Digital Strategies 2016

IMPACT Centre of Competence

The document summarizes a Hackathon event held at the Museu Picasso in Barcelona to encourage open data sharing and innovation in cultural heritage. The Museu Picasso participated to spread knowledge more widely and support open content. At the Hackathon, 20 developers created 17 projects using open data from sources like Europeana. The outcomes benefited Europeana through promotion, the Museu Picasso by positioning it as innovative, and developers through networking and recognition. Challenges included encouraging open data use and ensuring Hackathon prototypes become real apps.

Milena distribution engagement

Europeana

This document outlines the distribution and engagement team at Europeana, including their structure, responsibilities, and synergies with Europeana projects. The team is led by Milena Popova and includes specialists focused on B2B marketing, events, social media, content research, and Europeana projects. External consultants also support end-user engagement. Synergies between projects include using thematic channels on Europeana's portal to promote specific content to wider audiences with minimal resources.

[Group 06] Imperial War Museum

GP Design PS

The document discusses plans to improve an interactive war museum (IWM). It considers research on the site's current use and visitors. Various case studies of other museums are examined. Initial ideas are presented for a new masterplan, gallery, cross bridges, and light project. A critical session evaluates these concepts. The gallery and extended experience projects are selected. Objectives are set for short term project teams and long term goals covering areas like value, planning risk, user experience, and outreach. The final objectives aim to increase space for exhibitions and commerce, and visitor numbers.

Gallipoli in Minecraft - Museums and the Web 2016 - #MWXX

Nils Pokel

Succeed Introduction - Rafael Carrasco

Open Culture Data: Opening GLAM Data Bottom-up

Open Knowledge Belgium

This document outlines digital strategies for museums and cultural heritage organizations. It discusses establishing goals, pilot projects, feedback analysis, and iterative improvement. Key strategies addressed include collections management, digital infrastructure, exhibitions and curation, and communications. Examples from Tate, Cooper Hewitt, and Rijksmuseum demonstrate audience-centered and open approaches across platforms to make collections accessible and reusable. The task section prompts designing a project strategy documenting the process from concept to deployment and integration with existing approaches. A presentation of the strategy is requested in December.

DOM E-5064 05102015

The document discusses digital strategies for museums and cultural heritage institutions. It provides examples of mission statements from various art museums and describes key elements of the museum system including collections management, the life cycle of an artifact, and curating in the digital age. It also explores options for collections management systems, using social networks to extend collections, and developing a digital collections strategy.

B1 maria teresanatale_storytelling_movio

B1 maria teresanatale_storytelling_movio

iDiscover Interactief Erfgoed

M&W2009 - The Design of Context-Specific Educational Mobile Games

DOM E-5064 02102015

This document discusses strategies for integrating physical and digital spaces in museums. It begins by providing historical examples of how museums have incorporated digital technologies, such as the Studiolo of Francesco I and the Musaeum of Alexandria. It then examines modern museums that have blended physical and online collections, like the EMMA Espoo Museum of Modern Art. The document outlines the different spaces in a museum from the visitor and institution's perspectives, separating physical exhibition spaces from invisible digital spaces like data centers and digitization labs. It advocates for a convergence of physical and digital applications, collections, and experiences to create a unified "Museum Information Model."

MUSEUM CONTENT STRATEGY by Conxa Roda (WAM15)

WeAreMuseums

Connecting to audiences is a main thread in museums today. Our role as connectors between the collection / knowledge and the visitors / users is gaining strength, and to achieve that, content is a precious jewel. Museums are content generators by nature. Lots of content. From many different sources and media, though a diversity of channels and platforms. Do you find it difficult to activate an internal collaborative process to get passive, unmotivated or overworked people on board? Do you even know what content is produced in your organisation and why? Not to get lost or become uneffective, a content strategy is needed to optimize time and resources and, most of all, to better serve our audiences. Content strategy involves planning and governance of content inside an organisation. We’ll see the big picture and also get down to practicalities such as kickoff meetings, content audits, editorial guides, workflows, the main basic steps to develop an effective content strategy. Best practices of museums will be presented. Bibliography: -Bloomstein, Margot (2012). Content Strategy at Work. MK -Chmiel, Kate (2012). -“Too much stuff! Content strategy for museum websites” – Halvorson, Kristina (2012) Content Strategy for the Web (2nd ed.), Pearson. -Kissane, Erin (2010). The Elements of Content Strategy. -McGovern, Gerry (2006) Killer Web Content. A&C Black -Watcher, Sara (2012) Content Everywhere: Strategy and Structure for Future-Ready Content. Rosenfeld. Rodà, Conxa & Tasich, Tijana (2015): Museums Content Strategy workshop

Enrich, Link, Search

Michiel Hildebrand

Michiel Hildebrand: CultuurLINK: Connecting Cultural Heritage

Semantic Web Company

This document summarizes the lean approach for building advanced search applications over linked open data. It discusses using open data to enrich internal data by integrating additional datasets using alignment techniques. It then demonstrates how to model complex search functionality by combining graph queries and ranking using probabilistic graph databases and building blocks. Key requirements are addressed for the integration step, such as quality control and sustainability, and the access step, such as modeling complex search and combining graph queries and ranking. Demo applications are shown that were built in this lean manner to provide enriched access to cultural heritage data and other domains.

From Digitisation to Preservation, Creative Re-Use of Cultural Content, and C...

