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A Brief History
• Prior to the nineteenth century, paragraph structure
as we know it did not exist.
• Scottish polymath Alexander Bain developed an
“organic paragraph model”
• Among his proposals, he suggested unity—one idea
per ¶ that is clearly stated (in topic
sentence).
• He also advocated coherence (logical
order and transitions between sentences)
and development (support of main idea)
A Brief History
Although there are many paragraph models and
variation, Bain’s ideas of unity, topic sentence,
coherence, and development are still valuable tenets.
A Brief History
"A paragraph is a unit of discourse developing a
single idea. It consists of a group or series of
sentences closely related to one another and to the
thought expressed by the whole group or series.
Devoted, like the sentence, to the development of
one topic, a good paragraph is also, like a
good essay, a complete treatment in itself."
(Fred Newton Scott and Joseph Villiers Denny, Paragraph-
Writing: A Rhetoric for Colleges, 1909)
Unity
• A ¶ makes one main point.
• If it has more, these smaller points must be unified
under a common theme or idea.
• This is often achieved through a topic sentence, in
which the purpose and/or the main idea of the
paragraph is clearly presented:
Cueing
• Topic sentences at the beginning announce what the
rest of the paragraph will develop; its strengths are
development and amplification.
• Topic sentences at the end tend to move from the
particular to the general; they work particularly well
with presenting a contentious argument, as the reader
is able to consider and accept evidence before the
argument is fully presented.
• Anything that does not support the unifying point of
the paragraph should be moved or deleted!
Cueing
Topic sentences typically perform three tasks:
• Indicate the ¶’s main point
• Indicate how that point relates to the thesis
• Provide a link to the preceding paragraph(s)

Development
Each claim made in the topic sentence must be
corroborated by evidence (anecdotes, raw data,
research studies, etc)
Remember that you will probably have more
evidence than you need; sheer bulk or length does
not make an argument more compelling.
Coherence
Two types of coherence:
• Intra-paragraph:
use transitional words and phrases to move us along your ideas
make lexical connections: repeat key words and synonyms from one sentence to
the next
• Inter-paragraph (connects paragraphs to one another):
use transition sentences, that show us the relation of one idea to the next
add to this the same lexical connections between paragraphs
include topic-to-thesis explanatory sentences: explain why or how the paragraph
supports your thesis; usually comes at the beginning or end of paragraphs.
Coherence
George Abbot was perhaps the ugliest of them all, a
morose, intemperate man, whose portraits exude a
sullen rage. Even in death, he was portrayed on his
tomb in Holy Trinity Guildford, as a man of
immense weight, with heavy, wrinkled brow and
coldly staring eyes. He looks like a bruiser, a man of
such conviction and seriousness that anyone would
think twice about crossing him. What was it that
made George Abbot so angry?
Work with Nouns & Pronouns
Coherence
Hype and hysteria have always been a part of movie
advertising, but the frenzy of film trailers today follows
a visual style first introduced by music videos in the
1980s. The quick cut is everything. Next time you go
to a film, study the three or four previews that
precede the main feature. How are these teasers
constructed? What are their common features?
What might trailers say about the expectations of
audiences today?
Use Synonyms
Rough Plan
The Rough Plan is a simple—but effective—graphic
organizer designed to save time. It helps you
establish the direction of your paper, determine the
best organization for your ideas, and foresee
paragraphs that are irrelevant or redundant.
Rough Plan
1.  Establish your thesis and main sub-points.
2.  Arrange these points in a logical (but provisional)
order.
3.  State each point so it indicates what paragraph will do,
not just what paragraphs is about (see next slide).
4.  The plan also suggests how paragraphs will be
developed (what kinds of support/analysis is needed).
5.  Check plan to see how well it holds together, and
where changes are necessary.
