Drama overview 2 study
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The document discusses the origins and evolution of drama from ancient Greek times to modern eras. It notes that drama likely grew out of ancient rituals and performances. It then outlines key developments in Greek drama including the works of playwrights like Aeschylus, Sophocles, and Euripides. It discusses Aristotle's analysis of tragedy which defined its core elements and structures. Finally, it summarizes how drama changed and experimented with form over time through medieval, Shakespearean, and modern works.
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Drama originated in ancient Greece where people would worship Dionysus through singing and dancing together. This evolved into a structured form of Greek drama performed in theaters built into hillsides. Tragedies focused on noble protagonists with a tragic flaw who would undergo a reversal of fortune, recognize their mistakes, and arouse feelings of pity and fear in audiences. Aristotle defined key elements of drama including plot, character, theme, and his three unities of time, place, and action. The goals of tragedy were to reaffirm the value of life and explore spiritual conflicts that arise from a character's inner struggles.
Old comedy
Aristophanes was a famous Greek playwright who lived from the 440s to 380s BC and wrote 44 comedies, 11 of which still exist. He specialized in a genre known as Old Comedy, which used exaggerated characters, improbable plots, and slapstick humor to comment on important political and social issues of his time, such as the Peloponnesian War. Old Comedy followed a structure including a Prologue, Parode, Agon, Parabasis, Episodes, and Exode and blended ridiculous elements with serious themes, characters, and language.
What is drama
Drama is a story enacted on stage for a live audience. It involves the imitation of actions through speech and symbols to portray life. Drama deals with human emotions and experiences and requires spectators. It is a collaborative art form that influences how dramatic texts are structured differently from other literature due to its collective production and reception. Drama has been considered a genre of poetry since Aristotle contrasted it with epic and lyrical modes, with the purpose of either delighting or instructing audiences.
Greek tragedy
1. The document provides background information on Greek tragedy, including its origins in religious ceremonies and structure, which involved alternating episodes and choral odes.
2. It discusses key playwrights like Aeschylus and Sophocles, noting Sophocles focused on the human world rather than divine themes. His plays featured a protagonist struggling against fate.
3. The document also summarizes the classic Greek myth of Oedipus and his family that Sophocles explored in several of his surviving plays.
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Plays within this group are absurd in that they focus not on logical acts, realistic occurrences, or traditional character development; they instead focus on human beings trapped in an incomprehensible world subject to any occurrence, no matter how illogical.
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self explanatory material about Characteristics and structure of comedy. it contains definition of comedy and history and its basis sections into which it is divided. Old comedy , middle comedy. new comedy.
Greek tragedy
The document provides an overview of the origins and development of Greek drama. It begins with the spread of the cult of Dionysus throughout Greece in the 6th century BCE and the development of theatrical performances as part of religious festivals. It then discusses the major playwrights such as Aeschylus, Sophocles, and Euripides who established the genres of tragedy and comedy. Finally, it covers elements of Greek drama such as the use of masks, theatrical conventions, and Aristotle's analysis of tragedy in his Poetics.
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This document provides an overview of the history and elements of drama. It discusses the origins of drama in ancient Greece and how plays were written to honor Dionysus. The basic elements of drama are then outlined, including playwrights, actors, acts, scenes, plots, dialogue, soliloquies, and more. Various drama genres are also summarized, such as tragedy involving a flawed protagonist and unhappy ending, and comedy featuring romantic conflicts resolved through marriage. Modern drama experimentation is briefly mentioned before discussing performance elements like stage types, scene design, lighting, costumes, and props.
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Drama for English 9 Advanced
Drama originated in ancient Greece where people would worship Dionysus through singing and dancing together. This evolved into a structured form of Greek drama performed in theaters built into hillsides. Tragedies focused on noble protagonists with a tragic flaw who would undergo a reversal of fortune, recognize their mistakes, and arouse feelings of pity and fear in audiences. Aristotle defined key elements of drama including plot, character, theme, and his three unities of time, place, and action. The goals of tragedy were to reaffirm the value of life and explore spiritual conflicts that arise from a character's inner struggles.
