SlideShare a Scribd company logo
Crea%vity	
  and	
  technology	
  
Explorers	
  Fes%val	
  
Lisbon,	
  Nov	
  2013	
  

1	
  
60

50

Press
TV

40

Internet
Outdoor & Transport

30

Radio
Cinema

20

10

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

0

“Our	
  conclusion:	
  The	
  vast	
  majority	
  of	
  all	
  growth	
  generated	
  by	
  today’s	
  crea%ve	
  
sector	
  is	
  digital.	
  Digital	
  is	
  and	
  will	
  be	
  at	
  the	
  heart	
  of	
  the	
  sector’s	
  future.”	
  
Booz	
  &	
  Co	
  “Digital	
  Future	
  of	
  Crea3ve	
  UK	
  report”	
  2013	
  
SANDBOX
BOOKS & PRINT
Exploring the digital opportunity

“We suffer for lack of utopian
ideas around which to
organize competing images
of possible futures.”
Alvin Toffler – Future Shock 1970
1

DISRUPTIVE NOT
DESTRUCTIVE

Dollar Princess

A digital publishing industry changes
shape and process but not necessarily its
core tasks – production and distribution
for example continue, just radically
altered. The fundamentals of an audience
desiring a user experience which
satisfies their immediate need, whether
information or entertainment, remains.

SANDBOX BOOKS & PRINT
2

COHERENCE
IS KEY

Writer on the Train

Just because digital allows you to add
scale, content and interactivity, it doesn’t
mean you should. The essential element of
a coherent “narrative” or path generated
by an authorial or curatorial “voice” is
not changed, interactivity in itself is not
enough. You can afford users an immediacy
of connection and discoverability, but
people like structure.

SANDBOX BOOKS & PRINT
3

ADOPT
NOT ADAPT

These Pages Fall Like Ash

The potential of digital to change modes
of interaction with text or content, or
experiment with form and marketing, is
fundamentally a creative opportunity.
Simply re-purposing work for a digital
platform misses that potential entirely.
Create new “native” works which
incorporate the possibilities for extension.

SANDBOX BOOKS & PRINT
4

CONTEXT AND
CONNECTION

Book Kernel
Photograph/project credit

Technology allows the creative adoption
and interpretation of other inputs to
add context, connection, relevance (and
magic). This could be location, movement
or even biometric feedback, changing
interaction and driving an entirely new
layer of audience immersion, producing
compelling original experiences.

SANDBOX BOOKS & PRINT
5

VALUE OF THE
PHYSICAL

Jekyll 2.0
Photograph/project credit

A digital future does not by necessity
negate a physical product – in fact it may
do the opposite. Physical publication
still bestows a validation and embodies
an expression of value, and the clever
combination of both digital and physical
– playing to the separate strengths of
each medium – generates commercial and
creative potential.

SANDBOX BOOKS & PRINT
Insert	
  incuba%on	
  slide	
  
“WE ARE EXPLORERS”
Mark	
  Leaver	
  
UKTI	
  crea%ve	
  /	
  digital	
  adviser	
  
mark.leaver@uk%specialist.com	
  
+44	
  7884	
  490937	
  
@mark_leaver	
  

19	
  

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Digital Creativity is the Competitive Edge - Mark Leaver

  • 1. Crea%vity  and  technology   Explorers  Fes%val   Lisbon,  Nov  2013   1  
  • 2. 60 50 Press TV 40 Internet Outdoor & Transport 30 Radio Cinema 20 10 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 0 “Our  conclusion:  The  vast  majority  of  all  growth  generated  by  today’s  crea%ve   sector  is  digital.  Digital  is  and  will  be  at  the  heart  of  the  sector’s  future.”   Booz  &  Co  “Digital  Future  of  Crea3ve  UK  report”  2013  
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  • 4. SANDBOX BOOKS & PRINT Exploring the digital opportunity “We suffer for lack of utopian ideas around which to organize competing images of possible futures.” Alvin Toffler – Future Shock 1970
  • 5. 1 DISRUPTIVE NOT DESTRUCTIVE Dollar Princess A digital publishing industry changes shape and process but not necessarily its core tasks – production and distribution for example continue, just radically altered. The fundamentals of an audience desiring a user experience which satisfies their immediate need, whether information or entertainment, remains. SANDBOX BOOKS & PRINT
  • 6. 2 COHERENCE IS KEY Writer on the Train Just because digital allows you to add scale, content and interactivity, it doesn’t mean you should. The essential element of a coherent “narrative” or path generated by an authorial or curatorial “voice” is not changed, interactivity in itself is not enough. You can afford users an immediacy of connection and discoverability, but people like structure. SANDBOX BOOKS & PRINT
  • 7. 3 ADOPT NOT ADAPT These Pages Fall Like Ash The potential of digital to change modes of interaction with text or content, or experiment with form and marketing, is fundamentally a creative opportunity. Simply re-purposing work for a digital platform misses that potential entirely. Create new “native” works which incorporate the possibilities for extension. SANDBOX BOOKS & PRINT
  • 8. 4 CONTEXT AND CONNECTION Book Kernel Photograph/project credit Technology allows the creative adoption and interpretation of other inputs to add context, connection, relevance (and magic). This could be location, movement or even biometric feedback, changing interaction and driving an entirely new layer of audience immersion, producing compelling original experiences. SANDBOX BOOKS & PRINT
  • 9. 5 VALUE OF THE PHYSICAL Jekyll 2.0 Photograph/project credit A digital future does not by necessity negate a physical product – in fact it may do the opposite. Physical publication still bestows a validation and embodies an expression of value, and the clever combination of both digital and physical – playing to the separate strengths of each medium – generates commercial and creative potential. SANDBOX BOOKS & PRINT
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  • 19. Mark  Leaver   UKTI  crea%ve  /  digital  adviser   mark.leaver@uk%specialist.com   +44  7884  490937   @mark_leaver   19