Rough Plan
 offering an example
 counterargument
 introducing
 concluding
 offering the primary support for thesis
 combining minor support under one paragraph
 transitioning us to another idea
 giving context
 widening the significance
Rough Plan
 Paragraph without a point
 Point irrelevant to thesis
 Unnecessary summary
 Paragraph with multiple points
 Paragraph sequence out-of-order
 Redundant paragraphs
Problem Diagnosis
Conceptual Ordering
Instead of just using this formulation:
Thesis, because A
and B
and C
and D
and E
try
Thesis, because A
or B
so C
but D
yet E
From Ross Winterowd’s The Grammar of Coherence
Transitions
Transitions are key to creating the feeling of
continuity for your reader.
A single transition word also cue your reader about
the main idea of the paragraph (e.g. similarly,
however, consequently)
Some papers may require transition paragraphs to
help link two ideas. In longer papers, a mini-
conclusion at the end of a main section is helpful for
reader before moving to new material.
Transitions
Hooping: Step by Step
1.  Print out a copy of your essay.
2.  Isolate two sequential paragraphs from the body of your
essay.
3.  Circle the last two or three sentences from the first
paragraph and the first two or three sentences of the
second paragraph.
4.  Rewrite the circled sentences as if they were combined
in one paragraph. Read this new paragraph for
coherence. Does it flow? If not, it may mean that you
need to add a transition between the two paragraphs.
Transitions
Hooping: Step by Step
Paragraph 1
Paragraph 2
Paragraph 1
Paragraph 2
Checking for
Transitions
*This exercise was developed by John Bruns.
Transitions
Don’t forget that headings can work as effective
transitions.
Section headings such as “Methods,” “Results,” and
“Discussion” provide easy clues to help guide the
reader, and can be just as effective as more traditional
transition words or phrases.
Counter-Argument
To strengthen your point, consider alternate positions
or interpretations.
You need a balance, however, between
acknowledging the counter-argument without
appearing to waffle between two sides of the issue.
It is important to do more than simply state the
opposing view; you must refute its validity, or provide
a rebuttal. If you attack potential opposition it will
weaken, invalidate or reduce their credibility.
Counter-Argument
Argument  Counter-argument  Rebuttal  Stronger Argument
If the counter-argument is too strong or valid to refute entirely, you can concede that
the opposition may have a point in one matter, while explaining that you believe that
the opposition’s argument does not mean that your own argument loses any validity:
“Despite the fact that... (concession/qualification) it is still more important that...
(your/primary argument).”
Argument  Concession/Qualification  Reassertion of Primary Argument
Counter-Argument
• Question the evidence.
• Attack the warrants or assumptions that underlie the claim.
• Attack the logic or reasoning of the opposing view. Identify any
possible logical fallacies.
• Attack the possible solution. Is it feasible? Practical?
Ethical?
Sample language for phrasing counter-argument:
While opponents of __ have understandable/reasonable concerns …
Though it may be true that…
Many believe…But…
Unless A changes, then B cannot be true/occur/be improved…
While it might be the case in ____ situation, it is not always true…
Adapted from a worksheet by Mariko Dawson
Introductions
• Directly declare focus of investigation
• Preview scope of project
• Provide needed background (relevant studies,
definition of key terms, context for topic)
• Set the tone for the paper
• Remember to write the introduction when you are
ready. This might be at the END of the paper.
Introductions
Professors aren't known for fussing about their looks, but the results of a
new study suggest they may have to if they want better teaching evaluations.
Daniel Hamermesh, a professor of economics at the University of Texas at
Austin, and Amy Parker, one of his students, found that attractive professors
consistently outscore their less comely colleagues by a significant margin on
student evaluations of teaching. The findings, they say, raise serious questions
about the use of student evaluations as a valid measure of teaching quality.
In their study, Mr. Hamermesh and Ms. Parker asked students to look at
photographs of 94 professors and rate their beauty. Then they compared those
ratings to the average student evaluation scores for the courses taught by those
professors. The two found that the professors who had been rated among the
most beautiful scored a point higher than those rated least beautiful (that's a
substantial difference, since student evaluations don't generally vary by much).
While it's not news that beauty trumps brains in many quarters, you would
think that the ivory tower would be relatively exempt from such shallowness.
