1 b class 14


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1 b class 14

  1. 1. Class 14EWRT 1B
  2. 2. Agenda• Presentation: Terms list 3• Discussion: Essay #3• In-class writing: Essay #3 • Directed Summary • Counter Argument • Conclusion• Author Lecture: David Henry Hwang
  3. 3. Terms List #3
  4. 4. • Androgeny (also androgynous, bi-gendered, no- gendered): A person who identifies as both or neither of the two culturally defined genders, or a person who expresses merged culturally/stereotypically feminine and masculine characteristics or neutral characteristics.• Anti-Semitism: Hostility toward, or prejudice or discrimination against Jews or Judaism.• Assigned (Biological) Sex: A social construct referring to the state of being intersex, female, or male. A concept that relies on the dichotomous division of various genitive, biological, chromosomal, hormonal and physiological differences in human.
  5. 5. • Bisexual: A person who is emotionally, physically, and/or sexually attracted to both men and women. Some people avoid this term because of its implications that there are only two sexes/genders to be sexually attracted to and this reinforces the binary gender system.• Cross-Dresser: Someone who enjoys wearing clothing typically assigned to a gender that the individual has not been socialized as, or does not identify as. Cross-dressers are of all sexual orientations and do not necessarily identify as transgender. “Cross-dresser” is frequently used today in place of the term “transvestite.” This activity seems more obvious when men as opposed to women engage in it publicly, because of an inequity in societal norms concerning attire and other components of appearance.
  6. 6. • Cultural Humility: A lifelong commitment to self-evaluation and critique, to redressing the power imbalances in the [interpersonal relationship] dynamic[s], and to developing mutually beneficial and non-paternalistic partnerships with communities on behalf of individuals and defined populations.• FtM (F2M)/MtF (M2F): Generally, abbreviations used to refer to specific members of the trans community. FtM stands for female-to-male, as in moving from a female pole of the spectrum to the male. MtF stands for male-to-female and refers to moving from the male pole of the spectrum tot eh female. FtM is sometimes, not always, synonymous with transman. Conversely, someone who identifies as MtF, may identify as a transwoman.
  7. 7. Essay #3
  8. 8. Introduction: Directed SummaryTransition to Thesis StatementThesis StatementSection A Body Paragraph 1 Body Paragraph 2Section B Body Paragraph 3 Body Paragraph 4Section C Body Paragraph 5 Body Paragraph 6CounterargumentConclusion
  9. 9. The DirectedSummaryHow to write one!
  10. 10. Directed Summary• A directed summary provides readers of your paper with the information they need to understand your argument and explanation.• State the title and author of the literary work near the beginning of the first paragraph, perhaps in the first sentence. This is essential so that the reader knows which work you are discussing.
  11. 11. • Hook the reader. In the first sentences, write what is particularly interesting about the work. This thought-provoking information must also be relevant to the topic you will discuss in your essay.• Assume that the reader is familiar with the work about which you are writing. Do not include too much plot summary in the introduction or in the rest of the essay. Do include the part of the story that will support your thesis.
  12. 12. • Use transitions throughout the introduction. Because there are so many aspects of the work that have to be included, the introduction can end up fragmented and confusing. Make sure that it makes sense on its own as a paragraph. Clearly transition from your introduction into your thesis.• State the thesis near the end of the introduction (your introduction might be more than one paragraph). The thesis should clearly state what the essay will analyze and should be very specific.
  13. 13. Try writing your introduction1. Title and author2. Hook the reader with a thought-provoking aspect of the story, one that connects to your essay.3. Assuming the reader is familiar with the text, include a brief summary that provides support for your paper.4. Use transitions to keep the introduction clear and organized.5. Transition to the thesis.6. Include your thesis near the end of the introduction.
  14. 14. TheCounterargument
  15. 15. • When you write an academic essay, you make an argument: you propose a thesis and offer some reasoning, using evidence, that suggests why the thesis is true. When you counter-argue, you consider a possible argument against your thesis or some aspect of your reasoning. This is a good way to test your ideas when drafting, while you still have time to revise them. And in the finished essay, it can be a persuasive and disarming tactic. It allows you to anticipate doubts and pre-empt objections that a skeptical reader might have; it presents you as the kind of person who weighs alternatives before arguing for one, who confronts difficulties instead of sweeping them under the rug, who is more interested in discovering the truth than winning a point.• Not every objection is worth entertaining, of course, and you shouldnt include one just to include one. But some imagining of other views, or of resistance to ones own, occurs in most good essays.
  16. 16. The Turn AgainstA counterargument in an essay has two stages: you turn against your argument tochallenge it and then you turn back to re-affirm it. You first imagine a skepticalreader, or cite an actual source, who might resist your argument by pointing out aproblem with your demonstration:1. that a different conclusion could be drawn from the same facts, a key assumption is unwarranted, a key term is used unfairly, certain evidence is ignored or played down2. one or more disadvantages or practical drawbacks to what you propose3. an alternative explanation or proposal that makes more sense.You introduce this turn against with a phrase like one of these• Some might object here that• It might seem that• It is true that• Admittedly• Of course
  17. 17. Another approach is to use an anticipatedchallenging question:• But how...?• But why...?• But isnt this just…?• But if this is so, what about…?Then you state the case against yourself as briefly but asclearly and forcefully as you can, pointing to evidence wherepossible. You must answer your own question completely andconcisely or you risk undermining your own argument.An obviously feeble or perfunctory counterargument doesmore harm than good.
