversation:
• (1) Be receptive to the ideas of others.
• (2) Be respectful.
• (3) Engage with the ideas of others.
• (4) Be flexible in your thinking about the ideas of others.
ACADEMIC WRITERS UNDERSTAND THAT WRITING
IS A PROCESS
• P. 10 Text: A practice sequence.
• Collecting Information & Material (Steps)
• (1) Mark texts as you read.
• (2) List quotations that are interesting & provocative.
• (3) List your own ideas in response.
• (4) Sketch out similarities & differences among authors whose work
you plan to use in your essay.
ACADEMIC WRITERS UNDERSTAND THAT WRITING
IS A PROCESS (2)
• Draft & draft again
• Steps to drafting:
• (1) Look through the materials.
• (2) Identify the issue.
• (3) Formulate a question.
• (4) Select the material that you will include.
• (5) Consider the reader types.
• (6) Gather more material.
• (7) Formulate a working thesis.
• (8) Consider possible arguments.
ACADEMIC WRITERS UNDERSTAND THAT WRITING
IS A PROCESS (3)
• Revise significantly
• Steps to revision:
• (1) Draft & revise the introduction & conclusion.
• (2) Clarify any obscure or confusing passages your peers have
pointed out.
• (3) Provide details & textual evidence where your peers have asked
for new or more information.
• (4) Check to see that you have included opposing points of view and
have addressed them fairly.
• (5) Consider reorganization.
ACADEMIC WRITERS UNDERSTAND THAT WRITING
IS A PROCESS (4)
• Steps to revision (cont)
• (6) Check to be sure that every paragraph contributes clearly to your
thesis or main claim, and that you have included signposts along the
way, phrases that help a reader understand your purpose(“Here I turn
to an example from current movies to show how this issue is alive and
well in pop culture”).
• (7) Consider using strategies you have found effective in other
reading you have done for class (repeating words or phrases for
effect, asking rhetorical questions, varying your sentence length).
• P. 15 Group activity?
END CHAPTER 1
From Reading as a Writer to Writing as a Reader
CHAPTER. 2
READING AS AN ACT OF COMPOSING
• Annotating- (leaving your mark on the page) First act of composing.
When you mark the pages of a text, you are reading critically,
engaging with the ideas of others, questioning and testing those ideas,
and inquiring into their significance.
• Critical reading- sometimes called active reading to distinguish it
from memorization, when you just read for the main idea so that you
can “spit it back out on a test.”
• When annotating a text ask the following questions:
• (1) What arguments is the author responding to?
• (2) Is the issue relevant or significant?
• (3) How do I know what the author says is true?
• (4) Is the author’s evidence legitimate or sufficient?
• (5) Can I think of an exception to the author’s argument?
• (6) What are the counterarguments? (p. 31 text)
READING AS A WRITER: ANALYZING A TEXT
RHETORICALLY
• Rhetoric- (means of persuasion) studying how writers influence
readers.
• Rhetorical analysis- separating parts of an argument to better
understand the argument as a whole and how it works.
• P. 33-36 (text)
• Steps to rhetorical analysis:
• (1) Situation- what motivates the writer to write?
• (2) Purpose- what is the writer trying to accomplish? What does the
author want readers to do?
• (3) Identify the writer’s claims- (thesis or main claim) Controlling
idea that solidifies a writer’s main point.
• (4) Identify the writer’s audience- the readers whose opinions and
actions he/she wishes to influence or change.
READING AS A WRITER: ANALYZING A TEXT
RHETORICALLY (2)
• P. 39-41 text exercise
• Steps to writing a rhetorical analysis of a paragraph:
• (1) The situation to which they are responding.
• (2) The purpose of their analysis and argument.
• (3) Their main claim or thesis.
• (4) Who they believe their audience is.
• P. 45-46 text activity.
• P. 47-49 group activity.
END OF CHAPTER. 2

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EN 106 Chapters 1 & 2 Greene & Lidinsky

  • 1. Greene & Lidinsky Chapter 1 Starting with Inquiry: Habits of Mind of Academic Writers. Chapter 2 From Reading as a Writer to Writing as a Reader. EN 106 10/25/2012
  • 2. CHAPTER 1 STARTING WITH INQUIRY: HABITS OF MIND OF ACADEMIC WRITERS
  • 3. ACADEMIC WRITING • Academic writing- when scholars communicate with other colleagues in their disciplines. • Argument- text crafted to persuade an audience, often in the service of changing peoples’ minds and behaviors.
  • 4. WHEN WRITING AN ACADEMIC ESSAY… • (1) Define situation that calls for some response in writing. • (2) Prove timeliness of argument. • (3) Establish a personal investment. • (4) Appeal to readers who you want to reach by understanding their side. • (5) Support your argument with good reasoning. • (6) Know & recognize readers’ reasons for their opposition while enticing them to take your side. • DO NOT ATTACK THE OPPOSITION!