Introductions
• Bold statement/lead with thesis
• Reframe or narrow question
• Define the opposition
• Quotation
• Hard Facts
• Anecdote
• Metaphor, symbol, reference
(See handout for examples, advantages, disadvantages
of each)
Conclusions
• Summarize points AND connect them
• Reiterate the thesis
• Can propose further questions for debate or
research
• Can conjecture about broader implications based on
the information provided
• Can suggest action step or policy change based on
idea you’ve proven
Conclusions
Though research on CDCS remains far from abundant, existing studies
prescribe early and ongoing intervention by a team of specialists, including
speech-language pathologists, physical and occupational therapists, various
medical and educational professionals, and parents. Such intervention has
been shown to allow individuals with CDCS to live happy, long, and full
lives.  The research, however, indicates that the syndrome affects all
aspects of a child's development and should therefore be taken quite
seriously.  Most children require numerous medical interventions,
including surgery (esp to correct heart defects), feeding tubes [...]  
Currently, the best attempts are being made to help young children with
CDCS reach developmental milestones earlier, communicate effectively,
and function independently.  However, as the authors of the
aforementioned studies suggest, much more research is needed to clarify
the causes of varying degrees of disability, to identify effective and
innovative treatments, and to individualize intervention plans.
Conclusions
What to do Instead
For every category, emphasize how your paper has
shed new light on the topic***
1. Return to the ongoing conversation.
2. Consider again the background information with
which you began.
3. Return to the key terms.
Conclusions
4. Use an anecdote or quotation that summarizes or
reflects your main idea.
5. Evoke a vivid image.
6. Call for action or suggest a course.
7. Acknowledge your opponents--if only to
emphasize that you've superseded them.
Conclusions
8. Ask, and perhaps answer, a provocative question.
9. Universalize carefully (compare to other
appropriate situations)
10. Suggest consequences or results (what benefits/
costs will ensue if your argument is heeded or
dismissed?)
Conclusions
Remember: language is especially important to a
conclusion. Your goal in your final sentences is to
leave your ideas resounding in your reader's mind.
Give her something to think about. Make your
language ring.

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Effective paragraphs-presentation

  • 1.
  • 2. A Brief History • Prior to the nineteenth century, paragraph structure as we know it did not exist. • Scottish polymath Alexander Bain developed an “organic paragraph model” • Among his proposals, he suggested unity—one idea per ¶ that is clearly stated (in topic sentence). • He also advocated coherence (logical order and transitions between sentences) and development (support of main idea)
  • 3. A Brief History Although there are many paragraph models and variation, Bain’s ideas of unity, topic sentence, coherence, and development are still valuable tenets.
  • 4. A Brief History "A paragraph is a unit of discourse developing a single idea. It consists of a group or series of sentences closely related to one another and to the thought expressed by the whole group or series. Devoted, like the sentence, to the development of one topic, a good paragraph is also, like a good essay, a complete treatment in itself." (Fred Newton Scott and Joseph Villiers Denny, Paragraph- Writing: A Rhetoric for Colleges, 1909)
  • 5. Unity • A ¶ makes one main point. • If it has more, these smaller points must be unified under a common theme or idea. • This is often achieved through a topic sentence, in which the purpose and/or the main idea of the paragraph is clearly presented:
  • 6. Cueing • Topic sentences at the beginning announce what the rest of the paragraph will develop; its strengths are development and amplification. • Topic sentences at the end tend to move from the particular to the general; they work particularly well with presenting a contentious argument, as the reader is able to consider and accept evidence before the argument is fully presented. • Anything that does not support the unifying point of the paragraph should be moved or deleted!
  • 7. Cueing Topic sentences typically perform three tasks: • Indicate the ¶’s main point • Indicate how that point relates to the thesis • Provide a link to the preceding paragraph(s)

  • 8. Development Each claim made in the topic sentence must be corroborated by evidence (anecdotes, raw data, research studies, etc) Remember that you will probably have more evidence than you need; sheer bulk or length does not make an argument more compelling.