  18. 18. The Turn BackYour return to your own argument—which you announce with abut, yet, however, nevertheless or still—must likewise involvecareful reasoning, not a flippant (or nervous) dismissal. Inreasoning about the proposed counterargument, you may do oneof the following:1. Refute it, showing why it is mistaken—an apparent but not real problem2. Acknowledge its validity or plausibility, but suggest why on balance its relatively less important or less likely than what you propose, and thus doesnt overturn it;3. Concede its force and complicate your idea accordingly—restate your thesis in a more exact, qualified, or nuanced way that takes account of the objection, or start a new section in which you consider your topic in light of it.
  19. 19. Where to Put a Counter-ArgumentCounter-argument can appear anywhere in the essay. Try it in several placesand see where it fits best:1. as part of your introduction—before you propose your thesis—where the existence of a different view is the motive for your essay, the reason it needs writing.2. as a section or paragraph just after your introduction, in which you lay out the expected reaction or standard position before turning away to develop your own.3. as a quick move within a paragraph, where you imagine a counterargument not to your main idea but to the sub-idea that the paragraph is arguing or is about to argue.4. as a section or paragraph just before the conclusion of your essay, in which you imagine what someone might object to what you have argued.But watch that you do not overdo it. A turn into counterargument here andthere will sharpen and energize your essay, but too many such turns will havethe reverse effect by obscuring your main idea or suggesting that you areambivalent.
  20. 20. Thesis: This book shows that social pressure, oppression, andviolence do not act only as forces of conformity, but also aspowerful sources of agency; they can inspire people to challengeinjustice in pursuit of liberty.Counterargument:Of course, there are times when social pressure, oppression, andviolence push people to conform, but these examples generally fall intoone of three main categories: One, people bow to social pressure,oppression, and violence when they do not have a significant reason toresist; two, people bow to social pressure, oppression, and violencewhen the consequences are life threatening; and three, people bow tosocial pressure, oppression, and violence until they can strategize theirresistance. This final response is the one that Feinberg illustratesthrough Jess Goldberg.
  21. 21. Do you need a counterargument?1. Is there an obvious argument against your thesis?2. Is there a different conclusion could be drawn from the same facts?3. Do you make a key assumption with which others might disagree?4. Do you use a term that someone else might define a different way?5. Do you ignore certain evidence that others might believe you need to address?6. Is there an alternative explanation or proposal that some might more readily believe?
  22. 22. Conclusions
  23. 23. Strategies for Writing a ConclusionConclusions are often the most difficult part of an essayto write, and many writers feel that they have nothingleft to say after having written the paper. A writer needsto keep in mind that the conclusion is often what areader remembers best. Your conclusion should be thebest part of your paper.A conclusion should• stress the importance of the thesis statement,• give the essay a sense of completeness, and• leave a final impression on the reader.
  24. 24. Create a new meaning Demonstrating how your ideas work together cancreate a new picture. Often the sum of the paperis worth more than its parts.Stone Butch Blues shows that socialpressures, oppression, and violence areappropriate ways neither to create harmonynor to manage cultural diversity
  25. 25. Answer the question "So What?”Show your readers why this paper wasimportant.Stone Butch Blues provides knowledgethat can liberate those people who suffersocial oppression by both providingmodels of, and encouraging, successfulresistance.
  26. 26. Propose a course of actionRedirect your readers thought process and help him orher to apply your info and ideas to her own life or tosee the broader implications.Finally, Stone Butch Blues inspires people tochallenge injustice in pursuit of liberty for allpeople.
  27. 27. Let’s try writing a couple of conclusions1. Answer the question "So What?”: Show your readers why this paper was important.2. Synthesize information: Show how the points you made and the support and examples you used fit together.3. Challenge the reader: Help readers redirect the information in the paper, so they may apply it to their own lives.4. Create a new meaning: demonstrating how your ideas work together can create a new picture. Often the sum of the paper is worth more than its parts.5. Propose a course of action, a solution to an issue, or questions for further study: Redirect your readers thought process and help him or her to apply your info and ideas to her own life or to see the broader implications.6. Echo the introduction: If you begin by describing a scenario, you can end with the same scenario as proof that your essay was helpful in creating a new understanding.
  28. 28. Henry David Hwang• David Henry Hwang was born on August 11, 1957 in Los Angeles, California.• His parents immigrated from China• He went to Stanford University• As an undergraduate, he wrote his first play FOB, which explores the contrast in attitudes between recently arrived Chinese immigrants and two Chinese-American students who have long since assimilated.• He went to graduate school at Yale, where he continued to write successful plays.
  29. 29. M Butterfly• Hwang returned to the stage with M. Butterfly, one of the most celebrated of recent American plays, and the first by an Asian-American to win universal acclaim.• It was first produced in 1988 and won numerous awards, including the Tony Award for Best Play of the Year, the New York Drama Desk Award, the Outer Critics Circle Award for Best Broadway play, and the John Gassner Award for the seasons outstanding new playwright.• M. Butterfly enjoyed a popular run on Broadway and when it moved to Londons Shaftsbury Theatre in 1989 it broke all box office records in the first week.
  30. 30. • Reading: M Butterfly Finish in-class writing: Introduction, Counterargument, and Conclusion Post #20 Finish your draft of Essay #3 and post it. Bring three complete copies of your draft to our next meeting.