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Chapter 5
A Day in the Life
of a Theatre
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
9 A.M.: Entering the Theatre
 A ghost light is kept
burning on stage all night
as a safety feature
 Custodians arrive to clean
theatre from the night
before
 Staff members such as
administrative assistants,
bookkeepers, and ticket
agents report for work
BobO’Connor/GettyImages
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
10 A.M.: Checking Wardrobe and
Planning for Next Season
 Artistic director: in charge of
the overall creative vision of
theatre
 Producer: financially backs
the theatre
 Literary manager: evaluates
new scripts and acts as
liaison between playwrights,
agents, and the theatre
 Costume crew: wash and
repair costumes
PatrickRiviere/GettyImages
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
11 A.M.: Rehearsing and Building the
Show
 Stage manager: assists
the director through the
rehearsal process
 Technical director:
supervises the
construction crews
 Prop master: in charge
of all the objects the
actors handle while on
stage
WilliamMissouriDowns
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
NOON: Fund-Raising, Designing, and
Sewing
 Artistic director:
lunches with potential
patron
 Meanwhile, in the
Costume Shop:
Drapers study the
costume designer’s
drawings and cut fabric
into patterns while
stitchers sew the fabric
patterns together
WilliamMissouriDowns
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
1 P.M.: More Rehearsing
 Musical director:
supervises all aspects
of the musical
 Choreographer:
creates dances and
teaches the steps to
performers
 Fight director: stages
safe, realistic onstage
fights AP Images/Keith Srakodc
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
2 P.M.: Creating Sets and Sounds,
and Advising the Director
 Sound designer:
creates a soundscape
and effects for the
show
 Set designer: creates
the production design
 Dramaturg: is a
literary advisor
Drew Farrell/ArenaPAL/Topham/Image Works
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
3 P.M.: Attending Meetings and
Creating a Mission Statement
 Production meeting takes place where all
aspects of the production are discussed
 Mission statement declares the theatre’s
purpose and key objectives
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
4 P.M.: Publicizing a Play and Fitting
Costumes
 The publicity department is working to promote
the next play
 Actors try on costumes with the costume shop
manager
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
5 P.M.: Brainstorming a Concept
During a concept
meeting for next
season, directors
and designers
brainstorm and
research future
productions.
WilliamMissouriDowns
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
6 P.M.: Preparing for the Evening
Performance
 The actors enter
through the stage
door usually located
behind the theatre
 The time the actors
arrive at the theatre
is known as their call
ClaudineMboligikpelaniNako
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
7 P.M.: Opening the House
 The house is lingo for
the place where the
audience sits
 The house manager is
in charge of the
ushers
 The greenroom is the
place where the
actors wait before
their entrances
©DonTurner.PropertyofCengageLearning.
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
8 P.M.: Performing the First Act
 The running
crew consists of
stagehands,
dressers, and
riggers
 Parts of the set
can include legs,
teasers, and the
cyclorama
WilliamMissouriDowns
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
9 P.M.: Performing the Final Act
 Actors discuss the
performance during
intermission
 The show can’t run
smoothly without
the lighting board
op, sound board op
and the stage
manager calling all
the cues
MikeGoldwater/AlamyStockPhoto
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
10 P.M.: Clearing Out
 After the curtain call,
actors return to
dressing rooms and
remove costumes and
makeup
 Backstage crews
clean up; prop master
puts away props;
running crews stow
equipment
WilliamMissouriDowns
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
11 P.M.: Bringing Out the
Ghost Light
Time to roll out the ghost light again, which
remains onstage until the next day.
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
Curtain Call
A theatre’s ensemble can be divided into four categories:
administrative, creative, construction, and production. And
at nearly any time of the day, members of the ensemble
are hard at work on the elements that create contemporary
professional theatre.
O.Rotem/Lebrecht/TheImageWorks
© 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.

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Dram 1310 Chapter 5 Lecture Slides: A Day in the Life of a Theatre

  • 1. Chapter 5 A Day in the Life of a Theatre © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 2. 9 A.M.: Entering the Theatre  A ghost light is kept burning on stage all night as a safety feature  Custodians arrive to clean theatre from the night before  Staff members such as administrative assistants, bookkeepers, and ticket agents report for work BobO’Connor/GettyImages © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 3. 10 A.M.: Checking Wardrobe and Planning for Next Season  Artistic director: in charge of the overall creative vision of theatre  Producer: financially backs the theatre  Literary manager: evaluates new scripts and acts as liaison between playwrights, agents, and the theatre  Costume crew: wash and repair costumes PatrickRiviere/GettyImages © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 4. 11 A.M.: Rehearsing and Building the Show  Stage manager: assists the director through the rehearsal process  Technical director: supervises the construction crews  Prop master: in charge of all the objects the actors handle while on stage WilliamMissouriDowns © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 5. NOON: Fund-Raising, Designing, and Sewing  Artistic director: lunches with potential patron  Meanwhile, in the Costume Shop: Drapers study the costume designer’s drawings and cut fabric into patterns while stitchers sew the fabric patterns together WilliamMissouriDowns © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 6. 1 P.M.: More Rehearsing  Musical director: supervises all aspects of the musical  Choreographer: creates dances and teaches the steps to performers  Fight director: stages safe, realistic onstage fights AP Images/Keith Srakodc © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 7. 2 P.M.: Creating Sets and Sounds, and Advising the Director  Sound designer: creates a soundscape and effects for the show  Set designer: creates the production design  Dramaturg: is a literary advisor Drew Farrell/ArenaPAL/Topham/Image Works © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 8. 3 P.M.: Attending Meetings and Creating a Mission Statement  Production meeting takes place where all aspects of the production are discussed  Mission statement declares the theatre’s purpose and key objectives © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 9. 4 P.M.: Publicizing a Play and Fitting Costumes  The publicity department is working to promote the next play  Actors try on costumes with the costume shop manager © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 10. 5 P.M.: Brainstorming a Concept During a concept meeting for next season, directors and designers brainstorm and research future productions. WilliamMissouriDowns © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 11. 6 P.M.: Preparing for the Evening Performance  The actors enter through the stage door usually located behind the theatre  The time the actors arrive at the theatre is known as their call ClaudineMboligikpelaniNako © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 12. 7 P.M.: Opening the House  The house is lingo for the place where the audience sits  The house manager is in charge of the ushers  The greenroom is the place where the actors wait before their entrances ©DonTurner.PropertyofCengageLearning. © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 13. 8 P.M.: Performing the First Act  The running crew consists of stagehands, dressers, and riggers  Parts of the set can include legs, teasers, and the cyclorama WilliamMissouriDowns © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 14. 9 P.M.: Performing the Final Act  Actors discuss the performance during intermission  The show can’t run smoothly without the lighting board op, sound board op and the stage manager calling all the cues MikeGoldwater/AlamyStockPhoto © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 15. 10 P.M.: Clearing Out  After the curtain call, actors return to dressing rooms and remove costumes and makeup  Backstage crews clean up; prop master puts away props; running crews stow equipment WilliamMissouriDowns © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 16. 11 P.M.: Bringing Out the Ghost Light Time to roll out the ghost light again, which remains onstage until the next day. © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.
  • 17. Curtain Call A theatre’s ensemble can be divided into four categories: administrative, creative, construction, and production. And at nearly any time of the day, members of the ensemble are hard at work on the elements that create contemporary professional theatre. O.Rotem/Lebrecht/TheImageWorks © 2018 Cengage Learning. All Rights Reserved. May not be scanned, copied or, duplicated or posted to a publicly accessible website, in whole or in part.