  • 9. Coherence Two types of coherence: • Intra-paragraph: use transitional words and phrases to move us along your ideas make lexical connections: repeat key words and synonyms from one sentence to the next • Inter-paragraph (connects paragraphs to one another): use transition sentences, that show us the relation of one idea to the next add to this the same lexical connections between paragraphs include topic-to-thesis explanatory sentences: explain why or how the paragraph supports your thesis; usually comes at the beginning or end of paragraphs.
  • 10. Coherence George Abbot was perhaps the ugliest of them all, a morose, intemperate man, whose portraits exude a sullen rage. Even in death, he was portrayed on his tomb in Holy Trinity Guildford, as a man of immense weight, with heavy, wrinkled brow and coldly staring eyes. He looks like a bruiser, a man of such conviction and seriousness that anyone would think twice about crossing him. What was it that made George Abbot so angry? Work with Nouns & Pronouns
  • 11. Coherence Hype and hysteria have always been a part of movie advertising, but the frenzy of film trailers today follows a visual style first introduced by music videos in the 1980s. The quick cut is everything. Next time you go to a film, study the three or four previews that precede the main feature. How are these teasers constructed? What are their common features? What might trailers say about the expectations of audiences today? Use Synonyms
  • 12. Rough Plan The Rough Plan is a simple—but effective—graphic organizer designed to save time. It helps you establish the direction of your paper, determine the best organization for your ideas, and foresee paragraphs that are irrelevant or redundant.
  • 13. Rough Plan 1.  Establish your thesis and main sub-points. 2.  Arrange these points in a logical (but provisional) order. 3.  State each point so it indicates what paragraph will do, not just what paragraphs is about (see next slide). 4.  The plan also suggests how paragraphs will be developed (what kinds of support/analysis is needed). 5.  Check plan to see how well it holds together, and where changes are necessary.
  • 14. Rough Plan  offering an example  counterargument  introducing  concluding  offering the primary support for thesis  combining minor support under one paragraph  transitioning us to another idea  giving context  widening the significance
  • 15. Rough Plan  Paragraph without a point  Point irrelevant to thesis  Unnecessary summary  Paragraph with multiple points  Paragraph sequence out-of-order  Redundant paragraphs Problem Diagnosis
  • 16. Conceptual Ordering Instead of just using this formulation: Thesis, because A and B and C and D and E try Thesis, because A or B so C but D yet E From Ross Winterowd’s The Grammar of Coherence
  • 17. Transitions Transitions are key to creating the feeling of continuity for your reader. A single transition word also cue your reader about the main idea of the paragraph (e.g. similarly, however, consequently) Some papers may require transition paragraphs to help link two ideas. In longer papers, a mini- conclusion at the end of a main section is helpful for reader before moving to new material.
  • 18. Transitions Hooping: Step by Step 1.  Print out a copy of your essay. 2.  Isolate two sequential paragraphs from the body of your essay. 3.  Circle the last two or three sentences from the first paragraph and the first two or three sentences of the second paragraph. 4.  Rewrite the circled sentences as if they were combined in one paragraph. Read this new paragraph for coherence. Does it flow? If not, it may mean that you need to add a transition between the two paragraphs.
  • 19. Transitions Hooping: Step by Step Paragraph 1 Paragraph 2 Paragraph 1 Paragraph 2 Checking for Transitions *This exercise was developed by John Bruns.
  • 20. Transitions Don’t forget that headings can work as effective transitions. Section headings such as “Methods,” “Results,” and “Discussion” provide easy clues to help guide the reader, and can be just as effective as more traditional transition words or phrases.
  • 21. Counter-Argument To strengthen your point, consider alternate positions or interpretations. You need a balance, however, between acknowledging the counter-argument without appearing to waffle between two sides of the issue. It is important to do more than simply state the opposing view; you must refute its validity, or provide a rebuttal. If you attack potential opposition it will weaken, invalidate or reduce their credibility.