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Drama is a story enacted on stage for a live audience. It involves the imitation of actions through speech and symbols to portray life. Drama deals with human emotions and experiences and requires spectators. It is a collaborative art form that influences how dramatic texts are structured differently from other literature due to its collective production and reception. Drama has been considered a genre of poetry since Aristotle contrasted it with epic and lyrical modes, with the purpose of either delighting or instructing audiences.
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Drama originated in ancient Greece between 600-200 BC as a form of religious worship to Dionysus. It began as religious chants and songs performed by a chorus and gradually incorporated additional actors and dialogue. During the Elizabethan era in 16th-17th century England, playwrights like Shakespeare and Marlowe flourished. Shakespeare initially wrote in conventional styles but later adapted them to be more natural. Drama can be categorized as opera, pantomime, or creative drama and takes forms like comedy, tragedy, farce, and musical drama. It uses elements like theme, plot, effects, and music.
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This document defines and provides examples of various poetic and literary terms including:
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- Metaphor - An implied comparison between two basically different things that is not introduced with "like" or "as".
- Hyperbole - A great exaggeration to emphasize strong feeling.
- Personification - Giving human characteristics to non-human things.
- Plot - A series of events that present and resolve a conflict, telling the story.
- Symbol - Something concrete that stands for something abstract, like an idea.
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The document discusses the origins and essence of drama. It traces drama back to ancient Greek harvest festivals where farmers would sing, dance, and drink in choruses. Over time, these festivals evolved into organized musical competitions where poets would present song-poems. Poets were seen as being inspired by gods to teach ethical principles. In the 5th century BC in Athens, tragedies emerged that used epic heroes to explore fundamental human problems and perspectives. The essence of tragedy was to allow the audience to understand different points of view and find their own answers on important subjects rather than being dogmatic.
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This document provides a detailed overview of the history of theater from prehistoric times through the 16th century. It covers developments in several regions and eras, including:
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- Early religious ritual performances and passion plays in ancient Egypt from around 4000 BC.
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The document discusses the history and development of drama across different cultures and time periods. It begins with an overview of Greek drama and its origins in dithyrambs honoring Dionysus. It then covers the developments of tragedy, comedy, and satire in ancient Greece. Next it discusses the traditions of drama in Rome, the Middle Ages focusing on religious plays, and the Renaissance with a focus on developments in Italy, France, Spain, and England. It concludes with an overview of 18th century sentimental comedy and the rise of realism and melodrama in the 19th century.
classical theatre vs epic theatre
Epic theatre presents political drama intended to appeal to reason rather than emotions. It replaced episodic structure in classical theatre and introduced the alienation effect to discourage audience identification with characters. Bertolt Brecht pioneered epic theatre in Germany in the 1920s, seeking a socially and politically relevant theatre that would stimulate thought and action in audiences. Brecht's Man is Man (1926) is considered the first epic theatre play. Epic theatre uses alienation effects, explanatory captions, and narrators to encourage critical analysis of social and political issues rather than emotional catharsis.
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Greek tragedy originated from Aristotle's definition in his work Poetics from 330 BCE. Aristotle defined tragedy as an imitation of a serious action using poetic language that arouses pity and fear in the audience and results in a catharsis or release of emotions. According to Aristotle, the six elements of tragedy are plot, character, thought, diction, spectacle, and melody. The plot involves the arrangement of incidents, characters are the people who act, and thought, diction, spectacle, and melody refer to insights, dialogue, visuals, and sounds respectively. Tragedies also follow the three unities of time, place, and action and have a standard structure of a prologue, parodos, episodes, stasimon,
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This document summarizes Aristotle's definitions and analysis of tragedy and comedy from his work Poetics. According to Aristotle, tragedy depicts a serious action that elicits pity and fear and ends in suffering, while comedy depicts situations that reverse unexpectedly or that involve recognition and reward. Tragedy focuses more on plot over character. It leads to a catharsis or purification of emotions through the audience's contemplation of pity and fear portrayed in a work.