Lizzy Komen

Museum digital trends_icofom

Museum content strategy _#ConfabEU

Historisches Museum Basel

HMB Digital Strategy 2015-17 (EN)

The Basel Historical Museum's 2015-2017 digital strategy document outlines their vision, mission, and areas of application for integrating digital media. Their vision is to use digital media as part of an integrated audience strategy to examine history, ask future-oriented questions, and communicate with a worldwide community. Their mission sees digital media as "e-culture" that completes existing work, creates new access options, and widens their communication network. Key areas of application include developing digital education formats, adding digital elements to exhibitions, strategic social media use, optimizing collection access online, and ensuring technical infrastructure and processes.

Research and Development at Sound and Vision

Victor de Boer

Jan Simons (UvA) over call Reflective 6 van Horizon 2020

Media Perspectives

This document discusses potential projects for the Horizon2020 Reflective 6 call on innovation ecosystems of digital cultural assets. It describes four potential projects: 1. Augmenting Masterpieces, which would develop interfaces between the physical and digital collections of the Rijksmuseum to augment visitors' experiences. 2. Modeling Crowdsourcing for Cultural Heritage (M.O.C.C.A.), which would analyze crowdsourcing projects to develop a model for determining when and how crowdsourcing is appropriate. 3. Concert 3.0, a collaboration with the Royal Concertgebouw aiming to enhance the classical music concert experience through digital technologies. 4. #Hooked,

DOM E-5064 26102015

This document discusses museum user interfaces and digital strategies for cultural heritage institutions. It begins by noting that search engines are now the standard interface for accessing culture online. It then examines the multiplicity of interfaces that can be used, including physical, performative, graphical, virtual, tangible and mixed interfaces. The document suggests that the ideal museum user interface would facilitate engagement between collections, audiences, processes, and physical spaces. It proposes designing a mixed interface combining aspects of different interface types and allowing for participation. It asks participants to design such an interface and consider what kind of interface could work for a specific museum.

Methodological Proposals for Designing Federative Platforms in Cultural Linke...

Antoine Courtin

As part of the on-going Labex project "Past in the present", our proposal aims at highlighting the organizational issues of Linked Data projects that have to deal with pluri-institutional contexts, among which libraries. First, we will discuss what is at stake. Second, we will present a methodology based on the building of several diagrams which highlight technical, conceptual, and organizational obstacles. We will also address the issues of designing and producing an information system intended to ensure the transmission of scientific skills, the exploitation of major vocabularies, associated to specific vocabularies, by foreign institutions and the harmonizing or building of bridges between heterogeneous descriptions.

MW2009: Presentation Slides: Mobile Guides and Context-Specific Educational M...

idiscoverbelgium

The document discusses research projects aimed at enhancing the museum experience through mobile technologies. It describes two projects - ARCHIE and RITCHIE - which focused on developing mobile guides and games. It also outlines some basic principles for using ICT in museums, including tailoring the experience to visitors' needs and encouraging social interaction. Finally, it discusses the design of a mobile game for teenagers based on these principles, focusing on personalization, localization, communication, and user-centered design.

UI design for open data V02 nov 2014

Hollie Lubbock

Hollie Lubbock is a UX/visual designer at Bureau for Visual Affairs in London. This document discusses how design can help communicate data and cases where cultural organizations are using open data. It provides examples of museums like the V&A and British Museum that have released collection data. The document also highlights projects by Hollie Lubbock using open data from cultural organizations to create engaging data visualizations and experiences for users.

Fabricating Potentials

Shelby Elizabeth Doyle

An interdisciplinary studio of 16 students from architecture, industrial design, and interior design backgrounds worked to design and construct a temporary pavilion for the 80/35 Music Festival in Des Moines, Iowa. Students researched precedents, explored digital fabrication techniques, and traveled to New Orleans to experience festival culture. They developed initial proposals with a focus on modularity, constructibility, and potential for digital interaction. Their goal was to experiment with both traditional and innovative computational methods of material practice and construction.

Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...

SOFTTECHHUB

The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing. One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.

A tale of scale & speed: How the US Navy is enabling software delivery from l...

sonjaschweigert1

Rapid and secure feature delivery is a goal across every application team and every branch of the DoD. The Navy’s DevSecOps platform, Party Barge, has achieved: - Reduction in onboarding time from 5 weeks to 1 day - Improved developer experience and productivity through actionable findings and reduction of false positives - Maintenance of superior security standards and inherent policy enforcement with Authorization to Operate (ATO) Development teams can ship efficiently and ensure applications are cyber ready for Navy Authorizing Officials (AOs). In this webinar, Sigma Defense and Anchore will give attendees a look behind the scenes and demo secure pipeline automation and security artifacts that speed up application ATO and time to production. We will cover: - How to remove silos in DevSecOps - How to build efficient development pipeline roles and component templates - How to deliver security artifacts that matter for ATO’s (SBOMs, vulnerability reports, and policy evidence) - How to streamline operations with automated policy checks on container images

Similar to Digital Strategies 2016

DOM E-5064 09102015

DOM E-5064 05102015

B1 maria teresanatale_storytelling_movio

B1 maria teresanatale_storytelling_movio

iDiscover Interactief Erfgoed

M&W2009 - The Design of Context-Specific Educational Mobile Games

DOM E-5064 02102015

MUSEUM CONTENT STRATEGY by Conxa Roda (WAM15)

WeAreMuseums

Enrich, Link, Search

Michiel Hildebrand

Michiel Hildebrand: CultuurLINK: Connecting Cultural Heritage

Semantic Web Company

From Digitisation to Preservation, Creative Re-Use of Cultural Content, and C...

Lizzy Komen

Museum digital trends_icofom

Museum content strategy _#ConfabEU

Historisches Museum Basel

HMB Digital Strategy 2015-17 (EN)

Research and Development at Sound and Vision

Victor de Boer

Jan Simons (UvA) over call Reflective 6 van Horizon 2020

Media Perspectives

DOM E-5064 26102015