  • 22. Counter-Argument Argument  Counter-argument  Rebuttal  Stronger Argument If the counter-argument is too strong or valid to refute entirely, you can concede that the opposition may have a point in one matter, while explaining that you believe that the opposition’s argument does not mean that your own argument loses any validity: “Despite the fact that... (concession/qualification) it is still more important that... (your/primary argument).” Argument  Concession/Qualification  Reassertion of Primary Argument
  • 23. Counter-Argument • Question the evidence. • Attack the warrants or assumptions that underlie the claim. • Attack the logic or reasoning of the opposing view. Identify any possible logical fallacies. • Attack the possible solution. Is it feasible? Practical? Ethical? Sample language for phrasing counter-argument: While opponents of __ have understandable/reasonable concerns … Though it may be true that… Many believe…But… Unless A changes, then B cannot be true/occur/be improved… While it might be the case in ____ situation, it is not always true… Adapted from a worksheet by Mariko Dawson
  • 24. Introductions • Directly declare focus of investigation • Preview scope of project • Provide needed background (relevant studies, definition of key terms, context for topic) • Set the tone for the paper • Remember to write the introduction when you are ready. This might be at the END of the paper.
  • 25. Introductions Professors aren't known for fussing about their looks, but the results of a new study suggest they may have to if they want better teaching evaluations. Daniel Hamermesh, a professor of economics at the University of Texas at Austin, and Amy Parker, one of his students, found that attractive professors consistently outscore their less comely colleagues by a significant margin on student evaluations of teaching. The findings, they say, raise serious questions about the use of student evaluations as a valid measure of teaching quality. In their study, Mr. Hamermesh and Ms. Parker asked students to look at photographs of 94 professors and rate their beauty. Then they compared those ratings to the average student evaluation scores for the courses taught by those professors. The two found that the professors who had been rated among the most beautiful scored a point higher than those rated least beautiful (that's a substantial difference, since student evaluations don't generally vary by much). While it's not news that beauty trumps brains in many quarters, you would think that the ivory tower would be relatively exempt from such shallowness.
  • 26. Introductions • Bold statement/lead with thesis • Reframe or narrow question • Define the opposition • Quotation • Hard Facts • Anecdote • Metaphor, symbol, reference (See handout for examples, advantages, disadvantages of each)
  • 27. Conclusions • Summarize points AND connect them • Reiterate the thesis • Can propose further questions for debate or research • Can conjecture about broader implications based on the information provided • Can suggest action step or policy change based on idea you’ve proven
  • 28. Conclusions Though research on CDCS remains far from abundant, existing studies prescribe early and ongoing intervention by a team of specialists, including speech-language pathologists, physical and occupational therapists, various medical and educational professionals, and parents. Such intervention has been shown to allow individuals with CDCS to live happy, long, and full lives.  The research, however, indicates that the syndrome affects all aspects of a child's development and should therefore be taken quite seriously.  Most children require numerous medical interventions, including surgery (esp to correct heart defects), feeding tubes [...]   Currently, the best attempts are being made to help young children with CDCS reach developmental milestones earlier, communicate effectively, and function independently.  However, as the authors of the aforementioned studies suggest, much more research is needed to clarify the causes of varying degrees of disability, to identify effective and innovative treatments, and to individualize intervention plans.
  • 29. Conclusions What to do Instead For every category, emphasize how your paper has shed new light on the topic*** 1. Return to the ongoing conversation. 2. Consider again the background information with which you began. 3. Return to the key terms.
  • 30. Conclusions 4. Use an anecdote or quotation that summarizes or reflects your main idea. 5. Evoke a vivid image. 6. Call for action or suggest a course. 7. Acknowledge your opponents--if only to emphasize that you've superseded them.
  • 31. Conclusions 8. Ask, and perhaps answer, a provocative question. 9. Universalize carefully (compare to other appropriate situations) 10. Suggest consequences or results (what benefits/ costs will ensue if your argument is heeded or dismissed?)
  • 32. Conclusions Remember: language is especially important to a conclusion. Your goal in your final sentences is to leave your ideas resounding in your reader's mind. Give her something to think about. Make your language ring.