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Drama originated in ancient Greece between 600-200 BC as a form of religious worship to Dionysus. It began as religious chants and songs performed by a chorus and gradually incorporated additional actors and dialogue. During the Elizabethan era in 16th-17th century England, playwrights like Shakespeare and Marlowe flourished. Shakespeare initially wrote in conventional styles but later adapted them to be more natural. Drama can be categorized as opera, pantomime, or creative drama and takes forms like comedy, tragedy, farce, and musical drama. It uses elements like theme, plot, effects, and music.
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Analyses the various elements of greek tragedy andElizabethan tragedy. A good guide for those who pursue literature. Major playwrights are mentioned.
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The Theatre of the Absurd developed in response to the senselessness of World War II and aimed to capture the absurdity of life. It was formed by separate playwrights in different places over time, though the term was coined by Martin Esslin. Absurdist plays by figures like Samuel Beckett, Eugene Ionesco, and Arthur Adamov featured bewilderment in an unexplainable universe and questioned human traits through devices that left some details ambiguous. The Theatre of the Absurd influenced modern drama and introduced philosophy to theatre in a basic way.
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Drama is a story enacted on stage for a live audience. It comes from a Greek word meaning "action". A drama imitates life through a series of related and interesting incidents expressed through speech and symbols of life. Drama reflects the sentiments and manners of its time period. It deals with human emotions and experiences translated under certain conditions. Drama requires collaborative production and collective reception from an audience. It has been contrasted with other genres of poetry like epic and lyric since Aristotle's Poetics, with drama considered a form of poetry that is acted out.
Classical drama
Greek drama originated as religious performances held to worship gods and goddesses. Plays dealt with myths and legends and aimed to impart moral lessons. The three major classical dramatists were Aeschylus, Sophocles, and Euripides, who interpreted the same stories differently. Plays were performed outdoors in daylight for large audiences, with a chorus commenting on the story and no more than 3 actors allowed on stage due to conventions of maintaining unity of time, place, and action within a single day. Prologues were used to explain background events when these conventions were difficult to follow.
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This document provides an overview of the history and development of drama across different time periods and cultures. It begins with an explanation of Greek drama and its origins in dithyrambs honoring Dionysus. It then discusses the evolution of Greek tragedy and comedy and their influence on Roman drama. Medieval drama developed out of church liturgy in forms like mystery plays and morality plays. Renaissance drama was influenced by the rediscovery of Greek and Roman classics and varied across countries, with England producing great dramatists like Shakespeare. Realism emerged in 19th century drama alongside melodrama, influencing later playwrights across Europe.
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This document defines and provides examples of various poetic and literary terms including:
- Allusion - A reference to a historical figure, place, or event.
- Metaphor - An implied comparison between two basically different things that is not introduced with "like" or "as".
- Hyperbole - A great exaggeration to emphasize strong feeling.
- Personification - Giving human characteristics to non-human things.
- Plot - A series of events that present and resolve a conflict, telling the story.
- Symbol - Something concrete that stands for something abstract, like an idea.
Theatre of the absurd
This document provides an overview of the Theatre of the Absurd. It discusses how a play by Samuel Beckett called "Waiting for Godot" was immediately understood by an audience of convicts at San Quentin Penitentiary, despite confusing more sophisticated audiences. The document contrasts the Theatre of the Absurd with more conventional plays, noting that Absurdist plays pursue different ends through different methods than traditional plays. It discusses how Absurdist plays reflect the preoccupations and anxieties of their time through abandoning rational devices and discursive thought in favor of achieving unity between form and content.
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This document provides a detailed overview of the history of theater from prehistoric times through the 16th century. It covers developments in several regions and eras, including:
- Ritual dances and performances in cave paintings from 38,000-5,000 BC in Asia, Africa and Europe.
- Early religious ritual performances and passion plays in ancient Egypt from around 4000 BC.
- The development of Greek theater in the 1200-500 BC period, including the works of playwrights like Aeschylus, Sophocles and Euripides.
