This document provides analysis of multiple fictional crime and drama television series and films. It discusses the narrative structure, story arcs, and technical elements of productions like And Then There Where None, Cyber Bully, This is England '90, and See No Evil: The Moors Murderers. Key details analyzed include the use of linear vs nonlinear narratives, camera angles, mise-en-scene, music, and how setting and costumes are used to establish characters. Scenes from several works are also examined.

1. And Then There Where
None
DIRECTOR CRAIG VIVEROS

2. Format and Genre
 Format- series
 Genre- Fictional Crime

3. Narrative structure
 The narrative structure is linear and uses a lot of
foreshadowing. This was effective as it shows us the
characters before they got to the island and it gives us some
background information about them.
 It also helps us to understand the characters and learn things
abut them which fits into the story when we find out that they
have committed a crime.

4. Story arc
The
characters
get to the
island.
They have a
dinner party which
reveals they are
all murderers.
They all admit to their
crimes and it shows
flashbacks of what
each character has
done.
They find out
that there is
something
weird going
on in the
house
People start dying in
house and the new
assistant finds
something weird abo
the poem about the
soldiers.

5. Analysis of scene
The scene I am going to analyse is when they are all sat around the dinner table and
the record starts playing which states that they are all murderers and they have all
committed a crime. This makes the audience feel tense as it shows us medium shots
of each character when we have found out what they have done.

6. Compare and Contrast
 And Then There Where None is different to Cyber bully as different technical
elements have been used in each drama for example in cyber bully it I all set in
one room and there isn't really many technical elements used apart from close
ups and medium close-ups to show the emotion on Casey's face whereas In And
Then There Where None there are more camera angles and uses of mise en
scene use for example it shows us the location and uses long shots, high angles
and establishing shots so we can become intrigued in the island and to
understand that there is something going on.
 Adding to this both of the dramas use non diegetic music to keep the audience
tense and interested in what is going on.

7. Cyber Bully
DIRECTOR BEN CHANAN

8. Format and Genre
 Format- One off/ single drama
 Genre- Docu-Drama thriller

9. Narrative structure
 This one of single drama has a linear narrative structure. It is also
realist. This technique was effective because if it was not told in a
linear narrative we would not understand the story line.
 Also it added to the tension as we did not know what was going to
happen next and it focused on one character.

10. Story arc
Setting:
Typical
girls
teenage
bedroom.
Low key
lighting,
Casey starts to chat
with someone online
but soon realises
that their identity is
unknown. Realises
they have pictures of
her.
Casey realises
that it was the
hacker who sent
the initial tweet.
Hacker gets Casey to
confess to being a
bully and then asks
her to take her
medication.
Casey realises
that the
language used
links to a tweet
she had seen
earlier.

11. Analysis of scene
 The scene I am going to analyse is when Casey realises

12. Compare and Contrast
 Cyber bully is different to This is England ‘90 because firstly Cyber bully is a one
of drama and This is England is a 3 part mini series.
 In Cyber bully there isn't much use of Mise en Scene whereas in This is England
they use costume and setting to show where the characters are from and to show
what sort of class they are which is working class.

13. This is England ‘90
DIRECTOR SHANE MEADOWS

14. Format and genre
Format- Mini series
Genre- Drama

15. Narrative structure
 The narrative structure is linear as it shows you each
character and what is happening at this point in time it is
effective because it feels like we are their with the characters
and it is more realistic.

16. Story arc
They gather
them into the
dining room to
tell them some
serious news.
She admits
what her dad
at done and
that she was
actually the
one who killed
her dad . They then start
arguing and Kelly
walks out the
room whilst they
are arguing
Kelly packs her
bag and leaves
the house.

17. Analysis of scene

18. Compare and contrast

19. See no evil; The moors
murderers
DIRECTOR CHRISTOPHER MANUAL

20. Format and genre
 Genre- Crime
 Format- Serial drama

21. Narrative structure
 This film is set in a linear narrative structure which means it is going in
chronological order and we can understand everything without learning about the
characters past.
 The film has no flashbacks. It Is set over two episodes.

22. Story arc
All the
characters
seem tense
at the
beginning.
The first shot
shows an
establishing
shot of the
Moors which
shows the
importance of
the story line.

23. Analysis of scene
 This scene shows a boy walking into a red room which creates the mood of
danger. This scene becomes tense for the audience when it shows a 180 degree
rule hen it shows the character getting into an intense confrontation.

24. Compare and contrast