  • 5. DEVELOPING SKILLS • Habits of mind- ways of thinking or patterns of thought that lead a person to question assumptions and opinions, explore alternate ones, anticipate opposing arguments, compare one experience to another, and identify the causes and consequences of ideas and events. This equals: • Critical thinking- the ways of thinking critically in academia. The next step is: • Analytical process- considering a variety of factors, which develops a skeptical habit of mind. • Skeptical habit of mind- not accepting obvious answers to find why things are the way they are and how they could change.
  • 6. ACADEMIC WRITERS & INQUIRY • Inquiry- after looking over a body of information very closely & from many perspectives, then be able to ask questions of others who are just scanning the material. The need to seek and value complexity. Eg: explore how the media works to influence our opinion. • Proper steps to inquiry: • (1) Observe- note things • (2) Ask questions- consider why • (3) Examine alternatives • Avoid binary thinking- there are only two sides to every story. • Remember an issue- is a subject to be explored and debated.
  • 7. ACADEMIC WRITERS SEEK & VALUE COMPLEXITY • To learn to value & seek complexity: • (1) Reflect on what you observe. • (2) Examine issues from multiple points of view. • (3) Ask issue based questions- putting into words questions to help you explore your inquiries.
  • 8. ACADEMIC WRITERS SEE WRITING AS A CONVERSATION • Writers see writing as conversation: • Empathy- ability to understand the perspectives that shape what people think, believe, and value. • Steps for joining an academic conversation: • (1) Be receptive to the ideas of others. • (2) Be respectful. • (3) Engage with the ideas of others. • (4) Be flexible in your thinking about the ideas of others.
  • 9. ACADEMIC WRITERS UNDERSTAND THAT WRITING IS A PROCESS • P. 10 Text: A practice sequence. • Collecting Information & Material (Steps) • (1) Mark texts as you read. • (2) List quotations that are interesting & provocative. • (3) List your own ideas in response. • (4) Sketch out similarities & differences among authors whose work you plan to use in your essay.
  • 10. ACADEMIC WRITERS UNDERSTAND THAT WRITING IS A PROCESS (2) • Draft & draft again • Steps to drafting: • (1) Look through the materials. • (2) Identify the issue. • (3) Formulate a question. • (4) Select the material that you will include. • (5) Consider the reader types. • (6) Gather more material. • (7) Formulate a working thesis. • (8) Consider possible arguments.
  • 11. ACADEMIC WRITERS UNDERSTAND THAT WRITING IS A PROCESS (3) • Revise significantly • Steps to revision: • (1) Draft & revise the introduction & conclusion. • (2) Clarify any obscure or confusing passages your peers have pointed out. • (3) Provide details & textual evidence where your peers have asked for new or more information. • (4) Check to see that you have included opposing points of view and have addressed them fairly. • (5) Consider reorganization.
  • 12. ACADEMIC WRITERS UNDERSTAND THAT WRITING IS A PROCESS (4) • Steps to revision (cont) • (6) Check to be sure that every paragraph contributes clearly to your thesis or main claim, and that you have included signposts along the way, phrases that help a reader understand your purpose(“Here I turn to an example from current movies to show how this issue is alive and well in pop culture”). • (7) Consider using strategies you have found effective in other reading you have done for class (repeating words or phrases for effect, asking rhetorical questions, varying your sentence length). • P. 15 Group activity?
  • 14. From Reading as a Writer to Writing as a Reader CHAPTER. 2
  • 15. READING AS AN ACT OF COMPOSING • Annotating- (leaving your mark on the page) First act of composing. When you mark the pages of a text, you are reading critically, engaging with the ideas of others, questioning and testing those ideas, and inquiring into their significance. • Critical reading- sometimes called active reading to distinguish it from memorization, when you just read for the main idea so that you can “spit it back out on a test.” • When annotating a text ask the following questions: • (1) What arguments is the author responding to? • (2) Is the issue relevant or significant? • (3) How do I know what the author says is true? • (4) Is the author’s evidence legitimate or sufficient? • (5) Can I think of an exception to the author’s argument? • (6) What are the counterarguments? (p. 31 text)
  • 16. READING AS A WRITER: ANALYZING A TEXT RHETORICALLY • Rhetoric- (means of persuasion) studying how writers influence readers. • Rhetorical analysis- separating parts of an argument to better understand the argument as a whole and how it works. • P. 33-36 (text) • Steps to rhetorical analysis: • (1) Situation- what motivates the writer to write? • (2) Purpose- what is the writer trying to accomplish? What does the author want readers to do? • (3) Identify the writer’s claims- (thesis or main claim) Controlling idea that solidifies a writer’s main point. • (4) Identify the writer’s audience- the readers whose opinions and actions he/she wishes to influence or change.
  • 17. READING AS A WRITER: ANALYZING A TEXT RHETORICALLY (2) • P. 39-41 text exercise • Steps to writing a rhetorical analysis of a paragraph: • (1) The situation to which they are responding. • (2) The purpose of their analysis and argument. • (3) Their main claim or thesis. • (4) Who they believe their audience is. • P. 45-46 text activity. • P. 47-49 group activity.