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802CHAPTER 25UNDERSTANDING DRAMAThe distinctive ap.docx
802
CHAPTER 25
UNDERSTANDING DRAMA
The distinctive appearance of a script, with its divisions into acts and scenes,
identi�es drama as a unique form of literature. A play is written to be per-
formed in front of an audience by actors who take on the roles of the charac-
ters and who present the story through dialogue and action. (An exception is
a closet drama, which is meant to be read, not performed.) In fact, the term
theater comes from the Greek word theasthai, which means “to view” or “to
see.” Thus, drama is different from novels and short stories, which are meant
to be read.
The Ancient Greek Theater
The dramatic presentations of ancient Greece developed out of religious
rites performed to honor gods or to mark the coming of spring. Play-
wrights such as Aeschylus (525–456 b.c.), Sophocles (496–406 b.c.), and
Euripides (480?–406 b.c.) wrote plays to be performed and judged at com-
petitions held during the yearly Dionysian festivals. Works were chosen by
a selection board and evaluated by a panel of judges. To compete in the
contest, writers had to submit three tragedies, which could be either based
on a common theme or unrelated, and one comedy. Unfortunately, very few
of these ancient Greek plays survive today.
The open-air, semicircular ancient Greek theater, built into the side of a
hill, looked much like a primitive version of a modern sports stadium. Some
Greek theaters, such as the Athenian theater, could seat almost seventeen
thousand spectators. Sitting in tiered seats, the audience would look down
on the orchestra, or “dancing place,” occupied by the chorus—originally
a group of men (led by an individual called the choragos) who danced and
chanted and later a group of onlookers who commented on the drama.
Dramatic Literature
Origins of Modern Drama
9781337509633, PORTABLE Literature: Reading, Reacting, Writing, Ninth edition, Kirszner - © Cengage Learning. All rights reserved. No distribution allowed without express authorization.
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Origins of Modern Drama 803
Raised a few steps above the orchestra was a platform on which the
actors performed. Behind this platform was a skene, or building, that origi-
nally served as a resting place or dressing room. (The modern word scene
is derived from the Greek skene.) Behind the skene was a line of pillars
called a colonnade, which was covered by a roof. Actors used the skene for
entrances and exits; beginning with the plays of Sophocles, painted back-
drops were hung there. These backdrops, however, were most likely more
decorative than realistic. Historians believe that realistic props and scenery
were probably absent from the ancient Greek theater. Instead, the setting
was suggested by the play’s dialogue, and the audience had to imagine the
physical details of a scene.
Two mechanical devices were used. One, a rolling cart or platform,
was sometimes employed to introduce action that had occurred offst ...
Drama (History from Greek to Medieval)
A presentation describing the history of drama from the very root of ancient greek rites to its reborn on medieval era
Greek theatre
Greek theater originated from hymns sung in honor of Dionysus. These evolved into dramatic performances involving costumes, masks and choruses. Tragedies and comedies were performed in outdoor theaters with central performance areas surrounded by tiered seating. Key elements included a chorus, masked actors playing multiple roles, and stories based on mythology. Sophocles was one of ancient Greece's most famous playwrights, known for his tragedies exploring the relationship between humans and the gods like Oedipus and Antigone.
Presentation2
The origins of Greek theater can be traced back to ancient hymns called dithyrambs that were sung in honor of Dionysus. These evolved into choral performances where participants wore costumes and masks. Greek tragedies and comedies were performed in outdoor theaters with a circular orchestra space for dancing and a seating area carved into hillsides. Major playwrights included Aeschylus, Sophocles, and Euripides. Sophocles' plays like Oedipus and Antigone featured complex characters and themes of human fate and free will.
Greek Theatre
The origins of Greek theater can be traced back to ancient hymns called dithyrambs that were sung in honor of Dionysus. These evolved into choral performances where participants wore costumes and masks. Greek tragedies and comedies were performed in outdoor theaters with a circular orchestra space for dancing and a seating area carved into hillsides. Major playwrights included Aeschylus, Sophocles, and Euripides. Sophocles' plays like Oedipus and Antigone explored the relationship between gods and human fate through complex characters and moral dilemmas.
Introduction to drama
Drama originated in ancient Greece between 600-200 BC and was associated with religious festivals. The Greeks produced tragedies and comedies. Drama was then adopted by the Romans and spread throughout Europe and the Mediterranean world. During the Middle Ages, religious plays became popular ways to teach Christianity. The Renaissance saw a rebirth of Greek and Roman plays and the development of new secular dramas, particularly in Elizabethan England with playwrights like Shakespeare and Marlowe.
Ancient Greek Theater
Ancient Greek theater originated as a religious festival honoring Dionysus between 550-220 BCE in Athens. Plays were performed outdoors with minimal technology, requiring large masks and exaggerated movements. Tragedies told of a noble character's downfall through a flaw, while comedies mocked society. The structure included a chorus that sang and danced, and up to 3 actors who responded while wearing masks that amplified their voices and conveyed emotion from a distance.
WEEK 1 - What is Drama.pptx
Drama originated in ancient Greece and was performed as part of religious festivals. It later spread through the Roman Empire. The three main types of medieval European drama were mystery, miracle, and morality plays performed by the Christian Church. During the Renaissance, plays rediscovered Greek and Roman drama and were no longer restricted to religious themes. Shakespeare and other playwrights flourished in 16th century England. Asian countries also have long histories of drama, such as Sanskrit plays in ancient India, wayang puppet theater in Indonesia, Noh drama in Japan, and masked dance dramas in Korea.
Greek Theatre Presentation
Greek theatre originated from hymns sung in honor of Dionysus. The earliest theatres were simple outdoor spaces where actors and chorus performed plays. Over time, theatres evolved with designated spaces for the orchestra, stage, and audience seating. The ancient Greeks performed tragedies and comedies as part of religious festivals. Tragedies focused on human suffering, while comedies parodied society. Playwrights like Sophocles and Aristophanes helped establish the genres. Greek theatre laid the foundations for modern Western theatre.
Greek Theatre (Grade 8-Harmony Lesson in ARTS)
Greek theater originated from hymns sung in honor of Dionysus. Over time, these hymns evolved into dramatic performances involving costumes, masks, and choruses. Major elements of Greek theater included the orchestra where choruses performed, the theatron where audiences sat, and the skene which served as a backdrop. The earliest plays were performed in the Theater of Dionysus in Athens in the 5th century BC. Tragedies and comedies were the main types of plays, telling stories based on mythology. Tragedies focused on themes like hubris while comedies used satire. Sophocles was one of the most famous Greek tragedians, known for plays like Oedipus and Ant
History of Drama
This document provides a brief history of drama from its origins in ancient Greece to modern times. It notes that drama began in Greece around 500 BC with tragedies and comedies performed to worship gods. Thespis is considered the first actor. Drama declined under the Roman Empire but was revived by the Christian church in the form of miracle, morality, and mystery plays during the Middle Ages. Drama then flourished during the Renaissance, especially through the works of Shakespeare in Elizabethan England. Modern drama is characterized by realism and includes works from Shaw, Wilde, Yeats, and Synge. Key dramatic terms are also defined.
Aristotle's Poetics
Aristotle's Poetics provides the first systematic analysis of drama and poetry. In it, Aristotle defines tragedy, explores its effects, and analyzes its key elements like plot, character, thought, diction, song, and spectacle. He compares tragedy to epic poetry, addresses their differences, and argues that tragedy is a superior form. The Poetics outlines Aristotle's view of mimesis in art and establishes foundational concepts for literary criticism.
Mapeh greek theater
Greek theater originated in Athens between 550-220 BC with three main genres: tragedy, comedy, and satyr plays. Tragedies by playwrights like Aeschylus, Sophocles, and Euripides addressed serious themes through characters' downfalls. Comedies by Aristophanes and later Menander mocked those in power or portrayed everyday life. Satyr plays were performed between tragedies and parodied tragic characters through mythical half-human figures. The Greeks developed the first theaters and used performances to debate important issues.
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